WHY VICTORIAN NOVELS ARE SO LONG (AND WHY WE LACK PATIENCE TO READ THEM)

You might think that Victorian novels are so long because of their serialization in weekly or monthly instalments, sold either as part of periodical publications or independently. However, this business practice, introduced by Charles Dickens’s publisher, Chapman, with the serialization of The Posthumous Papers of the Pickwick Club (19 instalments between March 1836 and November […]

(DON) JUANITO SANTA CRUZ: THE SEDUCER AS MINOR CHARACTER IN FORTUNATA Y JACINTA

In this summer of very long books, I have re-read with great pleasure Benito Pérez Galdós’s masterpiece Fortunata y Jacinta: dos historias de casadas (1887), a novel certainly far superior to Tolstoi’s Anna Karenina, but still not hailed as the universal classic it should be. Blame for this a certain prejudice against Spanish literature and […]

LEGAL FICTIONS OF THE 19TH CENTURY: THE CASE OF ANNA KARENINA

I must confess my total and utter failure to enjoy Leo Tolstoy’s classic novel Anna Karenina (serialized 1875-1877 and printed in a single volume in 1878). I started with the customary patience I use when reading very long texts (1096 pages in my edition, the excellent 2000 translation by husband-and-wife team Richard Pevear and Larissa […]

MORE ON SECONDARY CHARACTERS: TANCREDO, THE ITALIAN APOLLO, IN EÇA DE QUEIROZ’S ‘OS MAIAS’ (1888)

The book I’m currently working on, a study of secondary characters, has a corpus composed of 19th century novels in diverse European languages. I started with nine authors, but I have decided to abandon Swedish writer Selma Lagerlöf because I found it impossible to sustain my interest in her novel Gösta Berling’s Saga (1891), which […]