{"id":71,"date":"2020-04-24T12:38:04","date_gmt":"2020-04-24T12:38:04","guid":{"rendered":"https:\/\/webs.uab.cat\/livesubtitling\/live-subtitling-2011\/"},"modified":"2020-04-24T12:38:04","modified_gmt":"2020-04-24T12:38:04","slug":"live-subtitling-2011","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/livesubtitling\/live-subtitling-2011\/","title":{"rendered":"Live Subtitling 2011"},"content":{"rendered":"<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\"><strong>3rd International Symposium on Live Subtitling with Speech Recognition&nbsp;<br \/>\nArtesis University College, 2011<\/strong><\/span><\/span><\/span><\/p>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">09:00-10:20&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">OPENING PANEL: NEW PERSPECTIVES IN MEDIA ACCESSIBILITY AND RESPEAKING<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Pilar Orero<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Andrew Lambourne,&nbsp;\u00abZen and the art of respeaking\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Peter Olaf Looms,&nbsp;\u00abThree scenarios for media accessibility\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Gion Linder,&nbsp;\u00abChallenges for broadcasters\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Pablo Romero-Fresco,&nbsp;\u00abRespeaking at university\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">10:30-11:30&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">PANEL 2: NEW DEVELOPMENTS IN BROADCASTING<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Gion Linder<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Alison Attenborough,&nbsp;\u00abRedbee Media&#8217;s&nbsp;use of voice recognition technologies in subtitling\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Erik de Snerck,&nbsp;\u00abManipulating the live subtitling delay\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Carlo Eugeni,&nbsp;\u00abSubtitling RAI programmes in real-time: From respeaker-independent speech recognition to live edit\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">12:00-13:00&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">PANEL 3: NEW TOOLS AND SMART SYSTEMS FOR ACCESSIBILITY<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Peter Olaf Looms<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Hector Delgado, Estel\u00b7la Oncins, Oscar Pino Lopes and&nbsp;Javier Serrano,&nbsp;\u00abFor an integrated production, delivery and reception of accessible systems over smart phone&nbsp;applications\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Margot Mieskes and&nbsp;Juan Mart\u00ednez,&nbsp;\u00abA web-based editor for audio-titling using synthetic speech\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Alessandro Tescari,&nbsp;\u00abPervoice subtitling workstation: The new frontier of TV live subtitling\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Lunch<\/span><\/span><\/span><\/p>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">14:30-15:30&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">PANEL 4: REVISION, ERROR CORRECTION AND COLLABORATION<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Pablo Romero-Fresco<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Carlo Alipandri,&nbsp;\u00abIntroduction Speech Title 2.0, a respelling asset management system for collaborative live subtitling\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Luuk van Waes,&nbsp;\u00abLive subtitling with speech recognition: Causes and consequences of revisions in the production process\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Mike Wald,&nbsp;\u00abCollaborative correction captioning errors of lecture recording\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">15:30-16:30&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">PANEL 5: TRAINING AND QUALITY ASSESSMENT<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Carlo Eugeni<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Clea Tavella,&nbsp;\u00abRespeaking: From practice to practice through theory and training\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Tom Wootton,&nbsp;\u00abThe Ivory tower and the market place. The commercial and pedagogical requirements of subtitling quality assessment\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Ales Prazak,&nbsp;\u00abA four-phase respeaker training system\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">16:30-17:50&nbsp;<\/span><\/span><\/span><strong><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">PANEL 6: TRAINING AND INTERPRETING<\/span><\/span><\/span><\/strong><br \/>\n<span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">CHAIR: Luuk van Waes<\/span><\/span><\/span><\/p>\n<ul>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Jan Craenen, \u00abLive subtitling of foreign languages television programmes. A qualitative analyses of a pilot project\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Rita Geens,&nbsp;\u00abHow to train an interpreter into a respeaker?\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Pablo Romero-Fesco, \u00abRespeaking training revisited\u00bb<\/span><\/span><\/span><\/li>\n<li><span style=\"color:#000000;\"><span style=\"font-size:16px;\"><span style=\"font-family:verdana,geneva,sans-serif;\">Veerle Haverhals,&nbsp;\u00abRespeaking in training, respeaking in reality\u00bb<\/span><\/span><\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>3rd International Symposium on Live Subtitling with Speech Recognition&nbsp; Artesis University College, 2011 09:00-10:20&nbsp;OPENING PANEL: NEW PERSPECTIVES IN MEDIA ACCESSIBILITY AND RESPEAKING CHAIR: Pilar Orero Andrew Lambourne,&nbsp;\u00abZen and the art of respeaking\u00bb Peter Olaf Looms,&nbsp;\u00abThree scenarios for media accessibility\u00bb Gion Linder,&nbsp;\u00abChallenges for broadcasters\u00bb Pablo Romero-Fresco,&nbsp;\u00abRespeaking at university\u00bb 10:30-11:30&nbsp;PANEL 2: NEW DEVELOPMENTS IN BROADCASTING CHAIR: Gion [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-71","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/pages\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/pages\/71\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/livesubtitling\/wp-json\/wp\/v2\/media?parent=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}