{"id":258,"date":"2019-07-26T10:35:50","date_gmt":"2019-07-26T10:35:50","guid":{"rendered":"https:\/\/webs.uab.cat\/gregal\/articulos\/"},"modified":"2025-03-06T11:53:59","modified_gmt":"2025-03-06T11:53:59","slug":"articulos","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/gregal\/es\/articulos\/","title":{"rendered":"Art\u00edculos"},"content":{"rendered":"\n

2025<\/h2>\n\n\n\n

Malo, M.<\/strong> (2025) \u00abDe Hiroshima y Nagasaki a la Paz Global: El Rol del Nihon Hidankyo en la era pos-Hibakusha, Bolet\u00edn de la Paz y los Conflictos en Asia-Pac\u00edfico, Universidad de Granada, <\/em>31, (en prensa).<\/p>\n\n\n\n

2024<\/h2>\n\n\n\n

Guarn\u00e9, B. <\/strong>(2024) \u201cNo Sleep, No Dreams: Imaginings and Expectations in Online Student Mobility to Japan during the Covid-19 Crisis\u201d, Asian Anthropology<\/em> (en prensa).<\/p>\n\n\n\n

Fukuda, M.<\/strong> (2024) \u201cBasic study of kanji recognition patterns in non-kanji-background Japanese learners based on eye-movement analysis\u201d, Porta Linguarum<\/em>, 10, pp. 99-115. <\/p>\n\n\n\n

Grau, T.<\/strong> (2024) \u201cBetween Indie and Doujin: the creation of the Japanese indie\u201d, Game Studies<\/em>.<\/p>\n\n\n\n

Grau, T. <\/strong>y <\/strong>Eusebio, R. (2024) \u201cEl acceso al juego japon\u00e9s a trav\u00e9s de las redes sociales: estudio de caso de h\u00e1bitos de consumo\u201d, Games & Culture<\/em>.<\/p>\n\n\n\n

Malo, M. <\/strong>(2024) Colonialidad y decolonialidad ontoepistemol\u00f3gica en la conformaci\u00f3n de la idea de sociedad civil en Jap\u00f3n, ARAUCARIA<\/em>:Revista Iberoamericana de Filosof\u00eda, Pol\u00edtica, Humanidades y Relaciones Internacionales<\/em>, 27(56), (en prensa).  <\/p>\n\n\n\n

Malo, M. <\/strong>(2024). <\/strong>David Feroce: Artesano y artista, <\/strong>Rolde: Revista de Cultura Aragonesa<\/em>, <\/strong>n\u00ba 188, pp.62-65. <\/p>\n\n\n\n

Martinez, G.<\/strong> (2024) \u201cA Comprehensive Analysis of the Evolution of Global Financial Integration: Japan as a Case Study\u201d, Review of World Economics<\/em>.<\/p>\n\n\n\n

Castillo Iglesias, J.<\/strong> (2024) \u201cLa pol\u00edtica exterior de seguridad japonesa (2001-2022). Condicionantes para el reajuste estrat\u00e9gico ante un contexto incierto\u201d, Revista de Pensamiento Estrat\u00e9gico y Seguridad CISDE<\/em>, 9(1), pp. 9-24. <\/p>\n\n\n\n

Castillo Iglesias, J.<\/strong> (2024). Tensi\u00f3n geopol\u00edtica en torno a Taiw\u00e1n. Estrategia internacional, factores condicionantes y sostenibilidad. Tiempo Devorado. Revista de Historia Actual, 9<\/em>(1), 23-51. <\/p>\n\n\n\n

Vidal, L. <\/strong>(2024) \u201cThe EU-Japan Partnership in the Post-pandemic Order: What Comes Next?\u201d, Journal of Asian Security and International Affairs<\/em>, 11(1), pp. 122-145. <\/p>\n\n\n\n

Vidal, L<\/strong>. et al.<\/em> (2024) \u201cDiversifying economic risks: Japan\u2019s economic hedging toward China\u201d, International Relations of the Asia-Pacific<\/em>.<\/p>\n\n\n\n

2023<\/h2>\n\n\n\n

Pi\u0119ta, H., Valdez, S., Torres Sim\u00f3n, Ester<\/strong>  & Menezes, R. (2023). \u00abDesaf\u00edos y formaci\u00f3n para los creadores de plantillas din\u00e1micas: hallazgos de una encuesta con subtituladores y formadores en subtitulado<\/a>\u00ab, \u00cdkala, revista de lenguaje y cultura<\/em>, 28, 2, pp. 1-21.<\/p>\n\n\n\n

Torres-Sim\u00f3n, Ester<\/strong>, Valdez, S, Pi\u0119ta H. & Menezes R. (2023). \u00abPivot translation, friend or foe of sustainable development? Pivot subtitlers\u2019 perspectives\u00bb<\/a>. Translation Spaces<\/em> (online).<\/p>\n\n\n\n

Valdez, S., Pi\u0119ta, H., Torres-Sim\u00f3n, Ester,<\/strong> & Menezes R. (2023). \u00abSubtitlers\u2019 beliefs about pivot templates.: What do they tell us about language hierarchies and translation quality in streaming service platforms?<\/a>\u00ab. Target. International Journal on Translation Studies<\/em>, 35, 3, pp. 426\u2013454.<\/p>\n\n\n\n

Pi\u0119ta, H., Valdez, S., Torres-Sim\u00f3n, Ester,<\/strong> & Menezes, R. (2023). \u00abAre we training \u201ctemplators\u201d?: Survey study on English pivot templates in subtitler training<\/a>\u00ab. \u00cdkala, revista de lenguaje y cultura<\/em>, 28, 2.<\/p>\n\n\n\n

Torres-Sim\u00f3n, Ester<\/strong>. (2023) \u00abPr\u00f3logo<\/a>\u00ab. Revista Asiad\u00e9mica <\/em>18, pp. 7-9.<\/p>\n\n\n\n

2022<\/h2>\n\n\n\n

Clements, Rebekah<\/strong> (2022). \u201cAlternate Attendance Parades in the Japanese Domain of Satsuma, Seventeenth to Eighteenth Centuries: Pottery, Power and Foreign Spectacle<\/a>\u201c, Transactions of the Royal Historical Society<\/em>, 32, pp. 135-158.<\/p>\n\n\n\n

Duan ., B. & Clements, Rebekah<\/strong> (2022). \u201cFighting for Forests: Protection and Exploitation of K\u014fje Island Timber during the East Asian War of 1592 to 1598<\/a>\u201c, Environmental History<\/em>, 27, 3, pp. 415-440.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2022). \u201cEl futuro ya est\u00e1 aqu\u00ed: Nuevas tendencias de la investigaci\u00f3n en los Estudios Japoneses en Espa\u00f1a<\/a>\u201c, Mirai. Estudios Japoneses<\/em>, 6, pp. 3-10.<\/p>\n\n\n\n

Guarn\u00e9, Blai <\/strong>(2022). (ed.) \u201cNuevas tendencias de la investigaci\u00f3n en los Estudios Japoneses en Espa\u00f1a<\/a>\u201c, Mirai. Estudios Japoneses<\/em>, 6, pp. 1-75.<\/p>\n\n\n\n

Grau de Pablos, Tom\u00e1s<\/strong> (2022). \u201cFlash, Newgrounds y la confluencia entre el lenguaje de Internet y el videojuego<\/a>\u201c, Obra Digital<\/em>, 22, pp. 111-125.<\/p>\n\n\n\n

Kim, H. & Clements, Rebekah<\/strong> & Rhyu, M. (2022). \u201cA genealogy of tiger nationalism in Korea: Post-colonial discourse, Ch\u2019oe Nams\u014fn and the Seoul Olympics<\/a>\u201c, International Journal of Asian Studies<\/em>. pp. 1-20.<\/p>\n\n\n\n

L\u00f3pez i Vidal, Lluc<\/strong> (2022). \u00abBeyond the gaiatsu model: Japan\u2019s Asia-Pacific policy and Neoclassical Realism<\/a>\u00ab, Journal of Asian Security and International Affairs<\/em>, 9, 1. <\/p>\n\n\n\n

Lozano-M\u00e9ndez, Artur<\/strong> & Loriguillo-L\u00f3pez, Antonio<\/strong> (2022). \u201cHumanismos al borde del colapso: los anime nihilistamina<\/a>\u201d, Co-herencia<\/em>, pp. 293-327.<\/p>\n\n\n\n

Francomano, Teresita, Loriguillo-L\u00f3pez, Antonio<\/strong> & Palao-Errando, Jos\u00e9 (2022). \u201cThe logic of pain in talking bodies: An approach to han in the films of Hong Sang-soo and Lee Chang-dong<\/a>\u201d, Cinema: Journal of Philosophy and the Moving Image<\/em>, pp. 57-78.<\/p>\n\n\n\n

Malo Sanz, Mario<\/strong> (2022). \u201cBrief socio-historical tour of the onto- epistemological developments of civil society in Japan<\/a>\u201c, Deusto Journal of European Studies<\/em>, 5, pp. 75-107.<\/p>\n\n\n\n

Malo Sanz, Mario<\/strong> (2022). \u201cPautas para un an\u00e1lisis geneal\u00f3gico de la sociedad civil japonesa: Una aproximaci\u00f3n desde la historia de las mentalidades, la sociolog\u00eda hist\u00f3rica y la etnograf\u00eda<\/a>\u201c, Mirai. Estudios Japoneses<\/em>, 6, pp. 25-36.<\/p>\n\n\n\n

Sartor-Harada, A., Azevedo-Gomes, J. & Torres Sim\u00f3n, Ester<\/strong> (2022). \u201cDeveloping Teaching Competences with Service-Learning Projects<\/a>\u201c, Journal of Higher Education Outreach and Engagement<\/em>, 26, 2, pp. 65-78.<\/p>\n\n\n\n

Serra-Vilella, Alba<\/strong> (2022). \u201cNo pod\u00eda ser m\u00e1s nip\u00f3n: imagen del otro en las traducciones de Confesiones de una m\u00e1scara de Mishima<\/a>\u201c, TRANS. Revista de Traductolog\u00eda<\/em>, 26, pp. 141-159.<\/p>\n\n\n\n

Torrents, Alba<\/strong> & Muntadas, Borja. (2022). \u201cThe future is yet to be created: temporality and imagination in the Anthropocene<\/a>\u201c, ArtNodes<\/em>, 29, pp. 1-9.<\/p>\n\n\n\n

2021<\/h2>\n\n\n\n

Badia-Mir\u00f3 M.; Carreras-Mar\u00edn, A., & Mart\u00ednez-Taberner, Guillermo<\/strong> (2021). \u201cLa integraci\u00f3n comercial de Am\u00e9rica Latina en el espejo del Pac\u00edfico, 1870-1920<\/a>\u201d, Investigaciones de Historia Econ\u00f3mica<\/em>, 18, 2, pp. 90-101.<\/p>\n\n\n\n

Cabrera Torrecilla, Ang\u00e9lica<\/strong> (2021). \u201cVisiones del multiverso: Microcosmos y totalidad en \u2018El Aleph\u2019 de Jorge Luis Borge<\/a>s<\/a>\u201d, Alpha: Revista de Artes, Letras y Filosof\u00eda<\/em>, 52, pp. 121-139.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2021). \u201c1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film<\/a>\u201d, The Sixties. A Journal of History, Politics and Culture<\/em>, 14, 2, pp. 151-168.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2021). \u201cVac\u00edos de la bomba at\u00f3mica. El Memorial por la Paz de Hiroshima como lugar de ritual<\/a>\u201d, Revista de pensamiento contempor\u00e1neo<\/em>, 62, pp. 49-70.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2021). \u201cTransmission of Japanese as a heritage language in the bilingual polity of Catalonia: A case study<\/a>\u201c. Journal of Asian Pacific Communication<\/em>, 31, 2, pp. 191-212.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2021). \u201cJapanese Studies in Spain: A Growing Academic Field<\/a>\u201c. Japanese Studies Arround the World (Sekai no Nihon Kenkyu)<\/em>, 22, pp. 6-36.<\/p>\n\n\n\n

Guarne, Blai <\/strong>& De Vargas, Ferran<\/strong> (2021). \u201cJapan\u2019s long 1968 cinema: resistance, struggle, revolt<\/a>\u201c. The Sixties<\/em>, 14, 2, pp. 121-132.<\/p>\n\n\n\n

Gonz\u00e1lez de la Fuente, Eduardo<\/strong> (2021). \u201cIn which Ways is Karate(d\u014d) Japanese? A Consideration on Cultural Images of Bushid\u014d and Nihonjinron in the Postwar Globalization of Martial Arts.\u201d <\/a>Journal of Inter-Regional Studies: Regional and Global Perspectives<\/em>, Waseda University, 4, pp. 15-30.<\/p>\n\n\n\n

Gonz\u00e1lez de la Fuente, Eduardo<\/strong> (2021). \u201cRecentering the Cartographies of Karate: Martial Arts Tourism in Okinawa.\u201d <\/em><\/a>Ido Journal of Martial Arts Anthropology<\/em>, 21, 3, pp. 51-66.<\/p>\n\n\n\n

Malo Sanz, Mario<\/strong> (2021). \u201cTrayectoria y evoluci\u00f3n del sistema educativo en Jap\u00f3n<\/a>\u201c, Barcelona, Perspectiva<\/em>, 415.<\/p>\n\n\n\n

Serra-Vilella, Alba <\/strong>(2021). \u201cQui\u00e9n traduce literatura japonesa en Espa\u00f1a: agentes en la traducci\u00f3n y publicaci\u00f3n<\/a>\u201d. Onom\u00e1zein<\/em>, 52, pp. 226-250.<\/p>\n\n\n\n

Serra-Vilella, Alba <\/strong>(2021). \u201cQu\u00e9 se traduce: literatura y otros libros japoneses en el contexto de Espa\u00f1a<\/a>\u201d. \u00cdkala, Revista de Lenguaje y Cultura<\/em>, 26, 2, pp. 403-420.<\/p>\n\n\n\n

Serra-Vilella, Alba<\/strong> (2021). \u201cThe Japanese Other in translated literature: paratexts in the translations of Kawabata and Mishima in Spain<\/a>\u201d. Herm\u0113neus. Revista de Traducci\u00f3n e Interpretaci\u00f3n<\/em>, 23, pp. 421-452.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi<\/strong> (2021). \u201cEl peligro de un viaje decepcionante: Jos\u00e9 Juan Tablada, Enrique G\u00f3mez Carrillo y Vicente Blasco Ib\u00e1\u00f1ez visitan Jap\u00f3n a principios del s. XX<\/a>\u201c, TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World<\/em>, 9, 7, pp. 79-99.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi <\/strong>(2021). \u201cClosure in Dystopia: Projecting Memories of the End of Crises in Speculative Fiction<\/a>,\u201d Memory Studies,<\/em> 14, 6, pp. 1347-1361.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi <\/strong>(2021). \u201cCanon Breeds Canon: Murakami Haruki, World Literature, and the Hegemonic Representation of Japan in the United States<\/a>\u201c, Archiv orient\u00e1ln\u00ed<\/em>, 89, <\/em>2, pp. 339-363.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi<\/strong> (2021). \u201cDecolonial Theory in East Asia? Outlining a Shared Paradigm of Epistemologies of the South<\/a>\u201d, Revista Cr\u00edtica de Ci\u00eancias Sociais, <\/em>124, pp. 5-26.<\/p>\n\n\n\n

Torres Sim\u00f3n, Ester<\/strong> & Pym, A. (2021). \u201cLa confianza de los estudiantes de traducci\u00f3n en la traducci\u00f3n autom\u00e1tica: \u00bfdemasiado buena para ser verdad?<\/a>\u201c, Revista Internacional de Lenguas Extranjeras \/ International Journal of Foreign Languages<\/em>, 1, 15, pp. 1- 20.<\/p>\n\n\n\n

Torres Sim\u00f3n, Ester<\/strong>, Pi\u0119ta, H., Maia, R. B. & Xavier, C. (2021). \u201cIndirect translation in translator training: taking stock and looking ahead\u201d The Interpreter and Translator Trainer<\/em>, 15, 2, pp. 260-281.<\/p>\n\n\n\n

Torres Sim\u00f3n, Ester<\/strong>, Raigal Aran, J., Pym, A., Font i Mas, M., Mar\u00edn, D. & Prats, S. (2021). \u201cDisseny d\u2019una simulaci\u00f3 judicial multiling\u00fce per futurs traductors, int\u00e8rprets i operadors jur\u00eddics<\/a>\u201c, Revista del Congr\u00e9s Internacional de Doc\u00e8ncia Universit\u00e0ria i Innovaci\u00f3. <\/em>5.<\/p>\n\n\n\n

Torres-Simon, Ester <\/strong>(2021). \u201cEvolution of Images of Korea in the Paratexts to Korean Literature in English Translation<\/a>\u201c. Transletters, International Journal of Translation and Interpreting<\/em>, 4.<\/p>\n\n\n\n

Pym, Anthony and Torres-Simon, Ester<\/strong> (2021). \u201cIs Automation Changing the Translation Profession?<\/a>\u201c. International Journal of the Sociology of Language<\/em>, 270, pp. 39-57.<\/p>\n\n\n\n

2020<\/h2>\n\n\n\n

Cabrera Torrecilla, Ang\u00e9lica<\/strong> (2020). \u201cTopolog\u00eda on\u00edrica. El sue\u00f1o como mundo paralelo\u201d, Diferencia(s)<\/a>. Revista de Teor\u00eda Social Contempor\u00e1nea, <\/em>11, pp. 59-68.<\/p>\n\n\n\n

Cabrera Torrecilla, Ang\u00e9lica<\/strong>. \u201cWorshiping Ancestors: A Comparative Approach between Okinawan Ky\u016b Bon and Mexican D\u00eda de Muertos<\/a>\u201c. The International Journal of Religion and Spirituality in Society<\/em>, 11, pp. 29-47.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> & Raine, Michael (2020), \u201cTracing Tendencies in Japanese Documentary Mode<\/a>\u201c, Developments Japanese Documentary Mode\u201d, Arts<\/em>, 9, 3, pp. 1-15.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2020). \u201cReeditando la guerra en Asia. Noticiarios japoneses en Espa\u00f1a (1931-1945)<\/a>\u201c, L\u00b4Atalante. Revista de Estudios Cinematogr\u00e1ficos<\/em>, 29, pp. 101-119<\/p>\n\n\n\n

Centeno, Marcos<\/strong> & Morita Nori (2020). \u201cJapan and the \u2018Transnational Cinema<\/a>\u201d, Arts<\/em>, 7, 4, 87, pp. 1-7.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> and Raine, Michael (2020), \u201cEditorial Paper. Tracing Tendencies in Japanese Documentary Mode<\/a>\u201c, Arts<\/em>, 9, 3, pp. 1-15.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2020). \u201cAlbores de la japonolog\u00eda moderana en Espa\u00f1a. Rese\u00f1a del libro Ensayos en honor del profesor Antonio Cabezas<\/a>\u201d, Estudios de Asia y \u00c1frica<\/em>, 56, 1, 174, pp. 167-185.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2020). \u201cThe Misleading Discovery of Japanese \u2018National Cinema<\/a>\u201d, Arts<\/em>, 7, 4, 87, pp. 7-21<\/p>\n\n\n\n

Clements, Rebekah<\/strong> (2020). \u201cDaimyo Processions and Satsuma\u2019s Korean Village: A Note on the Reliability of Local History Materials\u201d, Journal of Japanese Studies<\/em>, 46, 2, pp. 467-471.<\/p>\n\n\n\n

Clements, Rebekah<\/strong> (2020). \u201cImagining China in Tokugawa Japan: Legends, Classics, and Historical Terms by Wai-Ming Ng (review)\u201d, Journal of Japanese Studies<\/em>. 46, 2, pp. 467-471.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2020). \u201cTraject\u00f2ries ling\u00fc\u00edstiques dels progenitors japonesos de les fam\u00edlies transnacionals multiling\u00fces a Catalunya<\/a>\u201c, Treballs de Socioling\u00fc\u00edstica Catalana<\/em>, 30, pp. 57-74<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2020). \u201cTransmission of Japanese as a heritage language in the bilingual polity of Catalonia: A case study<\/a>\u201c, Journal of Asian Pacific Communication<\/em>.<\/p>\n\n\n\n

Garin, Manuel y Ferran de Vargas<\/strong> (2020). \u201cCarla Sim\u00f3n y Celia Rico: Ecos del cine japon\u00e9s<\/a>\u201c. L\u00b4Atalante. Revista de Estudios Cinematogr\u00e1ficos<\/em>, 29, pp. 121-144.<\/p>\n\n\n\n

Guarn\u00e9, Blai <\/strong>(2020). \u201cEl impacto del audiovisual japon\u00e9s y surcoreano en Espa\u00f1a: circulaci\u00f3n, recepci\u00f3n e influencia<\/a>\u201c, L\u2019Atalante: Revista de Estudios Cinematogr\u00e1ficos<\/em>, 29, pp. 7-22.<\/p>\n\n\n\n

Guarn\u00e9, Blai <\/strong>(2020). \u201cThe Impact of Japanese and South Korean Audiovisual Production on Spain: Circulation, Reception and Influence\u201d, Atalante<\/em>, 29, pp. 7-22.<\/p>\n\n\n\n

Grau de Pablos, Tom\u00e1s<\/strong> (2020). \u201cJapanese Exceptionalism and Play Hegemony: The Construction of Ludic Traditions in Video Games Criticism<\/a>\u201c, Mechademia<\/em>, 2020, pp. 77-95.<\/p>\n\n\n\n

Guarn\u00e9 Cabello, Blai<\/strong> (2020). \u201cThe impact of Japanese and South Korean audiovisual production in Spain: circulation, reception and influence<\/a>\u201c. L\u00b4Atalante. Revista de Estudios Cinematogr\u00e1ficos<\/em>, 29,  pp. 7-22.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2020). \u201cAnime, otaku y cintas de v\u00eddeo: el formato OVA como catalizador de la complejidad narrativa en la animaci\u00f3n japonesa contempor\u00e1nea<\/a>\u201c. KEPES<\/em>, 22, pp. 345-366.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2020). \u201cLa complejidad narrativa en los cuentos de brujas del anime contempor\u00e1neo: autoconsciencia y cognoscibilidad en Kurozuka y Madoka Magica<\/a>\u201c. Brumal. Revista de Invesigaci\u00f3n sobre lo Fant\u00e1stico<\/em>, 8(2), 183-205.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong>; Palao-Errando, Jos\u00e9 Antonio y Marzal-Felici, Javier (2020). \u201cMaking Sense of Complex Narration in Perfect Blue<\/a>\u201c. Animation: an interdisciplinary journal<\/em>, 15(1), (2020): 77-92.<\/p>\n\n\n\n

Malo, Mario<\/strong> (2020). \u201cBreve recorrido por el emprendimiento social en Jap\u00f3n: Del Jap\u00f3n pre-moderno hasta el T\u014dhoku post Fukushima<\/a>\u201c. Mirai. Estudios Japoneses<\/em>, 4, (2020): 75-85.<\/p>\n\n\n\n

Rodr\u00edguez Navarro, Mar\u00eda Teresa<\/strong> (2020). \u201cBushido. El c\u00f3digo del Samur\u00e1i, de Inazo Nitobe, traducida por Sigrid Guitart, con introducci\u00f3n y notas de Alexander Bennet\u201d. Elena Barl\u00e9s y Carmen Tirado (Eds.), Mirai. Estudios Japoneses<\/em>, 5, pp. 271-276.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi <\/strong>(2020). \u201cA Shaking Voice can Shake it All: Representing Trauma as a Political Act<\/a>,\u201d Bunron<\/em>, 7, pp. 30-55.<\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi<\/strong> (2020). \u201cReading after the Disaster: Japan\u2019s reaction to the 3\/11 events through literatura<\/a>.\u201d Education About Asia<\/em>, 24, 3, pp. 31-35.<\/p>\n\n\n\n

2019<\/h2>\n\n\n\n

Cabrera Torrecilla, Ang\u00e9lica<\/strong> (2019). \u201cAllegories of Japanese Women in Paprika<\/em> by Yasutaka Tsutsui and Satoshi Kon<\/a>\u201d, The Electronic Journal of Contemporary Japanese Studies<\/em>, <\/em>19, 3.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2019). \u201cLegacies of Susumu Hani\u2019s Documentary School<\/a>\u201d. In Centeno, Marcos and Raine, Michael (eds.), Special Issue \u201cDevelopments Japanese Documentary Film\u201d, Arts. <\/em>Online.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2019). \u201cChallenging Eurocentric Surveys. The Transnational Topic in Film Studies<\/a>\u201d, in McEwan, Paul and Whitney, Allison (eds.), Revisiting the Film History Survey \u2013 Cinema Journal Teaching Dossier <\/em>, 5, 2, pp. 1-5.<\/p>\n\n\n\n

Clements, Rebekah<\/strong> (2019). \u201cBrush Talk as the \u2018Lingua Franca\u2019 of East Asian Diplomacy in Japanese-Korean Encounters, c.1600-1868<\/a>\u201d The Historical Journal<\/em>, 62, 2, pp. 289-309.<\/p>\n\n\n\n

De Vargas, Ferran<\/strong> (2019). \u201cJapan\u2019s New Left and New Wave. An Ideology\u2019s Perspective as an Alternative to That of National Cinema.<\/a>\u201d Arts, <\/em>8, 1.<\/p>\n\n\n\n

De Vargas, Ferran<\/strong> (2019). \u201cTira los libros, sal a la calle: el concepto de taish\u016b<\/em> de Yoshimoto Takaaki y la concepci\u00f3n del cine de Terayama Sh\u016bji<\/a>.\u201d Estudios de Asia y \u00c1frica<\/em>, 54, 1, pp. 57-81.<\/p>\n\n\n\n

Grau de Pablos, Tom\u00e1s<\/strong> (2019). \u201cJapanese exceptionalism and play hegemony: the construction of ludic traditions in video games criticism<\/a>\u201c, Mechademia<\/em>, 12, 1, pp. 77-99.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2019). \u201cGenealog\u00eda de las pr\u00e1cticas comunicativas de los otaku: evoluci\u00f3n de la tecnolog\u00eda audiovisual y de la cultura fan en el consumo del anime<\/a>.\u201d Arte, Individuo y Sociedad<\/em>, 31, 4, pp. 917-930.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio y Rubio Alcover, Agust\u00edn<\/strong> (2019). \u201cThe limits of low-cost cinema in Spain: an analysis of the #Littlesecretfilm movement<\/a>.\u201d Creative Industries Journal<\/em>, 13, 1, pp. 36-49.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2019). \u201cLa comunicabilidad de lo ambiguo: una propuesta narratol\u00f3gica para el an\u00e1lisis de la ficci\u00f3n televisiva compleja<\/a>.\u201d Signa. Revista de la Asociaci\u00f3n Espa\u00f1ola de Semi\u00f3tica<\/em>, 28, pp. 867-901.<\/p>\n\n\n\n

Rubio Alcover, Agust\u00edn y Loriguillo-L\u00f3pez, Antonio<\/strong> (2019). \u201cLos contornos del miedo. La huella del arte pict\u00f3rico en el giallo italiano<\/a>.\u201d Millars. Espai i Hist\u00f2ria<\/em>, 45, pp. 59-81.<\/p>\n\n\n\n

Mart\u00ednez-Taberner, Guillermo <\/strong>(2019). \u201cUna historia global compartida: las relaciones hispano-japonesas durante el siglo XIX<\/a>\u201d, Espa\u00f1a y Jap\u00f3n en un mundo cambiante<\/em>, pp. 15-46.<\/p>\n\n\n\n

Torres-Sim\u00f3n<\/strong>, Ester<\/strong> (2019). \u201cThe concept of translation in Wikipedia<\/a>\u201c, Translation Studies<\/em>, 12, 3, pp. 273-287.<\/p>\n\n\n\n

2018<\/h2>\n\n\n\n

Cabrera Torrecilla, Ang\u00e9lica<\/strong> (2018). \u201cDel gusto por el extrav\u00edo: representaciones del multiverso en \u2018El jard\u00edn de los senderos que se bifurcan\u2019<\/a>\u201d, Variaciones Borges<\/em>, 45, pp. 187-206.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2018). \u201cThe Misleading Discovery of Japanese \u2018National Cinema.<\/a>\u201d In Centeno, Marcos and Morita, Nori (eds.), Special Issue \u201cJapanese Transnational Cinema\u201d, Arts, <\/em>7, 4, p. 87.<\/p>\n\n\n\n

Centeno , Marcos <\/strong>(2018). \u201cFirst Cinematic Encounter with the Ainu People<\/a>\u201d, Global Journal of Archaeology and Anthropology, <\/em>6, 3, pp. 1-4.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2018). \u201cLos l\u00edmites de la subjetividad en la vanguardia documental japonesa. El caso de H\u014dry\u016bji<\/em> (Susumu Hani, 1958)<\/a>\u201d, Kokoro, <\/em>27, pp. 11-19.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2018). \u201cDeceiving \u2018Primitivism\u2019. Ainu people in 1910s Travelogues<\/a>\u201d,<\/em> Annals of <\/em>Dimitrie Cantemir Christian University\u2019<\/em>, Bucharest: Faculty of Foreign Languages and Literature\u2019, 18, 1, pp. 127-144.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2018). \u201cThe Limits of Fiction: Politics and Absent Scenes in Susumu Hani\u2019s Bad Boys (Fury\u014dsh\u014dnen, 1960). A Film Re-reading through its Script<\/a>.\u201d Journal of Japanese and Korean Cinema<\/em>, 10, pp. 1-15.<\/p>\n\n\n\n

De Vargas, Ferran<\/strong> (2018). \u201cThrow Away Your Books, Rally in the Streets: The Relationship Between Intellectuals and Masses in Terayama Shuji\u2019s Cinema<\/a>.\u201d New Ideas in East Asian Studies<\/em>, 2.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2018). \u201cLanguage education in a national school abroad in a bilingual society: a case of Japanese school in Catalonia<\/a>\u201d, Language and Intercultural Communication<\/em>, 18, 6, pp. 648-662.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2018).\u300c\u30ab\u30bf\u30eb\u30fc\u30cb\u30e3\u72ec\u7acb\u904b\u52d5\u2015\u5927\u5b66\u306f\u3069\u3046\u3068\u3089\u3048\u305f\u304b\u300d(Independencia de Catalu\u00f1a: \u00bfc\u00f3mo es visto por las universidades?)\u201d, \u4e09\u7530\u8a55\u8ad6(Mitahy\u014dron<\/em>), 1221, pp. 60-61.<\/p>\n\n\n\n

Llovet Ferrer, Marc<\/strong> (2018). \u201cLa difusi\u00f3 de la cultura japonesa i les seves ind\u00fastries: una perspectiva catalana.<\/a>\u201d Treballs de la Societat Catalana de Geografia<\/em>, pp. 31-58.<\/p>\n\n\n\n

Palao-Errando, Jos\u00e9 Antonio, Loriguillo-L\u00f3pez, Antonio<\/strong> y Sorolla-Romero, Teresa (2018). \u201cBeyond the Screen, Beyond the Story: The Rhetorical Battery of Post-Classical Films<\/a>.\u201d Quarterly Review of Film and Video,<\/em> 35, 3, pp. 224-245.<\/p>\n\n\n\n

Serra-Vilella, Alba<\/strong> (2018). \u201cThe Other reflected in book covers: Japanese novel translations in Spain<\/a>\u201d. Cultura, Lenguaje y Representaci\u00f3n<\/em>, 19, pp. 141-161.<\/p>\n\n\n\n

Torrents, Alba<\/strong> (2018). \u201cTechnological Specificity, Transduction, and Identity in Media Mix<\/a>\u201c. Arts<\/em>, 7, 3, p. 29.<\/p>\n\n\n\n

2017<\/h2>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201cEl arte de la (re)producci\u00f3n. Contribuci\u00f3n japonesa al debate sobre qu\u00e9 es la imagen (eiz\u014d)<\/a>\u201d, Trama y Fondo, <\/em>44, \u201cWhat Is Cinema?\u201d.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201c\u00bfEs el cine japon\u00e9s un cine nacional?<\/a>\u201d, Studium. Revista de Humanidades, <\/em>23, pp. 245-272.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201cThe Limits of Fiction: Politics and Absent Scenes in Susumu Hani\u2019s Bad Boys (Fury\u014dsh\u014dnen, 1960). A Film Re-reading through its Script<\/a>\u201d. Journal of Japanese and Korean Cinema<\/em>, 10, pp. 1-15. <\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201cTransnational Circulation of Images of the Pacific War (1941-1945): The Japanese Empire Seen through Spanish Newsreels<\/a>\u201d, Irish Journal<\/em> of Asian Studies<\/em> (IJAS), 3, pp. 1-13.<\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201cDel Viaje del Turista Al Viaje del H\u00e9roe. M\u00edmesis Cinematogr\u00e1fica del Discurso Tur\u00edstico Japon\u00e9s Sobre Espa\u00f1a. El Caso de Andarushia (2011)<\/a>\u201d, Mirai. Estudios Japoneses, <\/em>1, pp. 89-107.<\/p>\n\n\n\n

Centeno, Marcos<\/strong> (2017).  \u201cFailures of the Image: Backstage Look at the Early Film Portrayals of the Ainu People,<\/a>\u201d Orientalia Parthenopea, <\/em>17, <\/em>pp. 189-210.   <\/p>\n\n\n\n

Centeno, Marcos <\/strong>(2017). \u201cThe Fight for the Self-Representation: Ainu Imaginary, Ethnicity and Assimilation<\/a>\u201d, Aphaville. Journal of Film and Screen Media, <\/em>13, pp. 69-89.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2017). \u201cLanguage use in the context of double minority: the case of Japanese-Catalan\/Spanish fam\u00edlies in Catalonia<\/a>.\u201d, International Journal of Multilingualism<\/em>, 14, 4, pp. 401-418.<\/strong><\/p>\n\n\n\n

Fukuda, Makiko <\/strong>(2017). \u201cDouble gateway to the host society? Knowledge and perceptions of Japanese people living in Catalonia regarding Language<\/a>\u201d, Journal of Multilingual and Multicultural Development<\/em>, 38, 1, pp. 19-34.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2017). \u201cLa transmissi\u00f3 de la llengua d\u2019her\u00e8ncia a les fam\u00edlies de l\u2019Escola Complement\u00e0ria de la Llengua Japonesa de Barcelona (2004-2014)<\/a>\u201d, Treballs de Socioling\u00fc\u00edstica Catalana<\/em>, 27, pp. 43-62.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2017). \u201cCrowdfunding Japanese Commercial Animation: Collective Financing Experiences in Anime<\/a>.\u201d International Journal on Media Management<\/em>, 19, 2, pp. 182-195.<\/p>\n\n\n\n

Rodr\u00edguez Navarro, Mar\u00eda Teresa<\/strong> (2017). \u201cInterculturalidad, traducci\u00f3n y mediaci\u00f3n en la Era Meiji: Okakura Kakuz\u00f4 y El libro del T\u00e9<\/em><\/a>\u201d, Interasia Papers, 59, pp. 1-20.<\/p>\n\n\n\n

2016<\/h2>\n\n\n\n

Fukuda, Makiko<\/strong> (2016). \u201cFrom Japanese to Spanish, from Spanish to Catalan, but no English? A case study of language use and knowledge of Japanese residents in Catalonia<\/a>\u201d, Revista de Llengua i Dret<\/em>, 66, pp. 15-37.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2016). \u201cApunts sobre fen\u00f2mens de contacte de lleng\u00fces a la poblaci\u00f3 japonesa a Catalunya<\/a>\u201d, Treballs de Socioling\u00fc\u00edstica Catalana<\/em>, 26, pp. 249-267.<\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2016). \u201cTransmission of Japanese as a heritage Language in the bilingual polity of Catalonia\u201d, Journal of Asian Pacific Communication.<\/em><\/p>\n\n\n\n

Fukuda, Makiko<\/strong> (2016). \u201cLanguage life of Japanese expatriates in non-English speaking countries: the case of Barcelona and Madrid<\/a>\u201d, Procedia. Social and Behavioral Science<\/em>, 12, pp. 85-92.<\/p>\n\n\n\n

Gonz\u00e1lez de la Fuente, Eduardo<\/strong> (2016). \u201cAcheronta movebo. Resiliencia y revoluci\u00f3n en \u2018The Mexican\u2019 (1911) de Jack London<\/a>\u201d, 452\u00baF Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em>, 16, pp. 195-208.<\/p>\n\n\n\n

Grau de Pablos, Tom\u00e1s<\/strong> (2016). \u201cGames design and cultural dynamics: An approach to the cultural role of Japanese video games through procedural rhetoric<\/a>\u201d. InterAsia Papers<\/em>, 50. <\/p>\n\n\n\n

2015<\/h2>\n\n\n\n

Centeno, Marcos <\/strong>(2015). \u201cLas formas de la otredad<\/em>: la representaci\u00f3n del pueblo ainu en los travelogues <\/em>de Benjamin Brodsky (1918-1919)<\/a>\u201d, Kokoro: revista para la difusi\u00f3n de la cultura japonesa, <\/em>17, pp. 14-22.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2015). \u201cIntroduction. Japan in Global Circulation: Transnational Migration and Multicultural Politics<\/a>,\u201d Blai Guarn\u00e9 and Shinji Yamashita (The University of Tokyo), eds., Special issue \u201cJapan in Global Circulation: Transnational Migration and Multicultural Politics,\u201d Kokuritsu Minzokugaku Hakubutsukan Kenky\u016b-H\u014dkoku <\/em>\u56fd\u7acb\u6c11\u65cf\u5b66\u535a\u7269\u9928\u7814\u7a76\u5831\u544a, 40, 1, pp. 53-70.<\/p>\n\n\n\n

Jo Jeong, Mihwa<\/strong> (2015). \u201cL\u2019analyse matricielle d\u00e9finitoire appliqu\u00e9e \u00e0 l\u2019enseignement du cor\u00e9en\u201d, Universalit\u00e9 et Grammaire, Cellule de Recherche en linguistique<\/em><\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> y Sorolla-Romero, Teresa (2015). \u201c\u2018Vive, muere, repite\u2019: el blockbuster ante el desaf\u00edo interactivo<\/a>.\u201d Fonseca, Journal of Communication, <\/em>11, pp. 118-132.<\/p>\n\n\n\n

Navarro-Remesal, V\u00edctor y Loriguillo-L\u00f3pez, Antonio<\/strong> (2015). \u201cWhat Makes Geemu Different? A Look At The Distinctive Design Traits Of Japanese Video Games And Their Place In The Japanese Media Mix<\/a>.\u201d Journal of Games Criticism <\/em>2, 1.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2015). \u201cAnime, fansubs y el texto verdadero: The Melancholy of Haruhi Suzumiya o la ficci\u00f3n televisiva con l\u00edmites en la era de la inteligencia colectiva<\/a>.\u201d Kokoro: revista para la difusi\u00f3n de la cultura japonesa<\/em>, 2, pp. 1-12.<\/p>\n\n\n\n

Mart\u00ednez-Taberner, Guillermo<\/strong> (2015). \u201cThe historical relationships between China and Europe and the intangible cultural heritage\u201d in China & The World Cultural Exchange, <\/em>8.<\/p>\n\n\n\n

Mart\u00ednez-Taberner, Guillermo <\/strong>(2015). \u201cLas relaciones comerciales entre las islas Filipinas y Jap\u00f3n en el contexto del comercio intra-asi\u00e1tico<\/a>\u201d, Millars: Espai i Hist\u00f2ria.<\/em><\/p>\n\n\n\n

Serrano-Mu\u00f1oz, Jordi<\/strong> (2015). \u201c\u2018Droplets,\u2019 by Medoruma Shun: Personal Guilt as Collective Responsibility.<\/a>\u201d Stanford Journal of East Asian Affairs<\/em>, 15, 1, pp. 112-122.<\/p>\n\n\n\n

-2014<\/h2>\n\n\n\n

Fukuda, Makiko<\/strong> (2014). \u201dBarrera o passaport per a la integraci\u00f3?: Ideologies ling\u00fc\u00edstiques dels japonesos residents a Catalunya<\/a>\u201d, Revista de Llengua i dret<\/em>, 62, pp. 86-105.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2014). \u201cIntroducci\u00f3n. Campos imprevistos: Etnograf\u00edas de Asia oriental en el contexto acad\u00e9mico espa\u00f1ol<\/a>,\u201d Joaqu\u00edn Beltr\u00e1n & Blai Guarn\u00e9, Quaderns. <\/em>S\u00e8rie Monogr\u00e0fics<\/em>, 30, pp. 5-15.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2014). \u201cTot objecte \u00e9s pol\u00edtic. Reflexions sobre un treball de camp a Jap\u00f3<\/a>,\u201d Joaqu\u00edn Beltr\u00e1n and Blai Guarn\u00e9, Quaderns. <\/em>S\u00e8rie Monogr\u00e0fics<\/em>, 30, pp. 93-111.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2014). \u201cLa escritura de lo ajeno. Ambivalencia e hibridaci\u00f3n en el katakana<\/em> japon\u00e9s<\/a>,\u201d Quaderns-e<\/em>, 19, 1, pp. 122-139.<\/p>\n\n\n\n

Guarn\u00e9, Blai<\/strong> (2014). \u201cThe World is a Room: Beyond Centers and Peripheries in the Global Production of Anthropological Knowledge<\/a>,\u201d \u201cChanging Global Flows of Anthropological Knowledge,\u201d Focaal\u2014Journal of Global and Historical Anthropology<\/em>, 63, pp. 8\u201319.<\/p>\n\n\n\n

Loriguillo-L\u00f3pez, Antonio<\/strong> (2014). \u201cSinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya<\/a>\u201d L\u2019Atalante. Revista de estudios cinematogr\u00e1ficos,<\/em> 17, pp. 110-117.<\/p>\n\n\n\n

Mart\u00ednez-Taberner, Guillermo<\/strong> & Madrid, Dani (2011). \u201cComunicaci\u00f3n 2.0 en Asia: redes sociales, blogs y tecnolog\u00eda m\u00f3vil\u201d. Anuario Asia Pac\u00edfico 2010, CIDOB.<\/p>\n\n\n\n

Poupaud, S., Pym, A., Torres-Sim\u00f3n, E. <\/strong>(2009). \u00abFinding translations. On the use of bibliographical databases in translation history\u00bb. Meta,<\/em> 54, 2, pp. 264-278 (Translated in 2023 into Turkish by Hatice Oluk \u00c7akir as \u00c7evirileri Bulmak: \u00c7eviri Tarihinde Bibliyografik Veri Tabanlar\u0131n\u0131n Kullan\u0131m\u0131 \u00dczerine. In N. Demez, A, Karakaya, & F. \u0130kiz (Eds.) \u00c7eviribilim Okumalar\u0131 V<\/em>, pp. 13-34).<\/p>\n","protected":false},"excerpt":{"rendered":"

2025 Malo, M. (2025) \u00abDe Hiroshima y Nagasaki a la Paz Global: El Rol del Nihon Hidankyo en la era pos-Hibakusha, Bolet\u00edn de la Paz y los Conflictos en Asia-Pac\u00edfico, Universidad de Granada, 31, (en prensa). 2024 Guarn\u00e9, B. (2024) \u201cNo Sleep, No Dreams: Imaginings and Expectations in Online Student Mobility to Japan during the Covid-19 Crisis\u201d, Asian Anthropology (en prensa). […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-258","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":21,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/258\/revisions"}],"predecessor-version":[{"id":2537,"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/pages\/258\/revisions\/2537"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/gregal\/es\/wp-json\/wp\/v2\/media?parent=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}