ON THE DECLINE OF CINEMA (WITH SOME MUSINGS ABOUT THE 1980s)

This post is a mixed bag of ideas about cinema. Some are suggested by reading this weekend the Spanish version of Hadley Freeman’s pop essay Time of my Life (2015), a book about the pleasures of 1980s movies. Other ideas spring from the controversy at the Cannes Film Festival (which closed yesterday) on whether Netflix […]

BLURRED LINES: TRYING TO UNDERSTAND THE WRITERS OF THE PAST

No, sorry, this is not a post about Robin Thicke’s catchy, appallingly sexist 2013 hit, which, by the way, turned out to be plagiarised (from a Marvin Gaye song). No: today I’m dealing with our difficulties to produce a clearly defined portrait of the writers of the pre-media past. By pre-media I mean the historical […]

CULTURAL APPROPRIATION (AND THE MATTER OF SPANISH NEO-VICTORIAN FICTION)

I’m just back from the “I International Seminar on (Neo-)Victorian Studies in Spain”, held in Málaga and organized by Prof. Rosario Arias, leader of the ‘(Neo-)Victorian Studies in Spain Network (VINS)’, of which I am currently a member. I have learned these days that many more Spanish scholars than I assumed are bridging the gaps […]

BRIDGING GAPS (AND FEELING SPLIT) BETWEEN DIFFERENT CULTURES

I am currently in the middle of my reading project for this year (see my post of 4 January): going through the 46 novels which comprise Benito Pérez Galdós’ series, Episodios Nacionales (1872-1912). To be specific the Episodios consist of four complete series of 10 novels, and one incomplete series of 6. I’m finishing today […]

FOR STUDENTS: HOW A UNIVERSITY DEPARTMENT WORKS

Talking with students in my Department, I realise that none has a clear idea of how teachers’ work is organized. I wrote a document in Catalan for the benefit of the Students’ Delegation, but I have ultimately decided to translate it into English and publish it here for anyone to see. This post is based, […]

STUCK IN A RUT: MISOGYNY AND FEMINISM

My post today is inspired by an article in the Verne section of El país, which offers a summary of the messages that many Spanish women have sent to Twitter in reaction to the hashtag #comomujermehapasado (more or less: ‘as a woman I have gone through that’) (see http://verne.elpais.com/verne/2017/04/13/articulo/1492088562_028524.html). I find that whenever a piece […]

GURB, STILL AT LARGE: REVISITING EDUARDO MENDOZA’S QUIRKY BARCELONA TALE

Sin noticias de Gurb (1990, English translation No Word from Gurb [2007]), is a short novel by Eduardo Mendoza (b. 1943, Barcelona; Premio Cervantes 2016), which was originally serialised in El País, back in 1989. It belongs to the science-fiction subgenre of the ‘stranded alien tale’, popularized, above all, by Steven Spielberg’s family film E.T. […]

SEEKING A NEW VISION FOR UTOPIA

Last week I attended a talk by Lynne Segal (https://en.wikipedia.org/wiki/Lynne_Segal), a feminist academic and activist, born in Australia but based in the United Kingdom. I first heard about Segal because of her excellent book Slow Motion: Changing Masculinities, Changing Men; since then I have also read by her one of the very few outstanding books […]