{"id":895,"date":"2014-08-31T12:27:04","date_gmt":"2014-08-31T10:27:04","guid":{"rendered":"http:\/\/blogs.uab.cat\/saramartinalegre\/?p=895"},"modified":"2014-08-31T12:27:04","modified_gmt":"2014-08-31T10:27:04","slug":"60-hours-watching-a-tv-series-and-why-it-is-not-worth-it","status":"publish","type":"post","link":"https:\/\/webs.uab.cat\/saramartinalegre\/2014\/08\/31\/60-hours-watching-a-tv-series-and-why-it-is-not-worth-it\/","title":{"rendered":"<strong>60 HOURS: WATCHING A TV SERIES (AND WHY IT IS NOT WORTH IT) <\/strong>"},"content":{"rendered":"<p>In 2006 I published a monographic volume on <em>The X-Files<\/em>, entitled <em>Expediente X: En honor a la verdad<\/em>. I am practically certain that I was the first person in Spain to attempt to cover a whole TV series in a book with the intention of offering an in-depth analysis (accessible to the general readership) rather than just a guide with episode summaries (I did include that, too). If you\u2019re curious the volume is here: &lt;a href=&quot;http:\/\/ddd.uab.cat\/record\/118437<\/a>. <em>The X-Files<\/em> is still today my favourite TV series, and I still consider it much superior to others who are now much better known. Actually, I find that Chris Carter\u2019s brainchild, which lasted from 1993 to 2002 does not even exist for my own students, born around the time it was launched. A pity.<\/p>\n<p><em>The X-Files<\/em> was 200 episodes long and amounted to 150 viewing hours. Others \u2018x-philes\u2019 like me can verify for you what a torture seeing the complete series was, as Tele5 cancelled it with no warning, and the final two seasons could only be seen on private channel Fox TV, or on the then new, extremely expensive DVDs. Flat-rate internet access was beginning as the series reached its end and I\u2019m totally sure that <em>The X-Files<\/em> was a key factor in the popularisation of piratical downloading among us using ADSL services. This, as we know, is a practice that has totally altered the way we see TV series, which is no longer dependent on their being shown on TV at all.<\/p>\n<p>Anyway, a lo que iba: the long struggle to see the end of <em>The X-Files<\/em> put me off watching any other TV series for a couple of years. Then <em>Lost<\/em> came, in 2004, and like millions around the world I bit the hook and followed it with a crazy passion until its horrendously disappointing ending in 2010. That\u2019s enough, I vowed to myself: no more TV series for me, unless they\u2019re done and over. Then, last academic year, an MA student handed in an excellent paper on the hero-villain Omar from <em>The Wire<\/em> (2002-8) swearing to me this was <em>the one series I could not miss<\/em>. The IMDB rating is 9.4, in the range of <em>Game of Thrones<\/em> (9.5), <em>Breaking Bad<\/em> (9.6) or <em>The Sopranos<\/em> (9.3). 60 viewing hours later I can say now that Omar is the only thing I truly enjoyed from the series.<\/p>\n<p>It is not my aim to review here <em>The Wire<\/em>, nor to question the taste of those 133,284 IMDB users who have awarded it that impressive 9.4. No. I aim at questioning, rather, the current vogue for TV American series that, more often than not, turn out to be not that good after all. Arguably, the new wave quality TV series started with David Lynch\u2019s <em>Twin Peaks<\/em> (ABC, 1990-1), which, in its turn, inspired <em>The X-Files<\/em> (Fox TV). The current boom, however, is usually connected with HBO\u2019s <em>The Sopranos<\/em> (1999-2007). Indeed, HBO has produced many other successful series: from <em>Sex and the City<\/em> to current hits <em>Game of Thrones<\/em> and <em>True Detective<\/em>. It also produced everyone\u2019s favourite, best-valued ever mini-TV series, <em>Band of Brothers<\/em> (2001). But is it all, really, really, as good as so many claim? Hasn\u2019t HBO contributed to inflating this impression?<\/p>\n<p>I have read many opinions in praise of <em>The Wire<\/em> (also HBO) claiming that it works like a novel. My own consumption of this series corroborates this, even though it\u2019s been a bit accidented (I saw seasons one and two in Spring, not continuously, and then have binged on seasons three to five this August, at a rate of three episodes an evening). The question is that at the (fast) rate I read <em>The Wire<\/em> would be the equivalent of a 3,600 page novel, more or less. <em>Band of Brothers<\/em>, which I loved, was 11-hours long, the approximate equivalent of reading a 660-page novel. If you ask me, in the end what we consume with each TV series is <em>one<\/em> story, no matter how many subplots this has. And my watching <em>The Wire<\/em> has left me with the clear impression that for <em>one<\/em> story I\u2019m not willing to use more than twenty hours any more in my life. Whether this is TV or print fiction (sorry George R.R.R. Martin).<\/p>\n<p>At one point in which we were desperately bored (no Omar in that episode), my husband and I worked out that 60 hours amounted to about 30 films, that is 30 stories. Supposing we only enjoyed half of these, we would still have 15 stories to remember with pleasure. Life is short, there\u2019s so much to see and read, why use 60 hours in one story if many more pleasurable ones could be accessed in less time?<\/p>\n<p>When I give friends, students and colleagues my line about why watching overhyped (American) TV is wasting precious time they usually tell me that I don\u2019t understand the pleasures of seeing these new-wave HBO(-inspired) series: the pleasure, they tell me, is in the <em>process<\/em> not in the end result. You don\u2019t watch to reach a sense of closure but, simply, to watch. Fair enough. My answer is, then, that I\u2019d rather watch comedy (say <em>Big Bang Theory<\/em>) as in that case I need not worry about narrative arcs extended among many seasons and years. Sit-coms have that: you can plunge in and out, never mind about who Ted Mosby finally met in <em>How I Met your Mother<\/em> (2005-14).<\/p>\n<p>Conclusions? It seems I am going to stick to mini-series. I am actually yearning to see again the British trilogy based on Michael Dobbs\u2019s novels <em>House of Cards<\/em> (1990), <em>To Play the King<\/em> (1993) and <em>The Final Cut<\/em> (1995), currently being remade (or plundered) by Netflix (yes, not even a TV channel but an internet streaming service). As for <em>Breaking Bad<\/em>, which I have not followed, and seemed next on the list after <em>The Wire<\/em>, well, I don\u2019t know\u2026 Add to this that I have just given up on BBC\u2019s <em>Sherlock<\/em> after the awfully embarrassing episode about Watson\u2019s wedding (3&#215;3). <\/p>\n<p>It\u2019s that kind of week in which I just want to read\u2026<\/p>\n<p><strong>Comments are very welcome! (Thanks!) Just remember that I check them for spam; it might take a few days for yours to be available. Follow on Twitter the blog updates: <a href=\"http:\/\/twitter.com\/SaraMartinUAB\">@SaraMartinUAB<\/a>. Visit my web  http:\/\/<a href=\"http:\/\/gent.uab.cat\/saramartinalegre\/\">gent.uab.cat\/saramartinalegre\/<\/a><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2006 I published a monographic volume on The X-Files, entitled Expediente X: En honor a la verdad. I am practically certain that I was the first person in Spain to attempt to cover a whole TV series in a book with the intention of offering an in-depth analysis (accessible to the general readership) rather [&hellip;]<\/p>\n","protected":false},"author":98,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,18,36],"tags":[],"class_list":["post-895","post","type-post","status-publish","format-standard","hentry","category-film-studies","category-general","category-tv-series"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/users\/98"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/comments?post=895"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/posts\/895\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/media?parent=895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/categories?post=895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webs.uab.cat\/saramartinalegre\/wp-json\/wp\/v2\/tags?post=895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}