The Joys of Teaching Literature, started in September 2010 and with a Spanish version since July 2021, is a blog for ranting and raving about teaching and researching English Literature, Cultural Studies, and Gender Studies, and other aspects of the Anglophone world. I publish a post once a week, usually on Monday. Please, download the yearly volumes for free or read the volume collecting some of the entries (Passionate Professing: The Context and Practice of English Literature, 2023). The comments option is not available, sorry, but you may contact me through my e-mail address, Sara.Martin@uab.cat. The contents of this blog are protected by a type 4 Creative Common License (Attribution-NonCommercial-NoDerivs (by-nc-nd)).

  • A MATTER OF OPINION: ABOUT AMAZON READERS’ BOOK RANKINGS

    (It feels very nice to return to this blog after a much necessary three-week summer break, which, like all Literature teachers, I have spent chain-reading… Shouldn’t this count as work time??) Among my summer reading I have included Iain M. Banks’s last Culture novel Surface Detail (2010). He happens to be my favourite sf writer…

  • BRONTË’S THE TENANT OF WILDFELL HALL ON TV: WHY I WON’T SHOW IT IN CLASS

    Among the myriad things we, teachers, do in July one is (re-)reading the set texts for the coming academic year and, in some cases, seeing the corresponding film adaptation (on DVD, self-financed) to check whether it might be of use to complement the book (also self-financed). I personally enjoy very much doing research on film…

  • ISHIGURO & GARLAND: STRANGE BEDFELLOWS (ABOUT A VIDEO)

    I’m writing a chapter for a collective book, edited by José Francisco Fernández Sánchez, on how contemporary British writers have progressed since the publication of Blincoe & Thorne’s anthology (and manifesto) All Hail the New Puritans (2000). I chose (I begged…) to write about Alex Garland, as I’m very much interested in how he’s straddling…

  • (ACADEMIC) DIVA IN TOWN: ABOUT NOT PAYING HOMAGE

    SHE is in town, the one who made all that possibly with the publication of that book back 20 years ago, invited once more to illuminate us (at great expense, with public money). I saw her years ago, one among a crowd of adoring admirers and I liked her very much because she deflated her…

  • WHEN IT’S BAD, IT’S WORSE: ARTHUR MILLER ALL MY SONS

    I believe that when theatre disappoints it does do with the same intensity as when it pleases: very much. This is not quite the same in the case of cinema, I’m not sure why; somehow, bad films are soon forgotten, whereas bad plays, always harder to follow than films, remain stuck in our memories. I’m…