POOR THINGS: BELLA BAXTER’S TRANSFORMATIONS

[WARNING SPOILERS] I was very much surprised, or rather dismayed, to read about Giórgos ‘Yorgos’ Lanthimos’s new film Poor Things, being a big fan of the novel but not at all of the director. Neither The Lobster (2015) nor The Favourite (2018) are films I have enjoyed and, to be honest, I fail to understand […]

READING WRITERS’ BIOGRAPHIES: THE ELUSIVE ESSENCE OF THE IMAGINATION

I am currently reading Ruth Franklin’s 2016 biography of American author Shirley Jackson, subtitled A Rather Haunted Life, and I’ve come across a couple of passages in Chapter One (“Foundations: California 1916-1933”) I would like to comment on. Franklin informs us that Samuel C. Bugbee, “San Francisco’s first architect and Jackson’s great-great-grandfather” built in the […]

DRACULA AS AN X-FILE: FROM SCIENCE TO PSEUDOSCIENCE (OR WORSE)

I am teaching Stoker’s novel Dracula as I work on the second edition of my book on The X-Files (Expediente X: en honor a la verdad) which should be published at some point next Autumn, coinciding with the thirtieth anniversary of the series’ launch in 1993. The episodes in The X-Files on vampirism (“3” and […]

REDEFINING GOTHIC FOR THE TWENTY-FIRST CENTURY

[NOTE: this post is available in Spanish at https://blogs.uab.cat/saramartinalegre/es/] There is no volume called An Introduction to Gothic. The closest title is Nick Groom’s The Gothic: A Very Short Introduction (2012), though it could be said that the real introduction to Gothic was David Punter’s The Literature of Terror (1980, expanded into two volumes 1994 […]

MARY SHELLEY’S (HIDEOUS) FILM PROGENY: A LEGACY IN NEED OF RENOVATION

Last week I skipped my weekly appointment because I was extremely busy finishing the edition of my latest e-book project with students. Here it is, finally!: Frankenstein’s Film Legacy (https://ddd.uab.cat/record/215815). Since 2013-14, when I taught a monographic course on Harry Potter, I have been developing a series of projects with undergrad and postgrad students, consisting […]

WHAT AN UGLY IMAGINATION IS ABOUT (TRYING TO MAKE SENSE OF MY OWN IDEAS)

I am currently a member of the Ministry-funded research project led by Dr. Helena González of the University of Barcelona, Parias y tránsfugas modernas: género y exclusión en la cultura popular del s.XXI (http://www.ub.edu/adhuc/es/proyectos-investigacion/transfugas-y-parias-modernas-genero-y-exclusion-cultura-popular-del-s-xxi). We had a seminar last week, which opened with my presentation of six characters that, in my view, are either outcasts […]

IN THE MONSTER’S OWN WORDS: GETTING TO KNOW FRANKENSTEIN’S NEW MAN

I was interviewed last week on a Catalan-language radio show on monsters (“AutoCine: Els Monstres”, Cerdanyola Ràdio, https://www.ivoox.com/autocine-els-monstres-audios-mp3_rf_35501071_1.html ). The presenter’s last question was ‘which famous monster is most imperfectly known?’ and I had to reply that this is Frankenstein’s creature. Unfortunately, the movies have transmitted a very limited image of this monster, based on […]

VICTOR FRANKENSTEIN’S MAN AND THE (VEXED) QUESTION OF THE POST-HUMAN

These days I’m teaching Frankenstein (1818, 1831) and writing about one of its thousands of descendants, Richard K. Morgan’s Thin Air (2018). As science and technology advance and speculative fiction gets closer to everyday life (or perhaps the other way around), writers imagine creatures that would have baffled Mary Shelley. The newer creations are some […]