CHARLES AND MARIANO JOSÉ: A ZEST FOR (CITY) LIFE

A ridiculous moment in Dickens’s ‘paper’ (as he calls them) on a charity dinner in his Sketches by Boz (1836-37) provokes a strong sense of dèja vú. Soon I identify it with a memory of reading Mariano José de Larra’s articles back when I was a secondary-school student and again as an undegrad. Suddenly, I […]

SNOOKI AND OBAMA (DID I JUST WRITE SNOOKI AND OBAMA?)

Instead of the expected weekly dose of Ridiculousness, MTV broadcast last Thursday a special programme on Jersey Shore’s Snooki. Yes, I confess: I’m addicted to Ridiculousness, as I should be, being a specialist in Gender Studies. Its viral videos offer, after all, the most complete corpus one could wish for on the absurdity of human […]

HOW MUCH READING?: THE RECURRING QUESTION

One of our Erasmus students at Edinburgh emails us the reading list for one of her subjects, a crash course on ‘Scottish Fiction’ (third year, I guess): Week 1. Introduction; extracts from Tobias Smollett, Humphrey Clinker (1771) and James Barker, The Wonder of All the Gay World (1749) Week 2. Walter Scott, The Heart of […]

OLIVER’S BASTARDY: BEYOND THE WORKHOUSE AND INTO THE LAW

Typically, there comes a point when after reading a particular book six or seven times, a new angle opens up and I wonder how come I’d missed that. In the case of Dickens’s Oliver Twist perhaps this has much to do with having overlooked the details of the rocambolesque explanation of the connection between the […]

WE ARE THE BEST!!!: ON HOW THAT FEELS… (SWEATY)

On Wednesday 12 I learned that according to ‘QS World University Rankings 2012-2013’, the university I work for, Universitat Autònoma de Barcelona, is the best in Spain, followed by the Universitat de Barcelona. It is also number 176 in the list of the top 200 in the world (QS considers 2,500 universities in total, 700 […]

IS TRASH ALWAYS TRASH?: THE STRANGE CASE OF THE FILM WARRIOR

It often happens that suddenly a particular actor starts appearing in a number of well-publicised films without being himself particularly famous (or at least, not here). After seeing English actor Tom Hardy in Inception; Tinker, Tailor, Soldier Spy and as the masked Bane in The Dark Knight Rises, and knowing he’d played Sikes and Heathcliff […]

FREEING RESEARCH FROM THE MARKET: THE BRITISH CASE (AND CHINA MIÉVILLE)

A colleague emailed me back in July yet another article on this new phenomenon I’ve been discussing here in fits and starts: the demand that research be freed from the market. This time it was the turn of The Economist (http://www.economist.com/node/21559317) to announce that “Academic journals face a radical shake-up.” The main arguments are the […]

HOW MANY LAYERS TO THIS CAKE?: CONSIDERING SF WRITERS

I am spending a good deal of my holidays reading SF, this time not so much at random and for pleasure but, rather, trying to update my (always tottering…) knowledge of the field in a more systematic fashion. Like any other contemporary genre, SF is fast evolving and it’s very hard to grasp which new […]

1844 AND 1902, OR BETWEEN ENGELS AND LONDON: WHAT GOOD IS CAPITALISM?

NOTE: This post was written on 26 July Preparing for my Victorian Literature subject next semester –in particular for Oliver Twist– I read back-to-back Friedrich Engels’ The Condition of the Working Class in England in 1844 (published 1845 in German, 1887 in English) and Jack London’s The People of the Abyss (1902). Each is a […]