{"id":34,"date":"2013-07-05T14:21:26","date_gmt":"2013-07-05T14:21:26","guid":{"rendered":"https:\/\/webs.uab.cat\/saramartinalegre\/ba-dissertations-tfg\/"},"modified":"2025-12-18T14:47:36","modified_gmt":"2025-12-18T14:47:36","slug":"ba-dissertations-tfg","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/saramartinalegre\/ba-dissertations-tfg\/","title":{"rendered":"BA\/TFG Dissertations"},"content":{"rendered":"\n

If you want to know how to write a BA\/TFG dissertation, read the document “Working on a Dissertation (and beyond)<\/a>“.<\/p>\n\n\n\n

I have supervised so far the following BA\/TFG dissertations:<\/p>\n\n\n\n

2024-25<\/h2>\n\n\n\n

Mireia Avil\u00e9s Jim\u00e9nez, \u201cLiminal Existences: Marginalised Voices and Narrative Disruption in Ali Smith\u2019s Hotel World<\/em>.\u201d<\/a><\/p>\n\n\n\n

Margarita Pujol Porsell, \u201cHuman Relationships in the Age of AI: Love, Loneliness and the Soul in the Dystopian Society of Kazuo Ishiguro\u2019s Klara and the Sun<\/em>.\u201d<\/p>\n\n\n\n

2023-24<\/h2>\n\n\n\n

Alba Dom\u00ednguez Jim\u00e9nez, “Sophie Hatter\u2019s unconventional Bildungsroman in
Diana Wynne Jones Howl\u2019s Moving Castle<\/em>.”<\/a><\/p>\n\n\n\n

Alba Font Caparr\u00f3s, “The Death of Femininity: Subverting Traditional Gender Stereotypes in a Postfeminist Age through Ottessa Moshfegh\u2019s My Year of Rest and Relaxation<\/em><\/a>.”<\/p>\n\n\n\n

Jules Otero i Besol\u00ed, “Cyborgs and Creatures: Transhumanism and Posthumanism through Dan Simmon\u2019s Hyperion<\/em><\/a>.”<\/p>\n\n\n\n

Laura Navarro, “Obviously, Doctor, You\u2019ve Never been a Thirteen-year-old Girl\u201d: The Virgin Suicides<\/em> and the Glamourizing and Aspirational Rise of the \u201cSad Girl\u201d Trope<\/a>.”<\/p>\n\n\n\n

2022-23<\/h2>\n\n\n\n

Alba Guijarro S\u00e1nchez, \u201cAn Outsider in Suburbia: How Non-Hegemonic Masculinity is Defended in Tim Burton\u2019s Edward Scissorhands<\/em>\u201d.<\/p>\n\n\n\n

Lide Kortabarria S\u00e1nchez, \u201cThe Magnetic Pull of the \u201cHot Priest\u201d: A Deeper Look into the Priest\u2019s Appeal to Fleabag in the TV Series Fleabag<\/em>\u201d<\/a>.<\/p>\n\n\n\n

Cristina Franco Rosillo, \u201cThe Construction and Evolution of Otherness in Joseph Sheridan Le Fanu\u2019s Carmilla<\/em> and its Film Adaptation by Emily Harris: From Marginalisation to Appropriation and Criticism\u201d<\/a>.<\/p>\n\n\n\n

2021-22<\/strong><\/h2>\n\n\n\n

Lisandra Mu\u00f1oz Cabrera, \u201cLights and Shadows in Disney-Pixar\u2019s Luca<\/em>: From Normalizing Tender Masculinity and Intimacy between Young Boys to Perpetuating Heteronormativity in Children\u2019s Cinema\u201d<\/a>.<\/p>\n\n\n\n

Manar Kamouni Akachoui, \u201c\u2018Ready to Wear the Hijab\u2019<\/em>: The Coexistence of Muslim Identity and Western Culture in Randa Abdel-Fattah\u2019s Does My Head Look Big In This?<\/em>\u201d<\/p>\n\n\n\n

Maria Giol Mu\u00f1oz, \u201cConverging Love Dynamics: Nineteenth-Century Romance and New Millennial Discourse in Sally Rooney\u2019s Normal People<\/em>\u201d.<\/p>\n\n\n\n

2020-21<\/strong><\/h2>\n\n\n\n

Pol Vinyeta Muncunill. \u201cDon\u2019t Trust the Candy Man: A Reading of Willy Wonka\u2019s Enjoyable Villainy in Charlie and the Chocolate Factory<\/em> and Its Film Adaptations\u201d<\/a>.<\/p>\n\n\n\n

Roc\u00edo Bueno Mora. \u201cClass Tension and Conflict Resolution: The Impact of Social Class on Teen Friendships in Maggie Stiefvater\u2019s The Raven Cycle<\/em>\u201d.<\/p>\n\n\n\n

Andrea Delgado L\u00f3pez. \u201cRunning Away from White America: Challenging Patriarchal Masculinities through Childish Gambino\u2019s Music Video ‘This Is America'”<\/a>.<\/p>\n\n\n\n

Gala Moreno Camacho, \u201cBetween Superstition and Religion: The Double Victimization of Mother and Daughter in Kathleen Kent\u2019s The Heretic\u2019s Daughter<\/em>\u201d.<\/p>\n\n\n\n

2019-20<\/strong><\/h2>\n\n\n\n

\u00c0lex Dalmau Barreal, \u201cTo Speak or to Die: The Importance and Achievements of Luca Guadagnino\u2019s Call Me by Your Name<\/em> (2017)\u201d<\/a>.<\/p>\n\n\n\n

Laura Gonz\u00e1lez Herrero, \u201cA Tenacious Ragdoll among Monsters: Sally\u2019s Identity in Nightmare Before Christmas<\/em> (1993)\u201d. See it published as an article here<\/a>.<\/p>\n\n\n\n

Sandra Alfaro L\u00f3pez, \u201cLiving in a Mad Fat Body: The Negative Effects of Body Dissatisfaction and Mental Illness on the Female Protagonist in My Mad Fat Diary<\/em>\u201d<\/a>.<\/p>\n\n\n\n

2018-19<\/strong><\/h2>\n\n\n\n

Lidia Castillo Rebollo, \u201cChanging Gender Representations in Cinema: Femininity and Masculinity in Disney\u2019s Moana<\/em>\u201d<\/a>.<\/p>\n\n\n\n

Isabel Garc\u00eda Serrano, \u201cAn Icarus\/Daedalus Dynamic: The Construction of the Father and of Autobiographical Truth in Alison Bechdel\u2019s Fun Home<\/em>\u201d<\/a>.<\/p>\n\n\n\n

Paula Aguilera Mart\u00ednez, \u201cSimon Spier\u2019s Process to Sexual Identity Formation: Guilt in Becky Albertalli\u2019s Simon vs. the Homo Sapiens Agenda<\/em>\u201d<\/a>.<\/p>\n\n\n\n

Alba Sierra Berd\u00fan, \u201cFinding a Story in a Book without a Story: Constructing a Narrative in Shaun Tan\u2019s Picturebook The Red Tree<\/em>\u201d<\/a>.<\/p>\n\n\n\n

2017-18<\/strong><\/h2>\n\n\n\n

Paola Nicol\u00e1s Flores, \u201cAt Odds: Women\u2019s  Independence and Power in Margaret Oliphant\u2019s Novel Hester<\/em> (1883)\u201d<\/a>.<\/p>\n\n\n\n

Agn\u00e8s Gasc\u00f3n Quintana, \u201cThe Deconstruction of the Mountain Men’s Wilderness: Environmental Ethics in Abe Andrew\u2019s Novel The Word for Woman is Wilderness <\/em>(2018)\u201d<\/a>.<\/p>\n\n\n\n

Clara L\u00f3pez Barrab\u00e9s, \u201cNavigating Middle-Class Expectations: Social Class, Gender, and Lesbian Sexuality in Patricia Highsmith\u2019s The Price of Salt<\/em>\u201d.<\/p>\n\n\n\n

Marc Balt\u00e0, \u201c\u2018Paradise Found, Paradise Lost\u2019: The Abolition of Labels and Contemporary Love in Andr\u00e9 Aciman\u2019s Call Me by Your Name<\/em>\u201d.<\/p>\n\n\n\n

Andrea Atrio Albano, \u201cSilenced Women: Gender Representation, and Narrative Techniques in Naughty Dog\u2019s The Last of Us<\/em>\u201d<\/a>.<\/p>\n\n\n\n

2016-17<\/strong><\/h2>\n\n\n\n

Josu\u00e9 Mart\u00ednez Rodr\u00edguez, \u201cPlaying with Choice: Agency, Plot and Character in Telltale’s The Walking Dead<\/em> Video Game Series\u201d<\/a>.<\/p>\n\n\n\n

Ana S\u00e1ez Garrido, \u201cDiscourses of Masculinity in Suzanne Collins\u2019 The Hunger Games <\/em>Trilogy: Defending the Alternative Man, Peeta Mellark\u201d<\/a>.<\/p>\n\n\n\n

Pablo S\u00e1nchez L\u00f3pez, \u201cAn (Un)feasible Gay Planet: The Vital Intercession of Women in the Continuity of Athos in Lois McMaster Bujold\u2019s Ethan of Athos<\/em>\u201d<\/a>.<\/p>\n\n\n\n

2015-2016<\/strong><\/h2>\n\n\n\n

Araceli Messegu\u00e9. \u201c\u2018That Alien. That Ugly. That Powerful\u2019: An Analysis of the Oankali as the Monstrous Other in Octavia Butler\u2019s Lilith\u2019s Brood<\/em>\u201d<\/a>. See it also published as an article here<\/a>.<\/p>\n\n\n\n

Sandra Hern\u00e1ndez. \u201cVictimization and Guilt as Two Sides of the Same Coin: Andrew \u2018Ender\u2019 Wiggin\u2019s Duality in Ender\u2019s Game<\/em>\u201d<\/a>.<\/p>\n\n\n\n

2014-15<\/strong><\/h2>\n\n\n\n

Jana Bar\u00f3, “‘Witch-oil’: Subversive Female Mentors in Philip Pullman’s His Dark Materials<\/em>“<\/a>.<\/p>\n\n\n\n

Teodora Toma, “Fluid Identities and Gendered Intimacies: the Indeterminate Narrator in Jeanette Winterson\u2019s Written on the Body<\/em>“<\/a>.<\/p>\n\n\n\n

Susana Gonz\u00e1lez, “A Flawed Father: Downplaying Fatherhood through the Character of James Potter in Harry Potter<\/em>“<\/a>.<\/p>\n\n\n\n

2013-14<\/strong><\/h2>\n\n\n\n

Lara Blasco, “Beyond the Hero\u2019s Journey: The Concept of Heroism Applied to the Harry Potter<\/em> Series”.<\/p>\n\n\n\n

Marta Oreja, “\u201cWhat Will I Do While I\u2019m Lasting?\u201d: Joy\u2019s Traumatic Experience as Daughter, Mistress and Lover in Janice Galloway\u2019s The Trick is to Keep Breathing<\/em>“<\/a>.<\/p>\n\n\n\n

Elisabet Vioque, “‘Art Thou a Man?\u2019 Representations of Romeo\u2019s Masculinity in Romeo in Franco Zeffirelli\u2019s Romeo and Juliet<\/em> and Baz Luhrmann\u2019s William Shakespeare\u2019s Romeo + Juliet<\/em>“.<\/p>\n\n\n\n

2012-13<\/strong><\/h2>\n\n\n\n

Melissa Caro, “Holmes and Watson or Sherlock and John: A Homoerotic Reading of Conan Doyle\u2019s Characters in BBC\u2019s Sherlock<\/em>“<\/a>.<\/p>\n\n\n\n

Diana Diaz, “The Consequences of Patriarchy in Roddy Doyle’s The Woman Who Walked into Doors<\/em>“<\/a>.<\/p>\n\n\n\n

Ruben Campos, “Recycling High Culture in Science Fiction: Homer and Shakespeare in Dan Simmons\u2019s Ilium<\/em> and Olympos<\/em>“<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

If you want to know how to write a BA\/TFG dissertation, read the document “Working on a Dissertation (and beyond)“. I have supervised so far the following BA\/TFG dissertations: 2024-25 Mireia Avil\u00e9s Jim\u00e9nez, \u201cLiminal Existences: Marginalised Voices and Narrative Disruption in Ali Smith\u2019s Hotel World.\u201d Margarita Pujol Porsell, \u201cHuman Relationships in the Age of AI: […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-34","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":23,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/34\/revisions"}],"predecessor-version":[{"id":4301,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/pages\/34\/revisions\/4301"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}