{"id":7,"date":"2009-05-08T11:14:38","date_gmt":"2009-05-08T11:14:38","guid":{"rendered":"https:\/\/webs.uab.cat\/pilarorero\/publications\/"},"modified":"2026-02-23T07:33:18","modified_gmt":"2026-02-23T07:33:18","slug":"publications","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/pilarorero\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n

1.- Books<\/a><\/p>\n\n\n\n

2.- Articles<\/a><\/p>\n\n\n\n

3.- Encyclopaedia entry<\/a><\/p>\n\n\n\n

4.- Book chapters<\/a><\/p>\n\n\n\n

5.- Standards<\/a><\/p>\n\n\n\n

<\/a>6.- Policy papers<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/a>Books<\/strong><\/h2>\n\n\n\n

12) Matamala, Anna and Pilar Orero <\/strong>(eds) (2016) Researching Audio Description<\/em><\/a>. London: Palgrave Macmillan.<\/p>\n\n\n\n

11) Maszerowska, Anna, Anna Matamala and Pilar Orero<\/strong> (eds) (2014) Audio Description. New perspectives illustrated. Amsterdam<\/a>. John Benjamins<\/em>.<\/p>\n\n\n\n

10) Mangiron, Carme, Pilar Orero<\/strong> & Minako O’Hagan (eds) (2014): Videogame Localisation and Accessibility: Fun for All<\/em><\/a>. Bern: Peter Lang.<\/p>\n\n\n\n

9) Remael, Aline, Pilar Orero, <\/strong>and Mary Carroll (eds) (2012): Media for All: Audiovisual Translation and Media Accessibility at the Crossroads<\/em><\/a>. Amsterdam: Rodopi. <\/p>\n\n\n\n

8) Gil Bardaji, Anna, Pilar Orero<\/strong> & Sara Rovira-Esteva (eds) (2012): Translation Peripheries. Paratextual Elements in Translation<\/em><\/a>. Bern: Peter Lang.<\/p>\n\n\n\n

7) Franco, Eliana, Anna Matamala & Pilar Orero <\/strong>(2010): Voice-over Translation: An overview<\/em><\/a>. Bern: Peter Lang.<\/p>\n\n\n\n

6) Matamala, Anna & Pilar Orero <\/strong>(eds) (2009): Listening to Subtitles. Subtitles for the Deaf and Hard of Hearing<\/em><\/a>. Bern: Peter Lang.<\/p>\n\n\n\n

5) Orero, Pilar<\/strong> (2007): The Problem of Translating “jabberwocky”: The Nonsense Literature of Lewis Carroll and Edward Lear and their Spanish Translators<\/em><\/a>. New York: Mellen Press.<\/p>\n\n\n\n

4) D\u00edaz Cintas, Jorge; Pilar Orero<\/strong> & Aline Remael (eds) (2007): Media for all. Subtitling for the Deaf, Audio description and Sign Language<\/em><\/a>. Amsterdam: Rodopi.<\/p>\n\n\n\n

3) Orero, Pilar<\/strong>  (ed.) (2004): Topics in Audiovisual Translation<\/em>.<\/a>  Benjamins Translation Library 56. \u00c1msterdam: Benjamins.<\/p>\n\n\n\n

2) Orero, Pilar <\/strong>& Juan C. Sager (eds) (1999): The Translator\u2019s Dialogue<\/a>. <\/em>Amsterdam: Benjamins<\/p>\n\n\n\n

1) Orero, Pilar<\/strong> (ed.) (1998): Proceedings of III Congr\u00e9s Internacional sobre Traducci\u00f3. <\/em>Acte.<\/em> Bellaterra: Universitat Aut\u00f2noma de Barcelona.<\/p>\n\n\n\n

<\/a>Articles<\/strong><\/h2>\n\n\n\n

113) McDonagh, S.A., Orero, P<\/strong>. (2025) Green digital accessibility<\/a>.\u00a0Univ Access Inf Soc<\/em>\u00a024<\/strong>, 1901\u20131903. https:\/\/doi.org\/10.1007\/s10209-025-01242-2<\/p>\n\n\n\n

112) Orero, Pilar<\/strong>, Chiara Gunella and Sarah McDonagh (2025) AI Multilingual Search Platform for EU Audiovisual Media Archives<\/a> ERCIM, April 2025<\/p>\n\n\n\n

111) Orero, P.<\/strong>, and A. Shvets. \u201cThe Role of Text-Type and Genre in the Analysis of Subtitles: Towards Measuring How Green the Media Are<\/a>\u201d. Linguaculture<\/em>, vol. 14, no. 2, Dec. 2023, pp. 209-25, doi:10.47743\/lincu-2023-2-0323.<\/p>\n\n\n\n

110) Pollini, Alessandro, Pilar Orero <\/strong>and Alessandro Caforio (2023) Intersectional Design in Practice: A Critical Perspective of Sustainability for All.<\/a> DIID Digital Special Issue 1 . Disruptive Geographies in the Design World. 366-373<\/p>\n\n\n\n

109) Brescia-Zapata, M., Krejtz, K., Duchowski, A., Hughes, C. J., Orero, P<\/strong>. (2023) Subtitles in VR 360\u00b0 video. Results from an eye-tracking experiment, Perspectives, https:\/\/doi.org\/10.1080\/0907676X.2023.2268122<\/a><\/p>\n\n\n\n

108) Pilar Orero<\/strong>, Estel\u00b7la Oncins and Anna Fern\u00e1ndez-Torner (2023) The visible subtitler: Blockchain technology towards right management and minting. <\/a>Open Research Europe.<\/p>\n\n\n\n

107) Pilar Orero<\/strong> and McDonagh, Sarah (2023) \u201cGreen Film Production for All\u201d <\/a>AVANCA 14<\/p>\n\n\n\n

106) Anna Matamala and Pilar Orero<\/strong> (2022) Opera co-creation: from collaborative translation to artistic co-creation in audiovisual translation and accessibility<\/a>. Hikma <\/em>21 (2) (2022), 41 – 63. <\/p>\n\n\n\n

105) Brescia-Zapata, M., Krejtz, K., Orero, P<\/strong>., Duchowski, A. T., and Hughes, C. J., (2022) VR 360\u00b0 subtitles: Designing a test suite with eye-tracking technology, <\/a>Journal of Audiovisual Translation<\/em>, 5(2): 233-258.<\/p>\n\n\n\n

104) Duchowski, A., Krejtz, K., Volonte, M., Hughes, C. J., Brescia-Zapata, M., and Orero, P<\/strong>. (2022) 3D Gaze in Virtual Reality: Vergence, Calibration, Event Detection<\/a>, In Proceedings of the 26th Intl. Conference on Knowledge-Based and Intelligent Information & Engineering Systems: Special Session on Eye Movement Data Processing and Analysis (EMDPA), September 7-9, 2022, Verona, Italy.<\/p>\n\n\n\n

103) Oncins, E and P.Orero <\/strong>(2021) Let’s put standardisation in practice: accessibility services and interaction. HIKMA <\/a>20 (1): 71-90. <\/p>\n\n\n\n

102) Pradipta Biswas, Pilar Orero<\/strong>, Manohar Swaminathan, Peter Robinson (2021) Adaptive Accessible AR\/VR Systems. CHI2021Extended Abstracts ACM Transactions on Accessible Computing, Volume 15 Issue 3<\/a> 8-13 May 2021 Okohama Japan.<\/a><\/p>\n\n\n\n

101) Pilar Orero<\/strong>, Chris J. Hughes and Marta Brescia-Zapata (2020)  Evaluating subtitle readability in media immersive environments. DSAI 2020<\/a>, December 02\u201304, 2020, Online, Portugal<\/p>\n\n\n\n

100) Pilar Orero<\/strong>, Clara Delgado and Anna Matamala (2020) Easy to read standardisation. Some steps towards an international standard. DSAI 2020<\/a>, December 02\u201304, 2020, Online, Portugal<\/p>\n\n\n\n

99) Konstantinidis, D., Dimitropoulos, K., Stefanidis, K., Kalvourtzis, T., Gannoum, S., Kaklanis, N., Votis, K., Daras, P., Rovira-Esteva, S., Orero, P.<\/strong>, Uribe, S., Moreno, F., Llorente, \u00c1., Calleja, P., Poveda-Villal\u00f3n, M., Andriani, P., Vitolo, G., Caruso, G., Manes, N., Giacomelli, F., Fabregat, J., Mas, F., Mata, J., Skourtis, S., Bourlis, C., Frittelli, G., Lago, E.F., & Alvarez, F. (2020). Developing accessibility multimedia services: the case of EasyTV. Proceedings of the 13th ACM International Conference on PErvasive Technologies Related to Assistive Environments<\/a><\/p>\n\n\n\n

98) Estel\u00b7la Oncins, Pilar Orero <\/strong>, and Anna Matamala (2020) The future of mediators for live events: LTA project academic and vocational training<\/a>. Revista CIDIU 2020,  www.cidui.org\/revistacidui ISSN: 2385-6203<\/p>\n\n\n\n

97) Matamala, Anna, Pilar Orero<\/strong>, and Estel\u00b7la Oncins (2020) EASIT: Training new professional profiles in easy-to-understand audiovisual media services<\/a>. Revista CIDIU 2020,  www.cidui.org\/revistacidui ISSN: 2385-6203<\/p>\n\n\n\n

96) Orero, Pilar,<\/strong> Estel\u00b7la Oncins and Anna Matamala  <\/strong>(2020) Web Accessiblity for All. Learning Materials towards the new EU Standard.<\/a> Revista CIDIU 2020,  www.cidui.org\/revistacidui ISSN: 2385-6203<\/p>\n\n\n\n

95) Hughes, CJ, Marta Brescia Zapata, Matthew Johnston, and Pilar Orero<\/strong> (2020) Immersive Captioning: Developing a framework for evaluating user needs<\/a>. AIVR IEEE AIVR 2020 <\/a>: 3rd International Conference on Artificial Intelligence & Virtual Reality 2020, 14th-18th December 2020, Online.<\/p>\n\n\n\n

94) Bosch-Baliarda, Marta, Pilar Orero, and <\/strong>Olga Soler-Vilageliu (2020). Towards recommendations for TV sign language interpretation. <\/em>SKASE <\/a>(13) 2: 38-57.<\/em><\/p>\n\n\n\n

93) Pilar Orero (2020) Accessibility at the heart of a study of forced displacement and migration. Euroscientist  <\/a><\/p>\n\n\n\n

92) <\/strong>Montagud, M., P. Orero,<\/strong> S. Fern\u00e1ndez (2020) Immersive Media and Accessibility: Hand in Hand to the Future<\/a>.  ITU Journal Discoveries. Special Issue: The future of video and immersive media.<\/em> Geneva: ITU.<\/p>\n\n\n\n

91) Estel\u00b7la Oncins & Pilar Orero <\/strong>(2020) No audience left behind, one App fits all: an integrated approach to accessibility services. <\/strong>JOSTRANS 34.<\/em><\/a><\/p>\n\n\n\n

90) Bosch Baliarda, Marta; Olga Soler Vilageliu, and Pilar Orero<\/strong> (2020) Sign Language Interpreting on TV: A reception study of visual screen exploration in deaf signing users<\/a>. MonTi 12: 108-143.<\/em><\/p>\n\n\n\n

89) Biswas, P., Orero,<\/strong> P., & Sezgin, T. M. (2019). Artificial Intelligence for Engineering Design, Analysis and Manufacturing<\/a>, 33(4), 369-369. <\/p>\n\n\n\n

88) <\/em>Anna Matamala, Pilar Orero<\/strong>, Anna Jankowska, Carme Mangiron  (2019) Learning Audio Description: Training Resources for Future Academics and Professionals<\/a> Cultus <\/em>12: 106-128.<\/p>\n\n\n\n

87) Mario Montagud, Pilar Orero<\/strong> and Anna Matamala (2020) “Culture 4 all: accessibility-enabled cultural experiences through immersive VR360 content<\/a>“. Personal and Ubiquitous Computing: 1-19<\/em><\/p>\n\n\n\n

86) Velasco, Juan Pedro,  Bosch Baliarda, Marta, Carlos Alberto Martin, Jos\u00e9 Manuel Men\u00e9ndez, Pilar Orero,<\/strong> Olga Soler, Federico \u00c1lvarez (2019) Design and development of sign language questionnaires based on video and web interfaces<\/a>. Artificial Intelligence for Engineering Design, Analysis and Manufacturing <\/em>AI-EDAM:<\/em> 429-441.<\/p>\n\n\n\n

85) Irene Tor Carroggio and Pilar Orero<\/strong> (2020) User profiling in audio description reception studies: questionnaires for all<\/a>. IntraLinea 22<\/em><\/p>\n\n\n\n

84) Remael, Aline, Pilar Orero<\/strong>, Sharon Black, and Anja Jankowska (2019) From translators to accessiblity managers: How did we get there and how do we train them? <\/a>MonTi 11: <\/em>131-154.<\/p>\n\n\n\n

83) \u200b<\/a>Rocio Bernab\u00e9 and Pilar Orero<\/strong> (2019) Easy to Read as Multimode Accessibility Service<\/a>. Hermeneus<\/em> 21: 53-74.<\/p>\n\n\n\n

82) Pilar Orero<\/strong> (2019) Imagine a Social Network like Facebook with no Facebook, Euroscientist <\/em> https:\/\/www.euroscientist.com\/imagine-a-social-network-like-facebook-with-no-facebook\/<\/a><\/p>\n\n\n\n

81) Pilar Orero<\/strong>, Joan Bestard, Miquel Edo, Gonzalo Iturregui-Gallardo, Anna Matamala, Iris C. Permuy H\u00e9rcules de Sol\u00e1s (2019) Opera Accessibility in the 21st <\/sup>century: new services, new possibilities<\/a>. TRANS <\/em>23: 243-255.<\/p>\n\n\n\n

80) Bosch Baliarda, Marta; Olga Soler Vilageliu, and Pilar Orero<\/strong> (2019)  Towards a sign language friendly questionnaire design<\/a>. Journal of Deaf Studies and Deaf Education. enz021<\/p>\n\n\n\n

79) Agull\u00f3, Bel\u00e9n, Anna Matamala and Pilar Orero<\/strong> (2018) From Disabilities to Capabilities: testing subtitles in immersive environments with end users<\/a>. HIKMA 17: 195-220.<\/p>\n\n\n\n

78) Matamala, A., and Pilar Orero<\/strong> (2018) Standardising accessibility: transferring knowledge to society<\/a>. Journal of Audiovisual Translation, 1 (1), 139-154.<\/p>\n\n\n\n

77) Mas, Lluis and Pilar Orero<\/strong> (2018) New Subtitling Possibilities: Testing Subtitle Usability in HbbTV<\/a>. Translation Spaces 7 (2) <\/em>263\u2013284.<\/p>\n\n\n\n

76) Bernab\u00e9 Caro, Roc\u00edo and Pilar Orero<\/strong> (2018) Quality training in real time subtitling across EU and EU languages<\/a>. BFC2018: 4-6.<\/p>\n\n\n\n

75) Orero, Pilar<\/strong> and Anna Matamala (2018) <\/em>Making immersive media environments accessible: The Immersive Accessibility Projec<\/a>t. BFC2018: 75-78.<\/p>\n\n\n\n

74) Matamala, Anna and Pilar Orero <\/strong>(2018) EASIT: Easy Access for Social Inclusion Training<\/a>. BFC2018: 68-70.<\/p>\n\n\n\n

73) <\/em>Orero, Pilar<\/strong>; Anna Matamala and Sharon Black (2018) Challenges and solutions towards accessible MOOC content: The ACT MOOC<\/a>. BFC 2018:79-82<\/em><\/p>\n\n\n\n

72) Orero, Pilar<\/strong>, Stephen Doherty, Jan-Louis Kruger, Anna Matamala, Jan Pedersen, Elisa Perego, Pablo Romero-Fresco, Sara Rovira-Esteva, Olga Soler-Vilageliu, Agnieszka Szarkowska (2018) \u201cConducting experimental research in audiovisual translation (AVT): A position paper<\/a>\u201d Jostrans 30: <\/em>105-126.<\/p>\n\n\n\n

71) Matamala, Anna, Pilar Orero<\/strong>, Sara Rovira-Esteva, Helena Casas-Tost, Luis Fernando Morales, Olga Soler-Vilageliu, Bel\u00e9n Aguy\u00f3, Anita Fydika, Daniel Segura, Irene Tor-Carroggio (2018) User-centric Approaches in Access Services Evaluation: Profiling the End User<\/a>. Edited by Ineke Schuurman, Leen Sevens, Victoria Yaneva, John O\u2019Flaherty Proceedings of the LREC 2018 Workshop. \u201cImproving Social Inclusion using NLP: Tools, Methods and Resources\u201d (ISI-NLP 2) 7 May 2018 \u2013 Miyazaki, Japan, pp. 1-8.<\/p>\n\n\n\n

70) Bel\u00e9n Agull\u00f3 and Pilar Orero<\/strong> (2017) 3D Movie Subtitling: Searching for the best viewing experience.<\/a> Studi di Comunicazione e Mediazione linguistica e culturale COME<\/em> 2 (1) 91-102.<\/p>\n\n\n\n

69) Matamala, Anna and Pilar Orero<\/strong> (2017) “Audio Description and Social Accessibility<\/a>” RIIT <\/em>19: 7-12.<\/p>\n\n\n\n

68) Orero, Pilar<\/strong> (2017) “The professional profile of the expert in media accessibility for the scenic arts<\/a>” Rivista internazionale di tecnica della traduzione RIIT 19 ,<\/em>143-161.<\/p>\n\n\n\n

67) Takebumi Itagaki, Thomas Owens, Pilar Orero<\/strong> (2016) Digital TV accessibility \u2014 Analogue switch off in Europe and Africa. 2016 IST-Africa Week Conference<\/a><\/p>\n\n\n\n

66) Orero, Pilar<\/strong> and Anna Matamala (2016) “User-centric Audio Description: A Topsy-turvy Research Approach”. In Manco, Alberto and Azzurra Mancini Quaderni di Aion NS5<\/em>, 377-388.<\/p>\n\n\n\n

65) Orero, Pilar<\/strong> (2016) “Audio Describing the TV series The West Wing:<\/em>Towards a Coherent Practic<\/a>e”. Intralinea <\/em>Special Isssue on West Wing. Edited by Christopher Taylor. <\/p>\n\n\n\n

64) Pilar Orero, Carlos Alberto Mart\u00edn, Mikel Zorrilla (2015) HBB4ALL: Deployment of HbbTV services for all<\/a>. 2015 IEEE International Symposium on Broadband Multimedia Systems and Broadcasting<\/a><\/p>\n\n\n\n

63) Sara Rovira-Esteva, Pilar Orero<\/strong> & Javier Franco Aixel\u00e1 (2015) “Bibliometric and bibliographical research in Translation Studies<\/a>“. Perspectives <\/em> 23 (2): 159-160. <\/p>\n\n\n\n

62) Orero, Pilar<\/strong>, John Birch and Andrew Lambourne (2014) “Media accessiblity in HBBTV: Interaction for all<\/a>“. IET IBC2014: 7.3<\/strong><\/em><\/p>\n\n\n\n

61) Matamala, Anna and Pilar Orero<\/strong> (2014) “Formar en accessibilitat als mitjans: noves necessitats socials, noves tecnologies, noves propostes din\u00e0miques<\/a>“. Revista CIDUI <\/em>2: 1-8.<\/p>\n\n\n\n

60) D\u00e1vila-Montes, Josep and Pilar Orero <\/strong>(2014)  “Strategies for the Audio Description of Brand Names<\/a>“. Cultus 7<\/em>: 96-108.<\/p>\n\n\n\n

59) Holken, Hadmut and Pilar Orero<\/strong> (2014) ” TV Content Delivery to PC, Tablet, Smartphone – From the Accessibility Vision into Market Reality<\/a>“. Think Mind Mobility 2014<\/em>: 99-104<\/em><\/p>\n\n\n\n

58) Carme Mangiron, Pablo Mu\u00f1oz, Pilar Orero<\/strong> (2014) “La trayectoria de TransMedia Catalonia en el \u00e1mbito de los videojuegos: formaci\u00f3n, investigaci\u00f3n y transferencia<\/a>” in Proceedings Congreso de la Sociedad Espa\u00f1ola para las Ciencias del Videojuego (CoSECivi 2014), Barcelona, Spain, June 24, 2014. Edited by: David Camacho, Marco Antonio G\u00f3mez Mart\u00edn, Pedro Antonio Gonz\u00e1lez Calero http:\/\/ceur-ws.org\/Vol-1196\/<\/a>: 221-229.<\/p>\n\n\n\n

57) Vilaro, Anna & Pilar Orero<\/strong> (2014). PROLOG: Evaluating Attentional Capacity in Special Working Centers Kinect technology tasks for cognitive assessment of disabled workers<\/a>. Think Mind. 114-116<\/em><\/p>\n\n\n\n

56) Darwish, Ali & Pilar Orero <\/strong>(2014) \u201cRhetorical Dissonance of Unsynchronized Voices: Issues of Voice-over in News Broadcasts<\/a>\u201d. Babel<\/em> 60(2): 129-144.<\/p>\n\n\n\n

55) Orero, Pilar<\/strong>, Javier Serrano, Olga Soler, Anna Matamala, Judit Castella, Maria Teresa Soto Sanfiel, Anna Vilar\u00f3, Carme Mangiron (2014) “Accessibillity to Digital Society: Interaction for All<\/a>“. Think Mind: 188-191.<\/em><\/p>\n\n\n\n

54) Gonz\u00e1lez-Z\u00fa\u00f1iga D., Chistyakov A., Orero P.<\/strong>, Carrabina J. (2013) Breaking the Pattern: Study on Stereoscopic Web Perception<\/a>. In: Urzaiz G., Ochoa S.F., Bravo J., Chen L.L., Oliveira J. (eds) Ubiquitous Computing and Ambient Intelligence. Context-Awareness and Context-Driven Interaction. Lecture Notes in Computer Science, vol 8276. Springer, Cham54) <\/p>\n\n\n\n

53) Vilaro, Anna  & Orero, Pilar <\/strong> (2013). User-centric cognitive assessment. Evaluation of attention in special working centres: from paper to Kinect.<\/a> Advances in Distributed Computing and Artificial intelligence Journal 2(7): 19-22.<\/em><\/p>\n\n\n\n

52) Ana Lopes, Pilar Orero<\/strong> and Guillermo Talavera (2013) Almada\u2019s tramway: Problem not solution? <\/a>Tramways&Urban Transit<\/em> n\u00ba909, pag 375\u2013378.<\/p>\n\n\n\n

51) Arum\u00ed, Marta; Carrabina, Jordi; Matamala, Anna; Mesa-Lao, Bartolom\u00e9; Orero, Pilar;<\/strong> Serrano, Javier (2013) “AVT-LP (Audiovisual Translation Learning Platform): a new tool for audiovisual translation training<\/a>” Hermeneus <\/em>15: 39-66.<\/p>\n\n\n\n

50) Matamala, Anna and Pilar Orero <\/strong>(2013) “Standarising Audio Description<\/a>“. Italian Journal of Special Education for Inclusion<\/em> 1: 149-155.<\/p>\n\n\n\n

49) Gonz\u00e1lez-Z\u00fa\u00f1iga, Diekus, Jordi Carrabina & Pilar Orero <\/strong>(2013) Evaluation of Depth Cues in 3D Subtitling\u201d<\/a> Online Journal of Art and Design<\/a> <\/em>1 (3): 16 \u2013 29.<\/em><\/p>\n\n\n\n

48) Vercauteren, Gert and Pilar Orero<\/strong> (2013) “Describing Facial Expressions: Much more than meets the eye<\/a>” Quaderns de Traducci\u00f3<\/em> 20: 187-199.<\/p>\n\n\n\n

47) Anna Vilar\u00f3 & Pilar Orero<\/strong> (2013) “The audio description of leitmotifs<\/a>“. International Journal of  Humanities and Social Science<\/em>. 3 (5): 56-64.<\/p>\n\n\n\n

46) Anna Matamala & Pilar Orero<\/strong> (2013) “Audiovisual Translation, When modalities merge<\/a>“. Perspectives<\/em> 23 (1): 2-4. <\/p>\n\n\n\n

45) Dhevi J. Rajendran, Andrew T. Duchowski, Pilar Orero<\/strong>, Juan Mart\u00ednez, Pablo Romero-Fresco (2013) \u201cEffects of text chunking on subtitling: A quantitative and qualitative examination<\/a>\u201d. Perspectives <\/em>21(1): 5-21. <\/p>\n\n\n\n

44) Oncins, Estel\u00b7la, Oscar Lopes, Pilar Orero<\/strong> & Javier Serrano (2013) “All Together Now: A multi-language and multi-system mobile application to make live performing arts accessible<\/a>“. JosTrans 20: 147-164<\/em><\/p>\n\n\n\n

43) Di Giovanni, Elena, Pilar Orero <\/strong>and Rosa Agost (2012) “Multidisciplinarity in Audiovisual Translation<\/a>“, MONTI 4: 9-22.<\/em><\/p>\n\n\n\n

42) Rovira-Esteva, Sara & PIlar Orero<\/strong> (2012) \u201cEvaluating Quality and Excellence in Translation Studies Research: Publish or Perish, the Spanish Way<\/a>\u201d. Babel<\/em>  58 : 3, 264\u2013288.<\/p>\n\n\n\n

41) Orero, Pilar<\/strong> and Anna Vilar\u00f3 (2012) \u201cEye tracking Analysis of Minor Details in Films for Audio Description<\/a>\u201d. MONTI<\/em> 4: 295-319.<\/p>\n\n\n\n

40) Aitor Rodriguez-Alsina , Guillermo Talavera, Pilar Orero<\/strong>, Jordi Carrabina (2012) \u201cSubtitle synchronization across multiple screens and devices<\/a>\u201d. Sensors <\/em><\/p>\n\n\n\n

39) Orero, Pilar<\/strong> (2012) \u201cAudio Description Behaviour: Universals, Regularities and Guidelines<\/a>\u201d International Journal of Humanities and Social Science<\/em> (IJHSS)  Vol 2 (17): 195-202. <\/p>\n\n\n\n

38) Vilar\u00f3, Anna, Andrew T. Duchowski, Pilar Orero<\/strong>, Tom Grindinger, Stephen Tetreault and Elena di Giovanni (2012) \u201cHow Sound is The Pear Tree? Testing the Effect of Varying Audio Stimuli on Visual Attention Distribution<\/a>“. Perspectives,<\/em> 20 (1): 55-65.<\/p>\n\n\n\n

37) Matamala, Anna; Orero, Pilar <\/strong>(2011) “Opening credit sequences: audio describing films within films<\/a>“.  <\/em><\/strong>International Journal of Translation<\/em>, <\/em>23(2), 35-58.<\/p>\n\n\n\n

36) Rovira-Esteva, Sara & Pilar Orero<\/strong> (2011) \u201cA Contrastive Analysis of the Main Benchmarking Tools for Research Assessment in Translation and Interpreting: the Spanish Approach.<\/a>\u201d. Perspectives: Studies in Translatology. 19(3): 233-251.<\/p>\n\n\n\n

35) Kruger, Jan-Louis & Pilar Orero <\/strong>(2010): \u201cAudio description, audio narration – a new era in AV<\/a>T\u201d.   Perspectives: Studies in Translatology. 18 (3): 141-142.<\/p>\n\n\n\n

34) Sabine Braun & Pilar Orero<\/strong> (2010): \u201cAudio Description with Audio Subtitling \u2013 an emergent modality of audiovisual localisation<\/a>\u201d. Perspectives: Studies in Translatology. 18 (3): 173-188.<\/p>\n\n\n\n

33) Anna Matamala & Pilar Orero<\/strong> (2009):  \u201cL\u2019accessibilitat a Televisi\u00f3 de Catalunya: parlem amb Rosa Vallverd\u00fa, directora del departament de Subtitulaci\u00f3 de TVC<\/a>.\u201d Quaderns de Traducci\u00f3 16.<\/em> 301-312.<\/p>\n\n\n\n

32) Orero, Pilar<\/strong>, Ana Pereira & Francisco Utray (2009): \u201cThe Present and Future of Audio Description and Subtitling for the Deaf and Hard of Hearing in Spain<\/a>\u201d.  <\/strong>META<\/em> 54-3. 248-263.<\/p>\n\n\n\n

31) Anna Matamala & Pilar Orero<\/strong> (2008): \u201cOpera Translation\u201d. The Translator <\/em>14 (2): 429-53.<\/p>\n\n\n\n

30) M<\/em>atamala, Anna & Pilar Orero<\/strong> (2008): \u201cDesigning a Course on Audio Description and Defining the Main Competences of the Future Professional<\/a>\u201d. LANS 6 2008: 329-344<\/p>\n\n\n\n

29) Orero, Pilar<\/strong> (2008): \u201cThree different receptions of the same film. The Pear Stories applied to Audio Description<\/a>\u201d.  <\/em>European Journal of English Studies 12 (2): 179\u2013193<\/em><\/p>\n\n\n\n

28) <\/em>Anna Matamala & Pilar Orero<\/strong> (2007):  \u201cAccessible Opera: Overcoming Linguistic and Sensorial Barriers<\/a>\u201d. Perspectives. Studies in Translatology <\/em>15 (4): 262-277. <\/p>\n\n\n\n

27) Carles Dorado & Pilar Orero<\/strong> (2007): \u201cTeaching audiovisual translation online: a partial achievement<\/a>\u201d. Perspectives.<\/em> Studies in Translatology 15(3): 191-202.<\/p>\n\n\n\n

26) <\/em>Orero, Pilar<\/strong> (2007): \u201cAudiosubtitling: A Possible Solution for Opera Accessibility in Catalonia<\/a>\u201d. In Franco, Eliana P. C. & Santiago Ara\u00fajo, Vera (orgs) 2007.<\/em> TradTerm<\/em> (Revista do Centro Interdepartamental de Tradu\u00e7\u00e3o e Terminologia), vol. 13, S\u00e3o Paulo: Humanitas (FFLCH-USP): 135-149.<\/em><\/p>\n\n\n\n

25) <\/em>Orero, Pilar <\/strong>(2007) \u201cVoice-over: A Case of Hyper-reality<\/a>\u201d. MUTRA  (2007) <\/p>\n\n\n\n

24) Orero, Pilar <\/strong>(2007): <\/em>“La accesibilidad en los medios : una aproximaci\u00f3n multidisciplinar<\/a>\u201dTRANS 11: 11-15<\/em><\/p>\n\n\n\n

23) Orero, Pilar<\/strong>, Ana Maria Pereira & Francisco Utray (2007): <\/em>“Visi\u00f3n hist\u00f3rica de la accesibilidad en los medios en Espa\u00f1a<\/a>\u201d. TRANS 11: 31-44.<\/em><\/p>\n\n\n\n

22) Pujol, Joaquim & Pilar Orero<\/strong> (2007): \u201cAudio description precursors: Ekfrasis and Narrators.\u201d. Translation<\/em> Watch Quarterly, (3) 2: 49-60.<\/em><\/p>\n\n\n\n

21) Bartoll, Eduard & Pilar Orero <\/strong>(2007): \u201cTeaching Subtitling Online\u201d. Translation Ireland<\/em> (17) 2: 97-105.<\/p>\n\n\n\n

20) Orero, Pilar<\/strong>, & Steve Wharton (2007): \u201cThe Audio Description of a Spanish Phenomenon: Torrente 3<\/a>\u201d . JosTrans 7: 164-178.<\/em><\/p>\n\n\n\n

19) <\/em>Orero, Pilar<\/strong> (2007): \u201cAn Interview with Jorge Arandes: Pioneering Audio Description<\/a>\u201d. JosTrans 7: 190-194<\/em><\/p>\n\n\n\n

18) Orero, Pilar<\/strong> (2006):  <\/em>Real Time Subtitling: A Spanish Overview<\/a> . inTRAlinea<\/p>\n\n\n\n

17) <\/em>Orero, Pilar <\/strong>(2005): \u201c<\/em> La inclusi\u00f3n de la accesibilidad en comunicaci\u00f3n audiovisual dentro de los estudios de traducci\u00f3n audiovisual\u201d. Quaderns de Traducci\u00f3 12:173-185<\/p>\n\n\n\n

16) <\/em>Orero, Pilar <\/strong>(2005): \u201c<\/em>Media Accessibility Training\u201d. Translating Today 3: 12-14.<\/p>\n\n\n\n

15) <\/em>Orero, Pilar<\/strong> (2005): \u201cT<\/em>he Translation of Wellerisms: The Spanish Case\u201d. Proverbium 22: 263-271.<\/p>\n\n\n\n

14) <\/em>Orero, Pilar<\/strong> (2005): \u201c<\/em>Audio description: Professional recognition, practice and standards in Spain\u201d. Translation Watch Quarterly, 1 (1): 7-18.<\/em><\/p>\n\n\n\n

13) Bartoll, Eduard; Jordi Mas L\u00f3pez & <\/em>Pilar Orero<\/strong> (2004): \u201c<\/em> Las nuevas tecnolog\u00edas y su impacto en la ense\u00f1anza de la traducci\u00f3n audiovisual: Subtitul@m<\/a>\u201d <\/strong>http:\/\/www.uax.es\/publicaciones\/linguax.htm<\/a><\/p>\n\n\n\n

12) <\/em>Orero, Pilar <\/strong>(2004): \u201c<\/em>The Pretended Easiness of Voice-over Translation of TV Interviews\u201d. JosTrans: 76-96 <\/strong><\/em><\/p>\n\n\n\n

http:\/\/www.jostrans.org\/issue02\/art_orero.php<\/a><\/p>\n\n\n\n

11) Andreu, Maribel & <\/em>Pilar Orero<\/strong> (2004): \u201c<\/em>La traducci\u00f3 a l\u2019itali\u00e0 dels primers versos des limericks d\u2019Edward Lear\u201d. Quaderns. Revista de Traducci\u00f3 <\/em>11, 187-200.<\/p>\n\n\n\n

10) <\/em>Orero, Pilar <\/strong>(2004): \u201c<\/em> Edward Lear\u2019s Wellerisms\u201d. Proverbium<\/em>, 21:  287-297.<\/p>\n\n\n\n

9) Jordi Mas L\u00f3pez & Pilar Orero<\/strong>  (2003): \u201cDipl\u00f4me de sp\u00e9cialiste en traduction audiovisuelle (TAV) \u00bb. Traduire199 : 74-5.<\/em><\/p>\n\n\n\n

8) Jorge D\u00edaz Cintas & Pilar Orero<\/strong>  (2003):  \u201cPostgraduate Course in Audiovisual Translation\u201d. The Translator <\/em>(9) 2: 371-388.<\/p>\n\n\n\n

7) Maribel Andreu, Laura Berenguer, Pilar Orero,<\/strong> and Odile Ripoll (2002): \u201cCompetencia traductora i ensenyament de lleng\u00fces estrangeres\u201d. Quaderns. Revista de Traducci\u00f3 <\/em>7: 155-165.<\/p>\n\n\n\n

6) Orero, Pilar<\/strong> (2000): \u201cLa traducci\u00f3n de wellerismos\u201d. Quaderns, Revista de Traducci\u00f3 <\/em>5: 123-133.<\/p>\n\n\n\n

5) Gabriel L\u00f3pez Guix & Pilar Orero<\/strong>  (2000): \u201cLa edici\u00f3n y la traducci\u00f3n de la literatura inglesa en Espa\u00f1a\u201d Donaire, <\/em>14: 13- 18.<\/p>\n\n\n\n

4) Orero, Pilar<\/strong> (1998): \u201cSpanish Wellerisms\u201d. Proverbium<\/em>, 15: 235- 242.<\/p>\n\n\n\n

3) Orero, Pilar<\/strong> (1998): \u201cSobre las traducciones de paremias en los Pickwick Papers\u201d<\/em>.  Paremia 7<\/em>: 45-48.<\/p>\n\n\n\n

2) Orero, Pilar<\/strong> (1997): \u201cGald\u00f3s como traductor\u201d. Donaire<\/em> 8, Londres: 49-53.<\/p>\n\n\n\n

1) Orero, Pilar<\/strong> (1997): \u201cWellerismos en la tradici\u00f3n paremiol\u00f3gica espa\u00f1ola\u201d Paremia<\/em>, 6:  459-464.<\/p>\n\n\n\n

<\/a>Encyclopaedia entry<\/strong><\/h2>\n\n\n\n

D\u00edaz Cintas, Jorge & Pilar Orero<\/strong> (2010): “Dubbing and Voice-over”. In: Gambier<\/strong>, Yves and Luc van Doorslaer<\/strong> (eds.), Handbook of Translation Studies: Volume 1<\/a>. Amsterdam: John Benjamins: 441\u2013445.<\/p>\n\n\n\n

D\u00edaz Cintas, Jorge & <\/em>Pilar Orero<\/strong> (2005): \u201c<\/em>Voice-over\u201d. Elsevier Encyclopaedia of Linguistics: 473.<\/p>\n\n\n\n

Orero, Pilar. 2015. Traducci\u00f3n audiovisual. @ Enciclopedia Ib\u00e9rica de la Traducci\u00f3n y la Interpretaci\u00f3n. AIETI. http:\/\/www.aieti.eu\/enciclopedia\/traduccion-audiovisual\/en-breve\/<\/p>\n\n\n\n

<\/a>Book chapters<\/strong><\/h2>\n\n\n\n

54) Orero, Pilar (2025) Media Accessibility Resistance.<\/a> In Maria Jos\u00e9 Varela Salinas, Cristina Plaza Lara, and Julia Mihalache (eds) Accesibilidad en la comunicaci\u00f3n<\/em>. Editorial Comares, pp 1-16<\/p>\n\n\n\n

53) Orero Pilar (2024) Foreword in Ann Marcus-Quinn, 
Krzysztof Krejtz,  and Carlos Duarte (Eds) Transforming Media Accessibility in Europe Digital Media, Education and City Space Accessibility Contexts<\/a>. Springer, pp. v-vii<\/p>\n\n\n\n

52) Orero, Pilar (2024) Sustainability for All: The importance of implementing EU accessibility policies in the Green Deal. In McDonagh Sarah, Alessandro Caforio, Alessandro Pollini (eds) The European Green Deal in Education<\/a>. Routledge, pp. 79-91.<\/p>\n\n\n\n

51) Mar\u00eda Jim\u00e9nez-Andr\u00e9s and Pilar Orero <\/strong>(2022) Digital Multilingual Practices in Third Sector Organisations: Beyond the Pandemic<\/a>. London: Bloomsbury, pp 165-182.<\/p>\n\n\n\n

50) Orero, Pilar<\/strong> (2022) La accesibilidad a los medios. Una oportunidad para la diversidad, la inclusi\u00f3n y la educaci\u00f3n<\/a>. In Cris Ladaga & Luz Ragel (eds) Participar: Accesibilidades digitales en la comunicaci\u00f3n, el dise\u00f1o y la educaci\u00f3n. E-ACCESIBILIDAD EN RED  #EARED pp. 69-92.<\/p>\n\n\n\n

49) Orero, Pilar<\/strong> (2022) Translation, Accessibility and Minorities. In E. Bielsa (ed.) The Routledge Handbook of Translation and Media<\/a>. London: Taylor Francis. pp. 384-399.<\/p>\n\n\n\n

48) Orero, Pilar<\/strong> (2022) Audio Description Personalisation. In Christopher Taylor and Elisa Perergo (eds) The Routledge Handbook of Audio Description<\/a>. London: Taylor Francis, pp. 121-134.<\/p>\n\n\n\n

47) Orero, Pilar<\/strong> (2021) Leitura de Filmes para a Produ\u00e7ao de audiodescri\u00e7oes: uma palavra vale mais que mil imagens?. In Lima, Erica e Viviane Veras (eds). Diversas faces da tradu\u00e7\u00e3o na contemporaneidade<\/em>. Campinas SP: Pontes Editores, pp. 183-207.<\/p>\n\n\n\n

46) Bernab\u00e9, Rocio, Pilar Orero<\/strong>, \u00d3scar Garc\u00eda and Estel\u00b7la Oncins (2020) “Validation of Easy-to-Read Subtitles<\/a>“. In  Dejica, Daniel & Carlo Eugeni, Anca Dejica-Cartis (eds.) Translation Studies and Information Technology – New Pathways for Researchers, Teachers and Professionals<\/em>. Timi\u0219oara: Editura Politehnica, Translation Studies Series. ISBN: 978-606-35-0351-1. pp. 168-181.<\/p>\n\n\n\n

45)  Orero, Pilar<\/strong>, Mario Montagud, Jordi Mata, Enric Torres, Anna Matamala (2020) “Audio Subtitles or Spoken Subtitles: An ecological media accessibility service<\/a>“. In  Dejica, Daniel & Carlo Eugeni, Anca Dejica-Cartis (eds.) Translation Studies and Information Technology – New Pathways for Researchers, Teachers and Professionals<\/em>. Timi\u0219oara: Editura Politehnica, Translation Studies Series. ISBN: 978-606-35-0351-1.pp. 155-167.<\/p>\n\n\n\n

44) <\/strong>Matamala, Anna; Orero, Pilar <\/strong>(2019) “EASIT: made access services made easier to understand<\/a>“. Actas del I Congreso Internacional de Innovaci\u00f3n Docente e Investigaci\u00f3n en Educaci\u00f3n Superior: Un reto para las \u00c1reas de Conocimiento. Vol I: 445.<\/p>\n\n\n\n

43) Matamala, Anna; Orero, Pilar;<\/strong> Oncins, Estel\u00b7la (2019) “Training for real-time intralingual subtitling: the LTA project<\/a>“. Actas del I Congreso Internacional de Innovaci\u00f3n Docente e Investigaci\u00f3n en Educaci\u00f3n Superior: Un reto para las \u00c1reas de Conocimiento. Vol I: 446.<\/p>\n\n\n\n

42) Orero, Pilar<\/strong>, Sonali Rai and Chris Hughes (2019)  “The challenges of audio description in new formats<\/a>“. In Sabine Braun (ed.), Innovation in Audio Description Research<\/em>. London: Routledge.<\/p>\n\n\n\n

41) Bernab\u00e9, Rocio and Pilar Orero<\/strong> (2020) “Easier Audio Description: A more readily understood accessibility service<\/a>“. In Sabine Braun (ed.), Innovation in Audio Description Research<\/em>. London: Routledge, pp 55-75.<\/p>\n\n\n\n

40) <\/strong>Matamala, Anna and Pilar Orero<\/strong> (2019) “Training Experts in Inclusive Practices for an Equity on Access to Culture in Europe<\/a>“. In Vassilios Argyropoulos and Santoshi Hadler (eds) Inclusive Practices, Equity and Access: Perspectives of Educators across World.<\/em> London: Palgrave MacMillan: 263-280.<\/p>\n\n\n\n

39) Orero, Pilar<\/strong> and Tor-Carroggio, I. (2018). \u201cUser requirements when designing learning e-content: interaction for all<\/a>\u201d. In Evangelos Kapros and Maria Koutsombogera (eds), Designing for the User Experience in Learning Systems.  Springer: 105-121.<\/p>\n\n\n\n

38) Orero, Pilar <\/strong>and Matamala, Anna (2016) “Audio description from a Catalan perspective<\/a>“. A Holsanova, Jana; Wadensj\u00f6, Cecilia; Andr\u00e9n, Mats (eds) Syntolkning. Forskning och praktik. Lund: Lunds Universitet, 85-89.<\/p>\n\n\n\n

37) Orero, Pilar<\/strong> (2016) “From DTV4ALL to HBB4ALL: Accessibility in European Broadcasting<\/a>“. In Matamala, Anna and Pilar Orero (eds) (2016) Researching Audio Description<\/em>. London: Palgrave Macmillan: 249-267.<\/p>\n\n\n\n

36) Jos\u00e9 Davila-Montes and Pilar Orero<\/strong> (2016) “Audio Description Washes Brighter? A Study in Brand Names and Advertising<\/a>“. In Matamala, Anna and Pilar Orero (eds) (2016) Researching Audio Description<\/em>. London: Palgrave Macmillan: 123-142.<\/p>\n\n\n\n

35) Matamala, Anna and Pilar Orero<\/strong> (2016) “Audio Description and Accessibility Studies: A Work in Progress<\/a>“. In Matamala, Anna and Pilar Orero (eds) (2016) Researching Audio Description<\/em>. London: Palgrave Macmillan: 1-8.<\/p>\n\n\n\n

34) Orero<\/strong>, Pilar, Anna Maszerowska and David Cassacuberta (2016) “Audio describing Silence: Lost for Words<\/a>“. In Ania Jankowska and Agnieszka Szarkowska (eds) New Points of View in Audiovisual Translation<\/em>. Oxford: Peter Lang: 219-236.<\/p>\n\n\n\n

33) Matamala, Anna and Pilar Orero<\/strong> (2014) “Text on Screen”. Pictures Painted in Words<\/em><\/a>. Edited by Aline Remael, Nina Reviers and Gert Vercauteren.<\/p>\n\n\n\n

32) Orero, Pilar<\/strong> and Anna Vilar\u00f3 (2014) “Secondary Elements in Audio Description<\/a>“, in Maszerowska, Anna, Anna Matamala and Pilar Orero (eds) (2014) Audio Description. New perspectives illustrated. Amsterdam. John Benjamins<\/em>: 199-212.<\/p>\n\n\n\n

31) Agnieszka Szarkowska and Pilar Orero<\/strong> (2014) “The Importance of Sound in Audio Description<\/a>“, in  Maszerowska, Anna, Anna Matamala and Pilar Orero (eds) (2014) Audio Description. New perspectives illustrated. Amsterdam. John Benjamins: <\/em>121-139.<\/p>\n\n\n\n

30) Anna Maszerowska, Anna Matamala, Pilar Orero<\/strong> and Nina Reviers (2014) “From Source Text to Target Text: The Art of Audio Description<\/a>“, in Maszerowska, Anna, Anna Matamala and Pilar Orero (eds) (2014) Audio Description. New perspectives illustrated. Amsterdam. John Benjamins<\/em>: 1-10.<\/p>\n\n\n\n

29) Orero, Pilar<\/strong>; Mangiron, Carme; Matamala, Anna; Casas-Tost, Helena; Rovira-Esteva, Sara; Vilar\u00f3, Anna (2014) “Creaci\u00f3n y gesti\u00f3n del conocimiento sobre accesibilidad universal en los medios de comunicaci\u00f3n”. J. Gair\u00edn & A. Barrera (eds) Organizaciones que aprenden y generan conocimiento<\/em>. Madrid: Wolters Kluwer. CD ROM<\/p>\n\n\n\n

28) Diego Gonz\u00e1lez-Z\u00fa\u00f1iga; Alexey Chistyakov; Pilar Orero;<\/strong> Jordi Carrabina (2013) \u201cBreaking the pattern: Study on stereoscopic web perception<\/a>\u201d. Ubiquitous Computing and Ambient Intelligence. Context-Awareness and Context-Driven Interaction<\/a> Lecture Notes in Computer Science<\/a> <\/em>Volume 8276, pp 26-33<\/p>\n\n\n\n

27) Miquel\u2013Iriarte Marta, Anna Vilar\u00f3, Pilar Orero<\/strong>, Javier Serrano and H\u00e9ctor Delgado (2012) \u201cEntitling. A Way Forward for Accessibility<\/a>\u201d. In Elisa Perego (ed.) Eye-Tracking in Audiovisual Translation.<\/em> Roma: Aracne Editrice: 261-280.<\/p>\n\n\n\n

26) Mangiron, Carme & Pilar Orero<\/strong> (2012) “\u00bfVideojuegos para todos? Panorama actual de la accesibilidad en videojuegos.”, in Luc\u00eda P\u00e9rez-Castilla Alvarez (coordinado) Buenas pr\u00e1cticas de accesibilidad en videojuegos. Madrid: Ministerio de Sanidad: 23-28.<\/p>\n\n\n\n

25) Vilar\u00f3 Anna, Aitor Rodr\u00edguez-Alsina, Pilar Orero<\/strong> & Jordi Carrabina (2012) \u201cEvaluation of Emerging Audio Description Systems for Broadcast TV<\/a>\u201d. In J. Bravo, R. Herv\u00e1s, and M. Rodr\u00edguez (2012)  IWAAL 2012, LANCS 7657: 270-277.<\/p>\n\n\n\n

24) Orero, Pilar <\/strong>(2012) “Film reading for writing audio descriptions: A word is worth a thousand images?<\/a>“, in Elisa Perego (edited by): “Emerging topics in translation: Audio description”, Trieste, EUT Edizioni Universit\u00e0 di Trieste: 13-28. <\/p>\n\n\n\n

23) Thomas J. Grindinger; Vidya N. Murali; Stephen Tetreault; Andrew T. Duchowski; Stan T. Birchfield; Pilar Orero <\/strong>(2011) \u201cAlgorithm for discriminating aggregate gaze points: Comparison with salient regions-of-interest<\/a>\u201d Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics).\u2009<\/em>Volume 6468 LNCS(PART1):390-399.<\/p>\n\n\n\n

22) Orero, Pilar <\/strong>(2011) \u201cAudio Description for Children: Once upon a time there was a different audio description for characters<\/a>\u201d. In Elena di Giovanni (Ed.) Entre texto y receptor: accesibilidad, doblaje y traducci\u00f3n.<\/em> Frankfurt: Peter Lang: 169-184.<\/p>\n\n\n\n

21) Orero, Pilar<\/strong> (2011)  \u201cThe Audio Description of Spoken, Tactile, and Written Languages in Be With Me<\/em>\u201d. In Adriana Serban, Jan-Marc Lavour & Anna Matamala (Eds) Audiovisual translation in close-up: practical and theoretical approaches<\/em>. Bern: Peter Lang: 239-255.<\/p>\n\n\n\n

20) D\u00edaz Cintas, Jorge & Pilar Orero<\/strong> (2010) “Dubbing and Voice-over”. In: Gambier<\/strong>, Yves and Luc van Doorslaer<\/strong> (eds.), Handbook of Translation Studies: Volume 1<\/a>. Amsterdam: John Benjamins: 441\u2013445.<\/p>\n\n\n\n

19) Puigdom\u00e8nech, L., Matamala, A. & Orero, Pilar<\/strong> (2010) Audio description of Films: State of the Art and a Protocol Proposal. In L. Bogucki & K. Kredens (Eds.), Perspectives on Audiovisual Translation<\/em>, Lodz Studies in Language 20, Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Lang.<\/p>\n\n\n\n

18) Orero, Pilar<\/strong> (2009) \u201c<\/em>Voice-over in Audiovisual Translation\u201d. In Gunilla Anderman and Jorge D\u00edaz Cintas (Eds) Audiovisual Translation. Language Transfer on Screen<\/em>, London: Palgrave Macmillan. 130-139.<\/p>\n\n\n\n

17) Clara Civera & Pilar Orero<\/strong> (2009) \u201cIntroducing Icons in Subtitles for the Deaf and Hard of Hearing: Optimising Reception?\u201d. In Matamala, Anna  & Pilar Orero (Eds) Listening to Subtitles. Subtitles for the Deaf and Hard of Hearing<\/em>. Bern: Peter Lang: 149-162.<\/p>\n\n\n\n

16) Orero, Pilar<\/strong>  (2008): \u201cLe format des sous-titres, le mille et une possibillit\u00e9s“. <\/em>In Labour, Jean Marc & Adriana Serban (Eds), Le sous-titrage des films – approches pluridisciplinaires<\/em>. Louvain-la-Neuve: De Boeck. http:\/\/universite.deboeck.com\/livre\/?GCOI=28011100051330&fa=sommaire<\/a><\/p>\n\n\n\n

15) Laura Puigdom\u00e8nech, Anna Matamala, Pilar Orero (2008) \u201cThe making of a protocol for opera audio description.\u201d En La traducci\u00f3n del futuro: mediaci\u00f3n ling\u00fc\u00edstica y cultural en el siglo XXI \/ <\/em>coord. por Luis Pegenaute, Janet Ann DeCesaris, Mercedes Tric\u00e1s Preckler, Elisenda Bernal Vol. 1, 2008 (La traducci\u00f3n y su pr\u00e1ctica), ISBN 978-84-477-1026-3, p\u00e1gs. 381-392<\/p>\n\n\n\n

14) Bartoll Eduard and Pilar Orero <\/strong>(2008) \u201cLearning to subtitle online: learning environment, exercises, and evaluation\u201d. The Didactics of Audiovisual Translation<\/em>. Jorge D\u00edaz Cintas (Ed.) Amsterdam: Benjamins 2008:105-114. <\/p>\n\n\n\n

13) Orero, Pilar <\/strong>(2007) \u201c\u00bfQui\u00e9n har\u00e1 la audiodescripci\u00f3n comercial en Espa\u00f1a? El futuro perfil del descriptor.\u201d. In Catalina Jim\u00e9nez (Ed.) La subtitulaci\u00f3n para Sordos y la Audiodescripci\u00f3n en Espa\u00f1a. Frankfurt: Peter Lang. 2007: 111-120.<\/p>\n\n\n\n

12) D\u00edaz Cintas, Jorge; Pilar Orero<\/strong> & Aline Remael (2007) \u201cMedia for all: A global challenge\u201d. In D\u00edaz Cintas, Jorge; Pilar Orero & Aline Remael (eds) (2007): Media for all. <\/em>Subtitling for the Deaf, Audio description and Sign Language<\/em>. <\/em>Amsterdam: Rodopi. 11-20.<\/p>\n\n\n\n

11) Anna, Matamala & Pilar Orero<\/strong> (2007) \u201cAccessible Opera in Catalan: Opera for All\u201d. In  D\u00edaz Cintas, Jorge; Pilar Orero & Aline Remael (eds) (2007): Media for all. <\/em>Subtitling for the Deaf, Audio description and Sign Language<\/em>. <\/em>Amsterdam: Rodopi. 201-214.<\/p>\n\n\n\n

10) Orero, Pilar <\/strong>(2007) \u201cSampling audio description in Europa\u201d. In D\u00edaz Cintas, Jorge; Pilar Orero & Aline Remael (eds) (2007): Media for all. Subtitling for the Deaf, Audio description and Sign Language<\/em>. <\/em>Amsterdam: Rodopi. 111-125.<\/p>\n\n\n\n

9) D\u00edaz Cintas Jorge, Mas L\u00f3pez Jordi & Pilar Orero<\/strong> (2006) \u201cLa traducci\u00f3n audiovisual en Espa\u00f1a: Propuestas de futuro\u201d. In Inmigraci\u00f3n, cultura y traducci\u00f3n. Reflexiones interdisciplinares: 605-611<\/p>\n\n\n\n

8) Orero, Pilar<\/strong> (2006) \u201cSynchronization in Voice-Over\u201d. In Bravo Gozalo, J.M. (ed). 2006.  Aspects of Translation. Valladolid: Universidad de Valladolid: 255-264.<\/p>\n\n\n\n

7) Orero, Pilar <\/strong>(2006) \u201cAlgunas consideraciones sobre la audiodescripci\u00f3n comercial.\u201d <\/em> In R<\/em>icardo Perez-Amat y \u00c1lvaro P\u00e9rez-Ugena (eds.)<\/em> S<\/em>ociedad, integraci\u00f3n y televisi\u00f3n en espa\u00f1a madrid: laberinto: 277-292.<\/em><\/p>\n\n\n\n

6) J<\/em>avier Franco Aixel\u00e1  and Pilar Orero<\/strong> (2005) \u201c Research on audiovisual Translation: some objective conclusions, or the birth of an academic field.\u201d Research on Translation for Subtitling in Spain and Italy<\/em>, John Sanderson, (ED.) 2005: 79-92.<\/p>\n\n\n\n

5) Orero, Pilar<\/strong> (2005) \u201cLa traducci\u00f3n de entrevistas para voice-over\u201d . In Patrick Zabalbeascoa, Laura Santamar\u00eda & Frederic Chaume (Eds.) La traducci\u00f3n audiovisual. Investigaci\u00f3n, ense\u00f1anza y profesi\u00f3n. <\/em>Granada: Comares: 2005: 213-222.<\/p>\n\n\n\n

4) Amador, Miquel, Carles Dorado and <\/em>Orero,Pilar <\/strong>(2004) \u201ce<\/em>-AVT: A Perfect Match: Strategies, Functions and Interactions in an On-line Environment  for Learning\u201d. Topics in Audiovisual Translation, \u00c1msterdam, Benjamins: 141-153.<\/p>\n\n\n\n

3) <\/em>Orero,Pilar <\/strong>(2004) \u201c<\/em>Audiovisual Translation: A New Dynamic Field\u201d. Topics in Audiovisual Translation, \u00c1msterdam, Benjamins: 7-13.<\/p>\n\n\n\n

2) Pilar Orero <\/strong> (2001): \u201cLa traducci\u00f3n audiovisual, la traducci\u00f3n en un nuevo formato\u201d. Actas CD ROM Valero Garc\u00e9s, Carmen & Guzm\u00e1n Mancho Bar\u00e9s (eds) Traducci\u00f3n e interpretaci\u00f3n en los servicios p\u00fablicos: nuevas necesidades para nuevas realidades = Community Interpreting and Translating: New Needs for New Realities<\/em> Alcal\u00e1 de Henares: Servicio de Publicaciones de la Universidad de Alcal\u00e1.                                                  <\/em><\/p>\n\n\n\n

1) Andreu, Maribel, Laura Berenguer, Pilar Orero,<\/strong> and Odile Ripoll (2002): \u201cEl grupo de investigaci\u00f3n GRELT: contenidos, objetivos y metodolog\u00eda.\u201d. In Maia, Belinda; Haller, Johann y Margherita Ulrych (eds) Training the Language Services Provider for the New Millennum<\/em>, Porto: Universidade do Porto:  253-262<\/p>\n\n\n\n

<\/a>Standards<\/strong><\/h2>\n\n\n\n

Orero, Pilar (coord.) (2025) No One Left Behind in the Citiverse: A Blueprint for Accessible AI-Powered Virtual Worlds <\/a><\/p>\n\n\n\n

Orero, Pilar (2024) Requirements for communication between human-avatar languages in the metaverse<\/a> Geneva:ITU<\/p>\n\n\n\n

Orero, Pilar (2024) Guidance on how to Build a Metaverse for All: Part 2 Survey.<\/a> Geneva: ITU<\/p>\n\n\n\n

Orero, Pilar (2024) Guidance on how to Build a Metaverse for All: Part I Legal framework.<\/a> Geneva: ITU<\/p>\n\n\n\n

Leonidas Anthopoulos et al (2023) FG-MV D.WG1-01  Exploring the metaverse: opportunities and challenges.<\/a> Geneva: ITU.<\/p>\n\n\n\n

Saks, Andrea and Pilar Orero <\/strong>(2015)  FSTP.ACC-RemPart Guidelines for supporting remote participation in meetings for all. Geneva: ITU <\/p>\n\n\n\n

 http:\/\/www.itu.int\/dms_pub\/itu-t\/opb\/tut\/T-TUT-FSTP-2015-ACC-PDF-E.pdf<\/a><\/p>\n\n\n\n

Saks, Andrea and Pilar Orero<\/strong> (2015) FSTP-AM Guidelines for accessible meetings. Geneva: ITU. <\/p>\n\n\n\n

 http:\/\/www.itu.int\/dms_pub\/itu-t\/opb\/tut\/T-TUT-FSTP-2015-AM-PDF-E.pdf<\/a><\/p>\n\n\n\n

Saks, Andrea and Pilar Orero <\/strong>(2015) <\/em>Draft new Recommendation F.791 (ex F.ACC-TERM) Accessibility terms and definitions. Geneva: ITU.<\/p>\n\n\n\n

http:\/\/www.itu.int\/ITU-T\/aap\/AAPRecDetails.aspx?AAPSeqNo=3373 <\/a><\/p>\n\n\n\n

<\/a>Policy Papers<\/strong><\/h2>\n\n\n\n

Chiara Gunella and Pilar Orero (2023) Making Local Political Participation Structures Accessible to Migrants<\/a> https:\/\/migrant-integration.ec.europa.eu\/library-document\/making-local-political-participation-structures-accessible-migrants_en<\/a><\/p>\n\n\n\n

Pilar Orero (2020) Born Accessible: Beyond raising awareness.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

1.- Books 2.- Articles 3.- Encyclopaedia entry 4.- Book chapters 5.- Standards 6.- Policy papers Books 12) Matamala, Anna and Pilar Orero (eds) (2016) Researching Audio Description. London: Palgrave Macmillan. 11) Maszerowska, Anna, Anna Matamala and Pilar Orero (eds) (2014) Audio Description. New perspectives illustrated. Amsterdam. John Benjamins. 10) Mangiron, Carme, Pilar Orero & Minako O’Hagan […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":50,"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/pages\/7\/revisions\/173"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/pilarorero\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}