{"id":734,"date":"2024-02-27T20:01:40","date_gmt":"2024-02-27T18:01:40","guid":{"rendered":"https:\/\/webs.uab.cat\/arsad\/?page_id=734"},"modified":"2024-02-29T16:12:39","modified_gmt":"2024-02-29T14:12:39","slug":"arsad2023","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/arsad\/arsad2023\/","title":{"rendered":"ARSAD 2023"},"content":{"rendered":"\n<p>ARSAD 2023 took place in Barcelona on 20-21 April 2024. <\/p>\n\n\n\n<p>You can access information about:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li> the <a href=\"https:\/\/webs.uab.cat\/arsad\/keynote2023\/\">keynote speaker<\/a>, Sophie Frilley, CEO at TITRAFILM.<\/li>\n\n\n\n<li>the <a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/ARSAD-programme-updated-15-04-2023.pdf\">programme<\/a> (also available below)<\/li>\n\n\n\n<li>the <a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/ARSAD-book-of-abstracts-updated-16-04-2023.pdf\">book of abstracts<\/a><\/li>\n\n\n\n<li>the <a href=\"https:\/\/webs.uab.cat\/arsad\/committees2023\/\">committees<\/a><\/li>\n\n\n\n<li>the <a href=\"https:\/\/webs.uab.cat\/arsad\/arsad2023concert\/\">social event<\/a>, Speaker&#8217;s Reception: Dark Chocolate, An Evening of Tasty Jazz, organised and sponsored by Bridge Multimedia.<\/li>\n\n\n\n<li><a href=\"https:\/\/webs.uab.cat\/arsad\/sponsors-2023\/\">the sponsors<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">PROGRAMME<\/h3>\n\n\n\n<p><strong>DAY 1. 20\/04\/2023<\/strong><\/p>\n\n\n\n<p>08.30-09.00 Registration<\/p>\n\n\n\n<p>09.00-09.15&nbsp;<strong>Welcoming words<\/strong>&nbsp;by Anna Matamala (Universitat Aut\u00f2noma de Barcelona, UAB)<\/p>\n\n\n\n<p>09.15-10.00&nbsp;<strong>Keynote speaker<\/strong>: Sophie Frilley (TITRAFILM), chaired by Federico Spoletti (SUB-TI)<\/p>\n\n\n\n<p>10.00-11.30&nbsp;<strong>Sound and voices<\/strong>, chaired by Anna Matamala (UAB) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bernd Benecke (Bayerischer Rundfunk): Designing with voices: The challenges of presenting and sound editing in Audio Description [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Benecke_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Brett Oppegaard (University of Hawaii): Is it Art? Or is it Audio Description? Experiments on the boundaries of media accessibility [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Oppegaard_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Roger Johansson, Jana Holsanova, Viveka Lyberg-\u00c5hlander, Erika Sombeck &amp; Tina Rastegar (Lund University\/\u00c5bo Academy): Spatiotemporal description of events in AD \u2013 the role of cognitive aspects and voice quality [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Johanssonetal_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Irene Hermosa (UAB) &amp; Nina Reviers (University of Antwerp): From theatre podcast to audio introductions and back [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Hermosa_Reviers_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>11.30-12.00 Coffee break<\/p>\n\n\n\n<p>12.00-13.30&nbsp;<strong>AD models and challenges<\/strong>, chaired by Nina Reviers (University of Antwerp) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Marie Campbell (Red Bee Media): The Art of Difficult Describing [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Campbell_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Marina Ramos &amp; Purificaci\u00f3n Meseguer Cutillas (University of Murcia): The role of ideology on the audio description process [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/RamosMeseguer_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Alejandro Romero (Universitat Jaume I): The multimodal configuration of the audio description script. A qualitative content analysis of the meaning codes [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Romero_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Iwona Mazur (Adam Mickiewicz University): Functional priorities in audio description [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Mazur_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>13.30-14.30 Lunch break<\/p>\n\n\n\n<p>14.30-16.00&nbsp;<strong>AD across the world<\/strong>, chaired by Iwona Mazur (Adam Mickiewicz University) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lucinea Villela (Sao Paulo State University): What makes a Brazilian audio description a Brazilian audio description? [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Villela_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Kulnaree Sueroj &amp; Mariana Lopez (University of York): The challenges of existing Thai Audio Description guidelines [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Sueroj_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Soledad \u00c1lvarez &amp; Mayte Gorrostorrazo (Universidad de la Rep\u00fablica): A Linguistic Study on Film Audio Description in Uruguay: the Project \u201cImage and Word in Motion\u201d [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/\u00c1lvarez-Gorrostorrazo_ARSAD-2023-1.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Laura Marra (Universit\u00e0 del Salento): \u201cShow or tell\u201d. The language of emotions in the Spanish and Italian AD [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Marra_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>16.00-16.30 Coffee break<\/p>\n\n\n\n<p>16.30-18.30&nbsp;<strong>Artistic practices<\/strong>, chaired by Lucin\u00e9a Villela (Sao Paulo State University) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jana Holsanova (Lund University), Vera Suvalo Grimberg (Dance Company Spinn) &amp; Tina Weidelt (Audiosyn): Recorded Audio Description as an integral part of the live dance performance of \u2018Miramos\u2019 [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Holsanova-et-al._ARSAD-2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Alicia Verd\u00fa &amp; Mar\u00eda Olalla Luque Colmenero (University of Granada): From Labanotation to subjectivity in the audio description of the contemporary dance piece Minerva [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Luque-Verd\u00fa_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Arianna Carloni (University of Surrey): Watching and Listening to Dance [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Carloni_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Chiara Bartolini (University of Bologna): Cultural accessibility strategies and museum AD in Italy: a (belated) emerging practice? [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Bartolini_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Mar\u00eda Jos\u00e9 Garc\u00eda-Vizca\u00edno (Montclair State University): Audio Description from Within: The Artist\u2019s Turn [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Garc\u00edaVizca\u00edno_ARSAD-2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Karen Seeley (The University of Adelaide): End-User experience of AD for the Performing Arts: Complexities beyond Practice [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Seeley_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>DAY 2. 21\/04\/2023<\/strong><\/p>\n\n\n\n<p>09.00-09.15 Registration<\/p>\n\n\n\n<p>09.15-10.30&nbsp;<strong>Technology and tools<\/strong>, chaired by Pilar Orero (UAB) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mereijn van der Heijden (Soundfocus) &amp; Ellen Schut (Earcatch): Pre-recorded AD for live events [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/EARCATCH-ARSAD-2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Eveline Ferwerda (Scribit.Pro): The Video Accessibility Plug-in [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Ferwerda-__-ARSAD-2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Mar\u00eda J. Valero Gisbert (Universit\u00e0 degli Studi di Parma): Audio description on mobile screens [pdf not available]<\/li>\n<\/ul>\n\n\n\n<p>10.30-11.00 Coffee break<\/p>\n\n\n\n<p>11.00-12.30&nbsp;<strong>Professional skills and certification<\/strong>, chaired by Estel\u00b7la Oncins (UAB) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Wendy Sapp (Bridge Multimedia): Improving Audio Description through Quality Control Reviewers who are Blind [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/SappW_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Joel Snyder (Audio Description Associates, LLC- Audio Description Project of the American Council of the Blind): UPDATE: Becoming a *certified* Audio Describer [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Snyder_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Alicja Zajdel (University of Antwerp): Professional identity profiles among audio describers [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Zajdel_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Anna Jankowska (University of Antwerp): Pivot Templates in Audio Description: Performance and Attitude of Translators [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Jankowska_ARSAD-2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>12.30-13.30&nbsp;<strong>Audio describing videogames<\/strong>, chaired by Sarah McDonagh (UAB) (15\u2019 presentations + 15\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Xiaochun Zhang (University College London) &amp; Polly Goodwin: AD4Games: applying Audio Description in Video Games [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Xiaochun_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Mar\u00eda Eugenia Larreina &amp; Carme Mangiron (UAB): Audio Description and Video Games \u2013 Results from a survey and interviews in Spain [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Larreina_MangironARSAD-2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Miguel \u00c1ngel Oliva- Zamora (UAB): Audio Introductions for Video Games [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Oliva_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>13.30-14.30 Lunch break<\/p>\n\n\n\n<p>14.30-16.00&nbsp;<strong>Multimodality and creativity<\/strong>, chaired by Anna Jankowska (University of Antwerp) &nbsp;(15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Aneta Pawlowska &amp; Daria Rutkowska-Siuda (University of Lodz): Tactile Architectural Drawings as a tool to support audio description [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Pawlowska-Rutkowska_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Adriana da Paixao (Centro de Apoio Pedag\u00f3gico \u00e0 Pessoa com Defici\u00eancia Visual Profa. C\u00e1tia Paim): Audio description of illustrated books: A multimodal Reading proposal [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Paixao_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Marcella Wiffler Stefanini (State University of Campinas, Unicamp): Audio description of \u201cVinil Verde\u201d: audio describing the horror gender [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Stefanini_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Gert Vercauteren (University of Antwerp): Creativity in the audio description of non-fictional content. The case of the Flemish documentary \u2018Beest\u2019 [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Vercauteren_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n<\/ul>\n\n\n\n<p>16.00-16.30 Coffee break<\/p>\n\n\n\n<p>16.30-17.45&nbsp;<strong>New audiences, new approaches,<\/strong>&nbsp;chaired by Gert Vercauteren (University of Antwerp) (15\u2019 presentations + 30\u2019 discussion)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Monika Zabrocka (Jagiellonian University Krakow) &amp; Grzegorz Kata \/University of Economics and Innovation, Lublin): Accessibility has many names. Audio description has many roles [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Zabrocka_Kata_ARSAD-2023-1.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Yolanda Moreno Monta\u00f1o (University of Vic \u2013 Central University of Catalonia):&nbsp; Audio description: a learning tool for students with cognitive disabilities. A reception study [<a href=\"https:\/\/webs.uab.cat\/arsad\/wp-content\/uploads\/sites\/251\/2023\/04\/Moreno_ARSAD2023.pdf\">pdf<\/a>]<\/li>\n\n\n\n<li>Matt Kaplowitz (Bridge Multimedia) &amp; Joel Snyder (Audio Description Associates, LLc-Audio Description Project of the American Council of the Blind): Can you see Gravity? Audio description and Early Education [pdf not available]<\/li>\n<\/ul>\n\n\n\n<p>17.45-18.00&nbsp;<strong>Concluding remarks&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>ARSAD 2023 took place in Barcelona on 20-21 April 2024. You can access information about: PROGRAMME DAY 1. 20\/04\/2023 08.30-09.00 Registration 09.00-09.15&nbsp;Welcoming words&nbsp;by Anna Matamala (Universitat Aut\u00f2noma de Barcelona, UAB) 09.15-10.00&nbsp;Keynote speaker: Sophie Frilley (TITRAFILM), chaired by Federico Spoletti (SUB-TI) 10.00-11.30&nbsp;Sound and voices, chaired by Anna Matamala (UAB) (15\u2019 presentations + 30\u2019 discussion) 11.30-12.00 Coffee [&hellip;]<\/p>\n","protected":false},"author":83,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-734","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/pages\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":4,"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/pages\/734\/revisions"}],"predecessor-version":[{"id":829,"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/pages\/734\/revisions\/829"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/arsad\/wp-json\/wp\/v2\/media?parent=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}