You might be familiar with the French film Sarah’s Key (Gilles Paquet-Brenner, 2010), originally titled Elle s’appelait Sarah, like the best-selling novel (2007) by Tatiana de Rosnay which it adapts. I saw the film, loving, as usual, Kristin Scott-Thomas’s fine performance. She plays Julia, a journalist who doggedly follows the clues leading her to discover […]
Among the myriad things we, teachers, do in July one is (re-)reading the set texts for the coming academic year and, in some cases, seeing the corresponding film adaptation (on DVD, self-financed) to check whether it might be of use to complement the book (also self-financed). I personally enjoy very much doing research on film […]
I’m writing a chapter for a collective book, edited by José Francisco Fernández Sánchez, on how contemporary British writers have progressed since the publication of Blincoe & Thorne’s anthology (and manifesto) All Hail the New Puritans (2000). I chose (I begged…) to write about Alex Garland, as I’m very much interested in how he’s straddling […]