The Joys of Teaching Literature, started in September 2010 and with a Spanish version since July 2021, is a blog for ranting and raving about teaching and researching English Literature, Cultural Studies, and Gender Studies, and other aspects of the Anglophone world. I publish a post once a week, usually on Monday. Please, download the yearly volumes for free or read the volume collecting some of the entries (Passionate Professing: The Context and Practice of English Literature, 2023). The comments option is not available, sorry, but you may contact me through my e-mail address, Sara.Martin@uab.cat. The contents of this blog are protected by a type 4 Creative Common License (Attribution-NonCommercial-NoDerivs (by-nc-nd)).

  • THE BODY AND THE BODIES: AGAINST UNIVERSALISM (IN AFFECT THEORY AND IN HORROR FILM)

    I have read with great pleasure Xavier Aldana Reyes’s new volume, Horror Film and Affect: Towards a Corporeal Model of Viewership (Routledge). I’m very proud to see how he is fast progressing into being a truly first-rank academic, as it is always delightful for a teacher to see how someone who used to sit in…

  • THE INCREDIBLY SHRINKING UNITED KINGDOM: ON BREXIT

    This is a time-capsule post, of the kind that gets written with the author expecting to check in five-years time what really happened. Like many people all over the world–as shown by the instantaneous collapse of the stock market–I expected Britons to have voted in favour of staying in the European Union. This is a…

  • RE-INVENTING EXAMS: AN EXPERIENCE

    It’s June and these days we’re also busy marking exams. We’re also busy wondering why we give our students exams and what use they are (the exams, not the students!). What use assessment is, in fact. I have just entered the final marks for the course I have taught this semester and they are exactly…

  • GONE LOVE: FROM ELIZABETH BENNET TO AMY DUNNE

    I assumed that there would be already a handful of academic articles on Gillian Flynn’s 2012 best-selling novel Gone Girl, adapted for the screen by David Fincher in 2014 from a script by the author herself. Not at all. My university’s meta-searcher, Trobador, has returned 712 results, only 2 of which appear in the MLA…

  • THE BIOLOGY OF CREATIVITY: A SECOND APPROACH

    I published a post back on 26 April in which I quoted from an interview with American neurologist Alice Weaver Flaherty, author of the book The Midnight Disease (2004), an essay on neurology and literary creativity. I have read now her volume and although I do not wish to offer here a formal review I…