{"id":490,"date":"2022-07-23T22:17:36","date_gmt":"2022-07-23T20:17:36","guid":{"rendered":"https:\/\/webs.uab.cat\/ratnakara\/?page_id=490"},"modified":"2022-07-23T22:17:37","modified_gmt":"2022-07-23T20:17:37","slug":"sandra-saaymans-publications-2","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/ratnakara\/sandra-saaymans-publications-2\/","title":{"rendered":"Sandra Saayman’s publications"},"content":{"rendered":"\n

\u00ab Tout un cheval, de Breyten Breytenbach \u00bb, Africultures. Afriques du Sud m\u00e9connues<\/em>, Paris : L\u2019Harmattan, n\u00b04 (janvier 1998) : 30-33.<\/p>\n\n\n\n

 \u00ab L\u2019auto-repr\u00e9sentation de l\u2019artiste incarc\u00e9r\u00e9 \u00bb,  Les Cahiers du FORELL<\/em>, Universit\u00e9 de Poitiers, n\u00b0 10 (novembre 1999) : 37-42.<\/p>\n\n\n\n

\u00ab Les enjeux de la cr\u00e9ation et de l\u2019expression. Disgrace<\/em> de J. M. Coetzee \u00bb, Aliz\u00e9s<\/em> n\u00b0 21, Writing in South Africa at the End of Apartheid and Other Essays<\/em>, Facult\u00e9 des Lettres et des Sciences Humaines, Universit\u00e9 de La R\u00e9union (d\u00e9cembre 2001): 25-36.<\/p>\n\n\n\n

\u00ab Le papillon dans \u2018The Thieves and the Word\u2019 de Breyten Breytenbach \u00bb, Publications de la Licorne<\/em>, Le D\u00e9tail,<\/em> Hors S\u00e9rie – Colloques VII, UFR Langues Litt\u00e9ratures Poitiers (1999) :123-129.<\/p>\n\n\n\n

\u00ab A detail : the butterfly in \u2018The Thieves and the word\u2019 by Breyten Breytenbach \u00bb, J. L. Coullie and J. U. Jacobs eds.  a.k.a. Breyten Breytenbach<\/em>, New York, Amsterdam, Rodopi (2004) : 249-262.<\/p>\n\n\n\n

\u00ab \u2018Everything is going to the dogs\u2019 : peinture et \u00e9criture de Breyten Breytenbach \u00bb , Derives et D\u00e9viances<\/em>, actes du colloque CRLHOI, Universit\u00e9 de La R\u00e9union,  Paris, Le Publieur (2005) : 265-273.<\/p>\n\n\n\n

\u201cKaggen, the Trickster God. Bushman Mythology as a Clue to Reading Dog Heart<\/em> by Breyten Breytenbach,\u201d Eclats d’Afrique du Sud\/ South African Literature, Hommage \u00e0 Andr\u00e9 Viola<\/em>,  with contributions by J.M. Coetzee and Nuruddin Farah, CYCNOS (Centre de Recherches sur les Ecritures de Langue Anglaise, Universit\u00e9 de Nice), 24, 2, (novembre 2007): 59-69.<\/p>\n\n\n\n

\u201cThe Resurgence of Prison Imagery in Breyten Breytenbach\u2019s A Veil of Footsteps,<\/em>\u201d Commonwealth. Essays and Studies<\/em>, Vol. 31, n\u00b0 1, (Autumn 2008): 69-79.<\/p>\n\n\n\n

\u00ab La repr\u00e9sentation de l\u2019Autre dans l\u2019\u0153uvre de prison de Breyten Breytenbach \u00bb,  in Du n\u00e8gre bambara au n\u00e9gropolitain. Les litt\u00e9ratures africaines en contexte transculturel<\/em>, Dir. D. K.Wa Kabwe-Segatti et P. Halen, Edition Universit\u00e9 de Metz, France, Collection \u00ab Litt\u00e9ratures des mondes contemporains \u00bb, n\u00b04 (2008): 135-150.<\/p>\n\n\n\n

\u201cIs a South African artist an \u2018African\u2019 artist ? An analysis of the questions raised by (South) African art in Ivan Vladislavi\u0107\u2019s \u2018Curiouser.\u2019\u201d Healing South African Wounds. Gu\u00e9rir les blessures de l\u2019Afrique du Sud<\/em>, Cahiers du Cerpac n\u00b07, Presses Universitaires de la M\u00e9diterran\u00e9e (2009): 83-104.<\/p>\n\n\n\n

\u201c\u2018<\/strong>Writing is travelling unfolding its own landscape.\u2019\u201d A discussion with Breyten Breytenbach on A Veil of Footsteps<\/em>.\u201d \u2018n Tydskrif vir Afrika-Letterkunde<\/em>. A Journal for African Literature, Breyten Breytenbach 70<\/em>, University of Pretoria,  46\/2, (Spring 2009): 201-212.<\/p>\n\n\n\n

\u00ab D\u00e9personnalisation et d\u00e9doublement du protagoniste de The True Confessions of an Albino Terrorist<\/em> de Breyten Breytenbach \u00bb, Langages, \u00e9critures et fronti\u00e8res du corps,<\/em> Travaux et documents <\/em>n\u00b0 40, Universit\u00e9 de La R\u00e9union (d\u00e9cembre 2011) : 97-107.<\/p>\n\n\n\n

\u00ab Madone ou Venus? Le nu africain dans The Madonna of Excelsior<\/em> de Zakes Mda \u00bb, Le f\u00e9minin en Orient et en Occident, du Moyen Age \u00e0 nos jours : mythes et r\u00e9alit\u00e9s, <\/em>Presses Universitaires de Saint-\u00c9tienne, Collection \u00ab l\u2019\u00e9cole du genre \u00bb (2011) : 213-221.<\/p>\n\n\n\n

Breyten Breytenbach,<\/em> A Monologue in Two Voices<\/em>, Johannesburg : Fourthwall Books, 2013.<\/p>\n\n\n\n

ISBN 978-0-9870429-4-1<\/p>\n\n\n\n

\u201cReading and (not) seeing?\u201d, University of the Sorbonne, Paris, Sillages critiques <\/em>(2014), [online] : https:\/\/sillagescritiques.revues.org\/4647<\/a><\/p>\n\n\n\n

\u201cImagining the Other \u2013 the Representation of the African Migrant in Contemporary South African Literature,\u201d International Journal of Languages, Literature and Linguistics<\/em>. ISSN 2374-8850 (Print), 2374-8869 (Online) <\/em>Vol. 3, No. 6; (2016)<\/p>\n\n\n\n

https:\/\/ijllnet.com\/journal\/index\/2327<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab Tout un cheval, de Breyten Breytenbach \u00bb, Africultures. Afriques du Sud m\u00e9connues, Paris : L\u2019Harmattan, n\u00b04 (janvier 1998) : 30-33.  \u00ab L\u2019auto-repr\u00e9sentation de l\u2019artiste incarc\u00e9r\u00e9 \u00bb,  Les Cahiers du FORELL, Universit\u00e9 de Poitiers, n\u00b0 10 (novembre 1999) : 37-42. \u00ab Les enjeux de la cr\u00e9ation et de l\u2019expression. Disgrace de J. M. Coetzee \u00bb, Aliz\u00e9s n\u00b0 21, Writing in South Africa at the End of Apartheid and Other Essays, Facult\u00e9 […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-490","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/pages\/490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/comments?post=490"}],"version-history":[{"count":1,"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/pages\/490\/revisions"}],"predecessor-version":[{"id":491,"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/pages\/490\/revisions\/491"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/ratnakara\/wp-json\/wp\/v2\/media?parent=490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}