{"id":31,"date":"2013-03-13T18:21:47","date_gmt":"2013-03-13T18:21:47","guid":{"rendered":"https:\/\/webs.uab.cat\/saramartinalegre\/ma-supervision\/"},"modified":"2025-12-11T10:23:40","modified_gmt":"2025-12-11T10:23:40","slug":"ma-supervision","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/saramartinalegre\/ma-supervision\/","title":{"rendered":"MA\/TFM Dissertation Supervision"},"content":{"rendered":"\n

If you want to know how to write an MA\/TFM dissertation, read the document “Working on a Dissertation (and beyond)<\/a>“.<\/p>\n\n\n\n

I have supervised so far the following MA\/TFM dissertations in 5 programmes, English Studies: Linguistic, Literary and Sociocultural Perspectives, Advanced English Studies, Advanced English Studies: Literature and Culture (the ones in English), Literatura Comparada: Estudios Literarios y Culturales (in Spanish and Catalan), and Estudis Teatrals (in Catalan).<\/p>\n\n\n\n

MA\/TFM Dissertations<\/strong><\/h2>\n\n\n\n

Jules Otero Besol\u00ed, A Last Twinge of Humanity Too Thin to Be Called Pain: Bio\/Cyber\/Post\/Transhumanism in Bruce Sterling\u2019s Schismatrix Plus<\/em>. 2025.<\/p>\n\n\n\n

Karina Mercedes Mart\u00ednez, Trouble on Tralfamadore: Sex and Gender in Slaughterhouse-Five<\/em> from the Second World War to Second Wave Feminism<\/a>. 2024.<\/p>\n\n\n\n

Sara Arenas Contreras, Painfully Normal: Connell\u2019s Brittle Masculinity in Sally Rooney\u2019s Normal People<\/em><\/a>. 2022.<\/p>\n\n\n\n

Cristina Espejo Navas, The New Fairy Tale: Subverting Genre and Characterization in Diana Wynne-Jones Howl\u2019s Moving Castle<\/em> and its Film Adaptation<\/a>. 2021.<\/p>\n\n\n\n

Alyce Corbett, The Modernist Crisis of Meaning: Parallels in Stream of Consciousness Writing and Avant-garde Cinema across Europe, the United Kingdom and the United States<\/a>. 2020.<\/p>\n\n\n\n

Alexandra Camp Mart\u00ednez, Far Above the World: Representations of Masculinity in 21st Century SF Cinema. 2020.<\/p>\n\n\n\n

Alvin\/Ng Chung Fung, “You\u2019re just Out of Practice\u201d: James Bond, the Incompetent Womaniser in Thunderball<\/em> (1965), Moonraker<\/em> (1979), Golden Eye<\/em> (1995) and Casino Royale<\/em> (2006). 2019.<\/p>\n\n\n\n

Montserrat Pons Nusa, Queer and Crippled: Intersectional Feminism in Nicola Griffith’s So Lucky<\/em><\/a>. 2018.<\/p>\n\n\n\n

Ana S\u00e1ez Garrido, Temporary Transgenderism in Charles Stross’s Glasshouse<\/em>: Patriachal Suburbia and the Limits of the Post-human<\/a>. 2018.<\/p>\n\n\n\n

Laura Luque i Brugu\u00e9, Disempowering the Witch: A Patriarchal Portrait of the Witch in Anne Rice\u2019s <\/a>The Lives of the Mayfair Witches<\/a>.<\/em> 2017.<\/p>\n\n\n\n

Albert M\u00e9ndez Panad\u00e9s, In the Republic of Happiness<\/em>, o la hipertr\u00f2fia del jo: Una par\u00f2dia del narcissisme en la societat tardo-capitalista segons Martin Crimp<\/a>. 2017.<\/p>\n\n\n\n

Salvador Bas Folch, Post-apocalyptic Steampunk in Young Adult\u2019s Literature: Discussing Genre in Philip Reeve\u2019s Mortal Engines Quartet<\/em>, 2016.<\/p>\n\n\n\n

Antonio Alberto G\u00f3mez P\u00e9rez, La digitalitat en la dansa: Una valoraci\u00f3 de les eines pel proc\u00e9s de creaci\u00f3 i el seu aprenentatge en un centre superior de dansa<\/a>. 2016.<\/p>\n\n\n\n

Jordana Lopez-da Silva, Convention and Defiance: The Female Hero\u2019s Performance of Gender Roles in The Hunger Games <\/em>and the Divergent Series<\/em><\/a>, 2016.<\/p>\n\n\n\n

Eduardo Gonz\u00e1lez de la Fuente, De pu\u00f1o y letra: Boxeo y cultura de masas en tres relatos de Jack London<\/a>, 2015. See also the article<\/a> in the journal 452\u00ba Farenheit.<\/em><\/p>\n\n\n\n

Jos\u00e9 Esteban Viera Betancor, Striving for Visibility: Representations of Elderly Gay Men in Christopher Bram\u2019s Father of Frankenstein<\/em> and ITV\u2019s Vicious<\/em><\/a>. 2015.<\/p>\n\n\n\n

Melissa Caro Lancho, Contributions to Bisexual Erasure: The (Mis)Representations of Bisexuality in Netflix\u2019s Orange Is the New Black <\/em>and BBC\u2019S Torchwood<\/em><\/a>.<\/em> 2015.<\/p>\n\n\n\n

Camila Rojas, Confronting Traditional Love: the Evolution of the Representation of \u2018True Love\u2019 in Disney\u2019s Princess Movies (1990s to the Present)<\/a>. 2015.<\/p>\n\n\n\n

Francesca Pol, La construcci\u00f3 del personatge secundari i la masculinitat a la novel\u00b7la meravellosa: el cas de Severus Snape a la S\u00e8rie Harry Potter.<\/em> 2014.<\/p>\n\n\n\n

Laia Casta\u00f1\u00f3n Abad, A Scandal on Screen: A Gendered Reading of Arthur Conan Doyle’s Characters in BBC’s Sherlock <\/em>and Elementary<\/em><\/a>.<\/em> 2014.<\/p>\n\n\n\n

Rub\u00e9n Cenamor Pons, Son of Depression, Man of Anxiety: Frank Wheeler\u2019s Patriarchal American Masculinity in Richard Yates\u2019s Revolutionary Road<\/em><\/a>.<\/em> 2013.<\/p>\n\n\n\n

Montse Esta\u00f1ol, The Love Marriage: Challenging Victorian Myths in Anne Bront\u00eb\u2019s The Tenant of Wildfell Hall<\/em><\/a>. <\/em>2012.<\/p>\n\n\n\n

Jon Goenaga Aldai, From Black Humour to Gothic Fiction:The Different Representations of Sweeney Todd, the Demon Barber of Fleet Street. 2011.<\/p>\n\n\n\n

Jaume Llorens, La invasi\u00f3n en la ciencia ficci\u00f3n y la construcci\u00f3n de la identidad americana<\/a>. <\/em>2010.<\/p>\n\n\n\n

Maria Gener, Patriarchy and Gay Male Identity: Richard\u2019s Silenced Trauma in Michael Cunningham\u2019s The Hours<\/em> (1998).<\/em> 2009.<\/p>\n\n\n\n

Auba Llompart, Patriarchal Hauntings: Re-reading Villainy and Gender in Daphne du Maurier\u2019s Rebecca<\/em><\/a>.<\/em> 2008.<\/p>\n\n\n\n

Dolors Bosch, De More a Moore: De la utopia al cos, i a l’inrev\u00e9s<\/a>. 2007.<\/p>\n\n\n\n

DOCTORAL THESES\/TESINAS<\/strong><\/h2>\n\n\n\n

Diego Falcon\u00ed Tr\u00e9velez, Subversi\u00f3n de las identidades narrativas mestizas y queers (cursiva) en la narrativa de los Andes contempor\u00e1neos<\/a>. 2009. Co-supervised with Dr. Meri Torras.<\/p>\n\n\n\n

Rafael Miranda Huereca, The Quest for Cyberpunk: Gender and Patriarchy in Neale Stephenson\u2019s The Diamond Age<\/em>. 2008.<\/p>\n\n\n\n

Javier Alacio, Displacement in Gay Literature. 2002.<\/p>\n","protected":false},"excerpt":{"rendered":"

If you want to know how to write an MA\/TFM dissertation, read the document “Working on a Dissertation (and beyond)“. I have supervised so far the following MA\/TFM dissertations in 5 programmes, English Studies: Linguistic, Literary and Sociocultural Perspectives, Advanced English Studies, Advanced English Studies: Literature and Culture (the ones in English), Literatura Comparada: Estudios […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":19,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":4295,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/31\/revisions\/4295"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}