Even though I have been teaching H. Rider Haggard’s King Solomon’s Mines (1885) for a few years now, it seems I have not written about this novel here. A bit odd. Since I am most likely saying goodbye to it, this is perhaps the right moment to discuss its racist, colonial content, the issue on […]
My post today is a sort of belated coda to the book I published last year, American Masculinities in Contemporary Documentary Film: Up Close Behind the Mask (see my post on this book), whose Spanish self-translation Detrás de la máscara: masculinidades americanas en el documental contemporáneo, is now available in open access. In that book […]
On Friday I’ll be giving a lecture as the guest of ICGR’s 7th International Conference on Gender Research, to be celebrated at my own university, UAB. The title of my lecture is the one I’m using for this post: ‘Doing Masculinities Studies as a Feminist Woman: Aims and Gains.’ This invitation has reached me at […]
[WARNING: This post discusses the movie Barbie with spoilers] It’s been a week since Greta Gerwig’s movie Barbie was released and the internet is abuzz with comments of all sizes and types. Surely, mine is not needed but, as happens, the more I think about the movie, the more restless I get. I was delighted […]
I feel provoked to write today by an MA dissertation arguing that in American Psycho (1991) Bret Easton Ellis manipulates readers so that they share with its protagonist, Patrick Bateman, the pleasure he feels when he tortures, mutilates and kills his victims. I will award the student in question an A because she has researched […]
Today I am celebrating the publication of the eleventh book I have edited gathering together work by my BA and MA students. I refer to Songs of Survival: Men in 21st Century Popular Music, written by the MA students enrolled in this year’s elective subject ‘Gender Studies’. Two years ago I decided to plan companion […]
This post has the same title as the last book I have published, my second monograph in English. It came out a few weeks ago and will be followed this Autumn by my own translation into Spanish, Detrás de la mascara: masculinidades americanas en el documental contemporáneo (U València). Curiously, Anglophone publishers prefer the less […]
SPOILERS WARNING: This post deals with the nine Expanse novels and discusses the series’ ending. The Expanse is a series of nine space opera novels—Leviathan Wakes (2011), Caliban’s War (2012), Abaddon’s Gate (2013), Cibola Burn (2014), Nemesis Games (2015), Babylon’s Ashes (2016), Persepolis Rising (2017), Tiamat’s Wrath (2019) and Leviathan Falls (2021)—accompanied by a short […]
My post today is inspired by Daniel Soufi’s article for El País “Salvar el mundo por no jubilarse: los héroes de más de 60 años llenan las pantallas de cine” [Saving the World to Avoid Retirement: Over-60 Heroes Fill the Cinema Screens]. Soufi wonders why ageing male actors are still playing action heroes and names […]
I’m returning to James S.A. Corey’s The Expanse, which I discussed two posts ago, this time to reflect on the strategies required to face such a long read for academic purposes. Whereas mainstream and literary novels are usually published as stand-alone volumes, series abound in genre fiction. They are sometimes bound by the presence […]