{"id":19,"date":"2013-11-29T11:20:44","date_gmt":"2013-11-29T10:20:44","guid":{"rendered":"http:\/\/blogs.uab.cat\/felicityhandcv\/?page_id=19"},"modified":"2013-11-29T11:20:44","modified_gmt":"2013-11-29T10:20:44","slug":"supervision","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/felicityhandcv\/supervision\/","title":{"rendered":"Supervision"},"content":{"rendered":"<h1><strong>PhD Theses<br \/>\n<\/strong><\/h1>\n<p><strong>M\u00aa Antonia Oliver i Rotger<\/strong>, <em>Crossroads and Battlegrounds: the Borderlands as Social and Imaginary Space in Contemporary Writings by Chicanas.\u00a0 <\/em>Universitat Aut\u00f2noma de Barcelona, 2000<\/p>\n<p><strong>Ana Garc\u00eda Arroyo<\/strong>,\u00a0 <i>The Construction of Queer Culture in Contemporary India: Pioneers and Landmarks.\u00a0\u00a0 <\/i>Universitat Aut\u00f2noma de Barcelona, 2005.<\/p>\n<p><strong> Esther Pujolr\u00e0s i Noguer<\/strong>, <i>An African (Auto)biography: Ama Ata Aidoo\u2019s Literary Quest<\/i>.\u00a0 Universitat Aut\u00f2noma de Barcelona, 2010<\/p>\n<p><strong>Agus Morales Puga<\/strong>, \u00a0 <i>Luz y Materia. La poes\u00eda \u00faltima y la pintura de Rabindranath Tagore como embriones de la modernidad india.\u00a0 <\/i>Universitat Aut\u00f2noma de Barcelona, 2012<\/p>\n<div>\n<p><strong>Eman Ahmed Khamas<\/strong>, <i>New Colonial Rescue: Appropriating a Feminist Discourse in the War on Terror.\u00a0 <\/i>Universitat Aut\u00f2noma de Barcelona, 2013<\/p>\n<p><strong>Farh<\/strong><strong>ad Khoyratty<\/strong>, <i>Beneath the Red Dupatta: an Exploration of the Representation of the Muslim Courtesan (tawaif) in Bollywood Text, <\/i>Universitat Aut\u00f2noma de Barcelona<i>. <\/i>2015<i><br \/>\n<\/i><\/p>\n<\/div>\n<h1><strong>MA Dissertations<\/strong><\/h1>\n<h2>MA in Comparative Literature<\/h2>\n<p>L\u00eddia Villena, &#8220;Gender in Lindsey Collen\u00b4s <em>Getting Rid Of It<\/em><b>&#8220;<\/b>. 2007<\/p>\n<p>Agus Morales, &#8220;Juan Ram\u00f3n Jim\u00e9nez y Tagore&#8221;. 2007<\/p>\n<p>Morena Escard\u00f3, &#8220;El colapso de visi\u00f3n en <em>Guerrillas<\/em> de V.S. Naipaul&#8221;. 2008<\/p>\n<p>Miquel Pomar Amer, \u201cMaps for Lost Subalterns. Revealing the Intricacies of Re-presentation in <em>Maps for Lost Lovers<\/em>, by Nadeem Aslam\u201d, 2011<\/p>\n<p>Adriana Kolijn, &#8220;The Journey of Defining the Self in the Novels <em>Americanah<\/em> by Chimamanda Ngozi Adichie and <em>Birdie<\/em> by Tracey Lindberg&#8221;, 2018<\/p>\n<h2>MA English Studies<\/h2>\n<p>Melinda Dooly, \u201cWielding his Pen to Champion the Oppressed: a Cultural Studies Approach to the Political Agendas in Nuruddin Farah\u2019s fiction\u201d,\u00a0 2000<\/p>\n<p>Ana Garc\u00eda Arroyo, \u201cSuniti Namjoshi\u2019s <i>Feminist Fables<\/i>: Beyond Gender and Sex Boundaries\u201d, 2001<\/p>\n<p>Salvador Faura, \u201cThe Impossibility of Interracial Intimacy: <i>Memories of Rain<\/i> by Sunetra Gupta\u201d,\u00a0 2002<\/p>\n<p>Giselle Dubois, \u201cIndentured Labour in David Dabydeen\u2019s <i>The Counting House<\/i>\u201d, 2002<\/p>\n<p>Joan Carles Batalla, \u201cThe Prison Metaphor in James Baldwin\u2019s <i>Just Above My Head<\/i>\u201d, 2002<\/p>\n<p>Judith Garrido, \u201cKaren Blixen: Classism versus Racism on an African farm\u201d, 2002<\/p>\n<p>M\u00aa Carme Crivill\u00e9s,\u00a0 \u201cRukhsana Ahmad\u2019s <i>The Hope Chest<\/i> and the Imagery of Culture-bound Gendered Disorders\u201d, 2002<\/p>\n<p>Caterina Palom Grau, \u201cDishing Out Spices in Multicultural Britain: Conquering the Territory from a Plate\u201d, 2012<\/p>\n<p>Nadir el Morabit, \u201cThe Arab World: Clash and Modernity in Salih\u2019s <i>Season of Migration to the North<\/i> and Bowles\u2019s <i>The Sheltering Sky<\/i>\u201d\u00a0 2012<\/p>\n<p>Laura Rodes Arbiol, \u201cChris Abani\u2019s <i>Song for Night<\/i>: Reading My Luck as an Ogbanje, 2013<\/p>\n<p>Nikolaos Moschos, &#8220;<em>Dusklands<\/em>: Coetzee\u2019s Fictional Literary Reportage&#8221;, 2016<\/p>\n<p>Wenjing Ye, &#8220;Ethnic Identity and Cultural Clash among the Chinese Diaspora of Mauritius: Peggy Lampotang\u2019s<em> The Coral Heart: A Shopkeeper\u2019s Journey&#8221;, <\/em>2017<\/p>\n<p>Laura Guti\u00e9rrez Gonz\u00e1lez, &#8220;Caught Between Islands: A Study of Cosmopolitanism in Andrea Levy\u2019s <em>Small Island<\/em>&#8220;, 2018<\/p>\n<p>Lara Tortosa Signes, &#8220;Female Struggle and Resistance in Colonial and Postcolonial Sierra Leone: Indigenous Feminism in Aminatta Forna\u2019s novel <em>Ancestor<\/em> Stones&#8221;, 2018<\/p>\n<p>Ainhoa Goichoechea Ortiz,\u00a0 &#8220;Torn Between Two Worlds: An Experience of (not) Belonging in V. V. Ganeshananthan\u2019s <em>Love Marriage&#8221;,<\/em> 2019<\/p>\n<p>Shuyuan He\u00a0 <strong>\u201c<\/strong>Let Us Go to Another Country\u201d: The Process of Identity Construction of Abdu and Julie in Nadine Gordimer\u2019s <em>The Pickup&#8221;, <\/em>2019<\/p>\n<p>Aksil Ayoub Belgharbi,\u00a0 &#8220;Freedom or\/and Compulsion? Space, Women and Identity in Fatima Mernissi\u2019s Autobiographical Fiction <em>Dreams of Trespass: Tales of a Harem Girlhood<\/em><strong><em>&#8220;,<\/em><\/strong> 2020<strong><em><\/p>\n<p><\/em><\/strong>Vanessa Sala i Roquet, &#8220;The Lion\u2019s Tale: Analyzing Black Female Agency in South African literature through Sindiwe Magona\u2019s <em>Mother to Mother<\/em>&#8220;, 2020<\/p>\n<h2><strong>Master en Estudios para el Desarrollo, Fundaci\u00f3 CIDOB<\/strong><\/h2>\n<p>Fumie Yoshizawa, &#8220;Mujeres nepal\u00edes en el hinduismo. Estudio sobre la sociedad hind\u00fa y el subdesarrollo de las mujeres&#8221;<i>,\u00a0<\/i> 2008<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhD Theses M\u00aa Antonia Oliver i Rotger, Crossroads and Battlegrounds: the Borderlands as Social and Imaginary Space in Contemporary Writings by Chicanas.\u00a0 Universitat Aut\u00f2noma de Barcelona, 2000 Ana Garc\u00eda Arroyo,\u00a0 The Construction of Queer Culture in Contemporary India: Pioneers and Landmarks.\u00a0\u00a0 Universitat Aut\u00f2noma de Barcelona, 2005. Esther Pujolr\u00e0s i Noguer, An African (Auto)biography: Ama Ata [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}