IN THE MONSTER’S OWN WORDS: GETTING TO KNOW FRANKENSTEIN’S NEW MAN

I was interviewed last week on a Catalan-language radio show on monsters (“AutoCine: Els Monstres”, Cerdanyola Ràdio, https://www.ivoox.com/autocine-els-monstres-audios-mp3_rf_35501071_1.html ). The presenter’s last question was ‘which famous monster is most imperfectly known?’ and I had to reply that this is Frankenstein’s creature. Unfortunately, the movies have transmitted a very limited image of this monster, based on […]

VICTOR FRANKENSTEIN’S MAN AND THE (VEXED) QUESTION OF THE POST-HUMAN

These days I’m teaching Frankenstein (1818, 1831) and writing about one of its thousands of descendants, Richard K. Morgan’s Thin Air (2018). As science and technology advance and speculative fiction gets closer to everyday life (or perhaps the other way around), writers imagine creatures that would have baffled Mary Shelley. The newer creations are some […]

CULTURAL STUDIES REVISITED: A BITTERSWET FEELING

I have spent a good portion of my morning today working on a talk I’m giving next month at the Universidade de Santiago de Compostela. The topic is Cultural Studies, specifically my point of view on their evolution in Spain. As happens, I was invited ten years ago to lecture on this very same topic […]

JOHN KEATS: HERITAGE, LEGACY, AND BOHEMIAN POVERTY

Obsessing about how each of the great six male Romantic poets made a living is not the most orthodox way to approach them. It is now John Keats’s turn and, once more, this is, I think, a very relevant issue. I’ll begin, then, by mentioning Keats’s guardian Richard Abbey, the man who put in charge […]

PERCY BYSSHE SHELLEY: THANKS TO MARY’S LOVE

The title of my post today is intended to be ambiguous: I mean to say that it is thanks to the love of his wife Mary that Percy Shelley is celebrated as a major poet, and that both he and all poetry readers must thank her for her efforts. As she wrote, ‘He died, and […]

LORD BYRON: APPROACHING DECANONIZATION

In a hilarious moment of the two-part documentary The Scandalous Adventures of Lord Byron (2009) presenter Rupert Everett discusses with Donatella Versace–as they wait for her butler to announce dinner at her own luxury Milan home–whether Byron (1788-1824) was really as handsome as so many contemporaneous testimonials claim. At this point, Everett has already seen […]

SAMUEL COLERIDGE AND THE ROMANTIC POWER OF CURIOSITY

It has become commonplace to see Samuel Taylor Coleridge (1772-1834) through the lens of his drug addiction, which is why it is perhaps quite wrong to begin this post in this way. His case, however, must be contextualized and his addiction treated as an ailment similar to that currently killing 130 Americans every day and […]

COOL AND UNCOOL AUTHORS (ON WILLIAM WORDSWORTH)

I shared with my ‘English Romantic Literature’ class the video showing Jon Cheryl perform his musical version of William Blake’s ‘The Tyger’ (https://www.youtube.com/watch?v=cFexFkJwrAo) and also Michael Griffin’s song ‘London’ (https://www.youtube.com/watch?v=bAkEyFbGjTc) based on Blake’s eponymous poem. We agreed that both songs are cool and that, by definition, an author whose work can be enjoyed in this […]

TEACHING THE BASICS ABOUT AN AUTHOR (ON WILLIAM BLAKE)

Tomorrow I’ll be introducing my class in ‘English Romantic Literature’ to the pleasure of discovering William Blake (1757-1827). I haven’t taught this course in fifteen years and, so, I needed to re-discover Blake myself, re-learn the basics I must transmit. Within limits, careful as usual not to let myself be carried away and use for […]