The Joys of Teaching Literature, started in September 2010 and with a Spanish version since July 2021, is a blog for ranting and raving about (teaching and researching) English Literature, Cultural Studies, and Gender Studies, and other aspects of the Anglophone world. I publish a post once a week, usually on Monday. Please, download the yearly volumes from https://ddd.uab.cat/record/116328, or read the volume collecting some of the entries (Passionate Professing: The Context and Practice of English Literature, 2023). The comments option is not available, sorry, but you may contact me through my e-mail address, Sara.Martin@uab.cat. The contents of this blog are protected by a type 4 Creative Common License (Attribution-NonCommercial-NoDerivs (by-nc-nd)).

  • BITTERSWEET: THE FIRST BLOGGING YEAR…

    Yes, a year ago yesterday I posted my first entry (or did I enter my first post?, the semantics are unclear to me). 93 posts or entries later, I’m still here, which comes as a surprise to me, with enough energy, I believe, to go on for another year at least. Or, rather, it’s not…

  • A FEW THOUGHTS ON SF (AFTER A PHD DISSERTATION)

    One of my doctoral students, Rafael Miranda, has just passed his viva (or ‘defensa’) after submitting a brilliant doctoral dissertation on cyberpunk and post-cyberpunk. I am personally VERY proud to have helped him make such an interesting contribution to the field of Science-Fiction Studies. Particularly because that field is so tiny in Spanish English Studies…

  • IT’S HOT, SO HOT…: THAT CLASSROOM AGAIN!!

    If you care to read my entry for 16 February, you will see I’m trapped in a kind of sinister loop. Then I complained bitterly about the appalling conditions of classroom 302 in our Facultat, a room which is beginning to remind me of Stephen King’s 1408 and other mythical Gothic rooms. After being called…

  • A TEST CASE: LITERARY FICTION, MAINSTREAM FICTION (AND THE JEWISH GIRL WHO ESCAPED FROM VEL’ D’HIV)

    You might be familiar with the French film Sarah’s Key (Gilles Paquet-Brenner, 2010), originally titled Elle s’appelait Sarah, like the best-selling novel (2007) by Tatiana de Rosnay which it adapts. I saw the film, loving, as usual, Kristin Scott-Thomas’s fine performance. She plays Julia, a journalist who doggedly follows the clues leading her to discover…

  • WHATEVER HAPPENED TO FEMINIST CINEMA? (ON BIGELOW AND BIER)

    I’m reading Teresa De Lauretis already ancient collection Technologies of Gender (1987!) and I stumble onto her post-Mulvey cry for a truly feminist cinema. By this she means, as it is well-known, not just a cinema by, about and for women, dealing with issues concerning women, but a cinema using specifically female narrative and aesthetic…