I must thank my PhD supervisor in Scotland, Prof. David Punter, for inviting me to overcome my prejudice against the colourful covers of Terry Pratchett’s novels and kicking me head first into the Discworld. 17 years and 39 novels later I can only say ‘thank you, thank you, thank you…’ for so much literary pleasure. […]
Henrik Ibsen’s ‘heroine’ Hedda Gabler has taken residence up at Teatre Lliure for a while and is today leaving town. Good riddance! Students of Victorian Literature will recall Shaw’s claim in The Quintessence of Ibsenism that whereas late 19th century British plays generated nothing much except entertainment, Ibsen’s generated discussion. Well, here it is: I’m […]
I am now part of a team of UAB and UB Literature teachers grouped together in an ‘MQD’ project (‘Millora de la Qualitat Docent’ = Teaching Quality Improvement). Our aim is improving our methodology by focusing on the narrator when teaching Literature. This is the reason why we decided to ask students to write their […]
At the last count, the male students following actively my Victorian Literature subject are 9 in a class of 50 active students (by this I mean that about 10 more are registered but never show up). This is about 20%, slightly higher than in other courses I have taught, in which the proportion was usually […]
Yesterday I taught an MA seminar at UB about Amy Heckerling’s Clueless as a film adaptation of Jane Austen’s Emma, which it is indeed even though Austen’s novel is not credited at all. Inevitably, as I happen to dislike Austen very much, we eventually came to the point in which I criticised Emma (and Clueless) […]
We have included again Oscar Wilde’s delicious comedy The Importance of Being Earnest in our Victorian Literature syllabus and, luckily for our students, this has coincided with the successful production offered at Teatre Gaudí by the stage company Lazzigags Productions. Ivan Campillo, responsible for the new Catalan translation, is, besides, the director and also the […]
Many critics have already suggested that the unfortunate Branwell Brontë provided the main inspiration for his sister Anne’s self-destructive Arthur Huntingdon in The Tenant of Wildfell Hall. He seems to have been also Emily’s bleak muse for the degraded Hindley Earnshaw, Cathy’s brother. In both cases, Arthur’s and Hindley’s, they are contrasted with a stronger […]
Having taught several times Charles Dickens’s Great Expectations I had serious doubts that Oliver Twist would be a satisfying text to teach, being, as it clearly is, inferior to this other novel. Why change the syllabus, then? The usual: my colleagues’ worries that Great Expectations is too hard to grasp for second-year students (yes, a […]
A dear friend gave me as a present Jeremy Paxman’s book The Victorians: Britain through the Paintings of the Age (2009), a very refreshing volume which is by no means a history of Victorian painting but a look at the Victorian age through its pictorial obsessions. The volume, it turns out, is a tie-in of […]
I don’t particularly favour the fashionable type of novel that attempts to update a classic by adding to it (the sequel to Pride and Prejudice by Emma Tennant, Pemberley), by paying homage (Lloyd Jones’s Mister Pip), or by radically rewriting it (Ben Winters’s Android Karenina). If you want to tell a story, find your own […]