{"id":1185,"date":"2016-03-29T12:37:57","date_gmt":"2016-03-29T10:37:57","guid":{"rendered":"http:\/\/blogs.uab.cat\/saramartinalegre\/?p=1185"},"modified":"2016-03-29T12:37:57","modified_gmt":"2016-03-29T10:37:57","slug":"and-supermen-reading-grant-morrisons-supergods","status":"publish","type":"post","link":"https:\/\/webs.uab.cat\/saramartinalegre\/2016\/03\/29\/and-supermen-reading-grant-morrisons-supergods\/","title":{"rendered":"\u2026AND SUPERMEN: READING GRANT MORRISON\u2019S SUPERGODS<\/em> <\/strong>"},"content":{"rendered":"

[This is my 400th post and I want to thank all of you, readers. I feel very embarrassed when someone sends me a message or approaches me with a kind word but it is also a great pleasure. I do hope you also get a little bit of that from reading my raving and ranting. Thanks!!]<\/p>\n

One of the most exciting perks of being a teacher is how much one learns from students. Until last January I had no idea who Grant Morrison was and then, suddenly, my doctoral students Ang\u00e9lica and Matteo decided to enlighten me from very different fronts and without even having met. You won\u2019t believe me but I heard the words \u2018Grant Morrison\u2019 from their lips on the very same day\u2013serendipity! If you are a comic book lover, I\u2019m sure you must be thinking that my ignorance of Morrison\u2019s oeuvre<\/em> is simply appalling\u2026 and I would agree now that I know that he is one of the greatest new voices in the recent renewal of the superhero universe caused by the \u2018British invasion\u2019 (Morrison is a Glaswegian). The Brits, he explains, \u201cdragged superhero comics out of the hands of archivists and sweaty fan boys and into the salons of hipsters. In our hands, the arrogant scientific champions of the Silver Age would be brought to account in a world of shifting realpolitik and imperial expansionist aggression.\u201d<\/p>\n

I don\u2019t wish to comment here on Morrison\u2019s long career (https:\/\/en.wikipedia.org\/wiki\/Grant_Morrison<\/a>) but on his essay Supergods<\/em> (2011). This is an irregular volume both because there are more accomplished introductions to the superhero but also because Morrison\u2019s self-portrait of the artist is too sketchy. The insights into his own career range from down-to-earth financial aspects to his candid report of an out-of-earth crucial paranormal experience. All this, coming from the horse\u2019s mouth is fascinating but, as I say, not fulfilling enough. Guided by Matteo\u2019s interest in the mythopoesis of the superhero and Ang\u00e9lica\u2019s curiosity about Morrison\u2019s approach to scientific notions of the multiverse, I have, nonetheless, quite enjoyed Supergods<\/em>.<\/p>\n

This is the opening week for Zack Snyder\u2019s blockbuster Superman vs. Batman: Dawn of Justice<\/em>, a box-office hit despite dismal reviews venting the same twin complaints: why do we take superheroes so seriously?, and why is Snyder\u2019s bleak film not fun? I have not seen the film yet (I find the idea of Ben Affleck as Batman quite repellent) but I should say that we have been taking superheroes seriously at least since Frank Miller published The Dark Knight Returns<\/em> back in 1986, thirty years ago\u2026 Here Morrison can help: \u201cBy offering role models whose heroism and transcendent qualities would once have been haloed and clothed in floaty robes, [superheroes] nurtured in me a sense of the cosmic and ineffable that the turgid, dogmatically stupid \u2018dad\u2019 religions could never match. I had no need for faith. My gods were real, made of paper and light, and they rolled up into my pocket like a superstring dimension.\u201d As \u2018supergods\u2019.<\/p>\n

As I have explained to Matteo, I believe that we are still missing a much needed explanation about why Western mythology (including Greek, Roman, Germanic, Nordic, etc.) has resurfaced of all places in the United States. As Morrison writes, \u201cLike jazz and rock \u2019n\u2019 roll, the superhero is a uniquely American creation. This glorification of strength, health, and simple morality seems born of a corn-fed, plain-talking, fair-minded midwestern sensibility.\u201d Morrison points out that other countries have superheroes (the UK, France, Italy, Japan\u2026) and offers the habitual explanation that Superman appeared as a fantasy aimed to compensate Americans for the ugly daily reality of the Depression Era and the horrors emerging in Nazi Germany. Still, I\u2019m not convinced.<\/p>\n

My husband, an habitual reader of comic books, suggests that I should explore the idea that, lacking the medieval tradition of the knight, America invented superheroes (Batman, remember, is the \u2018dark knight\u2019). I quite like his thesis but it cannot explain why superpowers were added to the figure of the hero\/knight. If you recall, classic heroes were the hybrid sons of couples formed by an ordinary human and a divine individual, hence technically they were demi-gods. I would agree than when the alien Superman lands on the cover of Action Comics<\/em> in 1938 America generates a new version of the demi-god, though perhaps Morrison exaggerates by claiming that \u201cSuperman was Christ, an unkillable champion sent down by his heavenly father (Jor-El) to redeem us by example and teach us how to solve our problems without killing one another.\u201d In view of the dark night of the soul that many superheroes have been going through since Miller re-drew the campy Batman as a brooding Gothic icon, Morrison sounds certainly overoptimistic when he wonders whether the superhero could be \u201cthe best current representation of something we all might become, if we allow ourselves to feel worthy of a tomorrow where our best qualities are strong enough to overcome the destructive impulses that seek to undo the human project\u201d. I wish!<\/p>\n

Perhaps because of my own atheism I feel far more intrigued by Morrison\u2019s declaration that the superheroes \u201cmay have their greatest value in a future where real superhuman beings are searching for role models.\u201d It had never occurred to me that superheroes are a prefiguration of what we call now \u2018post-human\u2019 and even \u2018transhuman\u2019 yet this is indeed what they are. Think X-Men, above all. Nonetheless, as you can see, my student Matteo will have plenty to do in order to explain why myth has resurfaced specifically in the early 20th century comics published in America and how exactly the mythopoesis of the superhero genre has evolved in the past 80 years. The connection with the post-human scientific paradigm might be the missing element\u2026<\/p>\n

This brings me to Ang\u00e9lica\u2019s focus on how Morrison\u2019s awareness of current theoretical physics shapes his narrative style (in case I forgot to say, Morrison is a writer, not an artist\/draftsman). Here we face two different questions: one commercial, the other personal, as you will see. <\/p>\n

In Morrison\u2019s words: \u201cin place of time, comic-book universes offer something called \u2018continuity\u2019\u201d. The many storylines owned by American comic book publisher DC \u201cwere slowly bolted together to create a mega-continuity involving multiple parallel worlds\u201d aimed at integrating past periods in the life of re-booted superheroes (as we would say today) and new acquisitions. A singularity of superhero comics\u2013possibly their main defining trait\u2013is that DC and Marvel series have become \u201ceternally recurring soap operas\u2014where everything changed but always wound up in the same place\u201d. The problem of how to prolong ad infinitum<\/em> a successful character or series was solved, in short, by appealing to the idea of multiple narrative universes. This happened just when \u201cstring theory, with its talk of enclosed infinite vaults, its hyperdimensional panoramas of baby universes budding in hyperspace\u201d started theorizing the existence of a multiverse (or our \u2018multiversal\u2019 existence). In this way, a plain commercial strategy was given an unexpected philosophical depth (I\u2019m really serious about this\u2013just in case\u2026).<\/p>\n

Morrison embodies better than any other current writer in any genre the confluence of the mythical, the mystical and the scientific, with an added in-your-face flaunting of his dabbing in the occult. A turning point in his career happened, he claims, one night in Kathmandu when he had an intense vision, courtesy of what he described as \u201cchrome angels\u201d. This experience introduced him to a new sense of time apprehended not as a linear event but as a total simultaneity \u201cwith every single detail having its own part to play in the life cycle of a slowly complexifying, increasingly self-aware super-organism\u201d. Morrison decided to explore this epiphany in his comic books as he tried to find an explanation for his own new superpower, an ability to see a 5-D perspective of objects and of life \u201cas it wormed back from the present moment and forward into the future: a tendril, a branch on this immense, intricately writhing life tree\u201d. <\/p>\n

What is most original about Morrison\u2019s neo-Blakean visionary capacity is that, without doubting its reality one iota, he grants that it could be due to a temporal lobe seizure (\u201cwould it not be in our own best interests to start pressing this button immediately and as often as we can?\u201d, he proposes), a lung infection that almost killed him, or his massive consumption of a variety of drugs for a long time. Never wavering for an instant, he concludes that \u201cSuperhero science has taught me this: Entire universes fit comfortably inside our skulls. (\u2026) The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we\u2019ll ever need\u201d. Myth, mysticism and science coalesce, then, in the superhero mystique, at least according to Grant Morrison. And if you\u2019re willing to accept that writing fiction is opening the door to beings coming straight out of the universes in our skulls it all fits. After all, even the gods and God are creations of the human imagination.<\/p>\n

I envy Morrison his happy, gleeful fusion of the rational and the irrational and his ability to have turned this exercise in tightrope walking into the very productive foundation of his career. I just simply do not know enough about comic books to test his claim that superheroes are channelling our simultaneous need to a) bring the old gods into a world increasingly sceptical about God, b) maintain our falling ethical standards, c) supply a template for future post-human behaviour, d) connect us with the multiverse and e) inspire us to connect with our inner superhero. A very tall order indeed! I\u2019ll trust Morrison, however, as he seems to know best. <\/p>\n

After all, a world with no superheroes sounds, definitely, boring. And I don\u2019t mean that they\u2019re here to simply entertain us (this is just part of their truth) but also to re-connect us with parts of the \u2018infinite interior space\u2019 that our trivial daily lives are obscuring. Long live myth!<\/p>\n

Comments are very welcome! (Thanks!) Just remember that I check them for spam; it might take a few days for yours to be available. Follow on Twitter the blog updates: @SaraMartinUAB. You may download the yearly volumes from http:\/\/ddd.uab.cat\/record\/116328. See my publications and activities on my personal web http:\/\/gent.uab.cat\/saramartinalegre\/
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

[This is my 400th post and I want to thank all of you, readers. I feel very embarrassed when someone sends me a message or approaches me with a kind word but it is also a great pleasure. I do hope you also get a little bit of that from reading my raving and ranting. […]<\/p>\n","protected":false},"author":98,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","hentry","category-cultural-studies"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/1185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/98"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}