{"id":23,"date":"2013-03-13T10:33:48","date_gmt":"2013-03-13T10:33:48","guid":{"rendered":"https:\/\/webs.uab.cat\/saramartinalegre\/articles-journals\/"},"modified":"2026-04-07T09:52:41","modified_gmt":"2026-04-07T09:52:41","slug":"articles-journals","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/saramartinalegre\/articles-journals\/","title":{"rendered":"Articles in Journals"},"content":{"rendered":"\n
\"\"<\/figure>
\n

Sara Mart\u00edn Alegre. \u201cUnder the Weight of the Anglophone Giants: Building Catalan Science Fiction (in Postmodernity).\u201d Special issue Science Fiction in Translation: Accommodation and Creativity<\/em>, edited by Oriana Palusci and Mirko Casagranda. ContactZone<\/a><\/em>, Vol. N\u00b0 2 (December 2025), 151-168. DOI: 10.26379\/CZ2025.2_011<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Sara Mart\u00edn, \u201cThe Wilderness and the Wild Hero (Richard K. Morgan, No Man\u2019s Land<\/em>, 2026)<\/a>.\u201d H\u00e9lice: Reflexiones sobre ficci\u00f3n especulativa<\/em>, #39, Vol. 11, n.\u00ba 2 (oto\u00f1o-invierno 2025-2026): 99-108.<\/p>\n\n\n\n

Interview with the author, Richard K. Morgan<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Sara Mart\u00edn Alegre. \u201cLa madre viajera: Naomi Mitchison y Memoirs of a Spacewoman<\/em><\/a>.\u201d H\u00e9lice: reflexiones sobre ficci\u00f3n especulativa<\/em> 11.1 #38 (primavera-verano 2025): 100-118.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

\u201cJaggers the Plotter and the Pretty Child: Masculine Vulnerability to Beauty in Great Expectations<\/em><\/a>\u201d, Dickens Quarterly<\/em>, Vol. 40, No. 4, December 2023, 457-475. Versi\u00f3n en castellano<\/a>: \u201cJaggers el tramador y la ni\u00f1a bonita : la vulnerabilidad masculina ante la belleza en Grandes esperanzas<\/em>\u201d. 2024.<\/p>\n<\/div><\/div>\n\n\n\n

“Being the Other, the Other Being: Masculine Insecurities in Matthew Haig\u2019s The Humans and Blake Crouch\u2019s Dark Matter<\/a>“. SFRA Review<\/em>, Vol 52, no. 4 (Fall 2022), Symposium: Conflicting Masculinities in SF, Michael Pitts (ed.). Versi\u00f3n en castellano<\/a>: “Ser el otro, el otro ser: inseguridades masculinas en Los humanos de Matt Haig y Materia Oscura de Blake Crouch”. 2023.<\/p>\n\n\n\n

\u201cA Celebration of Mature Love: Posthuman Sexuality, Gender, and Romance in Kim Stanley Robinson\u2019s 2312<\/em><\/a>\u201d, Science Fiction Studies<\/a><\/em>, #148 = Volume 49, Part 3 = November 2022, 459-475. Versi\u00f3n en castellano<\/a>: “Una celebraci\u00f3n del amor maduro : sexualidad posthumana, g\u00e9nero y amor en 2312<\/em> de Kim Stanley Robinson”. 2023.<\/p>\n\n\n\n

“L’impacte \u00e8tic de la rob\u00f2tica i de les tecnologies digitals: Carme Torras, de La mutaci\u00f3 sentimental<\/em> a Enxarxats<\/em><\/a>“. Catalan Review<\/a><\/em> 36.1 (2022): 97-114.<\/p>\n\n\n\n

Sara Mart\u00edn & V\u00edctor Mart\u00ednez-Gil, “Present i futur de la ci\u00e8ncia ficci\u00f3 catalana<\/a>” (introducci\u00f3 al n\u00famero monogr\u00e0fic). Catalan Review<\/em><\/a> 36.1 (2022): 45-57.<\/p>\n\n\n\n

“Posthumanismo retrospectivo: Frankenstein<\/em> seg\u00fan nuestro nuevo vocabulario<\/a>“. H\u00e9lice: Reflexiones Cr\u00edticas sobre Ficci\u00f3n Especulativa<\/em> 7.2 #32 (Oto\u00f1o-Invierno 2021): 38-51.<\/p>\n\n\n\n

\u201cRetrospective Posthumanism: Frankenstein<\/em> According to Our Vocabulary<\/a>\u201d. H\u00e9lice: Reflexiones Cr\u00edticas sobre Ficci\u00f3n Especulativa<\/em> 7.1 #30 (Primavera-verano 2021): 11-22. <\/p>\n\n\n\n

\u201cIn the Shadow of the Culture: The Ethics of Intervention, AI Rights, and Utopia in Iain M. Banks\u2019s The Algebraist<\/em><\/a>\u201d. Extrapolation<\/a><\/em> 62.2 (2021): 181-197. Versi\u00f3n en castellano<\/a>: “A la sombra de la Cultura: la \u00e9tica de la intervenci\u00f3n, los derechos de la IA y la utop\u00eda en El algebrista<\/em> de Iain M. Banks”. 2023.<\/p>\n\n\n\n

\u201cThe Culture against Patriarchy: Djan Seriy Anaplian, Pariah and Defector in Iain M. Banks\u2019s Matter<\/em>\u201d<\/a>. 452\u00baF: Revista de Teor\u00eda de la literatura y Literatura Comparada<\/em> 24 (2021): 82-98.<\/p>\n\n\n\n

\u201cIsaac Asimov and Ray Bradbury: The Art of Writing, from Pulp to Universal Acclaim\u201d<\/a>. Nexus<\/em> 2 (2020): 8-16.<\/p>\n\n\n\n

\u201cArthur and Annabella\u2019s Irresistible Passion: Adultery in Anne Bront\u00eb\u2019s The Tenant of Wildfell Hall<\/em>\u201d<\/a>. Raudem<\/em> 8 (2020): 136-161. <\/p>\n\n\n\n

\u201c<\/a>La importancia de distinguir entre patriarcado y masculinidad: releer los cl\u00e1sicos, buscar alternativas<\/a>\u201d<\/a>. Dossiers Feministes<\/em> 25 (2019): 7-25<\/p>\n\n\n\n

\u201cObi-Wan Kenobi and the Problem of the Flawed Mentor\u201d<\/a>. Foundation<\/em> 48.1, #132 (2019): 37-53.<\/p>\n\n\n\n

“Introduction. Spanish SF, the Phantom Genre<\/a>“. Science Fiction Studies<\/em> 44.2 (#132) (June 2017): 209-215. Special Issue on Spanish SF<\/em><\/a>, Sara Mart\u00edn & Fernando \u00c1ngel Moreno (eds.).<\/p>\n\n\n\n

\u201cIntroduction. Typescript of the Second Origin<\/em>: Paradoxes of Catalan Literature\u201d<\/a>. Alambique<\/em> 4.2 (June 2017): 1-14. Monographic issue on Manuel de Pedrolo, Mecanoscrit del segon origen<\/em> (1974)\/Typescript of the Second Origin<\/em> (2016, 2018), Sara Mart\u00edn (ed.). <\/p>\n\n\n\n

\u201cEducating D\u00eddac: Mankind\u2019s New Father and the End of Patriarchy in Manuel de Pedrolo\u2019s Typescript of the Second Origin<\/em>\u201d<\/a>. Alambique<\/em> 4.2 (June 2017): 1-18. Monographic issue on Manuel de Pedrolo, Mecanoscrit del segon origen<\/em> (1974)\/Typescript of the Second Origin<\/em> (2016, 2018). Sara Mart\u00edn, ed.<\/p>\n\n\n\n

“The Anti-patriarchal Male Monster as Limited (Anti)Hero in Richard Morgan’s Black Man<\/em>“. Science Fiction Studies<\/a><\/em> #131, 44.1 (March 2017): 84-103. En castellano<\/a>: “El monstruo antipatriarcal como (anti)h\u00e9roe limitado en Black Man\/Thirteen<\/em> de Richard K. Morgan\u201d<\/p>\n\n\n\n

“Science Fiction in the Spanish University: The Boundaries that Need to Be Broken”.<\/a> Alambique<\/em> 4.1 (2016). Versi\u00f3n en castellano<\/a>: \u201cLa ciencia ficci\u00f3n en la universidad espa\u00f1ola: las barreras que deben caer\u201d, H\u00e9lice<\/em>, VIII (Diciembre 2016): 12-30.<\/p>\n\n\n\n

“<\/a>Antonio cuestionado: El mercader de Venecia<\/em> de Michael Radford y el problema del heterosexismo<\/a>\u201d<\/a>. Dossiers feministes<\/em> 20 (2015): 261-283. N\u00famero monogr\u00e1fico, Narrativas en clave de g\u00e9nero<\/em>, Dora Sales Salvador, Manolo Dos Ramos y Dori Valero Valero (eds.). English<\/a> version: \u201cQueerying Antonio: Michael Radford\u2019s The Merchant of Venice<\/em> (2004) and the problem of Heterosexism\u201d.<\/p>\n\n\n\n

\u201cPosthumanismo y diplomacia: La serie de John Scalzi La vieja guardia<\/em>\u201d<\/a>, H\u00e9lice: Reflexiones cr\u00edticas sobre ficci\u00f3n especulativa<\/em> II.5 (Diciembre 2015): 48-62. English <\/a>version: “Accepting Alien Contact: Rewiring the Colonial Soldier in John Scalzi\u2019s Old Man\u2019s War<\/em> Series\u201d.<\/p>\n\n\n\n

\u201cLa lectura de la serie Harry Potter<\/em>: Una experiencia generacional \u00fanica\u201d. Esp\u00e9culo: Revista de Estudios Literarios<\/em> 55 (Julio-Diciembre 2015): 52-71. N\u00famero monogr\u00e1fico<\/a>, \u201cLiteratura infantil y juvenil: Formaci\u00f3n lectora y educaci\u00f3n est\u00e9tica\u201d, Joaqu\u00edn M\u00aa Aguirre Romero (ed.). English<\/a> version: “Delightful and Fulfilling: Reading the Harry Potter<\/em> Series, a Unique Generational Experience”.<\/p>\n\n\n\n

\u201cRewriting the American Astronaut from a Cross-cultural Perspective: Michael Lopez-Alegria in Manuel Huerga\u2019s Documentary Film Son and Moon<\/em> (2009)\u201d<\/a>, Culture, Society and Masculinities<\/em> 6.2 (Fall 2014): 163-182. Versi\u00f3n en castellano<\/a>: “Rescribiendo el astronauta americano desde una perspectiva intercultural: Michael Lopez-Alegria en el documental de Manuel Huerga Son& Moon: Diario de un Astronauta <\/em>(2009)”. 2014.<\/p>\n\n\n\n

“<\/a>El error de J.S. Mill: El rechazo de la cabellerosidad y la imposible erradicaci\u00f3n de la violencia patriarcal<\/a>“.<\/a> Argus-A<\/em>, 3.11 (Enero 2014).<\/p>\n\n\n\n

\u201cAging in F(r)iendship: \u2018Big Ger\u2019 Cafferty and John Rebus\u201d<\/a>. Clues: A Journal of Detection<\/em> 29.2 (2011): 73-82.<\/p>\n\n\n\n

\u201cMujeres en la literatura de ciencia ficci\u00f3n: Entre la escritura y el feminismo<\/a>\u201d. Dossiers Feministes<\/em> 14 (2010): 108-128.<\/p>\n\n\n\n

\u201c<\/a>Los l\u00edmites morales de la autoridad militar: la Almirante Helena Cain en Gal\u00e1ctica, estrella de combate<\/em><\/a>\u201d<\/a>. Cuadernos K\u00f3re<\/em> 1.2 (Primavera 2010): 193-224.<\/p>\n\n\n\n

\u201cLa debilitada posici\u00f3n de la ciencia ficci\u00f3n literaria: Tensiones entre la pantalla y la p\u00e1gina<\/a>\u201d. Quaderns de Filologia: Estudis Literaris<\/em> 14 (2009): 193-206. N\u00famero monogr\u00e1fico La ciencia ficci\u00f3n en los discursos culturales y medios de expresi\u00f3n contempor\u00e1neos<\/em>, Adela Cortijo, Guillermo L\u00f3pez y Antonio Altarriba (eds.). English version:  \u201cScience Fiction and the Paradox of Popularity: Tensions between the Screen and the Page\u201d, Generic attractions: New Essays on Film Genre Criticism, <\/em>Mar\u00eda del Mar Azcona & Celestino Deleyto (eds.), Michel Houdiard \u00c9diteur, 2010. 260-270.<\/p>\n\n\n\n

\u201cFurther Thoughts on the Evaluation of Research in the Humanities (A Very Personal View)\u201d. The European English Messenger <\/em>18.2 (Autumn 2009): 66-69. <\/p>\n\n\n\n

\u201c<\/a>Odysseus\u2019 Unease: The Post-War Crisis of Masculinity in Melvyn Bragg\u2019s The Soldier\u2019s Return<\/em> and A Son of War<\/em><\/a>\u201d.<\/a> Odisea: Revista de Estudios Ingleses <\/em>9 (2008): 133-144. En castellano<\/a>: \u201cEl malestar de Ulises: la crisis de la masculinidad en la posguerra en The Soldier’s Return<\/em> y A Son of War<\/em> de Melvyn Bragg\u201d.<\/p>\n\n\n\n

\u201cThe Wood and the Trees: Popular Fictions between Literary and Cultural Studies\u201d.<\/a> The European English Messenger <\/em>15.1 (Spring 2006): 46-53.<\/p>\n\n\n\n

\u201c<\/a>Dana Scully: La hero\u00edna limitada<\/a>.\u201d<\/a> Lectora: Revistes de Dones i Textualitat <\/em>11 (2005): 115-130. N\u00famero monogr\u00e1fico<\/a> G\u00e9nero y cultura popular<\/em>, Isabel Cl\u00faa (ed.).<\/p>\n\n\n\n

\u201cEl miedo a la risa: Un debate en torno a Bridget Jones, hero\u00edna de Helen Fielding.\u201d<\/a> Dossiers Feministes<\/em> 8 (2005): 89-102. N\u00famero monogr\u00e1fico Humor y mujeres: \u00bfLo pillas?<\/em>, Juncal Caballero, Bego\u00f1a Garc\u00eda y Ana Gim\u00e9nez (eds.). V\u00e9ase tambi\u00e9n este enlace<\/a>. <\/p>\n\n\n\n

\u201cLa fuerza escocesa y la diva: Annie Lennox, Shirley Manson y Sharleen Spiteri.\u201d<\/a> Dossiers Feministes<\/em> 7 (2004): 83-100. N\u00famero monogr\u00e1fico No me arrepiento de nada: Mujeres y m\u00fasica<\/em>, Dora Sales, Juncal Caballero y Nieves Alberola (eds.). V\u00e9ase tambi\u00e9n este enlace<\/a>.<\/p>\n\n\n\n

\u201cIn Mary Shelley’s Loving Arms: Brian Aldiss’s Frankenstein’s Unbound<\/em> and its Film Adaptation by Roger Corman.\u201d<\/a> Foundation<\/em> 32.89 (Autumn 2003): 76-92. Versi\u00f3n en castellano: \u201cEn los amorosos brazos de Mary Shelley: Frankenstein desencadenado<\/em> de Brian Aldiss\u201d. H\u00e9lice <\/em>12 (2009): 100-115.<\/p>\n\n\n\n

\u201cThe Spirit of World War I: Patricia Anthony\u2019s Flanders<\/em><\/a>\u201d. War, Literature and the Arts: An International Journal of the Humanities<\/em> 14.1-2 (2002): 293-311. <\/p>\n\n\n\n

\u201cLa tragicomedia del monstruo en el suburbio acomodado: Eduardo Manostijeras<\/em>, pel\u00edcula de Tim Burton<\/a>\u201d. Garoza<\/em> 2 (2002): 145-164.<\/p>\n\n\n\n

\u201cThe Other in Me: Nancy A. Collins\u2019s Vampire Heroine Sonja Blue<\/a>\u201d. FEMSPEC<\/em> 4 (2002): 47-58. Monographic issue Women\u2019s Horror<\/em>, Gina Wisker (ed.).<\/p>\n\n\n\n

\u201cCultural Studies and English Departments in Spain: Margins and Centers.\u201d<\/a> Links & Letters<\/em> 8 (2002): 37-47. Monographic issue English Studies in Spain: Aspects of Literature and Culture<\/em>, Sara Mart\u00edn (ed.). See also this link<\/a>.<\/p>\n\n\n\n

\u201cRegenerating the War Movie?: Pat Barker’s Regeneration<\/em> according to Gillies Mackinnon<\/a>\u201d. Literature\/Film Quarterly<\/em> 30.2 (2002): 98-105.<\/p>\n\n\n\n

\u201cGothic Scholars don\u2019t Wear Black: Gothic Studies and Gothic Subcultures\u201d.<\/a> Gothic Studies<\/em> 4.1 (2002): 28-43.<\/p>\n\n\n\n

“Masculinity and Justice: Generational Changes in John Grisham’s The Chamber<\/em><\/a>“. Journal of Criminal Justice and Popular Culture<\/em> 9.2 (Spring 2002).<\/p>\n\n\n\n

\u201cLittle Red Riding Hood Meets the Werewolf: Genre and Gender Tensions in Neil Jordan The Company of Wolves<\/em><\/a>\u201d. Journal of the Fantastic in the Arts<\/em> 12.1 (2001): 18-33.<\/p>\n\n\n\n

\u201cNightmares of Childhood: The Child and the Monster in Four Novels by Stephen King\u201d.<\/a> Atlantis<\/em> XXIII,1 (June 2001): 105-114. <\/p>\n\n\n\n

\u201c<\/a>Resistance and Persistence: Pygmalion<\/em> and My Fair Lady,<\/em> Two Film Versions of G. B. Shaw’s Pygmalion<\/em><\/a>\u201d.<\/a> EnterText<\/em> 1.2 (Spring  2001). <\/p>\n\n\n\n

\u201cMeeting the Civilised Barbarian: Bram Stoker’s Dracula<\/em> and Joseph Conrad’s Heart of Darkness<\/em>\u201d. <\/a>Miscel\u00e1nea<\/em> 22 (2000): 101-122. <\/p>\n\n\n\n

\u201cSearching for Pearls: Rosamund Pilcher’s The Shell Seekers<\/em><\/a>\u201d. Estudios de Filolog\u00eda Moderna <\/em>1 (2000): 225-242.<\/p>\n\n\n\n

\u201cConsider Banks: Iain (M.) Banks’s The Wasp Factory<\/em> and Consider Phlebas<\/em>\u201d.<\/a> Revista Canaria de Estudios Ingleses<\/em> 41 (November 2000): 197-205. Monographic issue Scottish Literature 1970-1999<\/em>, Tom\u00e1s Monterrey (ed.). Versi\u00f3n en castellano<\/a>: \u201cPensad en Iain (M.) Banks: La f\u00e1brica de avispas<\/em> y Pensad en Flebas<\/em>, puntos de partida de una singular carrera dual\u201d. <\/p>\n\n\n\n

“The Power of Monstrous Women: Fay Weldon’s The Life and Loves of a She-Devil<\/em>, Angela Carter’s Nights at the Circus<\/em>, and Jeanette Winterson’s Sexing the Cherry<\/em>\u201d.<\/a> Journal of Gender Studies<\/em> 8.2 (1999): 193-210.<\/p>\n\n\n\n

\u201cWord and Screen: A Bibliography\u201d.<\/a> Links & Letters<\/em> 6 (April 1999): 121-132. Monographic issue Word and Screen,<\/em> Sara Mart\u00edn (ed.).<\/p>\n\n\n\n

\u201cAdapting the Barrytown Trilogy<\/em>: An Interview with Roddy Doyle.\u201d<\/a> Links & Letters<\/em> 6 (April 1999): 111-118. Monographic issue Word and Screen<\/em>, Sara Mart\u00edn (ed.). See also this link<\/a>.<\/p>\n\n\n\n

\u201c<\/a>Arnold Schwarzenegger, Mister Universe?: Hollywood Masculinity and the Search for the New Man<\/a>.\u201d<\/a> Atlantis<\/em> XX.1 (June 1998): 85-94. See also this link<\/a>.<\/p>\n\n\n\n

\u201cThe Invisibility of Human Suffering: The Adaptation of Novelised Biographical Material in Steven Spielberg’s Schindler’s List<\/em>, Oliver Stone’s Heaven and Earth<\/em> and Brian Gilbert’s Not without my Daughter<\/em>\u201d.<\/a> BELLS (Barcelona English Language and Literature Studies)<\/em> 9 (1998): 71-88. See also this link<\/a>.<\/p>\n\n\n\n

\u201cA Taste of the Best: Social habits in Theodore Dreiser’s Sister Carrie<\/em>, Edith Wharton’s The House of Mirth<\/em> and Abraham Cahan’s The Rise of David Levinsky<\/em>\u201d.<\/a> JASAT (Journal of the American Studies Association of Texas<\/em>) 29 (October 1998): 39-55. <\/p>\n\n\n\n

Monographic issues of academic journals (editor) <\/strong><\/h2>\n\n\n\n

Sara Mart\u00edn & V\u00edctor Mart\u00ednez-Gil (eds.), Special Cluster: The Present and Future of Catalan Science Fiction \/ Present i futur de la ci\u00e8ncia-ficci\u00f3 catalana<\/a>, Catalan Review<\/em>, 36.1, 2022.<\/p>\n\n\n\n

H\u00e9lice: Reflexiones Cr\u00edticas sobre Ficci\u00f3n Especulativa<\/em> 7.1 #30 (Spring-Summer 2021). Special issue on Posthumanism in Science Fiction<\/a>. <\/p>\n\n\n\n

Sara Mart\u00edn & Fernando \u00c1ngel Moreno (eds.). Science Fiction Studies<\/em>  44.2, #132, June 2017. Special Issue on Spanish SF<\/a>.<\/p>\n\n\n\n

Alambique<\/em> 4.2 (June 2017). Monographic issue on Manuel de Pedrolo, Mecanoscrit del segon origen<\/em> (1974)\/Typescript of the Second Origin<\/em> (2016, 2018)<\/a>.<\/p>\n\n\n\n

Links & Letters <\/em>8 (Autumn 2002). Special issue: English Studies in Spain: Aspects of Literature and Culture<\/a>.<\/p>\n\n\n\n

Links & Letters<\/em> 6 (April 1999). Special issue Word and Screen<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sara Mart\u00edn Alegre. \u201cUnder the Weight of the Anglophone Giants: Building Catalan Science Fiction (in Postmodernity).\u201d Special issue Science Fiction in Translation: Accommodation and Creativity, edited by Oriana Palusci and Mirko Casagranda. ContactZone, Vol. N\u00b0 2 (December 2025), 151-168. DOI: 10.26379\/CZ2025.2_011 Sara Mart\u00edn, \u201cThe Wilderness and the Wild Hero (Richard K. Morgan, No Man\u2019s Land, […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":58,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":4391,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/23\/revisions\/4391"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}