{"id":9,"date":"2024-09-20T17:43:00","date_gmt":"2024-09-20T15:43:00","guid":{"rendered":"https:\/\/webs.uab.cat\/recerca-performativa\/?page_id=9"},"modified":"2024-11-19T10:40:02","modified_gmt":"2024-11-19T08:40:02","slug":"programa","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/recerca-performativa\/programa\/","title":{"rendered":"Programa"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>9.00 h. Rebuda i inscripcions<\/p>\n\n\n\n<p>9.30 h. <strong>Inauguraci\u00f3 del Seminari<\/strong><\/p>\n\n\n\n<p><strong>\u00c0MBIT:\u00a0Recerca i arxius; Recerca i arts esc\u00e8niques<\/strong><\/p>\n\n\n\n<p>10.00 h <strong>Paologiovane Maione<\/strong> (univ. Campania, It\u00e0lia): La riscrittura del teatro a Napoli: Barbaja rivoluziona la scena dell&#8217;Ottocento.<\/p>\n\n\n\n<p>10:30h <strong>Francesc Cort\u00e8s <\/strong>(UAB) \/ <strong>Al\u00edcia Dauf\u00ed<\/strong> (conservatori del Liceu): L&#8217;arxiu \u00a0 de la Societat del G.T. del Liceu i el desenvolupament de noves eines de cerca.<\/p>\n\n\n\n<p>11.00 h Descans<\/p>\n\n\n\n<p>11.30 h Comunicacions lliures:<\/p>\n\n\n\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>Mireia Pint\u00f3 i Garriga<\/strong> (ESMUC): La interpretaci\u00f3 d\u00b4un rol oper\u00edstic: recerca t\u00e8cnica, estil\u00edstica, teatral i interpretativa. Una recerca individual i col.lectiva.<\/p>\n\n\n\n<p>11.50 h.\u00a0 <strong>Jordi Clos Soler<\/strong> (UAB). Proposta de sistematitzaci\u00f3 per a l&#8217;auto-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 investigaci\u00f3 en la t\u00e8cnica vocal l\u00edrica.<\/p>\n\n\n\n<p>12.10 h. <strong>Ram\u00f3n Sobrino \/ Mar\u00eda Encina Cortizo<\/strong> (universidad de Oviedo): \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dispersi\u00f3n y olvido: el Archivo del Teatro Real de Madrid.<\/p>\n\n\n\n<p>12.50h: Debat<\/p>\n\n\n\n<p><strong>\u00c0MBIT:<\/strong>\u00a0<strong>Fotografia i imatge<\/strong><\/p>\n\n\n\n<p>13.00 h. <strong>\u00a0Antoni Bofill<\/strong> (fot\u00f2graf): T\u00e8cnica i expressi\u00f3 fotogr\u00e0fica a l&#8217;\u00f2pera.<\/p>\n\n\n\n<p>13.30 h Comunicacions lliures<\/p>\n\n\n\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0<strong>Oriol Vaz-Romero Trueba<\/strong> (UB): Investigar creando para \u00d2pera de Cambra de Barcelona : una experiencia colaborativa en el Grado de Bellas Artes de la Universitat de Barcelona (2019-2021).<\/p>\n\n\n\n<p><strong>14.00 Dinar<\/strong><\/p>\n\n\n\n<p><strong>\u00c0MBIT:<\/strong>\u00a0<strong>Disseny i arquitectura<\/strong><\/p>\n\n\n\n<p>15.30 h <strong>Antoni Ramon Graells<\/strong> ( UPC-ETS Arquitectura): Adolphe Appia, La m\u00fasica i la posada en escena. De Richard Wagner a la gimn\u00e0stica r\u00edtmica. 1895-1913.<\/p>\n\n\n\n<p>16.00 h Comunicacions lliures<\/p>\n\n\n\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>\u00a0<\/strong><strong>Eul\u00e0lia Polls Camps<\/strong> (UB): Dansa i tecnologia digital en el g\u00e8nere oper\u00edstic.<\/p>\n\n\n\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 16.15 h <strong>David Osvaldo Eudave Rosales<\/strong> (Universidad de Guanajuato\/UAB): El proceso de creaci\u00f3n-investigaci\u00f3n-pedagog\u00eda alrededor de la \u00f3pera original <em>Los dieciocho marineros que abrazaron la tierra<\/em>, de la Compa\u00f1\u00eda de Artes del Campus Guanajuato de la Universidad de Guanajuato.<\/p>\n\n\n\n<p>16.30 h Debat<\/p>\n\n\n\n<p><strong>\u00c0MBIT:<\/strong>\u00a0<strong>Creaci\u00f3 art\u00edstica i interpretaci\u00f3<\/strong><\/p>\n\n\n\n<p>16.40 h Taula Rodona: <strong>Raquel Garc\u00eda Tom\u00e1s<\/strong> i <strong>Joan Magran\u00e9, <\/strong>compositors: \u00a0 <em>La creaci\u00f3 i la posada en escena en les \u00f2peres contempor\u00e0nies.<\/em><\/p>\n\n\n\n<p>17.40 h Comunicacions lliures<\/p>\n\n\n\n<p>             <strong>Nicolas Hermansen<\/strong> (Institut del Teatre): \u00abSampling\u00bb: Els sons que ballen i l&#8217;embodiment sonor. Un duo coreogr\u00e0fic com a pr\u00e0ctica de recerca.<\/p>\n\n\n\n<p>17:55 Debat<\/p>\n\n\n\n<p><strong>\u00c0MBIT:<\/strong>\u00a0<strong>V\u00eddeo i comunicaci\u00f3<\/strong><\/p>\n\n\n\n<p>18.00 h <strong>Antoni Font <\/strong>\u00a0(teatremusical.cat): Molt m\u00e9s que una p\u00e0gina web, un arxiu a l\u2019abast de tothom.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>9.00 h. Rebuda i inscripcions 9.30 h. Inauguraci\u00f3 del Seminari \u00c0MBIT:\u00a0Recerca i arxius; Recerca i arts esc\u00e8niques 10.00 h Paologiovane Maione (univ. Campania, It\u00e0lia): La riscrittura del teatro a Napoli: Barbaja rivoluziona la scena dell&#8217;Ottocento. 10:30h Francesc Cort\u00e8s (UAB) \/ Al\u00edcia Dauf\u00ed (conservatori del Liceu): L&#8217;arxiu \u00a0 de la Societat del G.T. del Liceu i [&hellip;]<\/p>\n","protected":false},"author":2850,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/users\/2850"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":3,"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":51,"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/pages\/9\/revisions\/51"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/recerca-performativa\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}