{"id":397,"date":"2016-02-16T20:19:24","date_gmt":"2016-02-16T18:19:24","guid":{"rendered":"http:\/\/blogs.uab.cat\/dansarq\/?p=397"},"modified":"2022-07-25T15:42:15","modified_gmt":"2022-07-25T13:42:15","slug":"hommage-a-un-ami-defunt-homenatge-a-un-amic-difunt-coreografia-de-f-malkovsky","status":"publish","type":"post","link":"https:\/\/webs.uab.cat\/dansarq\/2016\/02\/16\/hommage-a-un-ami-defunt-homenatge-a-un-amic-difunt-coreografia-de-f-malkovsky\/","title":{"rendered":"\u00abHommage \u00e0 un ami d\u00e9funt\u00bb (homenatge a un amic difunt) coreografia de F.Malkovsky"},"content":{"rendered":"<p>La coreografia titulada \u00abHommage \u00e0 un ami d\u00e9funt\u00bb (homenatge a un amic difunt) va ser una creaci\u00f3 de F.Malkovsky per retre homenatge a l&#8217;escultor <a href=\"https:\/\/ca.wikipedia.org\/wiki\/Auguste_Rodin\">Auguste Rodin<\/a> (1840-1917). La m\u00fasica de la dansa \u00e9s el <a href=\"https:\/\/www.youtube.com\/watch?v=-uTB86idcu0\">Preludi no.20 de Chopin.<\/a><\/p>\n<p>La dansa molt emotiva i de gestos precisos, i alhora senzills, t\u00e9 un passatge en el qual la persona que dansa entrella\u00e7a les mans. Aquest moment de la dansa m&#8217;ha fet pensar en l&#8217;escultura de Rodin titulada <a href=\"http:\/\/www.musee-rodin.fr\/es\/colecciones\/esculturas\/la-catedral\">\u00abLa catedral\u00bb (1908)<\/a>.<a href=\"http:\/\/blogs.uab.cat\/dansarq\/?attachment_id=398\" rel=\"attachment wp-att-398\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-398 alignleft\" src=\"http:\/\/blogs.uab.cat\/dansarq\/files\/2016\/02\/Catedral_Rodin_08-200x300.jpg\" alt=\"Catedral_Rodin_08\" width=\"200\" height=\"300\" srcset=\"https:\/\/webs.uab.cat\/dansarq\/wp-content\/uploads\/sites\/78\/2016\/02\/Catedral_Rodin_08-200x300.jpg 200w, https:\/\/webs.uab.cat\/dansarq\/wp-content\/uploads\/sites\/78\/2016\/02\/Catedral_Rodin_08.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a> Tallades en pedra, dues mans dretes, de dues figures diferents, busquen trobar-se, creant un espai, una verticalitat, una oraci\u00f3.<\/p>\n<p>Per qu\u00e8 no pensar que Malkovsky va voler honorar l&#8217;artista incorporant a la dansa aquest gest de les mans de la seva escultura?<\/p>\n<p>En paraules de Rilke (1875-1926):<\/p>\n<p><em>\u201cHay manos en la obra de Rodin, manos independientes y peque\u00f1as que viven sin pertenecer a cuerpo alguno. Manos que se yerguen irritadas y malignas, manos que parecen ladrar con sus cinco dedos erizados como las cinco fauces del cancerbero infernal. Hay manos que caminan, que duermen, y manos que despiertan [&#8230;]&nbsp;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La coreografia titulada \u00abHommage \u00e0 un ami d\u00e9funt\u00bb (homenatge a un amic difunt) va ser una creaci\u00f3 de F.Malkovsky per retre homenatge a l&#8217;escultor Auguste Rodin (1840-1917). La m\u00fasica de la dansa \u00e9s el Preludi no.20 de Chopin. La dansa molt emotiva i de gestos precisos, i alhora senzills, t\u00e9 un passatge en el qual [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[9,13,23],"class_list":["post-397","post","type-post","status-publish","format-standard","hentry","category-coreografies","tag-auguste-rodin","tag-chopin","tag-francois-malkovsky"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":1,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"predecessor-version":[{"id":507,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/posts\/397\/revisions\/507"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webs.uab.cat\/dansarq\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}