{"id":133,"date":"2013-09-12T13:14:58","date_gmt":"2013-09-12T11:14:58","guid":{"rendered":"https:\/\/webs.uab.cat\/sced\/publicacions-de-rossend-arques\/"},"modified":"2013-09-12T13:14:58","modified_gmt":"2013-09-12T11:14:58","slug":"publicacions-de-rossend-arques","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/sced\/publicacions-de-rossend-arques\/","title":{"rendered":"Publicacions de Rossend Arqu\u00e9s"},"content":{"rendered":"<ul>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend; Ferrara, Sabrina (cur.).&nbsp;<em>Dante visualizzato: Carte ridenti III: XV secolo, seconda parte.<\/em>&nbsp;Flor\u00e8ncia: Franco Cesati, 2019.<\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Arqu\u00e9s, Rossend; Ciccuto, Marcello (cur.). <em>Dante visualizzato: <\/em><\/span><em>Carte ridenti I: XIV secolo<\/em><span style=\"font-family:arial,helvetica,sans-serif;\">. Flor\u00e8ncia: Franco Cesati, 2017.&nbsp;<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Arqu\u00e9s, Rossend.&nbsp;\u00abLa <em>Vida nova&nbsp;<\/em>de Dante a la nova Catalunya entre decadentisme i blanors burgeses\u00bb. <em>Anuari T<\/em><em>rilcat<\/em>, 6, 2016, p. 3-31.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend.&nbsp;\u00abLa vida de Dante Alighieri\u00bb. <em>L&#8217;Aven\u00e7: Revista d&#8217;hist\u00f2ria i cultura<\/em>, 2015, p. 32-39.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend.&nbsp;&nbsp;&nbsp;\u00abL&#8217;ombra in &#8220;Al poco giorno e al gran cerchio d&#8217;ombra&#8221; di Dante\u00bb.&nbsp;<em>Al poco giorno ed al gran cerchio d&#8217;ombra<\/em>,&nbsp; Biblioteca Tenzone&nbsp;9. Madrid: Crema,&nbsp;2016, p. 37-56.<\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend.&nbsp;\u00abExperimentalismo y novedad en las &#8220;quince canciones&#8221; de Dante. Algunas notas\u00bb.&nbsp;<em>Tenone: revista de la Asociaci\u00f3n Complutense de Dantolog\u00eda<\/em>, 2014, p. 13-42.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend.&nbsp;\u00abEl mimetismo del deseo: Francesca da Rimini\u00bb. Dins: Joan Curbet \u00c1rbol (coord.), <i>12 representaciones de la mujer en la literatura occidental<\/i>. Madrid: C\u00e1tedra, 2014, p. 91-140.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Alighieri, Dante.&nbsp;<em>El libro de las canciones y otros poemas<\/em>, edici\u00f3 biling\u00fce comentada i anotada per R. Arqu\u00e9s, R. Pinto, R. Scrimieri, J. Varela, E. Vilella i A. Zembrino. Madrid: Akal, 2014.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abDante y Octavio Paz: po\u00e9tica moderna y erotismo\u00bb. Dins: Paolo Canettieri, Arianna Pozi (ed.). <em>Dai pochi ai molti. Studi in onore di Roberto Antonelli<\/em>, 2014, vol. 2, p. 37-48.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abTraduzioni e irradiazioni ispaniche novecentesche della Commedia di Dante (\u00c1ngel Crespo, Luis Mart\u00ednez de Merlo, Abilio Echevarr\u00eda e Mar\u00eda Zambrano) nelle letterature iberiche contemporanee\u00bb, <em>Critica del testo<\/em>, XIV\/3, 2011, pp. 119-147.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend.&nbsp;\u00abIl dantismo contemporaneo in Spagna. Primo bilancio\u00bb.<em>&nbsp;Letture classensi<\/em>,&nbsp;39, 2011, p. 11-32.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abDante nell\u2019inferno moderno: la letteratura dopo Auschwitz\u00bb, <em>Rassegna europea della letteratura italiana<\/em>, 33, 2009, p. 89-110.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abReescriure Dante: la&nbsp;<em>Com\u00e8dia&nbsp;<\/em>de Sagarra i Mira\u00bb, <em>Reduccions<\/em>, 81-82, 2005, p. 215-225.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abI difetti dell\u2019anima dell\u2019animale politico\u00bb, <em>Tenzone<\/em>, 6, 2005, p. 11-33.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend, \u00abGuido Cavalcanti laico e le origini della poesia europea nel 7 centenario della morte\u00bb. Dins: Rossend Arqu\u00e9s (ed.),&nbsp;<em>Poesia, filosofia, scienza e ricezione. Atti del Convegno internazionale, Barcellona, 16-20 ottobre 2001<\/em>. Alessandria:&nbsp;Edizioni dell\u2019Orso, 2004.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend (ed.), \u00abAmor \u00e8 uno desio che ven da core\u00bb. <em>La poesia di Giacomo da Lentini e la cultura siciliana nel XIII secolo: Scienza e filosofia nel Mediterraneo occidentale<\/em>.&nbsp;Palermo:&nbsp;Centro di Studi filologici e linguistici siciliani, 2000.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend. \u00abEl rastre de la pantera perfumada: Dante en les po\u00e8tiques catalanes de la modernitat\u00bb. Dins: Rossend Arqu\u00e9s i Alfons Garrig\u00f3s. <em>Sobre el Dant<\/em>. Barcelona: Editorial Claret, 2001, p. 23-53.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">\u00abSangre y palabras (Inferno XIII)\u00bb.&nbsp;<em>Il libro e la carne (Hermen\u00e9utica del libro)<\/em>, a cura de&nbsp;Leonardo Rivera i&nbsp;Angelica Valentinetti, Sevilla, Universidad de Sevilla, 1998, pp. 73-90.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-family:arial,helvetica,sans-serif;\"><span style=\"font-size:14px;\">Arqu\u00e9s, Rossend; Pinto, Raffaele.<\/span><span style=\"line-height: 1.5;\">&nbsp;<\/span><span style=\"font-size:14px;\">\u00ab<\/span><span style=\"line-height: 1.5;\">La invenci\u00f3 del sonet i la cultura a la sic\u00edlia de Frederic II<\/span><span style=\"font-size:14px;\">\u00bb.<\/span><span style=\"line-height: 1.5;\">&nbsp;<em>L\u2019Aven\u00e7: Revista de hist\u00f2ria i cultura<\/em>, 195, 1995, p. 42-45.<\/span><\/span><\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Arqu\u00e9s, Rossend; Ferrara, Sabrina (cur.).&nbsp;Dante visualizzato: Carte ridenti III: XV secolo, seconda parte.&nbsp;Flor\u00e8ncia: Franco Cesati, 2019. Arqu\u00e9s, Rossend; Ciccuto, Marcello (cur.). Dante visualizzato: Carte ridenti I: XIV secolo. Flor\u00e8ncia: Franco Cesati, 2017.&nbsp; Arqu\u00e9s, Rossend.&nbsp;\u00abLa Vida nova&nbsp;de Dante a la nova Catalunya entre decadentisme i blanors burgeses\u00bb. Anuari Trilcat, 6, 2016, p. 3-31. Arqu\u00e9s, Rossend.&nbsp;\u00abLa vida [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-133","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages\/133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/comments?post=133"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages\/133\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/media?parent=133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}