{"id":170,"date":"2019-07-26T10:24:54","date_gmt":"2019-07-26T10:24:54","guid":{"rendered":"https:\/\/webs.uab.cat\/gregal\/tesinas-de-master\/"},"modified":"2023-10-30T14:26:14","modified_gmt":"2023-10-30T14:26:14","slug":"tesinas-de-master","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/gregal\/es\/tesinas-de-master\/","title":{"rendered":"Tesinas de m\u00e1ster"},"content":{"rendered":"\n<p>Los investigadores de<strong> GREGAL <\/strong>participan como tutores y miembros de tribunal de trabajos de investigaci\u00f3n de m\u00e1ster llevados a cabo en universidades nacionales e internacionales.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Tesinas de M\u00e0ster dirigidas<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Arrieta Altolarrige, Elixabete.&nbsp;<em>EU-Japan regional innovation cooperation through the International Urban and Regional Cooperation Program<\/em>, M\u00e0ster en Estudis \u00c0sia-Pac\u00edfic en un Context Global (2023), Dir.: Guillermo Mart\u00ednez Taberner<\/li>\n\n\n\n<li>Barroso Agull\u00f3, Laura.&nbsp;<em>La subtitulaci\u00f3 i la traducci\u00f3 autom\u00e0tica del curtmetratge Training Wheels<\/em>, M\u00e0ster oficial en Traducci\u00f3 Audiovisual (2023), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>De Lamo Bell\u00f3n, Mar\u00eda.&nbsp;<em>Bijinga.:Revisi\u00f3n y diferenciaci\u00f3n de las obras de Kitagawa Utamaro y Uemura Sh\u00f4en<\/em>. M\u00e1ster Universitario de Estudios de Asia Oriental (2023), UGR, Dir.: M\u00aa Teresa Rodr\u00edguez Navarro.<\/li>\n\n\n\n<li>He, Xiaoyue,&nbsp;<em>An\u00e1lisis de la traducci\u00f3n de los textos period\u00edsticos entre chino y espa\u00f1ol para la comunicaci\u00f3n internacional<\/em>, M\u00e0ster Universitari en Traducci\u00f3 i Estudis Interculturals (2023), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Li, Weijia.&nbsp;<em>Traducci\u00f3n financiera chino-espa\u00f1ol: contratos, facturas y licencias de negocios<\/em>, M\u00e0ster Universitari en Traducci\u00f3 i Estudis Interculturals (2023), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Llopis Mart\u00ednez, Andr\u00e9s.&nbsp;<em>La subtitulaci\u00f3n para cine de derechos humanos: caracter\u00edsticas y retos<\/em>, M\u00e0ster oficial en Traducci\u00f3 Audiovisual (2023), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Mena Barberan, Joan Pere.&nbsp;<em>La franquicia Souls: El perfeccionamiento de la narrativa impl\u00edcita en videojuegos<\/em>, M\u00e0ster Oficial en Estudis Globals d\u2019\u00c0sia Oriental (2023), UAB, Dir.: Tom\u00e1s Grau de Pablos<\/li>\n\n\n\n<li>Rubio V\u00e1zquez, Sara.&nbsp;<em>Traducci\u00f3n cultural, transculturalidad e interculturalidad en la obra \u201cEl alquimista de acero\u201d (<\/em><em>\u92fc\u306e\u932c\u91d1\u8853\u5e2b<\/em><em>&nbsp;Fullmetal Alchemist Brotherhood) de Hiromu Arakawa<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental, UGR (2023), Dir.: M\u00aa Teresa Rodr\u00edguez Navarro.<\/li>\n\n\n\n<li>Sie Ji Jiao,&nbsp;<em>El orientalismo y la imagen de Jap\u00f3n: \u201cEl crisantemo y la espada\u201d de Ruth Benedict<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental (2023), UGR, Dir.: M\u00aa Teresa Rodr\u00edguez Navarro.<\/li>\n\n\n\n<li>Vall Hom, Maria Pilar.&nbsp;<em>Estudio sobre ecovillages y comunidades agr\u00edcolas en Jap\u00f3n<\/em>, M\u00e0ster Oficial en Estudis Globals d\u2019\u00c0sia Oriental (2023), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Yu, Xin,&nbsp;<em>La generaci\u00f3n Z en la ola coreana: sus perspectivas y problemas sociales<\/em>&nbsp;(2023), UAB, Dir.: Blai Guarn\u00e9<\/li>\n\n\n\n<li>Caravaca, Adri\u00e1n.&nbsp;<em>\u2018Dragon Quest\u2019, el precursor olvidado. Origen transmedia del primer JRPG y el borrado de su aroma cultural fuera de Jap\u00f3n<\/em>&nbsp;(2022), UAB. Dir.: Tom\u00e1s Grau de Pablos<\/li>\n\n\n\n<li>Furci, Santiago.&nbsp;<em>El retorno de Hong Kong a China: Pol\u00edtica e Identidad<\/em>, M\u00e0ster en Estudis Globals de l\u2019\u00c0sia Oriental (2022), UAB, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Garc\u00eda D\u00edaz, Alicia.&nbsp;<em>El rol de los paratextos en la recepci\u00f3n de Alicia en el pa\u00eds de las maravillas, de Lewis Carroll, en Jap\u00f3n<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental (2022), UGR, Dir.: M\u00aa Teresa Rodr\u00edguez Navarro.<\/li>\n\n\n\n<li>Gonz\u00e1lez Peralta, Pablo.&nbsp;<em>The Ethics Of Artificial Intelligence And The Multilateral Push For A Treaty<\/em>, Master in International Affairs and Diplomacy (2022), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Heras Gil, Clara.&nbsp;<em>Comparativa entre la productividad y la calidad de la traducci\u00f3n humana y la post-edici\u00f3n mediante la traducci\u00f3n del reality Robot Wars<\/em>, M\u00e0ster oficial en Traducci\u00f3 Audiovisual (2022), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Javaloy Ballestero, Sergio.&nbsp;<em>El documental sonoro en el podcast de habla hispana. Casos de estudio en podcast narrativos de no ficci\u00f3n en Latinoam\u00e9rica y Espa\u00f1a<\/em>, M\u00e1ster en Nuevas Tendencias y Procesos de Innovaci\u00f3n en Comunicaci\u00f3n (2022), Universitat Jaume I, Dir.: Antonio Loriguillo-L\u00f3pez<\/li>\n\n\n\n<li>Llorens, Santiago Ram\u00f3n.&nbsp;<em>ESTUDIO EMP\u00cdRICO DEL ECOSISTEMA DE LAS STARTUPS, DESDE UN PUNTO DE VISTA DE J\u00d3VENES UNIVERSITARIOS<\/em>, M\u00e0ster en Estudis \u00c0sia-Pac\u00edfic en un Context Global (2022), Dir.: Guillermo Mart\u00ednez Taberner<\/li>\n\n\n\n<li>Lorente Garc\u00eda, Esther.<em>&nbsp;La subtitulaci\u00f3n de la serie de animaci\u00f3n De yakuza a amo de casa de Netflix: registros ling\u00fc\u00edsticos y la traducci\u00f3n de onomatopeyas<\/em>, M\u00e0ster oficial en Traducci\u00f3 Audiovisual (2022), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Olubusoye Balogun, Bebe.&nbsp;<em>The United Nations Security Council Permanent Members: the Case for Expansion<\/em>, Master in International Affairs and Diplomacy (2022), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Reixach Roman, Helena.&nbsp;<em>El su\u00efcidi dels adolescents a Corea del Sud. Sota un dels sistemes m\u00e9s exigents del m\u00f3n<\/em>, M\u00e0ster d\u2019Estudis d\u2019\u00c0sia Pac\u00edfic en un Context Global (2022), UPF, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Segura S\u00e1nchez, Lurdes.&nbsp;<em>Los estereotipos de la mujer japonesa:An\u00e1lisis del y\u016brei femenino en Ugetsu Monogatari<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental (2022), UGR, Dir.: M\u00aa Teresa Rodr\u00edguez Navarro<\/li>\n\n\n\n<li>Serrano Garc\u00eda, Marta.&nbsp;<em>Castell\u00f3 en Verd<\/em>, M\u00e1ster en Nuevas Tendencias y Procesos de Innovaci\u00f3n en Comunicaci\u00f3n (2022), Universitat Jaume I, Dir.: Antonio Loriguillo-L\u00f3pez<\/li>\n\n\n\n<li>Theriault, Joseph.&nbsp;<em>The Feasibility Of A Potential \u2018Cyber Arms\u2019 Treaty From A German Academic\/Technical Expert Standpoint<\/em>, Master in International Affairs and Diplomacy (2022), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Torn\u00e9 Cano, Roger.&nbsp;<em>Les Relacions Bilaterals UE-Jap\u00f3 des de 1991 fins avui: una an\u00e0lisi ecl\u00e9ctica<\/em>, M\u00e0ster en Estudis Globals de l\u2019\u00c0sia Oriental (2022), UAB, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Torres del Rey, Guillermo.&nbsp;<em>El caso de los videojuegos en China: control, poder y adicci\u00f3n<\/em>&nbsp;(2022), UAB, Dir.: Tom\u00e1s Grau de Pablos<\/li>\n\n\n\n<li>Athini Bildungsroman, Maria.&nbsp;<em>Educating the younger self on historical truth \u2013 Soseki\u2019s Sensei and Fowles\u2019 Magus<\/em>, Birkbeck, Univ of London (2021), Dir.: Marcos Centeno<\/li>\n\n\n\n<li>Besong Orock, Adolf.&nbsp;<em>Federalizing An Authoritarian Unitary Republic of Cameroon to Experience Democratic Grace: Is Federalism a Permanent Cure to Cameroon\u2019s Authoritarianism?<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Campistol Mas, Jaume.&nbsp;<em>The Inter-Korean Sports Diplomacy Episode In The Frame Of The 2018 Pyeonchang Winter Olympics In The Eyes Of The International Media<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Cruz Fernandez, Jesse.&nbsp;<em>Power Transition and Strategic Multilateralism: Is China Challenging the U.S.-Led Liberal International Order?<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Fomina, Natalia.&nbsp;<em>Factors Influencing China\u2019s Assertiveness in the Territorial Disputes in the South China Sea: Analysis of China-Spratly Islands Case<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Mart\u00ednez, Carlota.&nbsp;<em>Corea del Sur a trav\u00e9s de la prensa online espa\u00f1ola<\/em>, M\u00e0ster Oficial en Estudis Globals d\u2019\u00c0sia Oriental (2021), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Moll, Marta.&nbsp;<em>An\u00e1lisis sobre el maltrato y esclavizaci\u00f3n de mujeres durante \u00e9pocas b\u00e9licas del siglo XX: el caso surcoreano en la prensa espa\u00f1ola<\/em>, M\u00e0ster Oficial en Estudis Globals d\u2019\u00c0sia Oriental (2021), UAB, Dir.: Alba Serra-Vilella<\/li>\n\n\n\n<li>Ribas Llad\u00f3, Miquel.&nbsp;<em>China\u2019s Asia-Pacific Relations under Xi Jinping: An Analysis of Regional Powers\u2019 Adaptation Strategies to the Rise of China<\/em>, M\u00e0ster en Estudis Globals de l\u2019\u00c0sia Oriental (2021), UAB, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Romero Becerra, Mar\u00eda Teresa.&nbsp;<em>The Impact of 9\/11 on International Relations and Geopolitics in the 21st Century: a Historical Research<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Sabate, Tania.&nbsp;<em>Estudio de mercado: El mercado del ginseng en Espa\u00f1a<\/em>, M\u00e0ster Oficial en Estudis Globals d\u2019\u00c0sia Oriental (2021), UAB, Dir.: Guillermo Mart\u00ednez Taberner<\/li>\n\n\n\n<li>Spinedi, Velentina.&nbsp;<em>Climate change adaptation and mitigation strategies in the Asia-Pacific region: policy considerations<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Valony, Marie-Eve.&nbsp;<em>The ties between West African countries and China and Japan since the end of the Cold War<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Yirenkyiwa Awuku, Abena.&nbsp;<em>Impact of Covid-19 on the Economic Security of Diaspora Ghanaians in the Netherlands<\/em>, Master in International Affairs and Diplomacy (2021), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Clarke, Alex. \u201cThe Cultural Significance of Nature Writing in Britain and Japan\u201d, MRes in Comparative Literature and Cultural Studies (2020), Birkbeck, Univ of London, Dir.: Marcos Centeno<\/li>\n\n\n\n<li>Cucuzza, Antonio.\u00a0<em>Representation of masculinity in contemporary visual culture: a comparison between Japan and the West. Differences, similarities, and social challenges<\/em>, MRes in Comparative Literature and Cultural Studies (2020), Birkbeck, Univ of London, Dir.: Marcos Centeno<\/li>\n\n\n\n<li>Escobar Tortosa, Patricia &amp; Pallares Sement\u00e9, Xavier Miquel. <em>La guerrilla de Netflix<\/em>, M\u00e1ster en Marketing (2020), UAB, Dir. Carme Casablancas Segura<\/li>\n\n\n\n<li>Li Cheng Liu.\u00a0<em>La influencia de la cultura del Bushid\u00f4 en la sociedad empresarial japonesa<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental (2020), UGR, Dir. Mar\u00eda Teresa Rodr\u00edguez Navarro.<\/li>\n\n\n\n<li>Mernild, Magnus.&nbsp;<em>Danish Diplomacy Towards 2030 \u2013 Looking for Leverage in Times of Limitations<\/em>, Master in International Affairs and Diplomacy (2020), UOC-UNITAR, Just Castillo Iglesias<\/li>\n\n\n\n<li>Pleite Moreno, Ana.&nbsp;<em>Singapore in International Relations: A Gender Study<\/em>, Master in International Affairs and Diplomacy (2020), UOC-UNITAR, Just Castillo Iglesias<\/li>\n\n\n\n<li>Reche Beltr\u00e1n, Mar\u00eda.&nbsp;<em>Recepci\u00f3n del ideal femenino en Jap\u00f3n y su evoluci\u00f3n: de geishas a idols<\/em>, M\u00e1ster Universitario de Estudios de Asia Oriental (2020), UGR, Dir.: M Teresa Rodr\u00edguez Navarro y Kyoko Ito -Morales.<\/li>\n\n\n\n<li>Sim\u00f3n, Melody del Pilar.&nbsp;<em>Plan de Comunicaci\u00f3n de Castell\u00f3n Plaza<\/em>, M\u00e1ster en Nuevas Tendencias y Procesos de Innovaci\u00f3n en Comunicaci\u00f3n (2020), Universitat Jaume I, Antonio Loriguillo-L\u00f3pez<\/li>\n\n\n\n<li>Upenyu Mukono, Levi.&nbsp;<em>Re-thinking the 1961 Vienna Convention on Diplomacy in the age of e-diplomacy<\/em>. A case study of Diplomats Social Media Accounts in promoting state interests, Master in International Affairs and Diplomacy (2020), UOC-UNITAR, Dir.: Just Castillo Iglesias<\/li>\n\n\n\n<li>Valerie Baur, Friederike.&nbsp;<em>What role does the Southern African Development Community (SADC) play in the socio-economic crisis in Zimbabwe?<\/em>, Master in International Affairs and Diplomacy (2020), UOC-UNITAR, Just Castillo Iglesias<\/li>\n\n\n\n<li>Yin, Mengyuan,&nbsp;<em>Akutagawa Ryunosuke and Japanese Death Consciousness<\/em>, MRes in Comparative Literature and Cultural Studies (2020), Birkbeck, Univ of London, Dir.: Marcos Centeno<\/li>\n\n\n\n<li>Clarke, Alex.&nbsp;<em>The Cultural Significance of Nature Writing in Britain and Japan<\/em>, Master of Arts in Comparative Literary and Cultural Studies (2019), Birkbeck University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Mengyuan, Yin.&nbsp;<em>Akutagawa Ryunosuke and Japanese Death Consciousness<\/em>, Master of Arts in Comparative Literary and Cultural Studies&nbsp;(2019), Birkbeck University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Rosario, Jos\u00e9 Arnaldo.&nbsp;<em>The Mandate of Heaven: Continuity in China\u2019s Political Thought<\/em>, M\u00e1ster en Estudis Chinesos (2018), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Calet, David.&nbsp;<em>Las Nuevas Alternativas de Financiaci\u00f3n en China<\/em>, M\u00e1ster en Estudis Chinesos (2018), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Matsushima, Kei.&nbsp;<em>Estudio comparativo espa\u00f1ol-japon\u00e9s sobre las expresiones malsonantes en las traducciones cinematogr\u00e1ficas<\/em>, M\u00e0ster oficial de traducci\u00f3, Interpretaci\u00f3 i Estudis interculturals (2017), Universitat Aut\u00f2noma de Barcelona. Dir.: Blai Guarn\u00e9 Cabello.<\/li>\n\n\n\n<li>Wang, Luly.&nbsp;<em>A Truth Vanishes On A Man Vanishes (1967) by Shohei Imamura<\/em>, Master of Arts in Japanese Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Mokashi Punekar, Prachi.&nbsp;<em>Agents of Change: Discovering Third Cinema in Kashmir,<\/em>&nbsp;(2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Virone, Riana-Marie.<strong>&nbsp;<\/strong><em>Constructing a South Korean national identity through movies based on real-life events<\/em>, Master of Arts in Korean Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Chu, Chien-Hui.<strong>&nbsp;<\/strong><em>Cyborg and women in japanese film: the female charcaters in Helter Skelter,<\/em>&nbsp;Master of Arts in Japanese Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Ashley Seidl, Kristina.<strong>&nbsp;<\/strong><em>Making the Fool of Owari: an analysis of the Characterisation of Oda Nobunaga in the Luck Adventurer,<\/em>&nbsp;Master of Arts in Japanese Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Claude Mattiuzzo, Paul Michel.<em>&nbsp;Representations of male homosexuality in japanese films since the Gay Boom; a case study on Yaoi and Queer cinema,<\/em>&nbsp;Master of Arts in Japanese Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Holbourne, Annette.<strong>&nbsp;<\/strong><em>The Cinema of Vimukthi Jayasundara<\/em>, (2017) SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Lawrence, Green.&nbsp;<em>Future pioneers \u2013 \u2018Macross Plus\u2019 and \u2018The End of Evangelion\u2019 as both nexus and new paradigm for genre tropes in 90s anime<\/em>,&nbsp;Master of Arts in Japanese Studies (2017), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Guandi, Bai.&nbsp;<em>The Rising Phenomenon Of Chinese Personal Shoppers And Its Relationship With Cross-border E-Commerce<\/em>, M\u00e1ster en Estudis Chinesos (2017), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Torres Moreno, Guillermo.&nbsp;<em>Una aproximaci\u00f3n a la juventud japonesa. Discurso, cine y su reflejo en la obra de Nakashima Tetsuya,&nbsp;<\/em>M\u00e1ster en Estudios de Asia Oriental (2016), Universidad de Granada. Dir.: Blai Guarn\u00e9.<\/li>\n\n\n\n<li>Singleton, Courtney.&nbsp;<em>An Exploration of Trauma in Film: A Comparative Analysis of the Disabled War Veteran in Koji Wakamatsu\u2019s Caterpillar and Z\u00e9z\u00e9 Gamboa\u2019s O Her\u00f3i ,<\/em>&nbsp;Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Orr, Charlie.<strong>&nbsp;<\/strong><em>The Changing Persona of Ishihara Y\u016bjir\u014d: How an Actor\u2019s On-Screen Characters Reflected Broader Societal Changes within Japan at the Start of the High Growth Economy<\/em>, Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Zhang, Liao.&nbsp;<em>The rise of Hong Kong Cinema in 20the CenturyHong Kong Action Cinema as the national and trans national cinema<\/em>, (2016) SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Jayesimi, Olaide Yasmin.<strong>&nbsp;<\/strong><em>Comparative Similarities In Tadashi Imai\u2019s 1959 Filmkiku To Isamuand Sam Zebba\u2019s 1957 Film Fincho<\/em>, Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Boudoc, Florence.<strong>&nbsp;<\/strong><em>Cycles fo Violence and masculinites in the Films of Miike Takashi,<\/em>&nbsp;Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Vasudevan, Arthi.<strong>&nbsp;<\/strong><em>Identifying SHunji Iwai\u00b4s Vampire within the Myth of America\u00b4s Cinematic Vampire<\/em>, Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Linda-Vosseberg, Victoria.&nbsp;<em>Madness on the Screen \u2013 How the Appearance of Mental Illness in Expressionist Films discloses Social Trauma in 1920s Germany and Japan,<\/em>&nbsp;Master of Arts in Japanese Studies (2016), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Okoronkwo, Chin.&nbsp;<em>The hauntologies of race in black British cinema: can gesture liberate the image of afrodiasporic representation from the black body in John Akomfrah\u2019s \u201cnine muses\u201d (2013) ,<\/em>&nbsp;(2016) SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Domingo i Mercad\u00e9, Pau.&nbsp;<em>La relaci\u00f3n entre el sistema Hukin y la inflaci\u00f3n de los precios de la vivienda en 35 ciudades chinas (1997-2014)<\/em>, M\u00e1ster en Estudis Chinesos (2016), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Garc\u00eda Roncero, Diego.&nbsp;<em>Los\/las estudiantes chinos\/as en el Sistema Universitario Espa\u00f1ol. Un an\u00e1lisis de su presencia actual y las oportunidades que generan<\/em>, M\u00e1ster en Estudis Chinesos (2016), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Mart\u00ednez Val, Bernat.&nbsp;<em>La Contaminaci\u00f3n Atmosf\u00e9rica en China<\/em>, M\u00e1ster en Estudis Chinesos (2016), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Serrano Vilanova, Jes\u00fas.&nbsp;<em>Perspectivas y debates actuales en torno a la gran divergencia entre China y Europa<\/em>, M\u00e1ster en Estudis Chinesos (2016), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Zhao, Wanyi.&nbsp;<em>Taobao vs. Amazon<\/em>, M\u00e1ster en Estudis Chinesos (2016), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Tind\u00f3n Manzano, \u00dalises<em>. Pr\u00e9stamos ling\u00fc\u00edsticos y el concepto de progreso en Corea del Sur<\/em>, M\u00e1ster Universitario en Traducci\u00f3n, Interpretaci\u00f3n y Estudios Interculturales (2015), Universitat Aut\u00f2noma de Barcelona. Dir.: Makiko Fukuda.<\/li>\n\n\n\n<li>Romain, Martin.&nbsp;<em>Transnational Appropriation: Intertextuality and Mythology in Japanese Animation<\/em>, Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Paolin, Raffaella.<strong>&nbsp;<\/strong><em>Before \u2018Gross National Cool\u2019; beyond \u201cMukokuseki\u201d: The Reception of Japanese Animation by Italian Children in the Late 70s and its Legacy,<\/em>&nbsp;Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Williams, Kenneth.&nbsp;<em>Is British Cinema a Strand of American Independent Cinema?<\/em>&nbsp;(2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Rangeley, Espen Stuart.&nbsp;<em>Products of a Transgendered State: To What Extent are Depictions of Gender Ambiguity in Japanese Cinema,<\/em>&nbsp;Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Shang, Yeng Yeng.&nbsp;<em>Authenticity and \u201cJapaneseness\u201d in Studio Ghibli Imaginings. Global Cinemas and the Transcultural,<\/em>&nbsp;Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Longo, Anthea.&nbsp;<em>Cool Japan Copyright Fandom: Case Study Evangelion,<\/em>&nbsp;Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Suzuki, Toko.&nbsp;<em>Dissolution of the Family in Melodrama: Ozu and Koreeda,<\/em>&nbsp;Master of Arts in Japanese Studies (2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Verma, Aditi Tara<strong>.&nbsp;<\/strong><em>Looking from the Outside In: Exploring British South Asian (India\/Pakistan) Identity Race Relations and Diaspora Filmaking in the United Kingdom circa 1980-1990,<\/em>&nbsp;(2015), SOAS University of London. Dir.: Marcos Centeno.<\/li>\n\n\n\n<li>Kang, Liwei.&nbsp;<em>The evolution of the consumption in the PRC (2000-2014)<\/em>, TFM del M\u00e1ster de Estudis Chinesos (2015), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>M\u00f6ller Gandol, Solveig Maria.&nbsp;<em>Incorporaci\u00f3n del uso de lenguas extranjeras minoritarias en Jap\u00f3n<\/em>, M\u00e1ster en Estudis Chinesos (2015), Universitat Pompeu Fabra. Dir.: Guillermo Mart\u00ednez-Taberner.<\/li>\n\n\n\n<li>Grau de Pablos, Tom\u00e1s.&nbsp;<em>El videojuego de producci\u00f3n japonesa en Espa\u00f1a. Deslocalizaci\u00f3n y procesos de producci\u00f3n<\/em>, M\u00e0ster Oficial de Traducci\u00f3, Interpretaci\u00f3 i Estudis Interculturals (2012), Universitat Aut\u00f2noma de Barcelona. Dir.: Blai Guarn\u00e9 &amp; Artur Lozano-M\u00e9ndez.<\/li>\n\n\n\n<li>Gonz\u00e1lez Lario, Alejandro.&nbsp;<em>Las nuevas generaciones zainichi: aproximaci\u00f3n a las identidades de los coreanos en Jap\u00f3n<\/em>, M\u00e0ster Oficial de Traducci\u00f3, Interpretaci\u00f3 i Estudis Interculturals (2011), Universitat Aut\u00f2noma de Barcelona. Dir.: Blai Guarn\u00e9.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Los investigadores de GREGAL participan como tutores y miembros de tribunal de trabajos de investigaci\u00f3n de m\u00e1ster llevados a cabo en universidades nacionales e internacionales. Tesinas de M\u00e0ster dirigidas<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-170","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/comments?post=170"}],"version-history":[{"count":3,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/170\/revisions"}],"predecessor-version":[{"id":1659,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/170\/revisions\/1659"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/media?parent=170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}