LIKE WRITING A MUSICAL SCORE: THE UNACKNOWLEDGED TASK OF THE SCREENWRITER

I came across the name Lola Salvador Maldonado in a recent episode of Días de Cine, the weekly report on cinema that TVE maintains since 1991 on La2 (http://www.rtve.es/television/dias-cine/). The occasion was her 81st birthday and the celebration of her extensive career in Spanish cinema, for which she was awarded the Premio Nacional de Cinematografía […]

TIME AND J.B. PRIESTLEY: I HAVE BEEN HERE BEFORE

It seems that I have started this academic year in a metaphysical vein, concerned about time. Now it’s the turn of John Boynton Priestley’s suggestive play I Have Been Here Before (1937), which I have just seen in La Perla29’s effective production. Directed by Sergi Belbel, using Martí Gallén’s very good Catalan version, Priestley’s play […]

‘READ, READ, READ AND THEN WHAT?’: GOOD QUESTION…

I’m beginning with this post the tenth year of this blog, started back in September 2010, with a certain feeling that blogging is already a thing of the past. As the yearly volumes accumulate (check https://ddd.uab.cat/record/116328), I see how text-based online platforms give way to image-based platforms, with Instagram in the lead, already replacing Twitter […]

THE FALL FROM CHIVARLY: CONSIDERING MASCULINITY IN EL QUIJOTE

This post is inspired by reading Alfredo Moro Martín’s excellent volume Transformaciones del Quijote en la novela inglesa y alemana (U. Alcalá de Henares, 2106), which is based on his doctoral dissertation. His research follows, as he acknowledges, from Pedro Javier Pardo García’s essential study La tradición cervantina en la novela inglesa del s. XVIII […]

A LABEL TO ABOLISH: SECOND GENERATION MIGRANT

I have been asked to be on the board that will assess an MA dissertation dealing with V.V. Ganeshananthan’s first (and, so far, only) novel, Love Marriage (2008). This work created some stir in the year when it was published, earning the honour of making it to the long list of the Orange Prize, among […]

SELF AND IDENTITY: READING MARIA DIBATTISTA’S NOVEL CHARACTERS

I’m not sure that I can do justice to Maria DiBattista’s Novel Characters: A Genealogy (2010) in this hot Mediterranean afternoon and after a mind-numbing two-week spell of marking. The case, however, is that I can’t stop thinking of her distinction between self and identity (or, rather, Self and Identity) and I’d like to add […]