{"id":22,"date":"2013-03-13T10:33:23","date_gmt":"2013-03-13T10:33:23","guid":{"rendered":"https:\/\/webs.uab.cat\/saramartinalegre\/chapters-books\/"},"modified":"2026-05-08T13:36:04","modified_gmt":"2026-05-08T13:36:04","slug":"chapters-books","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/saramartinalegre\/chapters-books\/","title":{"rendered":"Chapters in Books"},"content":{"rendered":"\n

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\u201cThe Posthuman Patriarchal Villain as Absolute Military Threat: Winston Duarte in The Expanse<\/em> Novel Series.\u201d Wars We Never Fought: Armed Conflict in Speculative Fiction<\/a><\/em>, eds. Matthew B. Hill and Leigha H. McReynolds. London: Bloomsbury, 2025. 177-193.<\/p>\n<\/div><\/div>\n\n\n\n

\u201cSota el pes dels gegants: la traducci\u00f3 al catal\u00e0 de ci\u00e8ncia-ficci\u00f3 angl\u00f3fona.\u201d Literatura catalana de la postmodernitat II. G\u00e8neres de no-ficci\u00f3, poesia, literatura dram\u00e0tica, experimentalisme i recepci\u00f3<\/a><\/em>. Jordi Marrugat, V\u00edctor Mart\u00ednez-Gil, N\u00faria Santamaria (eds.) Barcelona: Edicions de la Universitat de Barcelona, 2025. 1325-1348.<\/p>\n\n\n\n

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\u201cDecoding Masculinity in 21st<\/sup> Century Science Fiction by Men: Two Case Studies in Reconceptualizing Patriarchy\u201d. The Routledge Companion to Gender and Science Fiction<\/a><\/em>, eds. Lisa Yaszek, Sonja Fritzche, Keren Omry and Wendy Gay Pearson. Routledge, 2023. 87-94.<\/p>\n<\/div><\/div>\n\n\n\n

\u201cLet the Little Children Come to Me: Fred Rogers, the Good Man as TV Educator\u201d. Detoxing Masculinity in Anglophone Literature and Culture: In Search of Good Men<\/a> , eds. Sara Mart\u00edn and M. Isabel Santaul\u00e0ria. Palgrave, 2023. 267-282.<\/p>\n\n\n\n

“An Insufficient Process of Internationalization: Militant Translation and the Experience of Translating into English the Best-Selling Catalan (Sf) Novel Ever<\/a>“. Science Fiction in Translation: Perspectives on the Global Theory and Practice of Translation<\/em>, Ian Campbell (ed.). Palgrave Macmillan, 2021. 33-53.<\/p>\n\n\n\n

“Masculinity Studies”. Theoretically Speaking about Literature: Understanding Theory in the Study of Literary Works<\/em><\/a>, David Owen & Cristina Pividori (eds.). Cambridge Scholars Publishing, 2021.<\/p>\n\n\n\n

\u201cThe Renewed Cult of Manhood: Bringing Nuclear Warfare Home in Pat Frank\u2019s Alas, Babylon<\/em> (1959)\u201d. The Spectre of Defeat in Post-War British and US Literature<\/em><\/a>, David Owen & Cristina Pividori (eds.). Cambridge Scholars Publishing, 2021. 20-34. Versi\u00f3n en castellano<\/a>: “La renovaci\u00f3n del culto a la hombr\u00eda : la regeneraci\u00f3n nacional tras la guerra nuclear en Alas, Babylon<\/em> (1959) de Pat Frank”<\/p>\n\n\n\n

\u201cEl extraterrestre invasor\u201d, Peque\u00f1o bestiario de monstruos pol\u00edticos<\/a><\/em>, Julia Ram\u00edrez-Blanco (ed.). CENDEAC, 2020. 155-172.<\/p>\n\n\n\n

\u201cProducing E-books on Fantasy and Science Fiction with University Students: Classroom Projects\u201d. Mapping the Imaginative II<\/em><\/a>, Christian Ludwig and Elizabeth Shipley (eds.). Universit\u00e4tsverlag Winter, 2020. 163-184.<\/p>\n\n\n\n

\u201cSinister Power Play and the Final Girl: Katniss Everdeen in Suzanne Collins\u2019s The Hunger Games <\/em>Trilogy<\/a>\u201d. Final Girls, Feminism and Popular Culture<\/em><\/a>, Katarzyna Paszkiewicz and Stacey Rusnak (eds.). Palgrave Macmillan, 2020. 155-172. Versi\u00f3n en castellano<\/a>: \u201cLos juegos de poder siniestros y la chica final: Katniss Everdeen en la trilog\u00eda Los Juegos del Hambre<\/em> de Suzanne Collins\u201d.<\/p>\n\n\n\n

\u201c\u2018There\u2019s Always a Bright Side\u2019: Poppy, a Positive Role Model in Trolls<\/em>\u201d. Contemporary Fairy-Tale Magic Subverting Gender and Genre<\/em><\/a>, Lydia Brugu\u00e9 and Auba Llompart (eds.). Brill-Rodopi, 2020. 116-126. Versi\u00f3n en castellano<\/a>: “‘Siempre hay un lado positivo’ : Poppy, un modelo a valorar en Trolls<\/em>“.<\/p>\n\n\n\n

\u201cProc\u00e9s d\u2019internalitzaci\u00f3 insuficient: la traducci\u00f3n militant i l\u2019experi\u00e8ncia d\u2019apropar Mecanoscrit del segon origen<\/em> al m\u00f3n angl\u00f2fon\u201d. Manuel de Pedrolo, una mirada oberta. Noves perspectives critiques i did\u00e0ctiques<\/em><\/a>. Anna M. Moreno, Francesc Ardolino & Jordi Mal\u00e9 (eds.). Aula M\u00e0rius Torres & Pag\u00e8s Editors, 2019. 255-269.<\/p>\n\n\n\n

\u201cIain M. Banks\u2019s Culture Series (1987-2012) \u2013 Aliens\u201d. Sci-Fi: A Companion<\/em><\/a>, Jack Fennell (ed.). Peter Lang, 2019. 43-48. See also this link<\/a>.<\/p>\n\n\n\n

\u201cFighting the Monsters Inside: Masculinity, Agency and the Aging Gay Man in Christopher Bram\u2019s Father of Frankenstein\u201d<\/em>.  Masculinities and Literary Studies: Intersections and New Directions<\/em><\/a>. Josep Maria Armengol et al. (eds.). Routledge, 2017. 98-106.<\/p>\n\n\n\n

“Fabulant el monstre mascul\u00ed: Ficci\u00f3 de detectius i ci\u00e8ncia-ficci\u00f3 a la novel\u00b7la de Richard Morgan, Black Man<\/em>“. Ci\u00e8ncia i Ficci\u00f3: Exploraci\u00f3 dels mons reals i dels irreals<\/em>. Pasqual Bernat et al. (eds.). Edicions Talaiot, 2015. 115-120.<\/p>\n\n\n\n

\u201cVoldemort y el fracaso de la magia en la serie Harry Potter<\/em>: El monstruo posthumano en la fantas\u00eda y la ciencia-ficci\u00f3n\u201d. El monstruo fant\u00e1stico: Visiones y perspectivas.<\/a><\/em> David Roas (coord.). Aluvi\u00f3n Editorial, 2016. 199-214. English<\/a> version: “Voldemort and the Failure of Magic in the Harry Potter<\/em> series: The Post-human Monster in Fantasy and Science-Fiction”<\/p>\n\n\n\n

\u201cThe Loving Soldier: Vindicating Men\u2019s Friendship in Ernest Raymond\u2019s Tell England: A Study in a Generation<\/em> (1922) and Wilfrid Ewart\u2019s The Way of Revelation<\/em> (1921)\u201d. Writings of Persuasion and Dissonance in the Great War: That Better Whiles May Follow Worse<\/em><\/a>, David Owen and Cristina Pividori (eds.). Brill Rodopi, 2016. 205-219.<\/p>\n\n\n\n

\u201cWorking for a New Utopia in Gender Studies: The \u2018Problem\u2019 of Feminism.\u201d New Alleways to Significance: Interdisciplinary Approaches to English Studies<\/em>,<\/a> Alejandra Moreno \u00c1lvarez and Irene P\u00e9rez Fern\u00e1ndez (eds.). Universitat de les Illes Balears, 2014. 23-35. Versi\u00f3n en castellano<\/a>: “Hacia una nueva utop\u00eda en los Estudios de G\u00e9nero: El \u2018problema\u2019 del feminismo (en la ciencia ficci\u00f3n)”.<\/p>\n\n\n\n

\u201cFacing Xenocidal Guilt: Atypical Masculinity in Orson Scott Card\u2019s Ender\u2019s Saga<\/em>.\u201d Alternative Masculinities for a Changing World<\/em><\/a>, \u00c0ngels Carab\u00ed & Josep Maria Armengol (eds.). Palgrave Macmillan, 2014. 145-157. Versi\u00f3n en castellano: “Afrontar la culpa xenocida: La masculinidad at\u00edpica en la Saga de Ender<\/em> de Orson Scott Card\u201d. \u00c0ngels Carab\u00ed & Josep Maria Armengol (eds.), Masculinidades alternativas en el mundo de hoy<\/a><\/em>. Ic\u00e0ria, 2015. 183-199.<\/p>\n\n\n\n

“Cracks in the Feminist Nirvana: Reading David Brin’s Anti-Patriarchal SF Novel Glory Days<\/em> as a ‘Feminist’ Woman.” Yesterday’s Tomorrows: On Utopia and Dystopia<\/a>. <\/em>Pere Gallardo & Elizabeth Russell, (eds.). Cambridge Scholars Publishing, 2014. 137-152. Versi\u00f3n en castellano<\/a>: \u201cGrietas en el Nirvana feminista: una lectura bifurcada de Tiempos de Gloria<\/em> de David Brin\u201d, H\u00e9lice<\/em>, Vol V, n\u00ba 1, #26, Primavera-Verano 2019, 56-77.<\/p>\n\n\n\n

\u201cNew Puritanism between Page and Screen: Alex Garland.\u201d The New Puritan Generation<\/em><\/a>. Jos\u00e9 Francisco Fern\u00e1ndez (ed.). Gylphi, 2013.125-144. <\/p>\n\n\n\n

\u201cHeterosexual Masculinity in Despair: Dan White in Rob Epstein\u2019s The Times of Harvey Milk<\/em> and Gus Van Sant\u2019s Milk<\/em>.\u201d Mapping Identity and Identification Processes: Approaches from Cultural Studies<\/em><\/a>. Eduardo de Gregorio-Godeo and \u00c1ngel Mateos-Aparicio Mart\u00edn-Albo (eds.). Peter Lang, 2013. 179-194. Versi\u00f3n en castellano<\/a>: \u201cActos desesperados de hombres despose\u00eddos: Masculinidad, heterosexualidad y crimen en The Times of Harvey Milk<\/em> (1984) y Mi nombre es Harvey Milk <\/em>(2008)\u201d<\/p>\n\n\n\n

\u201cThe Narrator as Threshold Concept: Comparing Charles Dickens\u2019s Oliver Twist<\/em> and Friedrich Engels\u2019s The Condition of the English Working Classes in 1844<\/em>\u201d. Reading Between the Lines: Discussing Narration in the Literature Class<\/em><\/a>,  Andrew Monnickendam, David Owen and Cristina Pividori (eds.). Punctum, 2013. 19-28.<\/p>\n\n\n\n

\u201cLeonidas\u2019\u2019s New Body: The Failed Hyper-Masculinization  of the Hero in Frank Miller and Lynn Varley\u2019s Graphic Novel 300 (1998) and its 2006 Film Adaptation.\u201d Embodying Masculinities: Towards a History of the Male Body in U.S. Culture and Literature<\/em><\/a>, Josep Maria Armengol (ed.). Peter Lang, 2013. 125-144.<\/p>\n\n\n\n

“Entre Clooney y Pitt: El problema del deseo femenino heterosexual y lo sexy masculino\u201d. La piel en la palestra: Estudios corporales II<\/em><\/a>, Alba del Pozo y Alba Serrano (eds.). EDIUOC, 2011. 15-27.  <\/p>\n\n\n\n

\u201cThe Silent Villain: The Minimalist Construction of Patriarchal Villainy in John le Carr\u00e9\u2019s Karla Trilogy\u201d. Villains and Villainy: Embodiments of Evil in Literature, Popular Media and Culture<\/em><\/a>, Anna Fahraeus and Dikmen Yakali \u00c7amoglu (eds.). Rodopi, 2011. 29-46. Versi\u00f3n en castellano<\/a>: “El villano silencioso: La construcci\u00f3n minimalista de la villan\u00eda patriarcal en la trilog\u00eda de Karla de John le Carr\u00e9”.<\/p>\n\n\n\n

\u201cShades of Evil: The Construction of White Patriarchal Villainy in the Star Wars<\/em> Saga<\/a>\u201d. Men in Color: Racialised Masculinities in US Literature and Cinema<\/a>, <\/em>Josep M. Armengol (ed.). Cambridge Scholars Publishing, 2011. 143-167. Versi\u00f3n en castellano<\/a>: “La piel del diablo: Darth Vader y la construcci\u00f3n del villano patriarcal blanco en la saga de La guerra de las galaxias<\/em>“.<\/p>\n\n\n\n

“US Cult TV Series in the International Market: Considering the Reception of The X-Files<\/em> in Spain\u201d. A Comparison of Popular TV in English and Spanish Speaking Societies: Soaps, Sci-Fi, Sitcoms, Adult Cartoons, and Cult Series<\/a>, <\/em>Marta Ferna\u0301ndez Morales and J. Igor Arranz Prieto (eds.). Edwin Mellen Press, 2010. 107-135. Versi\u00f3n en castellano<\/a>:  \u201cLas series de culto estadounidenses en el mercado internacional: La recepci\u00f3n de Expediente X <\/em>en Espa\u00f1a (y Latinoam\u00e9rica)\u201d.<\/p>\n\n\n\n

“Science Fiction and the Paradox of Popularity: Tensions between the Screen and the Page\u201d. Generic attractions: New essasys on film genre criticism<\/a>, <\/em>Mar\u00eda del Mar Azcona & Celestino Deleyto (eds.). Michel Houdiard \u00c9diteur, 2010. 260-270.<\/p>\n\n\n\n

\u201cEl retorno de Le\u00f3nidas de Esparta: El fracaso de la hiper-masculinizaci\u00f3n del h\u00e9roe en la novela gr\u00e1fica de Frank Miller y Lynn Varley 300<\/em> y su adaptaci\u00f3n cinematogr\u00e1fica\u201d. Desvelando el cuerpo: Perspectivas desde las ciencias sociales y humanas<\/a>, <\/em>Josep Mart\u00ed & Yolanda Aixel\u00e0 (coord.). Consejo Superior de Investigaciones Cient\u00edficas & Instituci\u00f3n Mil\u00e0 i Fontanals, 2010. 223-236. <\/p>\n\n\n\n

\u201cApocalypse Soon? The Uncertain Utopia of Steven Spielberg\u2019s Adaptation of H.G. Wells\u2019s The War of the Worlds.<\/em>\u201d Trans\/Forming Utopia: Vol I, Looking Forward to the End<\/a>, <\/em>Elizabeth Russell (ed.). Peter Lang, 2009. 165-174. Versi\u00f3n en castellano<\/a>: \u201cAl borde del Apocalipsis: La incierta masculinidad de La guerra de los mundos <\/em>de Steven Spielberg\u201d<\/p>\n\n\n\n

\u201cFrom Local to Cosmopolitan Nationalism: Common Sense in Scotland and Catalonia\u201d. Culture & Power: The Plots of History in Performance<\/a>, <\/em>Rub\u00e9n Vald\u00e9s Miyares & Carla Rodr\u00edguez Gonz\u00e1lez (eds.). Cambridge Scholars Publishing, 2008. 203-210. <\/p>\n\n\n\n

\u201cDe la Primera Guerra Mundial al Holocausto: El uso de la tecnolog\u00eda en la destrucci\u00f3n en masa del cuerpo humano \u2013 textos y contextos\u201d. A Body that Could Never Rest: Relaciones entre cuerpo y cultura en las tradiciones angl\u00f3fonas<\/em><\/a>, Vol 2, Cuerpos que cuentan, <\/em>F\u00e9lix Ernesto Ch\u00e1vez & Diego Falconi (eds.). EDIUOC, 2008. 15-20.<\/p>\n\n\n\n

\u201cTodos mienten: El cuerpo delator y el coste de la amarga medicina del Dr. House\u201d. \u00a1Pasen y vean!: Estudios Culturales<\/a><\/em>, Vol 3, Cuerpos que cuentan, <\/em>Isabel Cl\u00faa & Pau Pitrach (eds.). EDIUOC, 2008. 103-116.<\/p>\n\n\n\n

\u201cLa hero\u00edna virtual y la violencia fantasmal: La \u00e9pica sensible de Aki Ross en Final Fantasy<\/em>\u201d. Sites of Female Terror: En torno a la mujer y al terror<\/a>, <\/em>Ana Ant\u00f3n Pacheco-Bravo et al. (eds.). Aranzadi, 2008. 187-204.<\/p>\n\n\n\n

\u201cDe padre a hijo: La transmisi\u00f3n del discurso patriarcal en el cine de Hollywood (1977-2007)<\/a>\u201d. G\u00e9nero y cultura popular<\/em>, Isabel Cl\u00faa (ed.). Universitat Aut\u00f2noma de Barcelona. 2008. 149-174.<\/p>\n\n\n\n

\u201cHistoricizing Globalisation: Post-modern Historiography vs. Cultural Studies\u201d. Hayden White, Sara Mart\u00edn, Keith Jenkins, Felicity Hand, Rub\u00e9n Vald\u00e9s. Historia y representaci\u00f3n en la cultura global<\/em><\/a>, Carla Rodr\u00edguez Gonz\u00e1lez & Rub\u00e9n Vald\u00e9s Miyares (eds.). KRK Ediciones, 2008. 21-39. <\/p>\n\n\n\n

\u201cLos estudios de la masculinidad: Una nueva mirada al hombre a partir del feminismo<\/a>\u201d. Cuerpo e identidad: Estudios de g\u00e9nero y sexualidad I<\/em>, Meri Torras (ed.). Universitat Aut\u00f2noma de Barcelona, 2007. 89-116.<\/p>\n\n\n\n

\u201cEl cuerpo en el videoclip musical: M\u00e1s que carne fresca<\/a>\u201d. Corporizar el pensamiento: Escrituras y lecturas del cuerpo en la cultura occidental<\/em>, Meri Torras (ed.). Mirabel, 2006. 175-194.<\/p>\n\n\n\n

\u201cWhat does Heathciff look like? Performance in Peter Kosminsky\u2019s Version of Emily Bront\u00eb\u2019s Wuthering Heights<\/em>\u201d. Books in Motion: Adaptation, Intertextuality, Authorship<\/a><\/em>, Mireia Aragay (ed.). Rodopi, 2005. 51-68. Versi\u00f3n en castellano<\/a>: \u201c\u00bfEl rostro de Heathcliff?: Interpretaci\u00f3n actoral y adaptaci\u00f3n cinematogr\u00e1fica en Cumbres Borrascosas<\/em> de Peter Kosminsky”<\/p>\n\n\n\n

\u201cMajor Films and Minor Languages: Catalan Speakers and the War over Dubbing Hollywood Films.\u201d<\/a> Culture & Power: Culture and Society in the Age of Globalisation<\/em>, Chantal Cornut-Gentille (ed.). Prensas Universitarias de Zaragoza, 2005. 27-40. Versi\u00f3n en castellano<\/a>: “Pel\u00edculas mayoritarias e idiomas minoritarios: La guerra por el doblaje al catal\u00e1n de las pel\u00edculas de Hollywood (1998-2001)\u201d.<\/p>\n\n\n\n

\u201cLa resurrecci\u00f3n de Darcy: El nuevo caballero en las novelas sobre Bridget Jones, de Helen Fielding<\/a>\u201d. Los h\u00e1bitos del deseo: Formas de amar en la modernidad<\/em>, Carme Riera, Meri Torras, Isabel Cl\u00faa y Pau Pitarch (eds.). Ediciones ExCultura, 2005. 295-300.<\/p>\n\n\n\n

\u201cNow I Know Qu\u00e9 Leer<\/em>: Genre Fiction and the Literary Magazine in Spain\u201d. Reading the Popular in Contemporary Spanish Texts<\/em><\/a>, Shelley Godsland & Nickianne Moody (eds.). University of Delaware Press, 2004. 8-25. <\/p>\n\n\n\n

\u201cOur Own Alien Children: (Mis)representing the Child in John Wyndham\u2019s The Midwich Cuckoos<\/em><\/a>\u201d. Culture & Power: Music, Media and Visual Arts<\/em>, Julio Ca\u00f1ero, Fernando Galv\u00e1n & Jos\u00e9 Santiago Fern\u00e1ndez (eds.). Universidad de Alcal\u00e1 de Henares, 2003. 178-188. Versi\u00f3n en castellano<\/a>: \u201cNuestros ni\u00f1os alien\u00edgenas: Los temores adultos y la negativa representaci\u00f3n de los ni\u00f1os en la novela de John Wyndham Los cucos de Midwich<\/em>\u201d.<\/p>\n\n\n\n

\u201cCap\u00edtulo 5: La mujer escritora en un contexto dual: Las novelistas victorianas<\/a>\u201d. Historia Cr\u00edtica de la Novela Inglesa Escrita por Mujeres, <\/em>Silvia Caporale & Asunci\u00f3n Arag\u00f3n Varo (eds.). Almar, 2003. 117-146.<\/p>\n\n\n\n

\u201cEl caso de Petra Delicado: La mujer polic\u00eda en las novelas de Alicia Gim\u00e9nez Bartlett<\/a>\u201d. Actas del congreso internacional, Perversas y Divinas: La representaci\u00f3n de la mujer en las literaturas hisp\u00e1nicas: El fin de siglo pasado y\/o el fin del milenio actual<\/em>. Vol\u00famen 2, Carme Riera, Meri Torras, Isabel Cl\u00faa (eds.). Ediciones ExCultura, 2002. 415-421.<\/p>\n\n\n\n

\u201cMulder, Scully and the Wild Thing: Sex and the Monster in The X-Files<\/em><\/a>.<\/em>\u201d Popular Texts in English: New Perspectives<\/em>, Antonio Ballesteros & Luc\u00eda Mora (eds.). Universidad de Castilla-La Mancha, 2001. 371-380.<\/p>\n\n\n\n

\u201cIndia on the Screen in the 1980s and 1990s\u201d. India 50 Years after Independence: Images in Literature, Film and the Media<\/em><\/a>, Felicity Hand & Kathleen Firth (eds.). Peepal Tree, 2001. 152-163. <\/p>\n\n\n\n

\u201cWriters on the Screen: The Literary Oscars<\/a>\u201d. Proceedings of the 22nd<\/sup> International Conference of AEDEAN, <\/em>Pere Gallardo & Enric Llurda (eds.). Universitat de Lleida, 2000. 293-296.<\/p>\n\n\n\n

\u201cMarilyn Manson: The Limits of Challenge\u201d.<\/a> Culture & Power V: Challenging Discourses<\/em>, Mar\u00eda Jos\u00e9 Coper\u00edas (ed.). Universitat de Valencia, 2000. 119-130.<\/p>\n\n\n\n

\u201cClassic Shakespeare for All: Forbidden Planet<\/em> and Prospero’s Books<\/em>, Two Screen Adaptations of The Tempest<\/em>“. Classics in Film and Fiction<\/a>, <\/em>Deborah Cartmell, I.Q. Hunter, Heidi Kaye & Imelda Whelelan (eds.). Pluto Press, 2000. 34-53. <\/p>\n\n\n\n

\u201cAddiction to Freedom: Scottish Identity in Braveheart<\/em> (1995) and Trainspotting <\/em>(1996)<\/a>\u201d. Culture and Power: Cultural Confrontations<\/em>, Chantal Cornut-Gentille (ed.). Universidad de Zaragoza, 1999.<\/p>\n\n\n\n

\u201cUnit 5: Post-War English Literature 1945-1990\u201d. Introduction to English Literature<\/a><\/em>, Andrew Monnickendam (coord.). EDIUOC, 1999. 193-225.<\/p>\n\n\n\n

\u201cCult Novels on the Screen: Dune<\/em> and The Naked Lunch<\/em><\/a>“.<\/em> Actas del XXI Congreso Internacional de AEDEAN, <\/em>Fernando Toda, Juan A. Prieto Pablos, Mar\u00eda Jos\u00e9 Mora & Teresa L\u00f3pez Soto (eds.). U<\/em>niversidad de Sevilla, 1999. 141-146. Versi\u00f3n en castellano<\/a>: \u201cDos novelas de culto en la pantalla: Dune<\/em> y El almuerzo desnudo<\/em>, fracasos gloriosos\u201d.<\/p>\n\n\n\n

\u201cMonstrous Business: The Alien<\/em> Film Series<\/a>\u201d. Culture and Power: Business<\/em>, Matilde Paredes, Rosa Gonz\u00e1lez, Felicity Hand, & Chantal Cornut-Gentille (eds.). Departamento de Filolog\u00eda Inglesa, Universidad de Zaragoza, 1999. 141-152. Versi\u00f3n en castellano<\/a>: \u201cNegocio monstruoso: La serie Alien<\/em><\/a>\u201d.<\/p>\n\n\n\n

\u201cFrom the Screen to the Printed Page: Orson Scott Card’s Novelization of James Cameron’s The Abyss<\/em><\/a>.<\/em>\u201d Proceedings of the 20th International AEDEAN Conference<\/em>, Pere Guardia & John Stone (eds.). Facultat de Filologia, Universitat de Barcelona, 1997. 509-514. Versi\u00f3n en castellano<\/a>: \u201cDe la pantalla al papel: La novelizaci\u00f3n de Abyss<\/em> (1989) de James Cameron por Orson Scott Card (1997)\u201d<\/p>\n\n\n\n

\u201cNot Oedipus’ Sister: The Redefinition of Female Rites of Passage in the Screen Adaptation of Thomas Harris’s The Silence of the Lambs<\/em>\u201d.  Gender I-Deology: Essays on Theory, Fiction and Film<\/em><\/a>, Chantal Cornut-Gentille & Jos\u00e9 Angel Garc\u00eda-Landa (eds.). Rodopi, 1996. 439-450.<\/p>\n\n\n\n

\u201cFilm Censorship in Britain: The British Board of Film Classification and a Few Recent Cases of Censorship<\/a>\u201d. Culture and Power: Institutions<\/em>, Rosa Gonz\u00e1lez (ed.). PPU, 1996. 153-164.<\/p>\n\n\n\n

\u201cWhat you Get is What you See: The Business of Criticism\u201d. Culture and Power<\/em>, Felicity Hand & Chantal Cornut-Gentille (eds.). Servei de Publicacions UAB, 1995. 65-78.<\/p>\n\n\n\n

Chapters in digital publications <\/strong><\/h2>\n\n\n\n

“Unstable Meanings, Unstable Methods: Analysing Linkin Park\u2019s Song \u2018What I\u2019ve Done\u2019\u201d<\/a>. A View from the South: Contemporary English and American Studies, <\/em>Jos\u00e9 Ram\u00f3n Ib\u00e1\u00f1ez Ib\u00e1\u00f1ez & Jos\u00e9 Francisco Fern\u00e1ndez S\u00e1nchez (eds.). Universidad de Almer\u00eda, 2011. 150-157.<\/p>\n\n\n\n

Curell, Hort\u00e8nsia et al. [Hort\u00e8nsia Curell, Montserrat Capdevila, Juli Cebrian, Laura Gimeno, Felicity Hand, Sara Mart\u00edn, David Owen, Elisabet Pladevall & Alexandra Vraciu] \u201cL\u2019adaptaci\u00f3 al nou espai europeu d’ensenyament superior: Estudis Anglesos a la UAB\u201d. VI Congr\u00e9s Internacional de Doc\u00e8ncia Universit\u00e0ria i Innovaci\u00f3 (CIDUI). Nous espais de qualitat en l’educaci\u00f3 superior.Una an\u00e0lisi comparada i de tend\u00e8ncies<\/a>.<\/em> 2011.<\/p>\n\n\n\n

Gerardo Rodr\u00edguez and Sara Mart\u00edn Alegre. \u201cForget Madonna: The Many Metamorphoses of Kylie Minogue, Showgirl and Survivor.\u201d<\/a>  Proceedings from the 33rd Annual Conference of the Spanish Association for Angloamerican Studies, <\/em>Rafael Moya Gal\u00e1n et al. (eds.). Servicio de Publicaciones de la Universidad de C\u00e1diz, 2010. 157-165.<\/p>\n\n\n\n

\u201cRe-Iinventing Tradition(s): The Grotesque in Short Stories by Scottish Women Writers<\/a>\u201d. New Perspectives on English Studies<\/em>, Marian Amengual, Maria Juan & Joana Salazar (eds.). Edicions UIB – Universitat de les Illes Balears, 2009. 461-465.<\/p>\n\n\n\n

\u201cEdgar y Chicho: La pasi\u00f3n por Poe en Historias para no dormir<\/em><\/a>\u201d. Procedings from the 31st<\/sup> AEDEAN Conference<\/em>, Mar\u00eda Jes\u00fas Lozano (ed.). Universidade Da Coru\u00f1a, 2008. 757-764.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThe Posthuman Patriarchal Villain as Absolute Military Threat: Winston Duarte in The Expanse Novel Series.\u201d Wars We Never Fought: Armed Conflict in Speculative Fiction, eds. Matthew B. Hill and Leigha H. McReynolds. London: Bloomsbury, 2025. 177-193. \u201cSota el pes dels gegants: la traducci\u00f3 al catal\u00e0 de ci\u00e8ncia-ficci\u00f3 angl\u00f3fona.\u201d Literatura catalana de la postmodernitat II. G\u00e8neres […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":80,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":4450,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/22\/revisions\/4450"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}