ROBOSEXUALITY: BETWEEN SCIENCE FICTION AND REALITY

[This is a sort of preview of the talks I’m supposed to give on 2nd October at the conference of the International Robotics Association and on 24th November at CatCon II. Same topic, different languages.] My good friend Prof. Carme Torras has kindly invited me to be part of a forum connecting the Humanities and […]

IRVINE WELSH IN TOWN, 25 YEARS AFTER TRAINSPOTTING

I had a truly weird experience yesterday attending Irvine Welsh’s presentation of his novel Un polvo en condiciones, Francisco González’s translation of A Decent Ride (Anagrama, 2015). This is the tenth novel in Welsh’s long list, which also includes four short story collections and also plays. I decided to attend because I was meeting a […]

THE IDEA AND THE EFFECT: NOSTALGIA FOR THE 1980s (IN READY PLAYER ONE AND STRANGER THINGS)

I have just gone through the second season of the acclaimed series Netflix Stranger Things (https://www.imdb.com/title/tt4574334/) and I’m currently reading Ernest Cline’s SF novel Ready Player One (2011, https://en.wikipedia.org/wiki/Ready_Player_One), the object of a recent film adaptation directed by Steven Spielberg and scripted by Cline himself. This is the second time I try to read Cline’s […]

THEORIZING CHARACTER: A FEW POINTERS

I have suggested to one of my prospective doctoral students to consider studying the configuration of secondary characters (in Harry Potter) for his dissertation and, so, I have embarked on a small bibliographical search to see what is available generally speaking on characters. This post is a record of my failure to find much of […]

46 VOLUMES, 200 HOURS: BENITO PÉREZ GALDÓS’ EPISODIOS NACIONALES

I have now completed the project of reading Benito Pérez Galdós’ five series of novels generically known as the Episodios nacionales (1872-1912), which I started back in January 2017. I could have finished earlier but I have delayed reading the last series about half a year because I wanted to keep attached to Galdós’ lucid […]

WHEN CULTURE ONLY INTERESTS WOMEN, PATRIARCHY WINS

A couple of months ago, El Confidencial published an interview with former film director and screenwriter Manuel Gutiérrez Aragón (https://www.elconfidencial.com/cultura/2018-06-15/manuel-gutierrez-aragon-ojo-cielo-libro_1577791/). The occasion was the publication of his new novel El ojo del cielo, which focuses on four women in his native Cantabria’s Valle del Pas. I saw the interview by mid-July before taking my summer […]

BIBLIOMETRICS AND OPEN ACCESS: FIGHTING FOR COMMON SENSE

My topic today is the corporate hold on academic research on two different but closely interrelated fronts: open access and bibliometrics. Open access policies are very simple to understand: the publications generated by research funded with public money should be available for free to anyone interested. This is, simply, not happening. Bibliometrics used to be […]

DEATH OF THE NOVEL, DEATH OF THE READER: A DEBATE (WITH AIs)

This post is inspired by two articles about novelists considering whether the novel is in its dying throes. The interview by Vicent Bosch of Guillem López (Castelló, 1975) for JotDown bears the heading “No creo que la novela sobreviva medio siglo” (https://www.jotdown.es/2018/06/guillem-lopez-no-creo-que-la-novela-sobreviva-medio-siglo-la-literatura-si-pero-sera-otra-cosa-tal-vez-un-videojuego/). The Guardian’s article about the BBC Radio 3’s Free Thinking talk by novelist […]

ANATOMY OF THE BOND GIRL: THE CASE OF SOLITAIRE

In one of those bouts of curiosity that may overpower even the most cautious reader, I have gone through the twelve James Bond novels by Ian Fleming (there are two more books, with short fiction, and other novels by living authors). I am by no means a Bond fan but, like many others who don’t […]

KATHARINE BURDEKIN’S SWASTIKA NIGHT IN THE TIMES OF THE HANDMAID’S TALE: A WARNING ABOUT PATRIARCHAL ENSLAVEMENT

I read Margaret Atwood’s The Handmaid’s Tale (1985) many years ago before seeing the unfairly neglected film adaptation with the late Natasha Richardson as Offred, directed in 1990 by Volker Schlöndorff and written by none other than Nobel Prize award-winner Harold Pinter. I have not seen, thank you very much, the ongoing HBO series, now […]