{"id":29,"date":"2025-01-23T17:45:38","date_gmt":"2025-01-23T15:45:38","guid":{"rendered":"https:\/\/webs.uab.cat\/soundandcity\/?p=29"},"modified":"2025-01-23T18:21:56","modified_gmt":"2025-01-23T16:21:56","slug":"tess-knighton","status":"publish","type":"post","link":"https:\/\/webs.uab.cat\/soundandcity\/2025\/01\/23\/tess-knighton\/","title":{"rendered":"Tess Knighton"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Tess Knighton<\/strong> \u00e9s professora d&#8217;investigaci\u00f3 ICREA afiliada a la Universitat Aut\u00f2noma de Barcelona i membre em\u00e8rita de Clare College, Cambridge.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Durant molts anys va ser editora de la revista <em>Early Music<\/em> de l&#8217;OUP, i \u00e9s fundadora i coeditora (juntament amb Helen Deeming) de la s\u00e8rie <em>Studies in Medieval and Renaissance Music<\/em> per a <em>The Boydell Press<\/em> des de la seva creaci\u00f3 el 2003. Despr\u00e9s de completar la seva tesi doctoral a la Universitat de Cambridge el 1984 sobre <em>M\u00fasica i m\u00fasics a la cort de Ferran d&#8217;Arag\u00f3, 1474-1516<\/em>, ha dedicat la seva vida a la recerca de diversos aspectes de la cultura musical de la Pen\u00ednsula Ib\u00e8rica durant el llarg segle XVI i ha publicat \u00e0mpliament en aquest camp.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha estat involucrada en diversos projectes de recerca de gran envergadura relacionats amb aquest \u00e0mbit, incl\u00f2s el projecte del Leverhulme Trust <em>\u201cMusic, Print and Culture in Spain and Portugal during the Renaissance, 1474-1621\u201d<\/em> a la Universitat de Cambridge (2000-2003). Recentment, va ser investigadora principal del projecte de la Fundaci\u00f3 Marie Curie sobre <em>\u201cUrban Musics and Musical Practices in Sixteenth-Century Europe\u201d<\/em> (CIG 2012), que va resultar en diverses publicacions, incloent una col\u00b7lecci\u00f3 d&#8217;assajos de music\u00f2legs urbans internacionals sobre <em>Hearing the City in Early Modern Europe<\/em> (Brepols, 2018) i una antologia interdisciplin\u00e0ria titulada <em>Els sons de Barcelona a l\u2019edat moderna<\/em> (MUHBA, 2016). Va ser investigadora principal (PI) del projecte de recerca I+D+I <em>\u201cThe Contribution of Guilds and Confraternities to the Urban Soundscape in the Iberian Peninsula between c.1400-c.1700 (2020-2023) [CONFRASOUND]: MINECO, Spain, PID 2019-109422GB-100\u201d<\/em> i del projecte <em>\u201cHow Processions Moved: Sound and Space in the Performance of Urban Ritual, c. 1400-c.1700\u201d [SOUNDSPACE]: ERC-2021-ADG 101054069<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha publicat \u00e0mpliament sobre diversos aspectes de la m\u00fasica ib\u00e8rica primerenca, i en els darrers anys va editar <em>The Companion to Music in the Age of the Catholic Monarchs<\/em> (Brill, 2017), <em>Early Music Printing and Publishing in the Iberian World<\/em> (amb Iain Fenlon) (Reichenberger, 2006), <em>Music and Urban Society in Colonial Latin America<\/em> (amb Geoffrey Baker) (Cambridge University Press, 2011), <em>Pure Gold: Golden Age Sacred Music in the Iberian World<\/em> (amb Bernadette Nelson) (Reichenberger, 2011), i <em>New Perspectives on Early Music in Spain<\/em> (amb Emilio Ros-F\u00e1bregas) (Reichenberger, 2015). Recentment, va col\u00b7laborar amb Kenneth Kreitner en <em>The Music of Juan de Anchieta<\/em> (Routledge, 2019), amb David Skinner en <em>Music and Instruments of the Middle Ages<\/em> (Woodbridge: The Boydell Press, 2021) i amb Jos\u00e9 Mar\u00eda Rodr\u00edguez en <em>El Cardenal Cisneros: M\u00fasica, mecenatge cultural i lit\u00fargia<\/em> (Bellaterra: Institut d\u2019Estudis Medievals, 2022). Actualment, est\u00e0 preparant una monografia sobre <em>Daily Musical Life in Early Modern Spain: Hearing Barcelona, 1470-1620<\/em>, que est\u00e0 sent revisada per Oxford University Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00e9 un inter\u00e8s particular en un enfocament interdisciplinari per a l&#8217;estudi de la hist\u00f2ria de la m\u00fasica, i considera la m\u00fasica com una part intr\u00ednseca de l&#8217;expressi\u00f3 socio-cultural, ja sigui en el context cortes\u00e0 o urb\u00e0. Gran part de la seva recerca es basa en arxius, incloent-hi registres de corts i esgl\u00e9sies, aix\u00ed com documents notarials.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Alguns dels seus principals temes de recerca inclouen<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>M\u00fasica en el context cortes\u00e0 a la Pen\u00ednsula Ib\u00e8rica<\/li>\n\n\n\n<li>Imprenta musical i hist\u00f2ria del llibre de m\u00fasica al m\u00f3n ib\u00e8ric<\/li>\n\n\n\n<li>Can\u00e7\u00f3 espanyola, c.1450-c.1550 i el repertori del <em>cancionero<\/em><\/li>\n\n\n\n<li>Pr\u00e0ctica i experi\u00e8ncia musical a l\u2019Espanya primerenca<\/li>\n\n\n\n<li>Musicologia urbana i paisatge sonor<\/li>\n\n\n\n<li>Activitats musicals de confraries i gremis a l\u2019Espanya primerenca<\/li>\n\n\n\n<li>M\u00fasica i devoci\u00f3 al m\u00f3n ib\u00e8ric<\/li>\n\n\n\n<li>M\u00fasica i hist\u00f2ria de les emocions a l\u2019Espanya primerenca<\/li>\n\n\n\n<li>Inventaris musicals a l\u2019Espanya del llarg segle XVI<\/li>\n\n\n\n<li>Pr\u00e0ctica d&#8217;interpretaci\u00f3 i escolta<\/li>\n\n\n\n<li>Hist\u00f2ria de les emocions i la m\u00fasica<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Enlla\u00e7os rellevants:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>P\u00e0gina web personal: <a href=\"https:\/\/tessknighton.com\">https:\/\/tessknighton.com<\/a><\/li>\n\n\n\n<li>European Research Council:\u00a0<a href=\"https:\/\/urbanmusics.com\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/urbanmusics.com<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>orcid<\/strong> 0000-0002-8529-9376<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tess Knighton \u00e9s professora d&#8217;investigaci\u00f3 ICREA afiliada a la Universitat Aut\u00f2noma de Barcelona i membre em\u00e8rita de Clare College, Cambridge. Durant molts anys va ser editora de la revista Early Music de l&#8217;OUP, i \u00e9s fundadora i coeditora (juntament amb Helen Deeming) de la s\u00e8rie Studies in Medieval and Renaissance Music per a The Boydell [&hellip;]<\/p>\n","protected":false},"author":2710,"featured_media":30,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-29","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soundcity"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/posts\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/users\/2710"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":1,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/posts\/29\/revisions"}],"predecessor-version":[{"id":33,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/posts\/29\/revisions\/33"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/media\/30"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/media?parent=29"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/categories?post=29"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webs.uab.cat\/soundandcity\/wp-json\/wp\/v2\/tags?post=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}