I have finally started teaching my new subject Contemporary Literature in English after months of preparation and this is my first post directly connected to the issues raised in class. The subject, as I explained to the students, has two main purposes: familiarizing them with the most relevant fiction and non-fiction published between 1990 and […]
This is the last post of the current academic year (2023-24), in which I have written relatively few posts (only 39) because I have been writing yet another book (Masculinity in Contemporary Science Fiction by Men: No Plans for the Future, Liverpool UP) and getting the Spanish translation ready, both for next year. Nothing saps […]
One of my colleagues has just retired and among the many books of his extensive library that he has given away (for that’s what happens with the books we store in our offices) I have rescued John Carey’s What Good Are the Arts? (Faber & Faber, 2005). I have very fond memories of reading Carey’s […]
I was going to write about my increasingly worrying addiction to GoodReads. In the end, though, this has become a post about the deprofessionalization of book reviewing, based on a consideration of the very diverse influence of reviewers Michiko Kakutani and Emily May, the former a stalwart of The New York Times and the latter […]
I’m returning again after a couple of previous posts (see here the more recent one and here the older one) to the matter of nonfiction, which occupies me because I’m planning to teach an elective subject if not next year, then the following. As I explained in my previous posts, I find the label nonfiction […]
Last week I wrote about the sheer amount of bibliography we are using in academic work. I neglected, however, to mention that in textual analysis primary sources are occupying less and less space. In the presentation of my volume La verdad sin fin: Expediente X back in September, Iván Gómez praised me for having the […]
In the most recent peer reviewing I have passed one of the reviewers complained that I quote too much and should paraphrase more. The article is 8880 words long and has 30 secondary sources, so on average 1 source for about 300 words, apart from the quotations from the primary source (I quoted from it […]
This post is inspired by two very different book reviews. On 7 November Laura Miller published in Slate the review of Rebecca Yarros’s Iron Flame. The piece is titled “‘I’ve Been Yours for Longer Than You Could Ever Imagine”: Is the dragon-school ‘romantasy’ series that’s dominating the bestseller lists actually any good?” On 10 November […]
SPOILERS WARNING: This post deals with the nine Expanse novels and discusses the series’ ending. The Expanse is a series of nine space opera novels—Leviathan Wakes (2011), Caliban’s War (2012), Abaddon’s Gate (2013), Cibola Burn (2014), Nemesis Games (2015), Babylon’s Ashes (2016), Persepolis Rising (2017), Tiamat’s Wrath (2019) and Leviathan Falls (2021)—accompanied by a short […]
I am finally breaking a silence of four weeks after being snowed under a prodigious mountain of proofreading and being also busy writing indexes, aspects of writing we never discuss. I’m breaking that bad habit here. I used my time off the classroom in 2022 to work on four volumes to be published in […]