{"id":210,"date":"2025-04-25T10:45:19","date_gmt":"2025-04-25T08:45:19","guid":{"rendered":"https:\/\/webs.uab.cat\/thal-ia\/investigadors\/"},"modified":"2026-01-09T17:21:09","modified_gmt":"2026-01-09T15:21:09","slug":"investigadors","status":"publish","type":"page","link":"https:\/\/webs.uab.cat\/thal-ia\/ca\/investigadors\/","title":{"rendered":"Investigadors"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"376\" height=\"373\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113326-1.png\" alt=\"\" class=\"wp-image-49\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113326-1.png 376w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113326-1-300x298.png 300w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113326-1-150x150.png 150w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image is-style-default wp-duotone-grayscale\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"291\" height=\"285\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/05\/Captura-de-pantalla-2025-04-27-113344-edited.png\" alt=\"\" class=\"wp-image-107\" style=\"width:332px;height:auto\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>S\u00f2nia Boadas <\/strong>\u00e9s professora Titular de Literatura Espanyola en la Universitat Aut\u00f2noma de Barcelona, IP de Thal-IA i membre del comit\u00e8 cient\u00edfic del grup de recerca Prolope. Ha estat investigadora Marie Curie en la Universit\u00e0 di Bologna i investigadora Ram\u00f3n y Cajal a la Universitat de Girona. La seva l\u00ednia de recerca principal se centra en l&#8217;estudi de la problem\u00e0tica textual en l&#8217;Edat Moderna, i m\u00e9s concretament, en la producci\u00f3 i transmissi\u00f3 del teatre del Segle d&#8217;Or. Actualment, dirigeix i coordina diversos projectes que pretenen aprofundir en el proc\u00e9s de creaci\u00f3 de la Com\u00e8dia Nova aplicant t\u00e8cniques vinculades a la Intel\u00b7lig\u00e8ncia Artificial i a l&#8217;an\u00e0lisi espectral.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>\u00c1lvaro Cu\u00e9llar<\/strong> \u00e9s investigador postdoctoral Juan de la Cierva en la Universitat Aut\u00f2noma de Barcelona. La seva recerca se centra en l&#8217;estudi inform\u00e0tic del teatre del Segle d&#8217;Or, amb atenci\u00f3 a l&#8217;autoria, la transcripci\u00f3, la dataci\u00f3, la detecci\u00f3 de copistes i impremtes, etc. Codirigeix el portal <em>Estilometr\u00eda aplicada al teatre del Segle d&#8217;Or,<\/em> on s&#8217;ofereixen an\u00e0lisi del repertori teatral aurisecular, aix\u00ed com la base de dades TEXORO, on es poden realitzar cerques de 40 milions de paraules. En els \u00faltims anys ha destacat el descobriment de <em>La francesa Laura<\/em>, una obra perduda de Lope de Vega, gr\u00e0cies a processos d&#8217;Intel\u00b7lig\u00e8ncia Artificial, aix\u00ed com la recuperaci\u00f3 del malm\u00e8s dramaturg Andr\u00e9s de Claramonte, al qual la hist\u00f2ria li havia negat textos de cabdal import\u00e0ncia, com <em>El burlador de Sevilla<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"374\" height=\"374\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113336.png\" alt=\"\" class=\"wp-image-45\" style=\"width:285px;height:auto\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113336.png 374w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113336-300x300.png 300w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Captura-de-pantalla-2025-04-27-113336-150x150.png 150w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"760\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Elena-Merlino-2-edited-1.jpeg\" alt=\"\" class=\"wp-image-346\" style=\"width:285px\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Elena-Merlino-2-edited-1.jpeg 760w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Elena-Merlino-2-edited-1-300x300.jpeg 300w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Elena-Merlino-2-edited-1-150x150.jpeg 150w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Arantxa Ll\u00e0cer<\/strong> <strong>Martorell <\/strong>\u00e9s investigadora postdoctoral de la Generalitat Valenciana (CIAPOS 2024) amb una estada de recerca a la Universitat Aut\u00f2noma de Barcelona que li permet col\u00b7laborar amb el projecte de recerca <em>Thal-IA. Patrimonio teatral \u00e1ureo: inteligencia artificial y fotograf\u00eda espectral<\/em>,de qu\u00e8 va formar part com a investigadora contractada entre 2024 i 2025. Desenvolupa coneixements i eines per a la localitzaci\u00f3, catalogaci\u00f3 i an\u00e0lisi de manuscrits en biblioteques i arxius nacionals i internacionals. A m\u00e9s, aplica la intel\u00b7lig\u00e8ncia artificial per al processament de dades i an\u00e0lisis de manuscrits.<\/p>\n\n\n\n<p>\u00c9s doctora en Estudios filol\u00f3gicos perla Universidad de Valencia (2021) amb la tesi <em>Jaume Ramon Vila i el seu Dietari. Edici\u00f3 i estudi<\/em>. S&#8217;e&#8217;ha format en ecd\u00f2tica, cr\u00edtica textual, paleografia i estudis arxiv\u00edstics. Les seves l\u00ednies de recerca se centren en la hist\u00f2ria del llibre dels segles XVI i XVII, del circuit teatral auri i la seva transmissi\u00f3 manuscrita. Entre 2022 i 2024 va gaudir d&#8217;un contracte postdoctoral competitiu Margarita Salas per a desenvolupar el projecte <em>Els impressors catalans<\/em> de Lope de Vega en la Universitat de Val\u00e8ncia.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Elena Merlino<\/strong> \u00e9s doctora en Lingue, Letterature i Culture Comparate per la Universit\u00e0 di Firenze, on va defensar el 2024 la seva tesi titulada <em>Spazi fisici i spazi immaginari agli albori della com\u00e8dia nova<\/em>, sota la direcci\u00f3 de la professora Salom\u00e9 Vuelta Garc\u00eda. Entre el 2024 i el 2025 va ser investigadora postdoctoral a la Universit\u00e0 degli Studi Roma Tre, sota la supervisi\u00f3 de la professora Fausta Antonucci, en el marc del desenvolupament de la base de dades <em>Calder\u00f3n Digital.<\/em> Aix\u00ed mateix, ha exercit com a professora contractada de Literatura Espanyola a la Universit\u00e0 di Firenze (2025). Les seves l\u00ednies de recerca se centren en el teatre espanyol dels segles XVI i XVII, especialment a la dimensi\u00f3 esc\u00e8nica i performativa. Les seves publicacions inclouen una edici\u00f3 cr\u00edtica, estudis sobre l&#8217;espai teatral i an\u00e0lisi de fonts. Actualment, \u00e9s investigadora postdoctoral del projecte Thal-IA a la Universitat Aut\u00f2noma de Barcelona.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"257\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/04\/Foto_ram_montalban-1.png\" alt=\"\" class=\"wp-image-22\" style=\"width:332px;height:auto\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2413\" height=\"2560\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-scaled.jpg\" alt=\"\" class=\"wp-image-502\" style=\"width:285px\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-scaled.jpg 2413w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-283x300.jpg 283w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-965x1024.jpg 965w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-768x815.jpg 768w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-1448x1536.jpg 1448w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-1931x2048.jpg 1931w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-1200x1273.jpg 1200w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2026\/01\/Foto-Veronica-Torres-Martin-1980x2100.jpg 1980w\" sizes=\"auto, (max-width: 2413px) 100vw, 2413px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Roc\u00edo Alonso Medel<\/strong> \u00e9s doctora en Llengua Espanyola i les seves Literatures (RD 99\/2011) per la Universidad Complutense de Madrid, gr\u00e0cies a la concessi\u00f3 d&#8217;un contracte predoctoral per a la formaci\u00f3 del personal investigador UCM (CT42\/18-CT43\/18). Ha estat investigadora postdoctoral Margarita Salas de l&#8217; Instituto de Estudios Medievales y Renacentistas y de Humanidades Digitales i de la Universidad Complutense de Madrid. Les seves l\u00ednies de recerca, se centren en l&#8217;estudi i recepci\u00f3 del teatre espanyol dels Segles d&#8217;Or, l&#8217;hibridisme gen\u00e8ric dels textos del XVII, la l\u00edrica del XVI i l&#8217;hagiografia barroca. Actualment, \u00e9s investigadora postdoctoral del Projecte <em>Thal-IA<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Ver\u00f3nica Torres Mart\u00edn<\/strong> \u00e9s doctora en Estudis ling\u00fc\u00edstics, literaris i culturals per la Universitat de Barcelona, on va defensar l&#8217;any 2025 la seva tesi doctoral titulada <em>Hacia una tipolog\u00eda de \u201csantas vivas\u201d (1400-1550) y su reflejo en la literatura hagiogr\u00e1fica hisp\u00e1nica<\/em>, dirigida per la Dra. Mar\u00eda del Mar Cort\u00e9s Timoner. La seva l\u00ednia de recerca principal \u00e9s l&#8217;estudi de l&#8217;espiritualitat femenina en la baixa Edat Mitjana i en l&#8217;Edat Moderna, juntament amb l&#8217;estudi de les dramaturgues espanyoles del Siglo de Oro. En particular, destaca la seua recerca al voltant de Joana Teodora de Sousa, de qui ha editat l&#8217;obra de teatre <em>El gran prodigio de Espa\u00f1a, y lealtad de un amigo<\/em> (Edicions Universitat de Barcelona, 2021). Actualment, forma part de dos projectes d&#8217;investigaci\u00f3: d&#8217;una banda, <em>Cat\u00e1logo de Santas Vivas (Fase Final): Hacia el primer modelo de santidad femenina de la Contrarreforma<\/em>, dirigit per Rebeca Sanmart\u00edn Bastida; d&#8217;una altra, \u00e9s investigadora contractada del projecto <em>Thal-IA. Patrimonio teatral \u00e1ureo: Inteligencia Artificial y Fotograf\u00eda Espectral<\/em>, dirigit per S\u00f2nia Boadas Cabarrocas.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image wp-duotone-grayscale\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/10\/Blasut_2.jpeg\" alt=\"\" class=\"wp-image-483\" style=\"width:330px;height:auto\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/10\/Blasut_2.jpeg 200w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/10\/Blasut_2-150x150.jpeg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"705\" src=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1-1024x705.jpg\" alt=\"\" class=\"wp-image-425\" style=\"aspect-ratio:0.9193548387096774;object-fit:cover;width:285px;height:auto\" srcset=\"https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1-1024x705.jpg 1024w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1-300x207.jpg 300w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1-768x529.jpg 768w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1-1200x826.jpg 1200w, https:\/\/webs.uab.cat\/thal-ia\/wp-content\/uploads\/sites\/652\/2025\/09\/Joel_Reverter-1.jpg 1458w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Giada Blasut <\/strong>\u00e9s investigadora posdoctoral Juan de la Cierva a la Universitat Aut\u00f2noma de Barcelona i coordinadora de la base de dades&nbsp;<em>AUTESO. Aut\u00f3grafos Teatrales del Siglo de Oro, <\/em>dirigida per S\u00f2nia Boadas y Marco Presotto.<\/p>\n\n\n\n<p>Doctora en <em>Letterature Straniere, Lingue y Linguistica<\/em>&nbsp;a la Universit\u00e0 degli Studi di Verona amb cotutela amb la Universidad Complutense de Madrid, ha estat investigadora postdoctoral a la Universit\u00e0 di Trento i professora contractada a la Universit\u00e0 degli Studi di Milano. Les seves l\u00ednes de recerca se centren en el teatre hisp\u00e0nic del Segle d&#8217;Or, amb especial atenci\u00f3 als manuscrits aut\u00f2grafs de Lope de Vega i Juan Claudio de la Hoz y Mota. Tamb\u00e9 estudia llibres de cavalleries i ha editat el <em>Silves de la Selva<\/em>&nbsp;del llicenciat Pedro de Luj\u00e1n<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Joel Reverter Lainez<\/strong> \u00e9s graduat en Llengua i Literatura Hisp\u00e0niques per la Universitat Rovira i Virgili. \u00c9s investigador predoctoral FPU i membre del grup de recerca PROLOPE. La seva investigaci\u00f3 se centra en l\u2019an\u00e0lisi de manuscrits teatrals del Segle d\u2019Or mitjan\u00e7ant metodologies de les humanitats digitals, amb l\u2019objectiu de detectar les intervencions del censor Pedro de Vargas Machuca. Col\u00b7labora amb el grup Thal-IA, en el qual desenvolupa models de generaci\u00f3 sint\u00e8tica d\u2019escriptura manuscrita. Aix\u00ed mateix, estudia l\u2019escriptor Sebasti\u00e0 Juan Arb\u00f3, conjuntament amb Joan Antoni Forcadell, amb qui ha publicat l\u2019<em>Obra dram\u00e0tica<\/em> completa de l\u2019autor i est\u00e0 impulsant l\u2019Arxiu Digital Sebasti\u00e0 Juan Arb\u00f3.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>S\u00f2nia Boadas \u00e9s professora Titular de Literatura Espanyola en la Universitat Aut\u00f2noma de Barcelona, IP de Thal-IA i membre del comit\u00e8 cient\u00edfic del grup de recerca Prolope. Ha estat investigadora Marie Curie en la Universit\u00e0 di Bologna i investigadora Ram\u00f3n y Cajal a la Universitat de Girona. La seva l\u00ednia de recerca principal se centra [&hellip;]<\/p>\n","protected":false},"author":3053,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-210","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/pages\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/users\/3053"}],"replies":[{"embeddable":true,"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":12,"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/pages\/210\/revisions"}],"predecessor-version":[{"id":511,"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/pages\/210\/revisions\/511"}],"wp:attachment":[{"href":"https:\/\/webs.uab.cat\/thal-ia\/ca\/wp-json\/wp\/v2\/media?parent=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}