{"id":702,"date":"2013-09-27T12:39:41","date_gmt":"2013-09-27T10:39:41","guid":{"rendered":"http:\/\/blogs.uab.cat\/saramartinalegre\/?p=702"},"modified":"2013-09-27T12:39:41","modified_gmt":"2013-09-27T10:39:41","slug":"this-should-be-about-me-narcissistic-reading-and-the-problem-of-choosing-books-that-interest-students","status":"publish","type":"post","link":"https:\/\/webs.uab.cat\/saramartinalegre\/2013\/09\/27\/this-should-be-about-me-narcissistic-reading-and-the-problem-of-choosing-books-that-interest-students\/","title":{"rendered":"<strong>\u2018THIS SHOULD BE ABOUT ME!\u2019: NARCISSISTIC READING AND THE PROBLEM OF CHOOSING BOOKS THAT INTEREST STUDENTS <\/strong>"},"content":{"rendered":"<p>Trying to find an adequate novel for a student\u2019s BA dissertation (or Treball de Fi de Grau), I finally read Lewis Grassic Gibbon\u2019s classic <em>Sunset Song<\/em> (1932). I say finally because I am indeed very much interested in Scottish fiction but have huge gaps in my reading list, like this one. <\/p>\n<p>Reviews and academic criticism present <em>Sunset Song<\/em> as a wonderful novel about an engaging female character; besides, Scottish readers had voted this novel their favourite back in 2005 (above <em>Trainspotting<\/em>!!). My student is on an Erasmus stay in Edinburgh, so I decided that she should work on a Scottish author, and this seemed ideal. In the end, though, both Marta and myself have agreed that Chris Guthrie\u2019s life is not that interesting \u2013after all, she chooses marriage and motherhood over an education. We have focused instead on a quite eccentric romantic reading of Janice Galloway\u2019s marvellous <em>The Trick is to Keep Breathing<\/em> (1989).<\/p>\n<p>I did enjoy reading <em>Sunset Song<\/em> and will eventually complete my reading of the other two novels in the <em>A Scots Quair<\/em> trilogy: <em>Cloud Howe<\/em> (1933), and <em>Grey Granite<\/em> (1934). Once you get over the hurdle of the Scots dialect, which is not that terrible, <em>Sunset Song<\/em> reads beautifully (maybe in this the audiobook is the perfect choice). I found, though, both plot and characters quite sketchy. <\/p>\n<p>Gibbon\u2019s portrait of the transition onto the WWI years of his rural community lacks much detail, and so does his rendering of Chris\u2019s psychology (despite the positive feminist criticism). I never really understood why she makes most of the choices in her life, particularly concerning her love for the mulish, mentally unattractive Ewan. Even so, I actually believe that <em>Sunset Song<\/em> would have been much more interesting if Gibbons had focused on this young man\u2019s decision to enlist at all costs, or on his neighbour Long Robert\u2019s contrary decision to object to the war. That must be my fascination for WWI, for sure.<\/p>\n<p>Anyway, I checked Amazon UK for readers\u2019 opinions and I stumbled onto a kind of mini-debate among young Scottish students who had been forced to read the book in, I think, secondary education (I\u2019m not sure about the meaning of the Scottish \u2018Higher English\u2019 level). There are complaints about the difficulty of the Scots\/English language but the most negative reader focuses on \u2018relevance\u2019. <\/p>\n<p>An anonymous city teenager writes in exasperation: \u201cWhat teenager nowadays is interested in farming?!\u201d S\/he concludes that \u201cfor me to enjoy a book, there has to be a greater deal of significance and relevance to today&#8217;s world.\u201d Another teenager, a girl, horrified by the negative comments, calls <em>Sunset Song<\/em> \u201ca beautiful book which shows us the similarities between young people of the past and ourselves, among many other things.\u201d<\/p>\n<p>This is tricky. As we all know, novels are excellent vehicles to transmit personal experience that we could not otherwise access. They require empathetic readers with an endless ability to put oneself in the characters\u2019 shoes. Now, if the reader is limited by the generational narcissitic view of relevance that the first teenager flaunts, then his\/her own capacity to read novels will be drastically limited. See how, nonetheless, the second teenager defends <em>Sunset Song<\/em> on the grounds of its <em>comparative<\/em> relevance to her generation and not quite because it tells you what life was like in rural Scotland 80 years ago. As I reader, I do choose my books on narcissistic grounds, too, but I want to believe that I am open up to very alien experiences, different from mine in time and place.<\/p>\n<p>As a teacher of students eighteen and upwards, I realise, though, that we hesitate all the time when it comes to relevance. The two times I have taught Scottish literature I have focused on the 1990s mainly: a selection of short stories by women writers, Ian Rankin, Alasdair Gray, <em>Trainspotting<\/em> (the film). In future editions, I\u2019ll update the subject and move closer to the 2000s: some theatre, possibly Ali Smith, Alan Warner, etc. The other teacher, the professor who originally set up the subject and sent me to Scotland as a PhD student, teaches a far less student-oriented selection, including <em>Sunset Song<\/em>. He  consistently defends the position in all his subjects that students should adapt to the history of Literature and not the other way round. I myself do that only half the time: you must enjoy <em>Oliver Twist<\/em>, but I\u2019ll be teaching the <em>Harry Potter<\/em> saga.<\/p>\n<p>I am wondering, also thinking of my student Marta, whether this has to do with my gendered position as a reader. What separates me from <em>Sunset Song<\/em> but makes me love Galloway\u2019s novel is, after all, relevance: Chris Guthrie\u2019s life has nothing to do with mine, not because she lives in rural 1930s Scotland and I live in urban 2010s Catalonia, but because she abandons her education. In contrast, Galloway\u2019s Joy Stone is a working woman (a teacher) whose life collapses when her man dies. Funnily, this also happens to Chris but the way Gibbon and Galloway narrate the heroine\u2019s search for the trick to stay alive (keep on breathing&#8230;) is vastly different. Shallow in Gibbon, so deep that it hurts in Galloway.<\/p>\n<p>As you can see, choice is the key here \u2013Marta must choose ONE novel to work on, the Scottish teachers of Higher English must choose a limited reading list to teach, I must also choose for my students. As readers, though, we needn\u2019t limit our choice and happily for me, I have read both <em>Sunset Song<\/em> and <em>The Trick is to Keep Breathing<\/em>. Now you enjoy them!<\/p>\n<p><em>Comments are very welcome! (Thanks!) Just remember that I check them first for spam; it might take a few days for yours to be available. If you like my blog, you can subscribe using the RSS feed (right-hand column, below Blogroll.) You\u2019ll get an email message for every new post. VISIT MY WEB: http:\/\/<a href=\"http:\/\/gent.uab.cat\/saramartinalegre\/\">gent.uab.cat\/saramartinalegre\/<\/a><br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trying to find an adequate novel for a student\u2019s BA dissertation (or Treball de Fi de Grau), I finally read Lewis Grassic Gibbon\u2019s classic Sunset Song (1932). I say finally because I am indeed very much interested in Scottish fiction but have huge gaps in my reading list, like this one. Reviews and academic criticism [&hellip;]<\/p>\n","protected":false},"author":98,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[212],"class_list":["post-702","post","type-post","status-publish","format-standard","hentry","category-teaching-tools-and-rules","tag-gender-studies"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/98"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=702"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/702\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/categories?post=702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/tags?post=702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}