{"id":74,"date":"2023-03-04T13:50:11","date_gmt":"2023-03-04T11:50:11","guid":{"rendered":"https:\/\/webs.uab.cat\/g4roc\/?page_id=74"},"modified":"2025-02-20T19:32:30","modified_gmt":"2025-02-20T17:32:30","slug":"dr-david-owen","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/g4roc\/members\/dr-david-owen\/","title":{"rendered":"Dr David Owen"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"852\" height=\"1024\" src=\"https:\/\/webs.uab.cat\/g4roc\/wp-content\/uploads\/sites\/354\/2023\/10\/Screenshot_20231017_133121_Gallery-852x1024.jpg\" alt=\"\" class=\"wp-image-130\" style=\"width:324px;height:389px\" srcset=\"https:\/\/webs.uab.cat\/g4roc\/wp-content\/uploads\/sites\/354\/2023\/10\/Screenshot_20231017_133121_Gallery-852x1024.jpg 852w, https:\/\/webs.uab.cat\/g4roc\/wp-content\/uploads\/sites\/354\/2023\/10\/Screenshot_20231017_133121_Gallery-250x300.jpg 250w, https:\/\/webs.uab.cat\/g4roc\/wp-content\/uploads\/sites\/354\/2023\/10\/Screenshot_20231017_133121_Gallery-768x923.jpg 768w, https:\/\/webs.uab.cat\/g4roc\/wp-content\/uploads\/sites\/354\/2023\/10\/Screenshot_20231017_133121_Gallery.jpg 1130w\" sizes=\"auto, (max-width: 852px) 100vw, 852px\" \/><\/figure>\n\n\n\n<p><strong>E-mail address<\/strong>: <a href=\"mailto:david.owen@uab.cat\">david.owen@uab.cat<\/a><\/p>\n\n\n\n<p><strong>Department &amp; University<\/strong>: Department of English and German Studies, UAB<\/p>\n\n\n\n<p><strong>Brief summary of research interests<\/strong>:<\/p>\n\n\n\n<p>David<strong> <\/strong>Owen is Associate Professor of English Literature at the&nbsp;Universitat&nbsp;Aut\u00f2noma&nbsp;de Barcelona, where he is coordinator of the BA Programme in English Studies. His main research interest is in the early works of Jane Austen, with a particular emphasis on the contribution of&nbsp;epistolarity&nbsp;to her later stylistic attainments. His publications and conference presentations are principally on these areas. However, his recent work has also included literary theory and a focus on war writing.<\/p>\n\n\n\n<p><strong>Selected publications:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Owen, David and Cristina Pividori (Eds.)&nbsp;<a href=\"https:\/\/www.routledge.com\/ReWriting-War-in-Contemporary-Literature-and-Culture-Beyond-Post-Memory\/Pividori-Owen\/p\/book\/9781032663661\"><em>Beyond Post-memory: (Re)Writing War in Contemporary Literature and Culture<\/em>.<\/a>&nbsp;Routledge, Oxfordshire, UK. ISBN 9781032663661 (2024).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Owen, David. \u201cSilence, Discontinuity of Narrative, and Non-Remembrance in Christine Dwyer Hickey\u2019s&nbsp;<em>Last Train from Liguria<\/em>\u201d in Pividori, Cristina and David Owen (Eds.)&nbsp;<em><a href=\"https:\/\/www.routledge.com\/ReWriting-War-in-Contemporary-Literature-and-Culture-Beyond-Post-Memory\/Pividori-Owen\/p\/book\/9781032663661\">Beyond Post-memory: (Re)Writing War in Contemporary Literature and Culture<\/a>.<\/em>&nbsp;Routledge, Oxfordshire, UK (2024).<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Owen, David. \u201cThe Visible-Invisible Good Man in Jane Austen\u2019s\u00a0<em>The Watsons<\/em>\u201d. In: Mart\u00edn, S., Santaul\u00e0ria, M.I. (eds)\u00a0<em>Detoxing Masculinity in Anglophone Literature and Culture<\/em>. Palgrave Macmillan, Cham. Print ISBN 978-3-031-22143-9; Online ISBN 978-3-031-22144-6 (2023).<\/li>\n\n\n\n<li>Owen, David and Pividori, Cristina (Eds.).&nbsp;<em>Theoretically Speaking about Literature: Understanding Literary Theory in the Study of Literary Works<\/em>. Cambridge Scholars Publication, Newcastle-upon-Tyne, UK. ISBN (10): 1-5275-7444-X. ISBN (13): 978-1-5275-7444-1. (Introduction; editorial matter. 2021).<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Owen, David and Pividori, Cristina (Eds.).&nbsp;<a href=\"https:\/\/www.cambridgescholars.com\/product\/978-1-5275-6355-1\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Spectre of Defeat: Experience, Memory and Post-Memory<\/em><\/a>. Cambridge Scholars&nbsp;Publication, Newcastle-upon-Tyne, UK. ISBN: 1-5275-6355-3; ISBN13: 978-1-5275-6355-1. (2021)<\/li>\n\n\n\n<li>Owen, David. \u201cJohn Wyndham and His 1950s Apocalyptic Novels: Bad News for the Hoi Polloi\u201d. In Owen, David and Pividori, Cristina (Eds.),\u00a0<a href=\"https:\/\/www.cambridgescholars.com\/product\/978-1-5275-6355-1\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Spectre of Defeat: Experience, Memory and Post-Memory<\/em><\/a>.\u00a0<\/li>\n\n\n\n<li>Owen, David. \u201c<a href=\"https:\/\/ddd.uab.cat\/pub\/quaderns\/quaderns_a2018n25\/quaderns_a2018n25p15.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The European Reception of Jane Austen\u2019s Works<\/a>\u201d.\u00a0<em>Quaderns: Revista de Traducci\u00f3\u00a0<\/em>25: 15-27 (2018). UAB, Barcelona, Spain.\u00a0ISSN 1138-5790 (paper), ISSN 2014-9735 (digital),\u00a0<a href=\"http:\/\/ddd.uab.cat\/record\/40http:\/\/ddd.uab.cat\/record\/40\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/ddd.uab.cat\/record\/40<\/a>.<\/li>\n\n\n\n<li>Owen, David and Pividori, Cristina (Eds.).\u00a0<a href=\"http:\/\/www.brill.com\/products\/book\/writings-persuasion-and-dissonance-great-war\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Writings\u00a0of Persuasion and Dissonance in the Great War:\u00a0That Better Whiles May Follow Worse<\/em><\/a>. Brill-Rodopi, Amsterdam, The Netherlands. ISBN 978-90-04-31491-7; ISSN 0921-2507.\u00a0(<a href=\"https:\/\/davidowenac.files.wordpress.com\/2015\/07\/introduction.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Introduction<\/a>;\u00a0all editorial matter. 2016).<\/li>\n\n\n\n<li>Owen, David.&nbsp;<a href=\"https:\/\/davidowenac.files.wordpress.com\/2015\/07\/owen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cConscripting Gentle Jane: Getting the \u2018Austen Treatment\u2019 in the Great War\u201d<\/a>&nbsp;in&nbsp;Owen, David and Pividori, Cristina (Eds.),&nbsp;<em>Writings&nbsp;of Persuasion and Dissonance in the Great War:&nbsp;That Better Whiles May Follow Worse<\/em>. (2016)<\/li>\n<\/ul>\n\n\n\n<p><strong>Personal Website<\/strong>: <a href=\"https:\/\/davidowenac.wordpress.com\/\">https:\/\/davidowenac.wordpress.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>E-mail address: david.owen@uab.cat Department &amp; University: Department of English and German Studies, UAB Brief summary of research interests: David Owen is Associate Professor of English Literature at the&nbsp;Universitat&nbsp;Aut\u00f2noma&nbsp;de Barcelona, where he is coordinator of the BA Programme in English Studies. His main research interest is in the early works of Jane Austen, with a particular [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":0,"parent":24,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-74","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/pages\/74","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/comments?post=74"}],"version-history":[{"count":4,"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/pages\/74\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/pages\/74\/revisions\/402"}],"up":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/g4roc\/wp-json\/wp\/v2\/media?parent=74"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}