{"id":387,"date":"2019-01-25T15:55:41","date_gmt":"2019-01-25T14:55:41","guid":{"rendered":"https:\/\/webs.uab.cat\/ifmuc\/about-us\/"},"modified":"2024-10-25T12:06:34","modified_gmt":"2024-10-25T11:06:34","slug":"about-us","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/ifmuc\/en\/about-us\/","title":{"rendered":"About us"},"content":{"rendered":"\n

Director<\/b><\/h2>\n\n\n\n
Josep Maria Gregori i Cifr\u00e9 (Igualada, 1954)<\/h5>\n\n\n\n
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Professor of Musicology at the UAB. His lines of musicological research include historical and interpretive aspects of music from the 15th to the 19th centuries, as well as themes of musical thought and aesthetics, on which he has published numerous books and articles, and presented papers and communications at national and international conferences. international. He has received various awards for musicological research, such as the Higini Angl\u00e8s awards from the Catalan Society of Musicology (1977), the G\u00fcell Foundation from the Royal Catalan Academy of Fine Arts of Sant Jordi (1982), the Emili Pujol (1991), the Ernest Lluch Foundation ( 2008), E. Lluch Ciutat d’Olot Scholarship (2010) and Joan Mercader (Igualada (2014). He has been secretary of the Josep Ricart i Matas Institute of Musicology (1979-2002) and of the Societat Catalana de Musicologia<\/strong><\/a> (1992-2004). He is a corresponding academician of the Reial Acad\u00e8mia Catalana de Belles Arts de Sant Jordi (2007) and a member of the Institut d\u2019Estudis Catalans<\/strong><\/a>. In the artistic field he has sung, among others, with the ancient music groups La Capella Reial de Catalunya<\/strong><\/a><\/em>, Exaudi Nos<\/em> i De Canendi Elegantia<\/strong><\/a><\/em>, with whom he has participated in numerous concerts and recordings.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Coordinator<\/strong><\/h2>\n\n\n\n
Carles Badal P\u00e9rez-Alarc\u00f3n (Barcelona, 1980)<\/h5>\n\n\n\n
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PhD in Musicology from the Autonomous University of Barcelona (UAB), specializing in musical archives and heritage. His doctoral dissertation focuses on the history of the Santa Maria del Pi music chapel in Barcelona during the period 1700-1936, examining the standard of living of its musicians by comparing their income with macroeconomic data. Since 2016, he has contributed to the cataloging of musical collections for the IFMuC project (UAB), which he has also coordinated since 2023. With a particular interest in Optical Music Recognition (OMR) and Handwritten Music Recognition (HMR) technologies, he has participated in the DoLoRes project at the UAB Computer Vision Center, where he contributed to the development of software for the automatic transcription of handwritten scores. Prior to and alongside his research, he has been active as a performer in several pop and rock bands<\/strong><\/a> since 2016<\/p>\n<\/div>\n<\/div>\n\n\n\n

Team<\/b><\/h2>\n\n\n\n

IFMuC belongs to the Consolidated Research Group (SGR) Patrimoni Musical de Catalunya IFMuC-IcMuC<\/strong><\/a> from Universitat Aut\u00f2noma de Barcelona (UAB), coordinated by Profs. Dr. Josep Maria Gregori i Cifr\u00e9 and Dr. Jordi Ballester i Gibert<\/p>\n\n\n\n

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Dr. Josep Maria Gregori i Cifr\u00e9<\/strong>, director
Catedr\u00e0tic de Musicologia, UAB<\/p>\n\n\n\n

Dr. Carles Badal P\u00e9rez-Alarc\u00f3n<\/strong>, coordinador
T\u00e8cnic de Recerca, Centre de Visi\u00f3 per Computador (UAB)<\/p>\n\n\n\n

Dr. Jordi Rif\u00e9<\/strong>
Professor Agregat, UAB<\/p>\n\n\n\n

Dra. Aur\u00e8lia Pessarrodona<\/strong>
Professora Lectora, UAB<\/p>\n\n\n\n

Dr. Xavier Dauf\u00ed i Rodergas<\/strong>
Professor Lector, UAB<\/p>\n\n\n\n

Dr. Bernat Cabr\u00e9 i Cerc\u00f3s<\/strong>
Professor Associat, UAB<\/p>\n\n\n\n

Anna Maria Anglada<\/strong>
Doctoranda, UAB<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Collaborators<\/strong><\/h2>\n\n\n\n
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Marta Grassot<\/strong> (2001-2010)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica i Graduada Superior en Arxiv\u00edstica i Gesti\u00f3 Documental, ESAGED (UAB)<\/p>\n\n\n\n

Carme Monells<\/strong> (2001-2008)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Olga Niub\u00f3<\/strong> (2002-2010)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Gerard Moreno Sabat\u00e9<\/strong> (2003-2008)
Llicenciat en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Neus Cabot<\/strong> (2005-2008)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Andreu Guinart <\/strong>(2006-2009)
Llicenciat en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Dra. Montserrat Canela<\/strong> (2007-2013)
Professora Associada, URV<\/p>\n\n\n\n

Elena Salgado<\/strong> (2008-2013)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Montserrat Gim\u00e9nez<\/strong> (2008-2014)
Llicenciada en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Anna Romeu<\/strong> (2013-2016)
Llicenciada i M\u00e0ster en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica, UAB<\/p>\n\n\n\n

Pau V\u00e1zquez-Pongiluppi<\/strong> (2015-2022)
Grau en Musicologia, UAB<\/p>\n\n\n\n

Dra. Aur\u00e8lia Pessarrodona <\/strong>(2015-2017)
Beca Juan de la Cierva, UAB<\/p>\n\n\n\n

Irene Aug\u00e9<\/strong> (2016-2020)
Grau en Musicologia, UAB<\/p>\n\n\n\n

Mart\u00ed Badia<\/strong> (2016-2020)
Grau en Musicologia, UAB<\/p>\n\n\n\n

Eudald Dant\u00ed <\/strong>(2018-Actualment)
Doctorand, UAB<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Agreements<\/strong><\/h2>\n\n\n\n

The Autonomous University of Barcelona maintains Musical Heritage Practice Agreements with numerous archives, both public and private, as well as with other centres, including the ecclesiastical archives of the cathedrals of Girona, Tarragona, Lleida and Solsona; the parishes of Santa Maria de Castell\u00f3 d’Emp\u00faries, Sant Pere de Reus, Santa Maria del Pi de Barcelona, \u200b\u200bSant Pere i Sant Pau de Canet de Mar, Santa Eul\u00e0lia de Berga, Santa Maria de la Geltr\u00fa; the diocesan archives of Tarragona, Solsona and Girona; Museu-Arxiu de Santa Maria de Matar\u00f3 and Museu del Vi de Vilafranca del Pened\u00e8s (Vinseum); the archives of the Xarxa d’Arxius Hist\u00f2rics Comarcals of the Generalitat de Catalunya in Igualada, Granollers, Olot, Ripoll and T\u00e0rrega; the Municipal Archives of El Papiol and Blanes; the Sant Cebri\u00e0 de Vallalta Center for Studies (CESC); the Library of the Episcopal Seminary of Barcelona and the CEDOC, Documentation Center of the Orfe\u00f3 Catal\u00e0.<\/p>\n\n\n\n

Other collaborations<\/strong><\/h2>\n\n\n\n

These agreements make it possible to extend, and often complete, the fund description practices, and, in turn, incorporate new collaborators, as is the case of:<\/p>\n\n\n\n

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Sandra Coronel<\/strong>, fons TerC (Arxiu de la Catedral-Bas\u00edlica del Sant Esperit de Terrassa)<\/p>\n\n\n\n

N\u00faria Medrano<\/strong> i Marta Trill<\/strong>, fons Sant Pere de Reus (Arxiu Parroquial de Sant Pere de Reus)<\/p>\n\n\n\n

Maria Company, Anna Costal, Carles Cors, Eneida Ruscalleda, Albert Busquets, Estel Mendoza, Josep Fust\u00e9, Santi Gibert, Montserrat Vi\u00f1as, Eva Maria Ord\u00e1s, Magda Mart\u00ed, Raquel Pujol, Anna Termes, Raquel Dilm\u00e9, Mart\u00ed Vil\u00e0, Albert Morcillo i Vanessa Esteve<\/strong>, fons GiC (Arxiu de la Catedral de Girona)<\/p>\n\n\n\n

Ferran Granja<\/strong>, fons TagF (ACUR)<\/p>\n\n\n\n

Maria Josep Aloguin, Laura Gen\u00e9<\/strong> i Francesc Rius<\/strong>, fons La Selva del Camp (AHAT)<\/p>\n\n\n\n

Cristina Exp\u00f3sito<\/strong>, fons Enric Juncosa (AHAT)<\/p>\n\n\n\n

Esther Garcia LLop, Am\u00e0lia Ametll\u00f3, Marta Andr\u00e9s <\/strong>i Maria Jes\u00fas Castell<\/strong>, fons LleC (ADLL)<\/p>\n\n\n\n

Maria Soledad Brunet Torrent<\/strong>, fons Carme Pi\u00f1ol i fons del Seminari (BPESB)<\/p>\n\n\n\n

Merc\u00e8 Fantova<\/strong> i Mauricio Rey<\/strong>, fons Francesc Argem\u00ed (Museu de Badalona)<\/p>\n\n\n\n

Ramon Canut<\/strong>, fons Joaquim Rial (AHAT)<\/p>\n\n\n\n

Antoni Clavera<\/strong>, Josep Maria Serra<\/strong>, Josep Bertran, Andreu Guinart i Eudald Dant\u00ed, <\/strong>fons de Santa Maria de Ripoll (ACRI)<\/p>\n\n\n\n

Helena Patricio<\/strong>, Teresa Soler<\/strong>, Antoni Oliveres, Francesc Rodr\u00edguez, Eura Reina <\/strong>i Mireia Navarro<\/strong>, fons MatC, MatF, MatV (Museu-Arxiu de Santa Maria de Matar\u00f3)<\/p>\n\n\n\n

Mireia Perpiny\u00e0, Pere Mar\u00ed, Esther Dom\u00e8nech, Joan Vila i Oriol Oller<\/strong>, fons CdE (Arxiu Parroquial de Santa Maria de Castell\u00f3 d\u2019Emp\u00faries)<\/p>\n\n\n\n

Maite Fages<\/strong>, fons SolC (ADS)<\/p>\n\n\n\n

Ant\u00f2nia Casas<\/strong> i Jes\u00fas Badia<\/strong>, fons Santa Eul\u00e0lia de Berga (Arxiu Parroquial de Santa Eul\u00e0lia de Berga)<\/p>\n\n\n\n

Assumpta Sardans i Juan Pedro Medina<\/strong>, fons Seu de Manresa<\/p>\n\n\n\n

Ferran Aguil\u00f3<\/strong>, fons Josep Cumelles i Rib\u00f3 (CESC)<\/p>\n\n\n\n

Mariona Llobera, Amparo Armengol, Lola Gonz\u00e1lez, Iv\u00e1n Gonz\u00e1lez <\/strong>i N\u00faria Llobet<\/strong>, fons Santa Maria del Pi (APSMP)<\/p>\n\n\n\n

Joana Canalias<\/strong>, fons SEO (ACGAX)<\/p>\n\n\n\n

N\u00faria Mart\u00ed, Cristina Roca<\/strong> i Adriana Muntadas<\/strong>, fons SMI (ACAN)<\/p>\n\n\n\n

Angelina Dorado<\/strong>, fons MerB (BPESB)<\/p>\n\n\n\n

Cristina \u00c1lvarez, Noel Camarena<\/strong> i David Galan<\/strong>, fons Seminari (BPESB)<\/p>\n\n\n\n

Anna Torrent, Jordi Puig<\/strong> i Marc Tost<\/strong>, fons GrAS, GrJV, GrEP (ACVO)<\/p>\n\n\n\n

Pau V\u00e1zquez-Pongiluppi<\/strong>, Violeta Tello<\/strong> i Al\u00edcia Dauf\u00ed<\/strong>, fons Miquel Pongiluppi (Arxiu Municipal del Papiol)<\/p>\n\n\n\n

Mart\u00ed Vilardeb\u00f3<\/strong>, fons Josep Sancho Marraco (Fundaci\u00f3 Maur\u00ed, La Garriga)<\/p>\n\n\n\n

Andrea Bares<\/strong>, Marc Montan\u00e9<\/strong> i Ariadna S\u00e1nchez<\/strong>, fons Santa Maria de la Geltr\u00fa (Arxiu Parroquial de La Geltr\u00fa)<\/p>\n\n\n\n

Nil Fern\u00e1ndez<\/strong>, fons GiC i Casa Carles (ADG)<\/p>\n\n\n\n

Cristina Amengual<\/strong> i Joaqu\u00edm R\u00f3denas<\/strong>, fons Sant Vicen\u00e7 de Sarri\u00e0 (Arxiu Parroquial de Sant Vicen\u00e7 de Sarri\u00e0)<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Director Josep Maria Gregori i Cifr\u00e9 (Igualada, 1954) Professor of Musicology at the UAB. His lines of musicological research include historical and interpretive aspects of music from the 15th to the 19th centuries, as well as themes of musical thought and aesthetics, on which he has published numerous books and articles, and presented papers and […]<\/p>\n","protected":false},"author":126,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-387","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/pages\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/users\/126"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":29,"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/pages\/387\/revisions"}],"predecessor-version":[{"id":1309,"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/pages\/387\/revisions\/1309"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/ifmuc\/en\/wp-json\/wp\/v2\/media?parent=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}