IN HOW MANY LEVELS DO CHARACTERS IN NOVELS OPERATE?: A PRACTICAL PROPOSAL

Continuing with my reading of bibliography on the minor characters, this week I’ve perused David Galef’s The Supporting Cast: A Study of Flat and Minor Characters (1993), a volume less well regarded than Alex Woloch’s The One and the Many but still quite remarkable. Whereas Woloch focuses on the 19th century novel (Austen, Dickens, Balzac), […]

WHAT LIES BEHIND LITERARY THEORY: NOTES ON THE DISCUSSION OF CHARACTER

I’m beginning to read (and in some cases re-read) the bibliography for my future book on secondary characters. I wish I could jump straight into the matter that interests me, for which there is relatively scant bibliography, but I need for my theoretical framework in the introduction an overview of the secondary sources discussing the […]

(MIS)ADVENTURES IN (MIS)CASTING: VISUALISING CHARACTERS

I start reading Drive Your Plow Over the Bones of the Dead (2009) by the recent Nobel Prize co-winner Polish novelist Olga Tokarczuk, and I am dismayed to realize that the first-person narrator I have visualized for about fifteen minutes as an old man is an old woman. Her name is mentioned at the very […]

SELF AND IDENTITY: READING MARIA DIBATTISTA’S NOVEL CHARACTERS

I’m not sure that I can do justice to Maria DiBattista’s Novel Characters: A Genealogy (2010) in this hot Mediterranean afternoon and after a mind-numbing two-week spell of marking. The case, however, is that I can’t stop thinking of her distinction between self and identity (or, rather, Self and Identity) and I’d like to add […]