{"id":165,"date":"2024-12-02T14:56:23","date_gmt":"2024-12-02T12:56:23","guid":{"rendered":"https:\/\/webs.uab.cat\/esarts2025\/?page_id=165"},"modified":"2025-08-25T15:00:44","modified_gmt":"2025-08-25T13:00:44","slug":"congress-program","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/esarts2025\/program\/congress-program\/","title":{"rendered":"INVITED SPEAKERS &amp; ROUNDTABLES"},"content":{"rendered":"\n<p class=\"has-small-font-size\">The ESArts2025 Scientific Committee is working on different sessions and roundtables to ensure an attractive scientific content for the congress that will be added online in the coming weeks. <\/p>\n\n\n\n<p class=\"has-small-font-size\">For the moment, we can advance who are the invited speakers for the opening keynote, the closing keynote and the semi-plenary session and the title of the congress roundtables.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-verd-tropic-color has-text-color has-link-color has-normal-font-size wp-elements-3914bd20980e06175249f2e619d78573\"><strong>INVITED SPEAKERS<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\"><strong>OPENING KEYNOTE:<\/strong> Angela McRobbie (Goldsmiths) <em>Fashion as Creative Economy: Making a Living in London, Berlin and Milan<\/em><\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"352\" height=\"500\" src=\"https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Angela-McRobbie.jpg\" alt=\"\" class=\"wp-image-110\" style=\"width:167px;height:auto\" srcset=\"https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Angela-McRobbie.jpg 352w, https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Angela-McRobbie-211x300.jpg 211w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\"><strong>Angela McRobbie<\/strong>, Emeritus Professor at <a href=\"https:\/\/www.gold.ac.uk\/media-communications\/staff\/mcrobbie\/\">Goldsmiths<\/a> is a Fellow of the British Academy and has been awarded an Honorary Doctorate from Glasgow University. Her research expertise is on creative economy and the fashion industry with reference to the small-scale independent sector. Angela is also a feminist social and cultural theorist looking at the gendered dynamics of contemporary neoliberal society.<\/p>\n<\/div>\n<\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\"><strong>CLOSING KEYNOTE:<\/strong> Nathalie Heinich (EHESS) <em>From the Sociology of Art to a Pragmatic Sociology of Valuation<\/em><\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"382\" src=\"https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Nathalie-Heinich-e1731329233785.jpg\" alt=\"\" class=\"wp-image-111\" style=\"width:182px;height:auto\" srcset=\"https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Nathalie-Heinich-e1731329233785.jpg 326w, https:\/\/webs.uab.cat\/esarts2025\/wp-content\/uploads\/sites\/599\/2024\/11\/Nathalie-Heinich-e1731329233785-256x300.jpg 256w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-small-font-size\"><strong>Nathalie Heinich<\/strong> is Director of Research Emeritus at the CNRS, member of the <a href=\"https:\/\/cral.ehess.fr\/membres\/nathalie-heinich\">CRAL<\/a> (Centre de recherches sur les arts et le langage: EHESS), and LAHIC (Laboratoire d&#8217;anthropologie et d&#8217;histoire sur l&#8217;institution de la culture). &nbsp;Devoted to the social history of the notion of the artist, she has specialized in the sociology of artistic professions and cultural practices while at the same time developing a reflection on identity crises, on the epistemology of the social sciences and on the sociology of values.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\"><strong>INVITED SEMIPLENARY:<\/strong> &nbsp;Dagmar Danko (University of Music Freiburg) <em>Becker, the Arts, and Sociology<\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"has-small-font-size\"><strong>Dagmar Danko<\/strong> is a sociologist of art and culture, currently working at the University of Music Freiburg where she coordinates cooperative research structures. She completed her doctorate in sociology with a thesis on the significance of contemporary art in social theories. She has published an introduction to the sociology of art (2012) and an analysis of the work of Howard S. Becker (2015), which will appear in a second, revised edition in 2025.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-verd-tropic-color has-text-color has-link-color has-normal-font-size wp-elements-0a0b1b9c4c375adee81aea87eaaca5bf\"><br><strong>ROUNDTABLES<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-normal-font-size\">\ud83d\uddd3\ufe0f <strong>Monday 8th \u2013 13:30 h to 15:00 h<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-small-font-size\"><strong>Roundtable 1 \u2014 Gender-Based Violence in Arts and Culture: Theory and Methods<\/strong><\/h3>\n\n\n\n<p class=\"has-small-font-size\"><strong>Chairs:<\/strong> Marie Buscatto, Sari Karttunen, Mathilde Provansal<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-small-font-size\"><strong>Roundtable 2 \u2014 Artistic and Creative Place-Making in the CitiesChair:<\/strong> Oleksandra Nenko<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-small-font-size\"><strong>Roundtable 3 \u2014 From Classroom to Culture: Developing a \u2018Discourse of Practice\u2019 in Cultural Management Teaching<\/strong><\/h3>\n\n\n\n<p class=\"has-small-font-size\"><strong>Chair:<\/strong> Constance DeVereaux<\/p>\n\n\n\n<ul class=\"wp-block-list has-small-font-size\">\n<li class=\"has-small-font-size\"><strong>Andragogical Fit and Counter-Hegemonic Reflections in Cultural Management Education<\/strong><br><em>Constance DeVereaux, State University of New York at Buffalo<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>Counter-hegemonic Education for Counter-hegemonic Practice: Applying Shove\u2019s Theory of Practice in the Context of Cultural Management<\/strong><br><em>Patrycja Kaszynska, University of the Arts London<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>The Role of Projects in Cultural Management Education: Between Competency Development and Ideological Framing<\/strong><br><em>Julia Glesner, University of Applied Sciences Potsdam<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>From Project to Problem: Integrating Eco-Ethical Challenges in Arts Management Education<\/strong><br><em>V\u00e2nia Rodrigues, University of Coimbra<\/em><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading has-normal-font-size\">\ud83d\uddd3\ufe0f <strong>Tuesday 9th \u2013 14:30 h to 16:00 h<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-normal-font-size\"><strong>Roundtable 4 \u2014 Art, AI and Other Discontents<\/strong><\/h3>\n\n\n\n<p class=\"has-small-font-size\"><strong>Chairs:<\/strong> Dafne Muntanyola-Saura, Valerie Visanich<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-normal-font-size\"><strong>Roundtable 5 \u2014 Reflections Towards a Sociology of Music<\/strong><\/h3>\n\n\n\n<p class=\"has-small-font-size\"><strong>Chair \/ Discussant:<\/strong> Paula Guerra, University of Porto \u2013 Faculty of Arts and Humanities, Institute of Sociology, Griffith Centre for Social and Cultural Research<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-small-font-size\"><strong>Fern\u00e1n del Val<\/strong>, <em>Universidad Nacional de Educaci\u00f3n a Distancia (UNED), Spain<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>Motti Regev<\/strong>, <em>The Open University of Israel, Department of Sociology, Political Science and Communication, Israel<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>Valeria Marina Borodi<\/strong>, <em>University of Milano-Bicocca, Department of Sociology and Social Research, Italy<\/em><\/li>\n\n\n\n<li class=\"has-small-font-size\"><strong>Robin Kucha<\/strong>, <em>Leuphana Universit\u00e4t L\u00fcneburg, Institute of Sociology and Cultural Organization \/ TriCo \u2013 Community Kunst &amp; Kultur, Germany<\/em><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading has-normal-font-size\"><strong>Roundtable 6 \u2014 After Artistic Hegemony in Cultural Policy<\/strong><\/h3>\n\n\n\n<p><strong>Chair:<\/strong> Arturo Rodr\u00edguez Morat\u00f3<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ESArts2025 Scientific Committee is working on different sessions and roundtables to ensure an attractive scientific content for the congress that will be added online in the coming weeks. For the moment, we can advance who are the invited speakers for the opening keynote, the closing keynote and the semi-plenary session and the title of [&hellip;]<\/p>\n","protected":false},"author":2648,"featured_media":0,"parent":19,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-165","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/pages\/165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/users\/2648"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/comments?post=165"}],"version-history":[{"count":6,"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/pages\/165\/revisions"}],"predecessor-version":[{"id":409,"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/pages\/165\/revisions\/409"}],"up":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/esarts2025\/wp-json\/wp\/v2\/media?parent=165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}