{"id":46,"date":"2021-06-24T21:49:22","date_gmt":"2021-06-24T19:49:22","guid":{"rendered":"https:\/\/blogs.uab.cat\/carmefont\/?page_id=46"},"modified":"2026-03-08T12:54:21","modified_gmt":"2026-03-08T10:54:21","slug":"publications","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/carmefont\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"
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Books <\/strong><\/p>\n\n\n\n

2026 (forth.). Women Writing on Social Change in Early Modern Europe<\/em>. Turnhout: Brepols.<\/p>\n\n\n\n

2026 (forth.). Antolog\u00eda de poetisas del Renacimiento ingl\u00e9s<\/em>, Carme Font. Madrid: Ediciones C\u00e1tedra, Colecci\u00f3n Letras Universales. Translation, notes and critical edition of a selection of English Seventeenth and Eighteenth-century women poets.<\/p>\n\n\n\n

2017. Women’s Prophetic Writings in Seventeenth-Century Britain<\/em>, Carme Font. London, New York: Routledge. ISBN: 978-1138646926. See Reviews of the Book in Women’s Writing<\/a>,<\/em> Tulsa Studies<\/a>, Seventeenth Century News<\/a>, Sederi<\/a>, <\/em>and Nexus<\/a>.<\/em><\/p>\n\n\n\n

2018. Economic Imperatives for Women’s Writing in Early Modern Europe, <\/em>Carme Font and Nina Geerdink (eds). Leiden, Boston: Brill. ISBN: 978-9004383029. See reviews in Knjizenstvo journal<\/a><\/em> , EMW Journal<\/a><\/em> and Renaissance Quarterly<\/a>.<\/em><\/p>\n\n\n

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Book Chapters<\/strong><\/p>\n\n\n\n

2027 (forth). \u201cNarratives of Faith and Grace in Early Modern Women\u2019s Writing\u201d. in Europe in the World: A Literary History, 1529-1683<\/em>. Warren Boutcher (ed.). Oxford: Oxford University Press.<\/p>\n\n\n\n

2026 (forth). “Genealogies of Individual Conscience in Women\u2019s Spiritual Writings of the Long Reformation\u201d, in Women of the Book: Early Modern Religious Culture, 1450-1800. <\/em>Earle Havens & Erin Rowe (eds.). Pennsylvania: Penn State University Press.<\/p>\n\n\n\n

2025. \u201cOn Divine Bondage: Obedience and Freedom of Conscience as Paths for Intellectual Inquiry in Early Modern Women\u2019s Spiritual Writings\u201d, in Studies<\/em> on the Archaeology of the Female Intellectual Identity in Early Modern Europe<\/em>. Sabrina Ebbersmeyer (ed.). Leiden: Brill. pp. 143-169. https:\/\/doi.org\/10.1163\/9789004703155_007<\/p>\n\n\n\n

2025. “Elizabeth’s Warren, Pamphleteer”. In: The Palgrave Encyclopedia of Early Modern Women’s Writing<\/em>. Palgrave Macmillan, Rosalind Smith (eds.). London: Palgrave Macmillan, pp. 1-3. Springer Living Edition: https:\/\/doi.org\/10.1007\/978-3-030-01537-4_448-1<\/p>\n\n\n\n

2024. “Eleanor Davies\u2019 Prophetic Manuscript Letters (1648-1650)\u201d, in The Palgrave Encyclopaedia of Early Modern Women’s Writing<\/em>. Patricia Pender, Rosalind Smith (eds.). London: Palgrave Macmillan. pp. 139-152. Springer Living Edition: https:\/\/doi.org\/10.1007\/978-3-030-01537-4_46-1<\/p>\n\n\n\n

2023. “Qualities which Many Think Most Unlikely to be Found in Women: Genderfluid Textualities in Samuel Torshell\u2019s The Womans Glorie (1650)”, in Recovering Women\u2019s Past: New epistemologies, New ventures<\/em>. Severine Genieys-Kirk (ed.). Lincoln: University of Nebraska Press, pp. 109-137.<\/p>\n\n\n

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2023. \u201cPersonal Conscience and Social Change in Seventeenth-century Women\u2019s Prophetic Writings\u201d, in The Querelle des Femmes and the Bible<\/em>. \u00c1ngela Mu\u00f1oz (ed.). Leiden: Brill-Society of Biblical Literature. Vol. 13:1.<\/p>\n\n\n\n

2021. \u201cReader-response Criticism in The Seven Ravens\u201d, in Theoretically Speaking about Literature: Understanding Theory in the Study of Literary Works<\/em>. David Owen, Cristina Pividori (eds.). Newcastle upon Tyne: Cambridge Scholars, pp. 53-68.<\/p>\n\n\n\n

2019. “Genealog\u00eda de las Autor\u00edas Femeninas en los Siglos xvii-xviii: \u00bfHistoriograf\u00eda o Ecolog\u00eda Autorial?”, in \u00bfQu\u00e9 es una autora? Encrucijadas entre g\u00e9nero y autor\u00eda. <\/em>Aina P\u00e9rez & Meri Torras (eds.). Barcelona: Ic\u00e0ria Editorial, pp. 73-96. See reviews in Estudios de Teor\u00eda Literaria, Nomad\u00edas<\/a>, <\/em>y Cultura, lenguaje y representaci\u00f3n<\/a>.<\/em><\/p>\n\n\n\n

2018. “Writing for Patronage or Patronage for Writing? Two Case Studies in Seventeenth-century and Post-Restoration Women\u2019s Poetry in Britain”, in Economic Imperatives for Women\u2019s Writing in Early Modern Europe. <\/em>Carme Font & Nina Geerdink (eds.). Leiden, Boston: Brill, pp. 97-123.<\/p>\n\n\n\n

2018. Font, Gerdink. “Women, Professionalization, and Patronage”, in Economic Imperatives for Women\u2019s Writing in Early Modern Europe. <\/em>Carme Font & Nina Geerdink (eds.). Leiden, Boston: Brill, pp.1-15.<\/p>\n\n\n\n

2017. “Mary Hays’ Invisible Women: Manuscript Poetry and the Practice of Life-Writing in Ann Yerbury (1729-1754)”, in The Invention of Female Biography. <\/em>Gina Luria Walker (ed.). New York: Routledge, pp.105-123.<\/p>\n\n\n\n

2017. “‘Words that Inspire the Body of a Mayd’: Female Prophecy and Translation in the Elizabethan Court”, in Sfaccettature della traduzione letteraria. <\/em>Jutta Linder, Helena Aguil\u00e0, Donatella Siviero (eds.). Roma: Editoriale Artemide, pp. 79-92.<\/p>\n\n\n\n

2014. “Translation and Rewriting of Sibylline Prophecies: The Case of Jane Seager” (repr.), in Translatio: Transition, Mobility and Change in Medieval Culture. <\/em>Alberto Reche (ed.). Santa Coloma de Queralt: Obrador Ed\u00e8ndum, pp. 63-73.<\/p>\n\n\n\n

2014. \u201cMe cas\u00e9 con \u00e9l, lector\u2019: el arte de la felicidad conyugal en Jane Eyre<\/em>\u201d, in Figuras del deseo femenino: doce representaciones de la mujer en la literatura occidental. <\/em>Joan Curbet (ed.). Madrid: Ediciones C\u00e1tedra, pp. 361-395.<\/p>\n\n\n\n

2014. \u201cA modo de ep\u00edlogo: coda y contrapunto del deseo femenino\u201d, in Figuras del deseo femenino: doce representaciones de la mujer en la literatura occidental. <\/em>Joan Curbet (ed.). Madrid: Ediciones C\u00e1tedra. pp. 571-585.<\/p>\n\n\n\n

2013. \u201cThe Cry of a Virgin: Gender and Self-Representation in Lady Eleanor Davies’ Prophetic Texts”, in Narration et Genre. Les Femmes \u00c9crivains dans l’Histoire Europp\u00e9ene Jusqu’au D\u00e9but du XXe Si\u00e8cle. <\/em>Lieselotte Steinbr\u00fcgge & Suzan van Dijk (eds.). Leuven: Peeters Publishers. Collection La R\u00e9publique des Lettres, Vol. 1, pp. 215-226.<\/p>\n\n\n\n

2013. “Impromtu Readings: Learning to Identigy Narrators in Extracurricular Texts”, in Reading Between the Lines: Discussing Narration in the Literature Class. <\/em>A. Monnickendam, D. Owen, and C. Pividori (eds.). Lleida: Editorial Punctum. pp. 41-52.<\/p>\n\n\n\n

2009. \u201cFor the Progress of Women: An Approach to Womanhood<\/em> in the \u2018New Woman\u2019 Print Culture of 1890s Britain\u201d, in Origins of English Literary Modernism, 1870-1914. <\/em>Gregory F. Tague (ed.). St. Francis College, New York: Academica Press, pp. 79-93.<\/p>\n\n\n\n

2008. Font, Carme and Joan Curbet \u201cReading in Seventeenth-Century England: Reason and Revolution\u201d, in The Cultural History of Reading. <\/em>Gabrielle Watling (ed.). Connecticut: Greenwood Press, pp. 143-174.<\/p>\n\n\n\n

2008. \u201cCity of Flesh, Body of Mortar: Representations of the Body as City in Peter Ackroyd’s \u2018London: the Biography”, in A Body That Could Never Rest. <\/em>Diego Falconi, F\u00e9lix Ernesto Ch\u00e1vez (eds.). Barcelona: Editorial UOC, pp. 115-122.<\/p>\n\n\n\n

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Journal Articles (peer reviewed) <\/strong><\/p>\n\n\n

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2026. From Gender Bias to Textual Misogyny in the Early Modern Period: Bringing together Women\u2019s Writing from the Margins<\/em>. In Early Modern Textual Misogynies, special issue edited by Carme Font. Women\u2019s Writing Journal, Routledge Taylor & Francis. Vol. 34 (2026).<\/p>\n\n\n\n

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2023. ‘Life Among These Unknown Revolutionaries\u2019: Traces of Lucy Hutchinson\u2019s Memoirs in the Spanish and Italian Historiography of the English Revolution<\/em>. The Seventeenth Century, Taylor & Francis. Vol. 38:3 (2023), 541-553. DOI: 10.1080\/0268117X.2023.2195765<\/p>\n\n\n

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2022. A Resounding God: Acoustic Representations of the Divine in Early Modern Women\u2019s Spiritual Writing<\/em>. Early Modern Women: an Interdisciplinary Journal, University of Chicago Press. Vol.17 (1), p. 139-147.<\/p>\n\n\n\n

2022. ‘Owing the Comforts of Life to Art\u2019: Elizabeth Helme\u2019s Critical Reception and the Practice of Writing<\/em>. Enthymema: International Journal of Literary Criticism, Literary Theory, and Philosophy of Culture. Vol. 30 (2022) 19-34.<\/p>\n\n\n\n

2020. ‘Che son la Pia\u2019: Liminal Female Figures of Intercession in Blake\u2019s illustrations of the Commedia.<\/em> Dante e l’Arte, Vol. 7 (2020): 155-172.<\/p>\n\n\n

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2018. ‘Investigaci\u00f3n sobre la naturaleza y la raz\u00f3n de una bebida’: Henry Stubbe y los sinsabores del cacao de Indias en el contexto puritano ingl\u00e9s<\/em>. Nuevas de Indias. Anuario del Centro de Estudios de la Am\u00e9rica Colonial. Vol. 3 (2018): 25-42.<\/p>\n\n\n\n

2017. ‘God is not the Supporter of Tyranny’: Prophetic Reception and Political Capital in Elizabeth Poole’s <\/em>‘A Vision’ (1648)<\/em>. \u00c9tudes \u00c9pist\u00e9m\u00e8, Revue de litt\u00e9rature et de civilisation XVIe<\/sup>-XVIIIe<\/sup> si\u00e8cles, <\/em>Special Issue “Languages Dissidents: Processus de communication, supports et interm\u00e9diaires de la dissidence religieuse”, (dir. Sophie Houdard, Adelisa Malena, Xenia v. Tippelskirch), Paris. Vol. 30 (2017). DOI: 10.4000\/episteme.1686<\/p>\n\n\n\n

2016. Carme Font and Milagros Torrado. Interlanguage or Technology? Capitalization in a Learner Corpus of English as a Foreign Language<\/em>. Opci\u00f3n: Revista de Ciencias Humanas y Sociales. Universidad de Zulia. Vol. 12 Extra (2016): 784-793.<\/p>\n\n\n\n

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2015. ‘<\/em>For Well you Knowe, This World is but a Stage’:<\/em> Petrarchismo Femminile and Elizabethan Poetics in Aemilia Bassano Lanyer.<\/em>   Studi Rinascimentali, Fabrizio Serra Editore, Roma. Vol. 13:1 (2015): 137-146.<\/p>\n\n\n

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2014. Textual Activism as Political Mediation. <\/em>Huntington Library Quarterly, University of California Press. Vol. 77:4 (Winter 2014): 487-492.<\/p>\n\n\n\n

2013. Translation and Rewriting of Sibylline Prophecies in the Elizabethan Court: The Case of Jane Seager<\/em>. Medievalia. Revista d’Estudis Medievals i Renaixentistes. Vol. 16 (2013): 55-63.<\/p>\n\n\n\n

2013. ‘<\/em>The Cure of the Kingdome’: Defending Female Authorship in Elizabeth Poole’s A Vision (1648)<\/em>. ES Review. Spanish Journal of English Studies. Vol. 34 (2013): 179-191.<\/p>\n\n\n\n

2013. Foretelling the Judgements of God: Authorship and the Prophetic Voice in Elizabeth Poole.<\/em> Journal of English Studies (JES). Vol. 11 (2013): 97-112.<\/p>\n\n\n\n

2012. Women Periodicals in the New Woman Print Culture of Fin-de-Si\u00e8cle Britain,<\/em> ODISEA, Revista de Estudios Ingleses. Vol. 12 (2012): 125-135.<\/p>\n\n\n\n

2012. Carme FONT, David OWEN, Laura GIMENO, Cristina PIVIDORI. \u201cInto the Engine Room: An Inter-University Literature Teaching Project Focusing on Narrative\u201d. Journal of Teaching & Learning Language & Literature<\/em>. Vol. 5(4), Nov-Dec (2012):1-19.<\/p>\n\n\n\n

2011. Carme Font and Joan Curbet. Identitat i Veu Femenines <\/em>en A True Relation of Their Sufferings<\/em> (\u201cRelaci\u00f3 Ver\u00eddica dels seus Patiments\u201d), 1662, de les Qu\u00e0queres Katharine Evans i Sarah Cheevers<\/em>. Journal Manuscrits: Revista d\u2019Hist\u00f2ria Moderna, Vol. 28 (2010): 243-260.<\/p>\n\n\n\n

2010. \u2018I have written the things which I did hear, see, tasted and handled\u2019: Selfhood and Voice in Katherine Evans\u2019 and Sarah Cheevers\u2019 A Short Relation of Their Sufferings (1662)<\/em>. Journal: SEDERI Yearbook of the Spanish and Portuguese Society for English Renaissance Studies. Vol. 20 (2010):50-77.<\/p>\n\n\n\n

2009. The Case for Prophecy: Politics, Gender and Self-representation in 17th<\/sup>-Century Prophetic Discourses<\/em>. Revista Alicantina de Estudios Ingleses Vol. 22 (2009):63-78.<\/p>\n\n\n\n

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Conference P<\/strong>roceedings<\/strong><\/p>\n\n\n\n

2016. \u201cLessons in Love: Reading Petrarchan Poetry in the Classroom\u201d, in Sharing Teaching Experiences. TELLC Workshop: Teaching English Language, Literature, and Culture (ed. Sara Mart\u00edn). Vol. 2 (2016): 13-22. cc: https:\/\/ddd.uab.cat\/record\/132688<\/p>\n\n\n\n

2012. \u201cA Small Beer and Toast\u2019: Street Politics and Prophetic Performance in Anna Trapnel\u2019s The Cry of a Stone\u201d. Proceedings 35th AEDEAN, Barcelona. Sara Mart\u00edn (ed.) Vol.1, 100-105.<\/p>\n\n\n\n

2008. \u201cBorn in the Streets: Violence, Gangsterism and Power in Gangs of New York\u201d. Proceedings 31st AEDEAN, A Coru\u00f1a. Mar\u00eda Jes\u00fas Lorenzo Modia (ed.), Vol.1, 209-116.<\/p>\n\n\n\n

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Book Reviews<\/strong><\/p>\n\n\n\n

2023. \u201cPrints as Agents of Global Exchange: 1500\u20131800\u201d. Review of Heather Madar, Visual and Material Culture 1300-1700. Renaissance Quarterly<\/em>, Cambridge University Press. 76(3):1083-1094. doi:10.1017\/rqx.2023.422.<\/p>\n\n\n\n

2022. “Mujer y sociedad en la literatura del Siglo de Oro”, Francisco Dom\u00ednguez Matito, Juan Manuel Escudero Bazt\u00e1n, Rebeca L\u00e1zaro Niso, Iberoamericana-Vervuert, 2020. Reviewed in Anuario Lope de Vega<\/em>. Vol. 29.1 (2022): 549-553. https:\/\/doi.org\/10.5565\/rev\/anuariolopedevega.500<\/p>\n\n\n\n

2019. \u201cWomen Prophets and Radical Protestantism in the British Atlantic World 1640-1730\u201d, Elizabeth Bouldin, Cambridge: Cambridge University Press, 2015. Reviewed in Quaker Studies<\/em>, Vol. 24 (2019): 341-343.<\/p>\n\n\n\n

2018. “Blake & Dante: a Study of William Blake’s Illustrations of the Divine Comedy, Including its Critical Notes”, Silvia de Santis, Gangemi Editore, 2017. Reviewed in Dante e l’Arte<\/em>. Vol. 5 (2018): 343-346.<\/p>\n\n\n\n

2017. “The Empire and the End of Time: Identity and Reform in Late Medieval Prophecy”, Frances Courtney Kneupper, Oxford University Press, 2016. Reviewed in Comitatus, a Journal of Medieval and Renaissance Studies<\/em>. Vol. 48:1 (2017): 224-226.<\/p>\n\n\n

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2017. \u201cJohn Knox y el primer toque de trompeta contra el monstruoso gobierno de las mujeres\u201d, Jos\u00e9 Luis Mart\u00ednez-Due\u00f1as y Roc\u00edo G. Sumillera, Tirant Humanidades, 2016. Reviewed in SEDERI Yearbook of the Spanish and Portuguese Society for English Renaissance Studies<\/em>. Vol. 27 (2017): 249-253.<\/p>\n\n\n\n

2015. “The Secret Within: Hermits, Recluses and Spiritual Outsiders in Medieval England”, Wolfgang Riehle, Cornell University Press, 2014. Reviewed in Comitatus, a Journal of Medieval and Renaissance Studies<\/em>. Vol. 46:1 (2015): 294-296.<\/p>\n\n\n\n

2013. “The Early Renaissance and Vernacular Culture”, Charles Dempsey, Harvard University Press (The Bernard Berenson Lectures on the Italian Renaissance), 2012. Reviewed in Journal Medievalia<\/em>. Vol. 16 (2013): 311-314.<\/p>\n\n\n\n

2012. “El libro de Margery Kempe: La mujer que se reinvent\u00f3 a s\u00ed misma\u201d, Salustiano Moreta Velayos, Publicacions de la Universitat de Val\u00e8ncia, 2011. Reviewed in Journal Medievalia<\/em>. Vol. 15 (2012): 426-428.<\/p>\n\n\n\n

2010. \u201cViolence, Politics and Gender in Early Modern England\u201d, Joseph P. Ward, Palgrave MacMillan, 2008. Reviewed in SEDERI Yearbook of the Spanish and Portuguese Society for English Renaissance Studies<\/em>. Vol. 20 (2010):50-77.<\/p>\n\n\n\n

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Articles in Encyclopedias and Other Publications<\/strong><\/p>\n\n\n\n

2022. \u201cPatching up Women\u2019s Writing from the Past: A Special Collective Persistence\u201d, editorial in The New Historia<\/em>, The New School, Public Engagement. New York. September 2022:1. https:\/\/thenewhistoria.org\/editorial\/<\/p>\n\n\n\n

2021. Cultural press. Maxim Rigaux & Carme Font. Vroegmoderne vrouwen en de epische traditie in het Spaanse wereldrijk: een transgenre benadering<\/em>. Historica Journal. Vol. 8 (2021): 29-35. ISSN: 1382-3914.<\/p>\n\n\n\n

2021. “Lady Eleanor Davies”, in The Palgrave Encyclopedia of Early Modern Women’s Writing<\/em>. Patricia Pender and Rosalind Smith (eds.). Londres: Palgrave Macmillan. “Living edition”: https:\/\/doi.org\/10.1007\/978-3-030-01537-4<\/p>\n\n\n\n

2013. \u201cMaria d\u2019\u00c0greda,\u201d Mary Hays, Female Biography; or, Memoirs of Illustrious and Celebrated Women, of All Ages and Countries<\/em> (1803). Chawton House Library Series: Women\u2019s Memoirs, <\/em>ed. Gina Luria Walker, Memoirs of Women Writers Part II. <\/em>Pickering & Chatto: London. Vol. X, p. 167.<\/p>\n\n\n\n

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Book Translations and Prologues <\/strong>(selection)<\/p>\n\n\n

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\"Qu\u00e9<\/figure>\n<\/div>\n\n
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2013. Igor Stravinsky y Robert Craft: escritos y memorias<\/em>, Robert Craft. Barcelona: El Acantilado.
2012. \u00bfQu\u00e9 fueron las cruzadas? <\/em>Jonathan Riley-Smith. Barcelona: El Acantilado.
2012. Londres: Una biograf\u00eda. <\/em>Peter Ackroyd. Barcelona: Edhasa.
2012. Historia social del conocimiento, Vol. II<\/em>. Peter Burke. Barcelona: Editorial Paid\u00f3s.
2011. El instinto del arte: belleza, placer, y evoluci\u00f3n humana<\/em>. Denis Dutton. Barcelona: Editorial Paid\u00f3s.
2009. \u201cUn sublime terror\u201d, Introduction to Los relatos indispensables<\/em>, Edgar Allan Poe, Edgar Allan Poe. Barcelona: Editorial Navona.
2010. \u201cCarcajadas de porte cl\u00e1sico\u201d. Introduction to \u201cLos cuentos humor\u00edsticos de Mark Twain\u201d, Mark Twain. Barcelona: Editorial Navona.<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Books  2026 (forth.). Women Writing on Social Change in Early Modern Europe. Turnhout: Brepols. 2026 (forth.). Antolog\u00eda de poetisas del Renacimiento ingl\u00e9s, Carme Font. Madrid: Ediciones C\u00e1tedra, Colecci\u00f3n Letras Universales. Translation, notes and critical edition of a selection of English Seventeenth and Eighteenth-century women poets. 2017. Women’s Prophetic Writings in Seventeenth-Century Britain, Carme Font. London, New […]<\/p>\n","protected":false},"author":47,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":27,"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":503,"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/pages\/46\/revisions\/503"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/carmefont\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}