OLIVER’S BASTARDY: BEYOND THE WORKHOUSE AND INTO THE LAW

Typically, there comes a point when after reading a particular book six or seven times, a new angle opens up and I wonder how come I’d missed that. In the case of Dickens’s Oliver Twist perhaps this has much to do with having overlooked the details of the rocambolesque explanation of the connection between the […]

1844 AND 1902, OR BETWEEN ENGELS AND LONDON: WHAT GOOD IS CAPITALISM?

NOTE: This post was written on 26 July Preparing for my Victorian Literature subject next semester –in particular for Oliver Twist– I read back-to-back Friedrich Engels’ The Condition of the Working Class in England in 1844 (published 1845 in German, 1887 in English) and Jack London’s The People of the Abyss (1902). Each is a […]

A FORGOTTEN BEST-SELLER: MARIE CORELLI’S THE SORROWS OF SATAN (1895)

Whether you’re interested in Victorian Literature, Gothic fiction or the material aspects of Literature (i.e. the market), Marie Corelli’s name is sure to surface in your reading. I’m interested in these three issues and so, sooner or later, I was bound to read her best-selling novel The Sorrows of Satan (1895). Corelli (née Minnie Mackay) […]

TERRY AND CHARLIE: THE (VICTORIAN) CONNECTION SURFACES

I must thank my PhD supervisor in Scotland, Prof. David Punter, for inviting me to overcome my prejudice against the colourful covers of Terry Pratchett’s novels and kicking me head first into the Discworld. 17 years and 39 novels later I can only say ‘thank you, thank you, thank you…’ for so much literary pleasure. […]

HOW TO (NOT) USE A GUN: HEDDA GABLER AT TEATRE LLIURE

Henrik Ibsen’s ‘heroine’ Hedda Gabler has taken residence up at Teatre Lliure for a while and is today leaving town. Good riddance! Students of Victorian Literature will recall Shaw’s claim in The Quintessence of Ibsenism that whereas late 19th century British plays generated nothing much except entertainment, Ibsen’s generated discussion. Well, here it is: I’m […]

DOING GENDER STUDIES: FOR MY MALE STUDENTS

At the last count, the male students following actively my Victorian Literature subject are 9 in a class of 50 active students (by this I mean that about 10 more are registered but never show up). This is about 20%, slightly higher than in other courses I have taught, in which the proportion was usually […]

RETURNING TO WILDE ONCE MORE: LA IMPORTÀNCIA DE SER FRANK

We have included again Oscar Wilde’s delicious comedy The Importance of Being Earnest in our Victorian Literature syllabus and, luckily for our students, this has coincided with the successful production offered at Teatre Gaudí by the stage company Lazzigags Productions. Ivan Campillo, responsible for the new Catalan translation, is, besides, the director and also the […]

GILBERT & HEATHCLIFF: BROTHERS (AND BRONTË SISTERS)

Many critics have already suggested that the unfortunate Branwell Brontë provided the main inspiration for his sister Anne’s self-destructive Arthur Huntingdon in The Tenant of Wildfell Hall. He seems to have been also Emily’s bleak muse for the degraded Hindley Earnshaw, Cathy’s brother. In both cases, Arthur’s and Hindley’s, they are contrasted with a stronger […]