{"id":38,"date":"2013-12-05T20:28:01","date_gmt":"2013-12-05T19:28:01","guid":{"rendered":"http:\/\/blogs.uab.cat\/felicityhandcv\/?page_id=38"},"modified":"2013-12-05T20:28:01","modified_gmt":"2013-12-05T19:28:01","slug":"book-chapters","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/felicityhandcv\/publications\/book-chapters\/","title":{"rendered":"Book Chapters"},"content":{"rendered":"<p>&#8220;Dilemmas, Disillusion and Resilience in Ashwin Singh\u2019s <em>Into the Grey&#8221; <\/em>in <strong><em>Durban Dialogues Dissected. An Analysis of Ashwin&#8217;s Plays<\/em><\/strong>, ed. Felicity Hand. Stellenbosch: African Sun Media, 2020, pp 107-119.<em><br \/>\n<\/em><\/p>\n<p>&#8220;Mapping Indianness in Mauritius&#8221;, in <strong><em>Revolving Around India(s). Alternative Images, Emerging Perspectives<\/em><\/strong>, eds. Juan Ignacio Oliva-Cruz, Antonia Navarro &amp; Jorge Diego S\u00e1nchez, Newcastle: Cambridge Scholars Publishing, 2020, pp 169-193<\/p>\n<p>(with Esther Pujolr\u00e0s-Noguer) &#8220;From Cane Cutters and Traders to Citizens and Writers&#8221;, in\u00a0<em><strong>Relations and Networks in South African Indian Writing<\/strong><\/em> (eds) Felicity Hand &amp; Esther Pujolr\u00e0s-Noguer, Leiden &amp; Boston: Brill Rodopi, 2018, pp 1-14.<\/p>\n<p>&#8220;Daku or Dukan? Surviving Within and Without the Indian Community of Durban&#8221;, in <em><strong>Relations and Networks in South African Indian Writing<\/strong><\/em> (eds) Felicity Hand &amp; Esther Pujolr\u00e0s-Noguer,Leiden &amp; Boston: Brill Rodopi, 2018, pp 37-55.<\/p>\n<p>\u201cThe Maji Maji Rebellion Re-visited\u201d, in <strong><em>Reviewing Imperial Conflicts<\/em><\/strong>, eds. Ana Cristina Mendes and Cristina Baptista, Newcastle: Cambridge Scholars Publishing, 2014, pp 49-59.<\/p>\n<p>\u201cForging an Identity Through Popular Culture: Seggae in Mauritius\u201d, <strong><i>Culture and Power: <\/i><\/strong><i><strong>Mapping Identities and Identification Processes: Approaches From Cultural Studies<\/strong>,<\/i> Eds. Eduardo de Gregorio &amp; \u00c1ngel Mateos-Aparicio, \u00a0 New York &amp; Oxford: Peter Lang, 2013, pp 235-248.<\/p>\n<p>\u201cThe Unwritten Moral Code in Recent Indian Cinema: Deception and Atonement?\u201d,\u00a0 \u00a0<strong><i>Film and<\/i> <i>Ethics. What Would You Have Done?<\/i><\/strong>,\u00a0 Ed. Jacqui Miller, Newcastle: Cambridge Scholars Press. 2013, pp 50-66.<\/p>\n<p>\u201cBecoming Foreign: Tropes of Migrant Identity in Three Novels by Abdulrazak Gurnah\u201d,\u00a0 <strong><i>Metaphor and Diaspora in Contemporary Writing<\/i><\/strong>, Ed. Jonathan P. Sell.\u00a0 Basingstoke: Palgrave Macmillan, 2012, pp 39-58.<\/p>\n<p>\u201cFrom Inscrutable Indians to Asian Africans\u201d, <strong><i>India in the World<\/i><\/strong>. Ed. Antonia Navarro Tejero. Newcastle: Cambridge Scholars Press, 2011.<\/p>\n<div>\n<p>&#8220;When Capitulation is Resistance: Lindsey Collen\u2019s <i>The Rape of Sita<\/i>\u201d, <i><strong>El cuerpo en mente.<\/strong> <\/i><strong><i>Versiones del ser desde el pensamiento contempor\u00e1neo<\/i><\/strong>,\u00a0 eds. Mireia Calafell &amp; Aina P\u00e9rez, Barcelona: Editorial UOC, 2011, pp 437-445.<\/p>\n<p>\u201cFrom Hybridity to Homogenization: Narrating Tensions and Hierarchies in Zanzibar\u201d,\u00a0<strong> <i>Indicities\/ Indices\/ Ind\u00edcios.\u00a0 Hybridations probl\u00e9matiques dans les litt\u00e9ratures de l\u2019Oc\u00e9an Indien<\/i><\/strong>, eds. Mar Garc\u00eda &amp; Felicity Hand, Ille-sur-T\u00eat: \u00c9ditions KA. 2010, pp 87-98.<\/p>\n<p>&#8220;Diaspora Spaces and Women: A Study of Vassanji\u2019s <em>The In-between World of Vikram Lall<\/em>&#8220;,\u00a0 <strong><i>Multicontexts and Myriad Voices. The New in Contemporary Literatures in English<\/i><\/strong>, ed. Anu Shukla &amp; Rini Dwivedi. New Delhi:\u00a0 Sarup Book Publishers Pvt. Ltd, 2009, pp 51-68.<\/p>\n<p>&#8220;Each Prays in His Own Way: Lindsey Collen\u00b4s Portrait of Contemporary Mauritius&#8221;, <strong><i>Religi\u00f6se Toleranz im Spiegel der Literatur: Eine Idee und ihre \u00e4sthetische Gestaltung<\/i><\/strong>, ed. Bernd Springer &amp; Alexander Fidora. Berlin:\u00a0 LIT-Verlag, 2009, pp 285-298.<\/p>\n<p>&#8220;Engagement and Conviviality in Salman Rushdie\u00b4s <i>Shalimar the Clown<\/i>&#8220;, <strong><i>Religi\u00f6se Toleranz im Spiegel der Literatur: Eine Idee und ihre \u00e4sthetische Gestaltung<\/i><\/strong>, ed. Bernd Springer &amp; Alexander Fidora. Berlin: LIT-Verlag, 2009, pp. 311-323.<\/p>\n<p>&#8221; &#8216;The Old Rules Aren\u2019t Always Right&#8217; : An Analysis of Four Short Stories by Chitra Banerjee Divakaruni&#8221;,\u00a0 <strong><i>Indian Women\u00b4s Short Fiction<\/i><\/strong> eds. Joel Kuortti &amp; Rajeshwar Mittapalli, New Delhi: Atlantic, 2007, pp 100-121.<\/p>\n<\/div>\n<p>&#8220;Fight or Flight? Tensions in Ved Mehta\u2019s Early Autobiographical Works&#8221;,\u00a0\u00a0 <strong><i>Expatriate Indian Writing in English<\/i><\/strong>. Vol I.\u00a0 Eds.\u00a0 Vinoda Thota &amp; P. Shailaja, New Delhi:\u00a0 Prestige Books,\u00a0 2006, pp 184-193.<\/p>\n<p>&#8220;Deceit,\u00a0 Disappointments and Desperation: Abdulrazak Gurnah&#8217;s View of Migrancy&#8221;, <strong><i>Contemporary World Literatures in English.. Vol.II. Migrant Voices in Literatures in English <\/i><\/strong>Eds. Sheobhushan Shukla &amp; Anu Shukla, New Delhi:Sarup &amp; Sons, 2005, pp 60-75<\/p>\n<p>&#8220;Translating India into English: Vikram Seth\u2019s <i>A Suitable Boy<\/i>&#8220;,\u00a0 <strong><i>Vikram Seth\u2019s A Suitable Boy: An Anthology of Recent Criticism<\/i><\/strong>. Ed. Murari Prasad, New Delhi: Pencraft International, 2005, pp 153-161.<\/p>\n<div>\n<p>&#8220;A Verdict For or Against Globalisation?\u00a0 Hindu Nationalism, \u201c India Shining\u201d\u00a0 and the 2004 Elections&#8221;,\u00a0 <i><strong>Culture &amp; Power: Culture and Society in the Age of Globalisation<\/strong>, <\/i>Zaragoza: Prensa Universitaria, 2005, pp 99-106.<i><br \/>\n<\/i><\/p>\n<div>\n<p>&#8220;The Amritsar Massacre or the Beginning of the End of the Raj&#8221;,\u00a0 <i><strong>(Mis)Representations.<\/strong> <\/i><strong><i>Intersections of Culture and Power<\/i><\/strong>, Berne: Peter Lang, 2003, pp 45-55.<\/p>\n<p>&#8220;Readable Trash: the Shobha De Phenomenon&#8221;,\u00a0 <i><strong>Popular Texts in English: New Perspectives<\/strong>, <\/i>Ciudad Real<i>: <\/i>\u00a0Ediciones de la Universidad De Castilla-La Mancha, 2001, pp 281-286.<\/p>\n<p>&#8220;Forget India, We\u2019re British!&#8221;\u00a0 <i><strong>India Fifty Years After Independence.\u00a0 Images in Literature, Film and the Media<\/strong><\/i><strong>.<\/strong> Eds. Kathleen Firth &amp; Felicity Hand, Leeds: Peepal Tree Press, 2001, pp 109-120.<\/p>\n<p>&#8221; &#8216;What is History, Sir?&#8217;\u00a0 Conflicting Discourses on East African Asians&#8221;,<strong><i>Culture &amp; Power: Challenging Discourses<\/i><\/strong>. Ed. Maria Jos\u00e9 Coper\u00edas, Valencia: Servei de Publicacions, Universitat de Val\u00e9ncia, 2000, pp 209-217.<\/p>\n<\/div>\n<div>\n<p>:&#8221;Negotiating Boundaries in the Horn of Africa. Women in the Fiction of Nuruddin Farah&#8221;,\u00a0 <strong><i>Borderlands. Negotiating Boundaries in Post-Colonial Writing<\/i><\/strong>. Ed. Monika Reif-H\u00fclser, Amsterdam: Rodopi, 1999, pp 115-122.<\/p>\n<p>&#8220;Anything But the Whole Truth: the Narratives of History&#8221;, <strong><i>Culture &amp; Power: Cultural Confrontations<\/i>.<\/strong> Ed. Chantal Cornut-Gentille. Zaragoza<i>: <\/i>Prensa Universitaria<i>, <\/i>1999, pp 43-53.<\/p>\n<\/div>\n<p>&#8220;Late Nineteenth Century to 1945&#8221;, <strong><i>Introduction to English Literature<\/i><\/strong>. Coor. Andrew Monnickendam. Barcelona: Edicions de la Universitat Oberta de Catalunya, 1999, pp 153-191.<\/p>\n<p>&#8220;Black Business&#8221;, <strong><i>Culture &amp; Power: Business<\/i><\/strong>. Ed. Matilde Paredes. Zaragoza<i>: <\/i>Prensa Universitaria, 1999, pp 97-108.<\/p>\n<p>\u201cShaking off <i>Sharam<\/i>: the Double Burden of British Asian Women\u201d, <strong><i>On Writing (and) Race in Contemporary Britain<\/i><\/strong>. Ed. Fernando Galv\u00e1n &amp; Mercedes Bengoechea,\u00a0\u00a0 Alcal\u00e1 de Henares:\u00a0 Universidad de Alcal\u00e1, 1999, p. 133-138.<\/p>\n<p>\u201cTranslating India into English: Vikram Seth\u2019s <i>A Suitable Boy<\/i>\u201d, <strong><i>Homenaje a India<\/i><\/strong>. Ed. Eva Fern\u00e1ndez del Campo, Madrid: Grupo de Investigaci\u00f3n \u201cASIA\u201d, Universidad Complutense, 1997,\u00a0 pp. 92- 96.<\/p>\n<p>\u201cInstitutionalised Humiliation? Female Circumcision in Neo-Colonial Africa\u201d, <strong><i>Culture &amp; Power: Institutions<\/i>\u00a0<\/strong> Ed. Rosa Gonz\u00e1lez, \u00a0Barcelona: Promociones y Publicaciones Universitarias de Barcelona, 1996, p.255 -263.<\/p>\n<p>with Chantal Cornut-Gentille, \u201cWhat Do We Mean by Culture?\u00a0 Overview of Main Concepts and Ideas\u201d in <strong><i>Culture &amp; Power<\/i><\/strong> , Eds. F. Hand &amp;\u00a0 C. Cornut-Gentille, Barcelona: Universitat Aut\u00f2noma de Barcelona, 1995, p. 1-17.<\/p>\n<p>&#8220;Who Says You\u2019re British?\u00a0 From Scientific Racism to Cultural Exclusion&#8221;,<strong> <i>Culture &amp; Power<\/i><\/strong> , Eds. F. Hand &amp;\u00a0 C. Cornut-GentilleBarcelona: Universitat Aut\u00f2noma de Barcelona, 1995, p.37-152<\/p>\n<p>\u201cIn the Shadow of the Mutiny: Reflections on Two Post-Independence Novels on the 1857 Uprising\u201d,\u00a0 <i><strong>Telling Histories.\u00a0<\/strong> <\/i><i>Narrativizing History, Historicizing Literature<\/i>, Ed.\u00a0 Susana Onega , Amsterdam: Rodopi, 1995, p. 61-70.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Dilemmas, Disillusion and Resilience in Ashwin Singh\u2019s Into the Grey&#8221; in Durban Dialogues Dissected. An Analysis of Ashwin&#8217;s Plays, ed. Felicity Hand. Stellenbosch: African Sun Media, 2020, pp 107-119. &#8220;Mapping Indianness in Mauritius&#8221;, in Revolving Around India(s). Alternative Images, Emerging Perspectives, eds. Juan Ignacio Oliva-Cruz, Antonia Navarro &amp; Jorge Diego S\u00e1nchez, Newcastle: Cambridge Scholars Publishing, [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/felicityhandcv\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}