{"id":197,"date":"2019-05-22T12:30:09","date_gmt":"2019-05-22T10:30:09","guid":{"rendered":"https:\/\/webs.uab.cat\/musc\/linies-de-recerca\/"},"modified":"2022-11-24T12:20:41","modified_gmt":"2022-11-24T10:20:41","slug":"linies-de-recerca","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/musc\/linies-de-recerca\/","title":{"rendered":"L\u00ednies de recerca"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>M\u00fasica&nbsp;<\/strong><strong>i&nbsp;<\/strong><strong>Identitat<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/webs.uab.cat\/musc\/cants-orals-de-la-mediterrania\/\" data-type=\"page\" data-id=\"200\">Cants orals de la Mediterr\u00e0nia<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/musiques-i-genere-corporalitat-sexualitat-i-identitat\/\" data-type=\"page\" data-id=\"201\">M\u00fasiques i g\u00e8nere: corporalitat, sexualitat i identitat<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/colloquis-del-flabiol\/\" data-type=\"page\" data-id=\"203\">&#8220;Col\u00b7loquis del flabiol&#8221;<\/a><\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>M\u00fasica i Societat<\/strong><\/h2>\n\n\n\n<p>Lluny de constituir una expressi\u00f3 de creaci\u00f3 art\u00edstica autosuficient, la m\u00fasica respon a la mutaci\u00f3 dels contextos socioculturals i pol\u00edtics en els quals es desenvolupen creadors, difusors \/ int\u00e8rprets i receptors \/ consumidors del \u201cproducte musical\u201d, en un proc\u00e9s multidireccional de reacci\u00f3, influ\u00e8ncia i reajustament constants. La l\u00ednia de recerca \u201cM\u00fasica i Societat\u201d proposa l\u2019estudi de diversos aspectes significatius d\u2019aquest fen\u00f2men, com ara la crisi funcional i est\u00e8tica de la m\u00fasica religiosa, les interconnexions entre circuits, pr\u00e0ctiques i sistemes de consum musical (del teatre al cinema o la reproducci\u00f3 mec\u00e0nica) o la interrelaci\u00f3 entre realitat musical i mitjans de comunicaci\u00f3 de masses i xarxes socials.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/webs.uab.cat\/musc\/musics-en-les-societats-de-lespectacle\/\" data-type=\"page\" data-id=\"198\">M\u00fasics\u00a0en la societat de l&#8217;espectacle<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/contemporaneitat-creacio-i-consum-musicals\/\" data-type=\"page\" data-id=\"202\">Contemporane\u00eftat: creaci\u00f3 i consum musicals<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/musica-i-cinema\/\" data-type=\"page\" data-id=\"215\">M\u00fasica i cinema<\/a><\/li><li>La m\u00fasica eclesi\u00e0stica i el\u00a0proc\u00e9s de la\u00efcitzaci\u00f3<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>M\u00fasica i Tecnologia<\/strong><\/h2>\n\n\n\n<p>El binomi que s&#8217;estableix entre la tecnologia i qualsevol forma d&#8217;expressi\u00f3 art\u00edstica \u00e9s dificilment eludible, independentment de la orientaci\u00f3 est\u00e8tica, \u00e8poca o cultura&nbsp;en la que aquesta es manifesti.&nbsp;Partint d&#8217;aquesta idea, la liniea de recerca &#8220;M\u00fasica i tecnologia&#8221;&nbsp;focalitza en les relacions entre so i artefacte tecnol\u00f2gic en els darrers 150 anys. Dins del gran ventall de possibilitats, l\u2019inter\u00e8s actual del grup se centra en temes com l\u2019estudi de la recepci\u00f3 musical mediada tecnol\u00f2gicament, la digitalitzaci\u00f3 i an\u00e0lisi de suports sonors, els nous models d\u2019an\u00e0lisi gr\u00e0fica del so enregistrat o l\u2019an\u00e0lisi dels discursos sonors de les m\u00fasiques pop(ulars).<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/webs.uab.cat\/musc\/digitalitzacio-i-analisi-de-suports-sonors-historics\/\" data-type=\"page\" data-id=\"210\">Digitalitzaci\u00f3 i an\u00e0lisi de suports sonors hist\u00f2rics<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/nous-models-danalisi-grafica-del-so-enregistrat\/\" data-type=\"page\" data-id=\"211\">Nous models d\u2019an\u00e0lisi gr\u00e0fica del so enregistrat<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/la-recepcio-musical-mediada-tecnologicament\/\" data-type=\"page\" data-id=\"212\">La recepci\u00f3 musical mediada tecnol\u00f2gicament<\/a><\/li><li><a href=\"https:\/\/webs.uab.cat\/musc\/tecnologia-i-discurs-sonor\/\" data-type=\"page\" data-id=\"213\">Tecnologia i discurs sonor<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>M\u00fasica&nbsp;i&nbsp;Identitat Cants orals de la Mediterr\u00e0nia M\u00fasiques i g\u00e8nere: corporalitat, sexualitat i identitat &#8220;Col\u00b7loquis del flabiol&#8221; M\u00fasica i Societat Lluny de constituir una expressi\u00f3 de creaci\u00f3 art\u00edstica autosuficient, la m\u00fasica respon a la mutaci\u00f3 dels contextos socioculturals i pol\u00edtics en els quals es desenvolupen creadors, difusors \/ int\u00e8rprets i receptors \/ consumidors del \u201cproducte musical\u201d, [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-197","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/pages\/197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/comments?post=197"}],"version-history":[{"count":1,"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/pages\/197\/revisions"}],"predecessor-version":[{"id":412,"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/pages\/197\/revisions\/412"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/musc\/wp-json\/wp\/v2\/media?parent=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}