{"id":67,"date":"2020-10-14T13:54:11","date_gmt":"2020-10-14T13:54:11","guid":{"rendered":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/estatsunits\/"},"modified":"2020-10-14T13:54:11","modified_gmt":"2020-10-14T13:54:11","slug":"estatsunits","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/estatsunits\/","title":{"rendered":"Estats Units d&#8217;Am\u00e8rica"},"content":{"rendered":"<p class=\"rtejustify\">Una obra de refer\u00e8ncia \u00e9s&nbsp;<a href=\"http:\/\/research.frick.org\/directoryweb\/home.php\" target=\"_blank\" rel=\"noopener\">Archives Directory for the History of Collecting in America<\/a>. Vegeu tamb\u00e9&nbsp;<a href=\"https:\/\/frenchsculpture.org\/\" target=\"_blank\" rel=\"noopener\">R\u00e9pertoire de sculpture fran\u00e7aise dans les collections publiques am\u00e9ricaines<\/a>.<\/p>\n<p class=\"rtejustify\">Entre les grans&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Category:American_art_collectors\" target=\"_blank\" rel=\"noopener\">col\u00b7leccions privades<\/a>&nbsp;dels Estats Units, que sovint han esdevingut museus p\u00fablics, es compten la&nbsp;<a href=\"http:\/\/www.barnesfoundation.org\/\" target=\"_blank\" rel=\"noopener\">Barnes<\/a>, la Bliss (fundadora de&nbsp;<a href=\"http:\/\/www.doaks.org\/\" target=\"_blank\" rel=\"noopener\">Dumbarton Oaks<\/a>), la&nbsp;<a href=\"http:\/\/www.cmoa.org\/\" target=\"_blank\" rel=\"noopener\">Carnegie<\/a>&nbsp;(vegeu tamb\u00e9 el seu&nbsp;<a href=\"http:\/\/andrewcarnegie.tripod.com\/\" target=\"_blank\" rel=\"noopener\">mecenatge de biblioteques<\/a>), la&nbsp;<a href=\"https:\/\/chrysler.org\/\" target=\"_blank\" rel=\"noopener\">Chrysler<\/a>, la&nbsp;<a href=\"http:\/\/www.clarkart.edu\/\" target=\"_blank\" rel=\"noopener\">Clark<\/a>, la&nbsp;<a href=\"http:\/\/www.corcoran.org\/\" target=\"_blank\" rel=\"noopener\">Corcoran<\/a>, la&nbsp;<a href=\"http:\/\/www.winterthur.org\/\" target=\"_blank\" rel=\"noopener\">Du Pont<\/a>, les&nbsp;<a href=\"https:\/\/www.freersackler.si.edu\/\" target=\"_blank\" rel=\"noopener\">Freer &amp; Sackler<\/a>&nbsp;(de la Smithsonian Institution), la&nbsp;<a href=\"http:\/\/www.frick.org\/\" target=\"_blank\" rel=\"noopener\">Frick<\/a>, la&nbsp;<a href=\"http:\/\/www.gardnermuseum.org\/\" target=\"_blank\" rel=\"noopener\">Gardner<\/a>, la&nbsp;<a href=\"http:\/\/www.getty.edu\/museum\/\" target=\"_blank\" rel=\"noopener\">Getty<\/a>, la&nbsp;<a href=\"http:\/\/www.guggenheim.org\/\" target=\"_blank\" rel=\"noopener\">Guggenheim<\/a>, la&nbsp;<a href=\"https:\/\/hammer.ucla.edu\/\" target=\"_blank\" rel=\"noopener\">Hammer<\/a>, la&nbsp;<a href=\"http:\/\/www.huntington.org\/\" target=\"_blank\" rel=\"noopener\">Henry E. Huntington<\/a>, l&#8217;Archer M. Huntington (fundador de la&nbsp;<a href=\"http:\/\/www.hispanicsociety.org\/\" target=\"_blank\" rel=\"noopener\">Hispanic Society<\/a>&nbsp;de Nova York i mecenes de Joaqu\u00edn Sorolla; un&nbsp;<a href=\"https:\/\/projects.mcah.columbia.edu\/hispanic\/\" target=\"_blank\" rel=\"noopener\">altre lloc<\/a>), la Johnson (<a href=\"https:\/\/publications.philamuseum.org\/jgj\/vol1\" target=\"_blank\" rel=\"noopener\">Philadelphia Museum of Art<\/a>), la&nbsp;<a href=\"http:\/\/www.kimbellart.org\/\" target=\"_blank\" rel=\"noopener\">Kimbell<\/a>, la&nbsp;<a href=\"http:\/\/www.kressfoundation.org\/\" target=\"_blank\" rel=\"noopener\">Kress<\/a>, la Jules E. Mastbaum (<a href=\"http:\/\/www.rodinmuseum.org\/\" target=\"_blank\" rel=\"noopener\">Rodin Museum<\/a>&nbsp;de Filad\u00e8lfia), la&nbsp;<a href=\"https:\/\/mellon.org\/\" target=\"_blank\" rel=\"noopener\">Mellon<\/a>&nbsp;(origen de la&nbsp;<a href=\"https:\/\/www.nga.gov\/\" target=\"_blank\" rel=\"noopener\">National Gallery of Art<\/a>; vegeu tamb\u00e9 la&nbsp;<a href=\"https:\/\/explore.lib.virginia.edu\/exhibits\/show\/mellon\" target=\"_blank\" rel=\"noopener\">biblioteca de Paul Mellon<\/a>&nbsp;llegada a la University of Virginia),&nbsp;la&nbsp;<a href=\"http:\/\/www.themorgan.org\/\" target=\"_blank\" rel=\"noopener\">Morgan<\/a>, la&nbsp;<a href=\"https:\/\/www.phillipscollection.org\/\" target=\"_blank\" rel=\"noopener\">Phillips<\/a>, la&nbsp;<a href=\"https:\/\/www.ringling.org\/\" target=\"_blank\" rel=\"noopener\">Ringling<\/a>, l&#8217;Abigail A. Rockefeller (fundadora del&nbsp;<a href=\"http:\/\/www.moma.org\/\" target=\"_blank\" rel=\"noopener\">Museum of Modern Art<\/a>&nbsp;de Nova York), la Nelson A. Rockefeller (Museum of Primitive Art, despr\u00e9s integrat en el&nbsp;<a href=\"http:\/\/www.metmuseum.org\/\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum of Art<\/a>), la Robbins (<a href=\"https:\/\/africa.si.edu\/\" target=\"_blank\" rel=\"noopener\">National Museum of African Art<\/a>), la&nbsp;<a href=\"https:\/\/rubinmuseum.org\/\" target=\"_blank\" rel=\"noopener\">Rubin<\/a>, la&nbsp;<a href=\"http:\/\/www.nortonsimon.org\/\" target=\"_blank\" rel=\"noopener\">Simon<\/a>, les de&nbsp;<a href=\"https:\/\/www.nga.gov\/research\/online-editions\/alfred-stieglitz-key-set.html\" target=\"_blank\" rel=\"noopener\">Alfred Stieglitz i Georgia O\u2019Keeffe<\/a>&nbsp;(donatius a la National Gallery of Art), la&nbsp;<a href=\"https:\/\/www.terraamericanart.org\/\" target=\"_blank\" rel=\"noopener\">Terra<\/a>&nbsp;(de Daniel J. Terra, fundador del Mus\u00e9e d\u2019art am\u00e9ricain Giverny, que ha esdevingut el&nbsp;<a href=\"https:\/\/www.mdig.fr\/\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e des impressionnismes Giverny<\/a>), la&nbsp;<a href=\"http:\/\/www.thewalters.org\/\" target=\"_blank\" rel=\"noopener\">Walters<\/a>, la&nbsp;<a href=\"http:\/\/www.whitney.org\/\" target=\"_blank\" rel=\"noopener\">Whitney<\/a>, la Widener (llegats a la&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20041101014248\/http:\/\/www.nga.gov\/cgi-bin\/powner?Person=1524\" target=\"_blank\" rel=\"noopener\">National Gallery of Art<\/a>&nbsp;de Washington i a la&nbsp;<a href=\"https:\/\/libwww.freelibrary.org\/digital\/feature\/medieval\/\" target=\"_blank\" rel=\"noopener\">Free Library<\/a>&nbsp;de Filad\u00e8lfia), la Wrightsman (dins del&nbsp;<a href=\"https:\/\/www.metmuseum.org\/art\/online-features\/charles-and-jayne-wrightsman\/\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum of Art<\/a>).<\/p>\n<p class=\"rtejustify\">Altres magnats han contribuit indirectament, mitjan\u00e7ant suport monetari, com la&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Ford_Foundation\" target=\"_blank\" rel=\"noopener\">Ford Foundation<\/a>&nbsp;amb el&nbsp;<a href=\"http:\/\/www.dia.org\/\" target=\"_blank\" rel=\"noopener\">Detroit Institute of Arts<\/a>, o la&nbsp;<a href=\"https:\/\/www.gatesfoundation.org\/\" target=\"_blank\" rel=\"noopener\">Bill &amp; Melinda Gates Foundation<\/a>&nbsp;amb el&nbsp;<a href=\"http:\/\/www.seattleartmuseum.org\/\" target=\"_blank\" rel=\"noopener\">Seattle Art Museum<\/a>.<\/p>\n<p class=\"rtejustify\">L&#8217;empresari Charles Deering, vegeu-lo a <em><a href=\"https:\/\/pagines.uab.cat\/colleccionismeimecenatge\/espanya#catalunya\" target=\"_self\" rel=\"noopener\">Catalunya<\/a><\/em>; el magnat del coure Alfred Chester Beatty, a <em><a href=\"https:\/\/pagines.uab.cat\/colleccionismeimecenatge\/ca\/irlanda\" target=\"_self\" rel=\"noopener\">Irlanda<\/a><\/em>; Bernard Berenson, a <em><a href=\"https:\/\/pagines.uab.cat\/colleccionismeimecenatge\/italia#berenson\" target=\"_self\" rel=\"noopener\">Flor\u00e8ncia<\/a><\/em>.<\/p>\n<p class=\"rtejustify\">Les grans universitats nordamericanes han format importants museus: <a href=\"https:\/\/bampfa.org\/\" target=\"_blank\" rel=\"noopener\">Berkeley<\/a>, <a href=\"http:\/\/carlos.emory.edu\/\" target=\"_blank\" rel=\"noopener\">Emory<\/a>, <a href=\"https:\/\/www.harvardartmuseums.org\/\" target=\"_blank\" rel=\"noopener\">Harvard<\/a>, <a href=\"http:\/\/www.penn.museum\/\" target=\"_blank\" rel=\"noopener\">Pennsylvania<\/a>, <a href=\"https:\/\/artmuseum.princeton.edu\/\" target=\"_blank\" rel=\"noopener\">Princeton<\/a>, <a href=\"http:\/\/www.yale.edu\/museums\/\" target=\"_blank\" rel=\"noopener\">Yale<\/a>. Altres ofereixen vistes del <i>campus<\/i>: <a href=\"https:\/\/undergrad.admissions.columbia.edu\/visit\/virtual-tours\/\" target=\"_blank\" rel=\"noopener\">Columbia<\/a>, <a href=\"https:\/\/dukewired.org\/projects\/building-duke\/\" target=\"_blank\" rel=\"noopener\">Duke<\/a>, <a href=\"https:\/\/college.harvard.edu\/admissions\/explore-harvard\/virtual-tour\/\" target=\"_blank\" rel=\"noopener\">Harvard<\/a>, <a href=\"http:\/\/pudl.princeton.edu\/collections\/pudl0038\" target=\"_blank\" rel=\"noopener\">Princeton<\/a>, <a href=\"https:\/\/uwdc.library.wisc.edu\/collections\/uwculturalland\/\" target=\"_blank\" rel=\"noopener\">Wisconsin-Madison<\/a>.<\/p>\n<p class=\"rtejustify\">Poden veure&#8217;s mansions dels estats del Sud al&nbsp;<a href=\"https:\/\/www.loc.gov\/pictures\/collection\/csas\/\" target=\"_blank\" rel=\"noopener\">Carnegie Survey of the Architecture of the South<\/a>. La resid\u00e8ncia de l&#8217;estadista i arquitecte Thomas Jefferson era&nbsp;<a href=\"https:\/\/www.monticello.org\/\" target=\"_blank\" rel=\"noopener\">Monticello<\/a>&nbsp;(Virg\u00ednia). &nbsp;La del president James Madison era&nbsp;<a href=\"http:\/\/www.digitalmontpelier.org\/\" target=\"_blank\" rel=\"noopener\">Montpelier<\/a>&nbsp;(tamb\u00e9 Virginia). Al segle XIX, les ciutats de&nbsp;<a href=\"https:\/\/www.newportmansions.org\/\" target=\"_blank\" rel=\"noopener\">Newport<\/a>&nbsp;(Rhode Island) i&nbsp;<a href=\"http:\/\/www.oprf.com\/\" target=\"_blank\" rel=\"noopener\">Oak Park<\/a>&nbsp;(Illinois) es van convertir en emporis de mansions privades. La m\u00e9s grossa del segle \u00e9s&nbsp;<a href=\"https:\/\/www.biltmore.com\/\" target=\"_blank\" rel=\"noopener\">Biltmore<\/a>&nbsp;(Carolina del Nord), propietat de George Vanderbilt.<\/p>\n<p class=\"rtejustify\">Les dues majors iniciatives arquitect\u00f2niques privades del segle XX s\u00f3n: el&nbsp;<a href=\"https:\/\/www.rockefellercenter.com\/\" target=\"_blank\" rel=\"noopener\">Rockefeller Center<\/a>&nbsp;(Nova York), de John D. Rockefeller Jr. (amb murals, entre d&#8217;altres, de Josep Maria Sert; els de Diego Rivera, en canvi, foren destruits); i el&nbsp;<a href=\"http:\/\/hearstcastle.org\/\" target=\"_blank\" rel=\"noopener\">Hearst Castle<\/a>&nbsp;(San Sime\u00f3n, Calif\u00f2rnia), de William Randolph Hearst, m\u00e9s conegut com&nbsp;<i>Xanad\u00fa<\/i>, gr\u00e0cies a la pel\u00b7l\u00edcula d&#8217;Orson Welles&nbsp;<a href=\"https:\/\/www.imdb.com\/title\/tt0033467\/\" target=\"_blank\" rel=\"noopener\">Citizen Kane<\/a>. Sobre el mecenatge arquitect\u00f2nic poden consultar-se tamb\u00e9 dos llocs dedicats a Frank Lloyd Wright,&nbsp;<a href=\"http:\/\/www.allwrightsite.net\/\" target=\"_blank\" rel=\"noopener\">All Wright<\/a>&nbsp;i&nbsp;<a href=\"http:\/\/www.flwright.org\/\" target=\"_blank\" rel=\"noopener\">Wright Trust<\/a>, i un sobre la&nbsp;<a href=\"http:\/\/www.artsmia.org\/unified-vision\/\" target=\"_blank\" rel=\"noopener\">Prairie School<\/a>.<\/p>\n<p class=\"rtejustify\"><a name=\"nova\"><\/a>Estan en l\u00ednia els arxius dels marxants novaiorquesos&nbsp;<a href=\"https:\/\/www.aaa.si.edu\/collections\/leo-castelli-gallery-records-7351\" target=\"_blank\" rel=\"noopener\">Leo Castelli<\/a>&nbsp;i&nbsp;<a href=\"https:\/\/www.metmuseum.org\/art\/libraries-and-research-centers\/watson-digital-collections\/cloisters-archives-collections\/the-brummer-gallery-records\/\" target=\"_blank\" rel=\"noopener\">germans Brummer<\/a>&nbsp;(aquests darrers, tamb\u00e9 a&nbsp;<i><a href=\"https:\/\/pagines.uab.cat\/colleccionismeimecenatge\/fran\u00e7a#marxants\" target=\"_self\" rel=\"noopener\">Par\u00eds<\/a><\/i>).<\/p>\n<p class=\"rtejustify\">Un episodi de la Guerra Freda fou el suport encobert de la&nbsp;<a href=\"https:\/\/www.cia.gov\/\" target=\"_blank\" rel=\"noopener\">Central Intelligence Agency<\/a>&nbsp;(C.I.A.) a l&#8217;art abstracte nordameric\u00e0, mitjan\u00e7ant el&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Congress_for_Cultural_Freedom\" target=\"_blank\" rel=\"noopener\">Congress for Cultural Freedom<\/a>, tal com ha revelat, entre d&#8217;altres,&nbsp;<a href=\"https:\/\/www.c-span.org\/video\/?157308-1\/the-cultural-cold-war\" target=\"_blank\" rel=\"noopener\">Frances Stonor Saunders<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una obra de refer\u00e8ncia \u00e9s&nbsp;Archives Directory for the History of Collecting in America. Vegeu tamb\u00e9&nbsp;R\u00e9pertoire de sculpture fran\u00e7aise dans les collections publiques am\u00e9ricaines. Entre les grans&nbsp;col\u00b7leccions privades&nbsp;dels Estats Units, que sovint han esdevingut museus p\u00fablics, es compten la&nbsp;Barnes, la Bliss (fundadora de&nbsp;Dumbarton Oaks), la&nbsp;Carnegie&nbsp;(vegeu tamb\u00e9 el seu&nbsp;mecenatge de biblioteques), la&nbsp;Chrysler, la&nbsp;Clark, la&nbsp;Corcoran, la&nbsp;Du Pont, les&nbsp;Freer [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-67","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/pages\/67","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/comments?post=67"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/pages\/67\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/colleccionismeimecenatge\/wp-json\/wp\/v2\/media?parent=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}