{"id":201,"date":"2020-11-21T12:29:13","date_gmt":"2020-11-21T10:29:13","guid":{"rendered":"https:\/\/webs.uab.cat\/sced\/publicacions-de-beatriz-gines\/"},"modified":"2020-11-21T12:29:13","modified_gmt":"2020-11-21T10:29:13","slug":"publicacions-de-beatriz-gines","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/sced\/publicacions-de-beatriz-gines\/","title":{"rendered":"Publicacions de Beatriz Gin\u00e9s"},"content":{"rendered":"<ul>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Gin\u00e9s, Beatriz.&nbsp;\u00abEl Eros Plat\u00f3nico: la revisi\u00f3n de la imagen art\u00edstica del eterno femenino en las reinterpretaicones contemporaneas de la Vita Nuova de Dante Alighieri\u00bb. Dins: Alba, E.; Gin\u00e9s, B.; P\u00e9rez, L. (Coor).&nbsp;<em>De-construyendo identidades: la imagen de la mujer desde la modernidad<\/em>. Cuadernos Ars Longa, 6, 2017, 219-234.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Gin\u00e9s, Beatriz.&nbsp;\u00abEl mito de Francesca da Rimini: representaciones art\u00edsticas desde sus or\u00edgenes hasta el siglo XIX\u00bb. Dins: Ester Alba Pag\u00e1n, Luis P\u00e9rez Ochando (ed.).&nbsp;<em>Me veo luego existo: mujeres que representan, mujeres representadas. Actas del congreso internacional de la universidad de Valencia, 5-7 noviembre 2013.<\/em>&nbsp;Madrid: Consejo Superior de Investigaciones Cient\u00edficas, 2015.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Gin\u00e9s, Beatriz.&nbsp;\u00abPeregrinos en el Infierno. Eneas y Dante\u00bb. <em>Saitabi<\/em>, 64-65. 2014-2015, p. 115-126.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Gin\u00e9s, Beatriz.&nbsp;\u00abBeatrice Portinari como esencia de inspiraci\u00f3n. El caso de Dante Alighieri y Dante Gabriel Rossetti\u00bb. <em>Saitabi<\/em>, 62-63, 2012-2013, p. 317-329.<\/span><\/span><\/p>\n<\/li>\n<li class=\"rtejustify\">\n<p><span style=\"font-size:14px;\"><span style=\"font-family:arial,helvetica,sans-serif;\">Gin\u00e9s, Beatriz.&nbsp;\u00abLas Comedias de Alfonso de Arag\u00f3n\u00bb. <em>Saitabi<\/em>, 59, 2009, p.279-287.<\/span><\/span><\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Gin\u00e9s, Beatriz.&nbsp;\u00abEl Eros Plat\u00f3nico: la revisi\u00f3n de la imagen art\u00edstica del eterno femenino en las reinterpretaicones contemporaneas de la Vita Nuova de Dante Alighieri\u00bb. Dins: Alba, E.; Gin\u00e9s, B.; P\u00e9rez, L. (Coor).&nbsp;De-construyendo identidades: la imagen de la mujer desde la modernidad. Cuadernos Ars Longa, 6, 2017, 219-234. Gin\u00e9s, Beatriz.&nbsp;\u00abEl mito de Francesca da Rimini: representaciones [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":0,"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/sced\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}