Torres-Sim\u00f3n, Ester<\/strong>. “Secondhand China: Spain, the East, and the politics of translation<\/a>” by Carlos Prado, Perspectives<\/em>, 31, 5, pp. 858-859.<\/p>\n\n\n\n Gonz\u00e1lez de la Fuente, Eduardo<\/strong>. “Ank\u014d Itosu. The Man. The Master. The Myth. Biography of a Legend<\/a>” by Thomas Feldmann, Revista de Artes Marciales Asi\u00e1ticas<\/em> 17, 1, pp. 108-112.<\/p>\n\n\n\n Centeno, Marcos<\/strong>. “The Japanese Cinema Book<\/a>” by Hideaki Fujiki and Alastair Phillips (eds), Screen<\/em>, 62, 3, pp. 424-427.<\/p>\n\n\n\n Loriguillo-L\u00f3pez, Antonio<\/strong>. \u201cCitizen participation as a tool to promote public media<\/a>\u201d by Marzal-Felici, J.; Soler-Campillo, M.; L\u00f3pez-Olano, C., Quaderns del CAC<\/em>, pp. 83-84.<\/p>\n\n\n\n Serrano-Mu\u00f1oz, Jordi<\/strong>. \u201cFukushima Fiction: The Literary Landscape of Japan\u2019s Triple Disaster. By Rachel DiNitto,\u201d<\/a> Monumenta Nipponica <\/em>vol, 75, <\/em>2, pp. 404-408.<\/p>\n\n\n\n Serrano-Mu\u00f1oz, Jordi<\/strong>. \u201cWho Fears the Waking Red: Review of Revolution Goes East by Tatiana Linkhoeva,\u201d<\/a> Revista Paz y Conflictos<\/em>, 13, 1, pp. 309-315.<\/p>\n\n\n\n Cabrera Torrecilla, Ang\u00e9lica <\/strong>(2019). \u201cG\u00e9nero y conciencia autoral en el c\u00f3mic espa\u00f1ol (1970-2018)2<\/a>” by Jos\u00e9 Manuel Trabado Cabado, Tropel\u00edas Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em>, 32, pp. 297-300.<\/p>\n\n\n\n Loriguillo-L\u00f3pez, Antonio<\/strong>. “Osamu Tezuka, el Dios del Manga – Exhibition at the Museu Nacional d’Art de Catalunya<\/a>“, Mutual Images: A Transcultural Research Journal<\/em>, 7, pp. 57-61.<\/p>\n\n\n\n Centeno, Marcos<\/strong>. \u201cInterrogating Forms of Dissidence. An Approach to Physical and Mental Escapes from Japan<\/a>\u201d by Blai Guarn\u00e9 and Paul Hansen (eds.), Electronic Journal of Contemporary Japanese Studies<\/em>, 16 , 18, 3, Online.<\/p>\n\n\n\n Centeno, Marcos<\/strong>. Dialectics of the Goddess in Japanese Audiovisual Culture<\/a> by Torres Hortelano, Lorenzo J. (ed.), Asian Cinema, <\/em>30, 1, pp. 149-154.<\/p>\n\n\n\n Rodr\u00edguez Navarro, Mar\u00eda Teresa<\/strong>. \u201cThe Diversity of Translation Communities in Contemporary Japan\u201d by Nana Sato et al Eds. Nihon kenky\u00fb<\/em>, 2, 54.<\/p>\n\n\n\n Centeno, Marcos<\/strong>. \u201cKore-eda\u2019s Our Little Sister<\/em>: a Return to the Japanese Classicism<\/a>\u201d, Film Criticism, <\/em>40, 3.<\/p>\n\n\n\n Centeno, Marcos<\/strong>. \u201c<\/em>Anime, Religion and Spirituality: Profane and Sacred Worlds in Contemporary Japan. <\/em>By Katharine Buljan and Carole M. Cusack. Equinox, 2015<\/a>\u201d, Journal of the American Academy of Religion<\/em>.<\/p>\n\n\n\n2022<\/h2>\n\n\n\n
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