Carles Badal
Universitat Autònoma de Barcelona – Researcher
Specialist in digital musicology and musical heritage. He is affiliated with the IFMuC-ICCMuC research group and the DoLoReS project at the Computer Vision Center (UAB).
Rolf Bäcker
Escola Superior de Música de Catalunya – Researcher
Specialist in the symbolism and hermeneutics of music, as well as in the history and theory of flamenco, alterities and musical identities.
Xavier Daufí
Universitat Autònoma de Barcelona – Researcher
Specialist in rhetoric, pedagogy and eighteenth-century religious music. He is affiliated with the IFMuC-ICCMuC research group at the UAB.
Susana Egea
Escola Superior de Música de Catalunya – Researcher
Specialist in opera dramaturgy and the stage body.
Javier Gándara
Universidade de Santiago de Compostela – Researcher
Specialist in (proto)national identities in the eighteenth century.
Pablo Gómez Ábalos
Escola Superior de Música d’Alt Rendiment (ESMAR) – Researcher
Specialist in gesture and instrumental expressivity in eighteenth-century keyboard music.
Gabrielle Kaufman
Universitat Autònoma de Barcelona – Researcher
Works in the field of music psychology and the study of musical expression and performance.
Germán Labrador
Universidad Autónoma de Madrid – Researcher
Specialist in eighteenth-century Hispanic musical theatre and the repertoire of Luis Misón.
Albert López Cortés
Universitat Autònoma de Barcelona – PhD student in the Art and Musicology doctoral programme
Studies castanets as a bodily and identity-forming practice.
Fernando Pascual
Conservatori Superior de Música de València – Researcher
Violinist and specialist in German-language music theory, particularly Johann Mattheson and Johann Adolf Scheibe.
Aurèlia Pessarrodona
Universitat Autònoma de Barcelona – Principal Investigator
Specialist in eighteenth-century Hispanic music from a bodily perspective (singing body and dancing body, identities, etc.).
Àlex Prats
Universitat Autònoma de Barcelona – Universitat de Barcelona – Collaborator
Early-career researcher specialising in musical analysis and eighteenth-century philosophical thought.
Elvira Querol
Universitat Autònoma de Barcelona – PhD student in the Art and Musicology doctoral programme
Her research focuses on clarinet performance practice in the late eighteenth and early nineteenth centuries.
Cristina Roldán Fidalgo
Universidad Nacional de Educación a Distancia – Researcher
Specialist in eighteenth-century Hispanic musical theatre and the relationships between music, literature and the stage.
Olga Sánchez Kisielewska
University of Chicago – Collaborator
Specialist in musical analysis and the semiotics of Classical-era music, particularly schemata and musical topics.