{"id":263,"date":"2019-07-26T10:37:24","date_gmt":"2019-07-26T10:37:24","guid":{"rendered":"https:\/\/webs.uab.cat\/gregal\/books\/"},"modified":"2025-03-19T09:44:45","modified_gmt":"2025-03-19T09:44:45","slug":"books","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/gregal\/en\/books\/","title":{"rendered":"Books"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"270\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2025\/03\/9781032699776.webp\" alt=\"\" class=\"wp-image-2561 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Cabrera, A<\/strong>. y S\u00e1ez de Adana, F. (eds.)&nbsp;<em>The Multiverse as Theory in Postmodern Speculative Fictional Narratives<\/em>, London,&nbsp;New York,&nbsp;Routledge&nbsp;<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"270\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2025\/03\/9781003035220.webp\" alt=\"\" class=\"wp-image-2558 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Torres, E.,<\/strong>&nbsp;Pieta, H. y Bueno, R. (2022) <em>Teaching Indirect Translation<\/em>, London, New York, Routledge.&nbsp;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"258\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/9788419226730.jpg\" alt=\"\" class=\"wp-image-1549 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">Marzal Felici, Jos\u00e9 Javier; Moriano, Jose; Fieiras Ceide, C\u00e9sar; Vaz \u00c1lvarez, Mart\u00edn &amp; <strong>Loriguillo L\u00f3pez, Antonio,<\/strong> <em>Participaci\u00f3n ciudadana y medios de comunicaci\u00f3n p\u00fablicos 2. Experiencias de cocreaci\u00f3n en Espa\u00f1a y en Europa<\/em>, Tirant Humanidades, 2022.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/book-jordi-725x1024.webp\" alt=\"\" class=\"wp-image-1740 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/book-jordi-725x1024.webp 725w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/book-jordi-212x300.webp 212w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/book-jordi-768x1085.webp 768w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/book-jordi.webp 827w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Serrano-Mu\u00f1oz, Jordi<\/strong> &amp; Olivieri, Chiara,&nbsp;<em><a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-030-74528-8\">East Asia, Latin America, and the Decolonization of Transpacific Studies<\/a><\/em>, Palgrave Macmillan, 2022.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"600\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/developments_in_the_japanese_documentary_mode.jpg\" alt=\"\" class=\"wp-image-210 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/developments_in_the_japanese_documentary_mode.jpg 418w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/developments_in_the_japanese_documentary_mode-209x300.jpg 209w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Centeno, Marcos<\/strong> and Raine, Michael eds,&nbsp;<em><a href=\"https:\/\/seibunsha21.co.jp\/works\/index.html\">Developments in the Japanese Documentary Mode<\/a><\/em>, Basel: MDPI, 2021. (Open Acess).<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"459\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/image_359.jpg\" alt=\"\" class=\"wp-image-1544 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/image_359.jpg 300w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2023\/10\/image_359-196x300.jpg 196w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Loriguillo-L\u00f3pez, Antonio<\/strong>, <em><a href=\"https:\/\/puv.uv.es\/anime-complejo.html\" data-type=\"URL\" data-id=\"https:\/\/puv.uv.es\/anime-complejo.html\">Anime complejo. La ambig\u00fcedad narrativa en la animaci\u00f3n japonesa<\/a><\/em>, Aldea Global, 2021 <\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"300\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/japan_borders.jpg\" alt=\"\" class=\"wp-image-213 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Centeno, Marcos<\/strong> and Morita, Nori eds, <a href=\"https:\/\/eprints.bbk.ac.uk\/id\/eprint\/40885\/\"><em>J<\/em><\/a><em><a href=\"https:\/\/seibunsha21.co.jp\/works\/index.html\">apan beyond its Borders: Transnational Approaches to Film and Media<\/a><\/em>, Tokyo: Seibunsha, 2020.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:36% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"324\" height=\"500\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/perfect_blue.jpg\" alt=\"\" class=\"wp-image-216 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/perfect_blue.jpg 324w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/perfect_blue-194x300.jpg 194w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Loriguillo-L\u00f3pez, Antonio<\/strong>. <a href=\"https:\/\/naullibres.com\/libro\/perfect-blue-pafekuto-buru-satoshi-kon-1997\/\"><em>Perfect Blue: Satoshi Kon (1997): Gu\u00eda para ver y analizar<\/em><\/a>. Valencia: Nau Llibres, 2020.<\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">2019<\/h4>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"600\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/guarnepersistently.jpg\" alt=\"\" class=\"wp-image-222 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/guarnepersistently.jpg 377w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/guarnepersistently-189x300.jpg 189w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Guarn\u00e9, Blai<\/strong>, Artur Lozano-Mendez&nbsp;i D. P. Martinez. <a href=\"http:\/\/www.berghahnbooks.com\/title\/GuarnePersistently\"><em>Persistently Postwar: Media and the Politics of Memory in Japan<\/em><\/a>. New York: Berghahn Books, 2019.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"370\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/rebekah.png\" alt=\"\" class=\"wp-image-225 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/rebekah.png 260w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/rebekah-211x300.png 211w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Rebekah Clements<\/strong> and Akihiko Niimi (eds.).&nbsp;<em>Genji monogatari no kinsei: Zokugoyaku, hon&#8217;an, eiribon de yomu koten<\/em>. Tokyo: Benseisha, 2019.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2018<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"333\" height=\"499\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/escaping_japan.jpg\" alt=\"\" class=\"wp-image-228 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/escaping_japan.jpg 333w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/escaping_japan-200x300.jpg 200w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Guarn\u00e9, Blai<\/strong>, i Paul Hansen. <a href=\"https:\/\/www.routledge.com\/Escaping-Japan-Reflections-on-Estrangement-and-Exile-in-the-Twenty-First\/Guarne-Hansen\/p\/book\/9781138235243\"><em>Escaping Japan: Reflections on Estrangement and Exile in the Twenty-First Century<\/em><\/a>. Abingdon, Oxon: Routledge, 2018.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"600\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/la_crisi_de_lo_real.jpg\" alt=\"\" class=\"wp-image-231 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/la_crisi_de_lo_real.jpg 405w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/la_crisi_de_lo_real-203x300.jpg 203w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">Marzal Felici, Jos\u00e9 Javier,<strong> Antonio Loriguillo-L\u00f3pez<\/strong>, Aar\u00f3n Serrano Rodr\u00edguez, i Teresa Sorolla-Romero. <em><a href=\"http:\/\/www.culturavisual.uji.es\/libro-los-medios-de-comunicacion-publicos-de-proximidad-en-europa-2\/\">La crisis de lo real. Representaciones de la crisis financiera de 2008 en el audiovisual<\/a><\/em><a href=\"http:\/\/www.culturavisual.uji.es\/libro-los-medios-de-comunicacion-publicos-de-proximidad-en-europa-2\/\"><em> contempor\u00e1neo.<\/em><\/a> Valencia: Tirant Humanidades, 2018.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2017<\/h2>\n\n\n\n<p>\u200b<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:37% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"331\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/comunicacion_y_poder.jpg\" alt=\"\" class=\"wp-image-234 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/comunicacion_y_poder.jpg 220w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/comunicacion_y_poder-199x300.jpg 199w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Mart\u00ednez-Taberner, Guillermo<\/strong>; Mej\u00eda, Jairo; Madrid, Dani i Oll\u00e9, Manel. <a href=\"https:\/\/www.e-buc.com\/\/fitxa.php?isbn=978-84-9116-734-1\">Comunicaci\u00f3n y poder en China, Corea y Jap\u00f3n<\/a>. Barcelona, EdiUOC, 2017.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"http:\/\/www.ed-bellaterra.com\/uploads\/imgproducts\/JAPON%20MEIJIbajaOK.jpg\" alt=\"\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Mart\u00ednez-Taberner, Guillermo<\/strong>. <a href=\"http:\/\/www.ed-bellaterra.com\/php\/llibresInfo.php?idLlibre=1263\">El Jap\u00f3n Meiji y las colonias asi\u00e1ticas del imperio espa\u00f1ol<\/a>. Barcelona: Edicions Bellaterra, 2017.<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2015<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"398\" height=\"600\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/traces_5.png\" alt=\"\" class=\"wp-image-237 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/traces_5.png 398w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/traces_5-199x300.png 199w\" sizes=\"auto, (max-width: 398px) 100vw, 398px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Guarn\u00e9, Blai<\/strong>, Prado-Fonts, C., i Beltr\u00e1n, J. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.ed-bellaterra.com\/php\/coleccions2.php?idColeccio=200048\" target=\"_blank\">TRACES: Estudios multiling\u00fces de teor\u00eda cultural y traducci\u00f3n<\/a>, Brett de Bary (ed.) <a rel=\"noreferrer noopener\" href=\"http:\/\/www.ed-bellaterra.com\/php\/llibresInfo.php?idLlibre=1059\" target=\"_blank\">TRACES 5: Las universidades en traducci\u00f3n<\/a>. Cornell University, Universitat Aut\u00f2noma de Barcelona, Universitat Oberta de Catalunya, Edicions Bellaterra, 2015.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"321\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/el_manga_y_la_animacion_japonesa.jpg\" alt=\"\" class=\"wp-image-240 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/el_manga_y_la_animacion_japonesa.jpg 220w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/el_manga_y_la_animacion_japonesa-206x300.jpg 206w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">Madrid, Dani i <strong>Mart\u00ednez-Taberner, Guillermo<\/strong>. <a href=\"http:\/\/www.editorialuoc.com\/el-manga-y-la-animacion-japonesa\">El Manga y la animaci\u00f3n japonesa<\/a>. Barcelona: EdiUOC, 2015.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"314\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/historia_de_japon.jpg\" alt=\"\" class=\"wp-image-243 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/historia_de_japon.jpg 220w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/historia_de_japon-210x300.jpg 210w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">Junqueras, Oriol; Madrid, Dani; <strong>Martinez-Taberner, Guillermo<\/strong> i Pitarch, Pau. <a href=\"http:\/\/www.editorialuoc.cat\/historia-de-japon_1\">Historia de Jap\u00f3n. Econom\u00eda,Pol\u00edtica y Sociedad<\/a>. Barcelona: EdiUOC, 2012.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"379\" src=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/and_translation_changed_the_world.png\" alt=\"\" class=\"wp-image-246 size-full\" srcset=\"https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/and_translation_changed_the_world.png 250w, https:\/\/webs.uab.cat\/gregal\/wp-content\/uploads\/sites\/68\/2019\/07\/and_translation_changed_the_world-198x300.png 198w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Torres-Simon, Ester<\/strong>.&nbsp;Priests, academics, writers: Professional development of Korean translators, Torres-Simon, Ester i Alberto Fuertes-Puerta (ed.)&nbsp;<a href=\"https:\/\/www.cambridgescholars.com\/product\/978-1-4438-7113-6#gallery\">And Translation Changed the World<\/a>. Newcastle: Cambridge Scholars, 2015.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2024 Cabrera, A. y S\u00e1ez de Adana, F. (eds.)&nbsp;The Multiverse as Theory in Postmodern Speculative Fictional Narratives, London,&nbsp;New York,&nbsp;Routledge&nbsp; 2022 Torres, E.,&nbsp;Pieta, H. y Bueno, R. (2022) Teaching Indirect Translation, London, New York, Routledge.&nbsp; Marzal Felici, Jos\u00e9 Javier; Moriano, Jose; Fieiras Ceide, C\u00e9sar; Vaz \u00c1lvarez, Mart\u00edn &amp; Loriguillo L\u00f3pez, Antonio, Participaci\u00f3n ciudadana y medios de [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-263","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/pages\/263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/comments?post=263"}],"version-history":[{"count":12,"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/pages\/263\/revisions"}],"predecessor-version":[{"id":2567,"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/pages\/263\/revisions\/2567"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/gregal\/en\/wp-json\/wp\/v2\/media?parent=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}