The Joys of Teaching Literature, started in September 2010 and with a Spanish version since July 2021, is a blog for ranting and raving about (teaching and researching) English Literature, Cultural Studies, and Gender Studies, and other aspects of the Anglophone world. I publish a post once a week, usually on Monday. Please, download the yearly volumes from https://ddd.uab.cat/record/116328, or read the volume collecting some of the entries (Passionate Professing: The Context and Practice of English Literature, 2023). The comments option is not available, sorry, but you may contact me through my e-mail address, Sara.Martin@uab.cat. The contents of this blog are protected by a type 4 Creative Common License (Attribution-NonCommercial-NoDerivs (by-nc-nd)).
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THE FACELESS BUREAUCRAT ON THE OTHER SIDE (DOING PAPERWORK)
I’m enrolled to write paperwork for a new MA and I’m dismayed by how much we’re asked to do in so little time. This is so habitual in academia all over the world, I know I shouldn’t be surprised. Also habitual is the supposition that paperwork must always be a priority, which means, specifically, that…
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EVA AND ELIZA: MIRROR IMAGES
Josep María Pou has staged J.B. Priestley’s classic An Inspector Calls at Teatre Goya here in BCN for the first time in Spain, with the exception of a 1973 version for TVE’s Estudio 1 (um, the good old times when drama had a place on Spanish TV… The new version didn’t apparently get the expected…
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BLAST ME IF YOU WANT (BUT I DON’T UNDERSTAND SARAH KANE…)
Yesterday four students offered us Scene 1 and Scene 2 of Sarah Kane’s Blasted, with a courage and enthusiasm far beyond my expectations. Josep and Helena, Julia and Isabella played Ian and Cate, with Julia doubling as the Soldier. To begin with, in Scene 1 we had a young couple (happy, I assume!) playing the…
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MISSING THE PUNCH LINE: TERRY JOHNSON’S HYSTERIA AND BEN TRAVERS’S FARCE ROOKERY NOOK
Last week we witnessed in class the struggle, brilliantly solved, of four students –Sara, David, Carla and, secondarily, María– with Terry Johnson’s demanding intellectual farce Hysteria (1993). They made the most of a plot which narrates Freud’s morphine-induced circular dream (or nightmare); in it, his subconscious or, rather, his conscience embodied by a naked woman,…
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AESTHETIC EMOTION ON THE STAGE (THANK YOU, KYLIE MINOGUE!!)
Two years ago I had the great pleasure of writing with my friend Gerardo Rodríguez a paper on Kylie Minogue, which we presented at the 2009 AEDEAN at Cádiz. Yesterday, we both had the pleasure of seeing Kylie perform here in Barcelona to a full Palau Sant Jordi (her boyfriend, top model Andrés Velencoso, included!!!).…