{"id":24,"date":"2013-03-13T10:34:17","date_gmt":"2013-03-13T10:34:17","guid":{"rendered":"https:\/\/webs.uab.cat\/saramartinalegre\/other-publications\/"},"modified":"2025-09-18T09:05:44","modified_gmt":"2025-09-18T09:05:44","slug":"other-publications","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/saramartinalegre\/other-publications\/","title":{"rendered":"Other Publications"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Chapters in non-academic books <\/strong><\/h2>\n\n\n\n<p>\u201c<em>Expediente X<\/em>: Mulder y Scully 20 a\u00f1os despu\u00e9s. Recordando c\u00f3mo aprendimos a disfrutar de las series m\u00e1s all\u00e1 de la televisi\u00f3n\u201d. <em>Yo soy m\u00e1s de series: 60 seri<\/em><a href=\"https:\/\/www.amazon.es\/SOY-Etc%C3%A9tera-FERNANDO-ANGEL-MORENO\/dp\/8416485240\" data-type=\"link\" data-id=\"https:\/\/www.amazon.es\/SOY-Etc%C3%A9tera-FERNANDO-ANGEL-MORENO\/dp\/8416485240\">https:\/\/www.amazon.es\/SOY-Etc%C3%A9tera-FERNANDO-ANGEL-MORENO\/dp\/8416485240<\/a><em>es que cambiaron la historia de la televisi\u00f3n<\/em>,&nbsp;Fernando \u00c1ngel Moreno y V\u00edctor Miguel Gallardo Barrag\u00e1n (coord.). Esdr\u00fajula, 2015. 409-17.<\/p>\n\n\n\n<p>\u201cLos l\u00edmites morales de la autoridad militar: La Almirante Helena Cain en <em>Gal\u00e1ctica: Estrella de Combate<\/em>\u201d. <em><a href=\"https:\/\/www.todocoleccion.net\/libros-segunda-mano-cine\/la-mujer-sombra-lo-femenino-cine-fantastico-terror-2009~x436349652\" data-type=\"link\" data-id=\"https:\/\/www.todocoleccion.net\/libros-segunda-mano-cine\/la-mujer-sombra-lo-femenino-cine-fantastico-terror-2009~x436349652\">Mujer en la sombra: Lo femenino en el cine fant\u00e1stico y de terror<\/a><\/em>, Lakshmi Aguirre (coord.). Semana Internacional de Cine Fant\u00e1stico y de Terror de San Sebati\u00e1n, 2009. 143-164.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>&#8220;Cinquanta anys de <em>Mecanoscrit del segon origen<\/em> de Manuel de Pedrolo: aquest aniversari i potser d&#8217;altres&#8221;. <em>Catarsi<\/em> no. 35, novembre 2024, 45-52.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/aedean.org\/wp-content\/uploads\/Nexus_2024_01.pdf\" data-type=\"link\" data-id=\"https:\/\/aedean.org\/wp-content\/uploads\/Nexus_2024_01.pdf\">On the Experience of Writing a Blog: <em>The Joys Of Teaching Literature<\/em><\/a>.\u201d <em>Nexus<\/em> 01 (2024): 30-34.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/digitalcommons.usf.edu\/alambique\/vol10\/iss1\/1\" data-type=\"link\" data-id=\"https:\/\/digitalcommons.usf.edu\/alambique\/vol10\/iss1\/1\">Fifty years of Manuel de Pedrolo\u2019s <em>Typescript of the Second Origin<\/em>: A celebration<\/a>.\u201d <em>Alambique. Revista acad\u00e9mica de ciencia ficci\u00f3n y fantas\u00eda \/ Jornal acad\u00eamico de fic\u00e7\u00e3o cient\u00edfica e fantas\u00eda <\/em>10.1 (2024): Article 1.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/elbiblionauta.com\/ca\/2022\/12\/07\/la-traduccio-i-la-ciencia-ficcio-tancant-un-primer-cicle-darticles-i-tornant-al-tema\/\">La traducci\u00f3 i la ci\u00e8ncia-ficci\u00f3: tancant un (primer) cicle d\u2019articles i tornant al tema.<\/a>\u201d <em>El Biblionauta<\/em>, 7 desembre 2022<a href=\"https:\/\/elbiblionauta.com\/ca\/2022\/12\/07\/la-traduccio-i-la-ciencia-ficcio-tancant-un-primer-cicle-darticles-i-tornant-al-tema\/\">.<\/a><\/p>\n\n\n\n<p>&#8220;<a href=\"https:\/\/elbiblionauta.com\/ca\/2021\/11\/18\/el-problema-de-les-traduccions-i-la-seleccio-doriginals\/\">El problema de les traduccions (I): La selecci\u00f3 d&#8217;originals<\/a>&#8220;, <em>El Biblionauta<\/em>, 18 novembre 2021.<\/p>\n\n\n\n<p>&#8220;<a href=\"https:\/\/elbiblionauta.com\/ca\/2021\/11\/23\/el-problema-de-les-traduccions-ii-el-paper-de-la-traduccio-automatica\/\">El problema de les traduccions (II): El paper de la traducci\u00f3 autom\u00e0tica<\/a>&#8220;, <em>El Biblionauta<\/em>, 23 novembre 2021.<\/p>\n\n\n\n<p>&#8220;<a href=\"https:\/\/elbiblionauta.com\/ca\/2021\/04\/29\/sense-plans-de-futur-la-masculinitat-a-la-ciencia-ficcio\/\">Sense plans de futur: La masculinitat a la ci\u00e8ncia ficci\u00f3<\/a>&#8220;, amb Miquel Codony, <em>El Biblionauta<\/em>, 29 abril 2021.<\/p>\n\n\n\n<p>&#8220;<a href=\"https:\/\/elbiblionauta.com\/ca\/2020\/10\/07\/ray-bradbury-artista-de-la-prosa-poetica-i-del-fantastic-america\/\">Ray Bradbury, artista de la prosa po\u00e8tica i del fant\u00e0stic americ\u00e0&#8221;<\/a>, <em>El Biblionauta<\/em>, 7 octubre 2020.<\/p>\n\n\n\n<p><a href=\"https:\/\/elbiblionauta.com\/ca\/2020\/04\/30\/isaac-asimov-lart-descriure-del-pulp-a-lexit-universal\/\">&#8220;Isaac Asimov: L&#8217;art d&#8217;escriure, del pulp a l&#8217;\u00e8xit universal&#8221;<\/a>, <em>El Biblionauta<\/em>, 1 maig 2020.<\/p>\n\n\n\n<p><a href=\"https:\/\/elbiblionauta.com\/ca\/2019\/01\/14\/dubtes-al-voltant-del-feminisme-mecanoscrit-del-segon-origen-per-sara-martin\/\">&#8220;Dubtes al voltant del feminisme: <em>Mecanoscrit del segon origen<\/em> (per Sara Mart\u00edn)&#8221;<\/a>, <em>El Biblionauta<\/em>, 14 gener 2019.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.observatoridelesdones.org\/mujeres-y-ciencia-ficcion\/\">\u201cMujeres y ciencia ficci\u00f3n\u201d<\/a>, <em>Observatori de les dones<\/em>, 2008 .<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-Entre-Darcy-y-Heathcliff-S-Martin.pdf\" data-type=\"link\" data-id=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-Entre-Darcy-y-Heathcliff-S-Martin.pdf\">Entre Darcy y Heathcliff: Jane Austen y las Hermanas Bront\u00eb en el cine y la televisi\u00f3n<\/a>\u201d. <em>Quimera<\/em> 265 (diciembre 2005): 42-46.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-King-y-Pratchett-S-Martin.pdf\" data-type=\"link\" data-id=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-King-y-Pratchett-S-Martin.pdf\">\u00cddolos del fant\u00e1stico popular: el g\u00f3tico cotidiano de Stephen King y la s\u00e1tira pseudo-hist\u00f3rica de Terry Pratchett<\/a>\u201d. <em>Quimera<\/em> 218-19 (julio-agosto 2002): 78-85. N\u00famero doble monogr\u00e1fico Double monographic issue <em>Lo Fant\u00e1stico: Literatura y Subversi\u00f3n<\/em>, David Roas (coord.).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Interviews<\/strong><\/h2>\n\n\n\n<p><a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice. 2019 Oto\u00f1o-Invierno MARTIAN POLITICS AND THE HARD-BOILED ANTI-HERO.pdf\">\u201cMartian Politics and the Hard-Boiled Anti-Hero: Richard Morgan\u2019s <em>Thin Air<\/em>\u201d<\/a>, <em>H\u00e9lice: Reflexiones cr\u00edticas sobre ficci\u00f3n especulativa<\/em> 11.4 (#25) (December 2018): 84-95. Versi\u00f3n en <a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice.%202019%20Oto%C3%B1o-Invierno%20LA%20POLTICA%20MARCIANA%20Y%20EL%20ANTIHROE%20CURTIDO.pdf\" data-type=\"link\" data-id=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice.%202019%20Oto%C3%B1o-Invierno%20LA%20POLTICA%20MARCIANA%20Y%20EL%20ANTIHROE%20CURTIDO.pdf\">castellano<\/a>: &#8220;La pol\u00edtica marciana y el antih\u00e9roe curtido: <em>Thin Air<\/em>, novela de Richard Morgan&#8221;, <em>H\u00e9lice<\/em> 11.4 (#25) (December 2018): 96-109.<\/p>\n\n\n\n<p><a href=\"https:\/\/ddd.uab.cat\/record\/132013\">\u201cRichard K. Morgan\u2019s <em>Black Man\/Thirteen<\/em>: A Conversation\u201d<\/a>. 2015. NOTA: el documento incluye la versi\u00f3n en castellano, &#8220;Una conversaci\u00f3n con Richard K. Morgan sobre su novela <em>Black Man\/Thirteen<\/em>.&#8221; 2015.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-Entrevista-Eagleton-S-Martin.pdf\" data-type=\"link\" data-id=\"https:\/\/webs.uab.cat\/saramartinalegre\/wp-content\/uploads\/sites\/189\/2025\/01\/Quimera-Entrevista-Eagleton-S-Martin.pdf\">Todos somos Marxistas: Entrevista con Terry Eagleton<\/a>\u201d. <em>Quimera<\/em> 242-243 (abril 2004): 83-91. NOTE: You can find <a href=\"https:\/\/ddd.uab.cat\/record\/218621\" data-type=\"link\" data-id=\"https:\/\/ddd.uab.cat\/record\/218621\">here<\/a> the full interview in its original English language. 2004.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.barcelonareview.com\/30\/e_nh_int.htm\">\u201cHow to Be (a) Good (Novelist): An Interview with Nick Hornby\u201d<\/a>. <em>The Barcelona Review<\/em> 30 (May-June 2002). Versi\u00f3n en <a href=\"https:\/\/ddd.uab.cat\/record\/166661\" data-type=\"link\" data-id=\"https:\/\/ddd.uab.cat\/record\/166661\">castellano<\/a>: &#8220;C\u00f3mo ser (un) buen (novelista): Entrevista con Nick Hornby\u201d. 2002.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.barcelonareview.com\/19\/e_pa_int.htm\">\u201cWorlds at War: An Interview with Patricia Anthony\u201d.<\/a> <em>The Barcelona Review<\/em> 19 (July-August 2000).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Guest blog contributions<\/strong><\/h2>\n\n\n\n<p><a href=\"https:\/\/blogs.publico.es\/el-cuarto-poder-en-red\/2015\/04\/29\/juego-de-tronos-y-pablo-iglesias-busquemos-otras-ficciones\/?doing_wp_cron=1430669957.3512148857116699218750\">&#8220;<em>Juego de Tronos<\/em> y Pablo Iglesias: Busquemos otras ficciones&#8221;<\/a>. <em>El cuarto poder en red<\/em> (Blogs de <em>Publico.es<\/em>), 29 abril 2015.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.rirca.es\/buenas-razones-para-ver-expediente-x\/\">&#8220;Buenas razones para ver <em>Expediente X<\/em>&#8220;<\/a><em>. RIRCA: Representaci\u00f3n Ideol\u00f3gica y Reccepci\u00f3n en la Cultura Audiovisual, <\/em>16 mayo 2015.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Book reviews (selection, last ten years) <\/strong><\/h2>\n\n\n\n<p>\u201cThe Major Importance of Minor Characters.\u201d <em>In Praise of the Minor Character: The Importance of Peripheral Figures in Victorian Literature<\/em>: by Grace Pregent, Jefferson, NC: McFarland &amp; Co., 2023, 192 pp., \u00a346.99 (paperback), ISBN 9781476687278. <em>Journal of Victorian Culture<\/em> 2025, Vol. 00, No. 00, 1\u20133. <a href=\"https:\/\/doi.org\/10.1093\/jvcult\/vcaf017\">https:\/\/doi.org\/10.1093\/jvcult\/vcaf017<\/a><\/p>\n\n\n\n<p><em>\u201cHyperspace to Hypertext: Masculinity, Globalization, and Their Discontents,<\/em> by Christopher Leslie.\u201d<em> SFRA Review <\/em>54.4 (Fall 2024): 43-45. <a href=\"https:\/\/sfrareview.org\/2024\/10\/27\/hyperspace-to-hypertext-masculinity-globalization-and-their-discontents\/\">https:\/\/sfrareview.org\/2024\/10\/27\/hyperspace-to-hypertext-masculinity-globalization-and-their-discontents\/<\/a><\/p>\n\n\n\n<p>\u201cRoss Clare,<em> Ancient Greece and Rome in Modern Science Fiction.<\/em>\u201d<em>Foundation<\/em> 149, 53.3 (Winter 2024): 101-104.<\/p>\n\n\n\n<p>\u200b\u201c<a href=\"https:\/\/aedean.org\/wp-content\/uploads\/Nexus_2024_01.pdf\" data-type=\"link\" data-id=\"https:\/\/aedean.org\/wp-content\/uploads\/Nexus_2024_01.pdf\">Vivir sola es morir. El modernismo comunitario de Katherine Mansfield. Gerardo Rodr\u00edguez Salas<\/a>.\u201d <em>Nexus<\/em> 01 (2024): 163-166.<\/p>\n\n\n\n<p>\u201c<em>Representing (Post) Human Enhancement Technologies in Twenty-First Century US<\/em> <em>Fiction<\/em> by Carmen Laguarta-Bueno\u201d. <em>Journal of Posthuman Studies<\/em>, 7.1, 2023, 105-107.<\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/muse.jhu.edu\/pub\/105\/article\/901265\" data-type=\"URL\" data-id=\"https:\/\/muse.jhu.edu\/pub\/105\/article\/901265\">Pablo G\u00f3mez-Mu\u00f1oz, <em>Science Fiction Cinema in the Twenty-First Century: Transnational Futures, Cosmopolitan Concerns<\/em>. London: Routledge, 2023. 181pp. US$36.00 (pbk)<\/a>\u201d. <em>Science Fiction Film and Television<\/em>, Vol. 16, no. 1-2, 2023, 202-206.<\/p>\n\n\n\n<p>\u201cSF as Historical Allegory: Apocalypse and Democracy in Spain. Dale Knickerbocker. <em>Spain is Different?: Historical Memory and the \u201cTwo Spains\u201d in Turn-of-the-millennium Spanish Apocalyptic Fictions<\/em>.\u201d <em><a href=\"https:\/\/www.depauw.edu\/sfs\/birs\/bir148.html#knickerbocker\" data-type=\"URL\" data-id=\"https:\/\/www.depauw.edu\/sfs\/birs\/bir148.html#knickerbocker\">Science Fiction Studies<\/a><\/em> #148, Volume 49, Part 3 (November 2022): 574-576.<\/p>\n\n\n\n<p><a href=\"https:\/\/elbiblionauta.com\/ca\/2020\/03\/18\/proserpina-1832-mary-w-shelley\/\">&#8220;<em>Pros\u00e8rpina<\/em> &#8211; Mary W. Shelley&#8221;<\/a>, <em>El Biblionauta<\/em>, 18 mar\u00e7 2020.<\/p>\n\n\n\n<p><a href=\"https:\/\/elbiblionauta.com\/ca\/2019\/11\/12\/catwings-1988-ursula-k-le-guin\/\">&#8220;<em>CatWings<\/em> &#8211; Ursula K. LeGuin<\/a>&#8220;, <em>El Biblionauta<\/em>, 12 novembre 2019.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice. 2019 Oto\u00f1o-Invierno THE TAINTED ATMOSPHERE OF MARTIAN POLITICS.pdf\">\u201cThe Tainted Atmosphere of Martian Politics\u201d<\/a>, review of <em>Thin Air<\/em> by Richard Morgan. <em>H\u00e9lice: Reflexiones cr\u00edticas sobre ficci\u00f3n especulativa<\/em> 11.4, #25 (December 2018): 78-80. Versi\u00f3n en castellano <a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice. 2019 Oto\u00f1o-Invierno LA ATMOSFERA VICIADA DE LA POLITICA MARCIANA.pdf\">&#8220;<\/a><a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice.%202019%20Oto%C3%B1o-Invierno%20LA%20ATM%C3%93SFERA%20VICIADA%20DE%20LA%20POL%C3%8DTICA%20MARCIANA.pdf\" data-type=\"link\" data-id=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice.%202019%20Oto%C3%B1o-Invierno%20LA%20ATM%C3%93SFERA%20VICIADA%20DE%20LA%20POL%C3%8DTICA%20MARCIANA.pdf\">La atm\u00f3sfera viciada de la pol\u00edtica marciana, rese\u00f1a de <em>Thin Air<\/em> de Richard Morgan<\/a><a href=\"https:\/\/www.revistahelice.com\/revista_textos\/n_25\/Helice. 2019 Oto\u00f1o-Invierno LA ATMOSFERA VICIADA DE LA POLITICA MARCIANA.pdf\">&#8220;, <\/a><em>H\u00e9lice<\/em> 11.4, #25 (Diciembre 2018): 81-83.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.sfra.org\/resources\/Pictures\/SFRA%20318.pdf\">&#8220;<em>On the Origin of Superheroes: From the Big Bang to Action Comics No. 1 <\/em>by Chris Gavaler&#8221;<\/a>. <em>SFRA Review #<\/em> 318 (Autumn 2016): 24-26.<\/p>\n\n\n\n<p><a href=\"https:\/\/revistes.ub.edu\/index.php\/lectora\/article\/view\/Lectora2016.22.21\/19827\">&#8220;<em>Cuerpos de cine. Masculinidades carnales en el cine y la cultura popular contempor\u00e1neos<\/em>, Santiago Fouz Hern\u00e1ndez&#8221;.<\/a> <em>Lectora <\/em>22 (2016): 234-236.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.atlantisjournal.org\/index.php\/atlantis\/article\/view\/359\">&#8220;Xavier Aldana Reyes, <em>Body Gothic: Corporal Transgression in Contemporary Literature and Horror Film<\/em>&#8220;<\/a>. <em>Atlantis <\/em>38.1 (June 2016): 269-273.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Other internet publications<\/strong><\/h2>\n\n\n\n<p>Encyclopedia entry (contribution): <a href=\"https:\/\/www.sf-encyclopedia.com\/entry\/de_pedrolo_manuel\">&#8220;Manuel de Pedrolo&#8221;<\/a>. <em>Encyclopedia of Science Fiction<\/em>, 2015.<\/p>\n\n\n\n<p><em>Feature Articles: Women and WWI: An Overview<\/em>: <a href=\"https:\/\/www.firstworldwar.com\/features\/womenww1_intro.htm\" data-type=\"link\" data-id=\"https:\/\/www.firstworldwar.com\/features\/womenww1_intro.htm\">Introduction<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_one.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_one.htm\">Women at the Front<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_two.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_two.htm\">The Home Front<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_three.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_three.htm\">Feminist\/Non-Feminist<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_four.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_four.htm\">Temporary Men<\/a>;<a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_four.htm\"> <\/a><a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_five.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_five.htm\">Ventriloquism<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_six.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_six.htm\">Women Writers<\/a>; <a href=\"http:\/\/www.firstworldwar.com\/features\/womenww1_seven.htm\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\/features\/womenww1_seven.htm\">Bibliography &amp; Links<\/a>.&nbsp; 2009. <em><a href=\"http:\/\/www.firstworldwar.com\" data-type=\"link\" data-id=\"http:\/\/www.firstworldwar.com\">First World War.Com: The War to End All Wars<\/a><\/em> by Michael Duffy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chapters in non-academic books \u201cExpediente X: Mulder y Scully 20 a\u00f1os despu\u00e9s. Recordando c\u00f3mo aprendimos a disfrutar de las series m\u00e1s all\u00e1 de la televisi\u00f3n\u201d. Yo soy m\u00e1s de series: 60 serihttps:\/\/www.amazon.es\/SOY-Etc%C3%A9tera-FERNANDO-ANGEL-MORENO\/dp\/8416485240es que cambiaron la historia de la televisi\u00f3n,&nbsp;Fernando \u00c1ngel Moreno y V\u00edctor Miguel Gallardo Barrag\u00e1n (coord.). Esdr\u00fajula, 2015. 409-17. \u201cLos l\u00edmites morales de la [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-24","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":37,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":4198,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/24\/revisions\/4198"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}