“Transcultural Worlds: Politics of Place, Race and Gender in the Writing of Canadian Women of Afro-Caribbean Descent.” SARE: Southeast Asian Review of English. Forthcoming.

 “(Post)Colonial Mimicry and the Shift from Commonwealth to Postcolonial Literatures: A Comparison between Patrick White’s “The Twitching Colonel” (1937) and Manuka Wijesinghe’s Theravada Man(2009).” In Cynthia Vanden Driesen and Bill Ashcroft, ed. Patrick White Centenary: The Legacy of a Prodigal Son. Newcastle upon Tyne: Cambridge Scholars Press, 2014. Pp. 302-318.

 “Ameena Hussein’s The Moon in the Water: a critical intervention from a Sri Lankan Muslim.” Phoenix Vol. X & XI (2013-2014) 105-122.

 “Thug Controversies, or, Past and Present Views of Thuggee” in Reviewing Imperial Conflict. Ed. Ana Mendes and Cristina Baptisa. Newcastle upon Tyne: Cambridge Scholars Press, 2013. Pp. 157-167

 “Canadian into Catalan: The Translation of Anglo-Canadian Authors in Catalonia” in Rewriting Canadian Literature in Spain. Ed. Pilar Somacarrera. Warsaw: Versita, 2013. With Marta Ortega Sáez. Pp. 90-107.

 ““Enormous Cracks, Towering Mountains”: The Displacement of Migration as Intimate Violence in Sri Lanka-Australia Migration Narratives.” South Asian Review Vol 33, 3 (2012) 125-138.

 “Eating One’s Way through History: Food and Politics in Manuka Wijesinghe’s Monsoons and Potholes.Coolabah 5 (2011) 3-14.

 “Afroeurope in the Canary Islands: An Interview with Antonio Lozano” in Afroeurope: Readings and Projects. Ed. Sabrina Brancato. Newcastle upon Tyne: Cambridge Scholar Press, 2011. Pp. 223-231.

 “Migración y contextos multiculturales: Literaturas de origen srilanqués en Canadá y Australia” in Lives in Migration: Rupture and Continuity. Barcelona: Centre d’Estudis Australians, 2011. Pp. 91-108.

 “Tracing Hybridity in Sri Lankan Writing: Yasmine Gooneratne’s A Change of Skies.” In Change, Conflict and Convergence: Austral–Asian Scenarios. Ed. Cynthia and Ian Vanden Driesen. New Delhi: Orient BlackSwan, 2011. Pp. 326-339.

 “Multiple Serendips: Patterns of Hybridity in Sri Lankan Writing and Jean Arasanayagam’s ‘All is Burning’” in Indicities/Indices/Indícios: Hybridations problématiques dans les littératures de l’Ocean Indien. Ed. Felicity Hand and Mar García. Saint-Pierre: Editions K’A, 2010. Pp. 99-116.

 “A Pedagogy of Devastation: National Catholicism and Cultural Annihilation in Children’s Literature in Franco’s Spain” in Indigeneity: Culture and Interpretation. Ed. Geoffrey Davies and Ganesh Devy. New Delhi: Orient BlackSwan, 2009. 319- 328. With Marta Ortega Sáez. Pp. 319-328.

  “Tracing the Modern and the Postmodern in Two Novels by Margaret Atwood.” Canadaria 5 (2009) 7-16.

“Hacia una teoría de la escritura: requisitos para la praxis de la escritura creativa y apuntes sobre su didáctica.” Moenia 14 (2009) 405-415.