One of my colleagues has just retired and among the many books of his extensive library that he has given away (for that’s what happens with the books we store in our offices) I have rescued John Carey’s What Good Are the Arts? (Faber & Faber, 2005). I have very fond memories of reading Carey’s […]
I was going to write about my increasingly worrying addiction to GoodReads. In the end, though, this has become a post about the deprofessionalization of book reviewing, based on a consideration of the very diverse influence of reviewers Michiko Kakutani and Emily May, the former a stalwart of The New York Times and the latter […]
I’m returning again after a couple of previous posts (see here the more recent one and here the older one) to the matter of nonfiction, which occupies me because I’m planning to teach an elective subject if not next year, then the following. As I explained in my previous posts, I find the label nonfiction […]
Last week I wrote about the sheer amount of bibliography we are using in academic work. I neglected, however, to mention that in textual analysis primary sources are occupying less and less space. In the presentation of my volume La verdad sin fin: Expediente X back in September, Iván Gómez praised me for having the […]
In the most recent peer reviewing I have passed one of the reviewers complained that I quote too much and should paraphrase more. The article is 8880 words long and has 30 secondary sources, so on average 1 source for about 300 words, apart from the quotations from the primary source (I quoted from it […]
This post is inspired by two very different book reviews. On 7 November Laura Miller published in Slate the review of Rebecca Yarros’s Iron Flame. The piece is titled “‘I’ve Been Yours for Longer Than You Could Ever Imagine”: Is the dragon-school ‘romantasy’ series that’s dominating the bestseller lists actually any good?” On 10 November […]
SPOILERS WARNING: This post deals with the nine Expanse novels and discusses the series’ ending. The Expanse is a series of nine space opera novels—Leviathan Wakes (2011), Caliban’s War (2012), Abaddon’s Gate (2013), Cibola Burn (2014), Nemesis Games (2015), Babylon’s Ashes (2016), Persepolis Rising (2017), Tiamat’s Wrath (2019) and Leviathan Falls (2021)—accompanied by a short […]
I am finally breaking a silence of four weeks after being snowed under a prodigious mountain of proofreading and being also busy writing indexes, aspects of writing we never discuss. I’m breaking that bad habit here. I used my time off the classroom in 2022 to work on four volumes to be published in […]
When I introduce second-year students to the basics of writing academic papers and they submit their first paper proposal (title, 100-abstract, 3-item valid academic bibliography) I warn them to use only post-1995 bibliography (perhaps I should update that to 21st century bibliography?). As I explain, even though in the paper they can use older sources, […]
Back in August I wrote a post called “Chronicling the Death of Literature (II): The Writer as Influencer” in which I referred mainly to top-selling American author Colleen Hoover as the main example of the writer who succeeds despite lacking the support of the conventional media and thanks to the social media. I return to […]