Needing entertainment I chose to spend close to 40 hours watching the four seasons of Netflix’s The Crown (2016-). It has been impossible these last few weeks to ignore the abundant articles and blog posts on the alleged misrepresentation of the British Royal Family in the new fourth season, released in mid-November, as I just […]
My post today has to do with a direct question asked by one of my MA students (to what extent is gender natural?) and with issues raised in the paper proposals of my Victorian Literature students, all about Charles Dickens’ Great Expectations. So, here we go. As you will recall, if you’re familiar with Dickens’ […]
Like half the planet, I’ve been watching these days Netflix’s mini-series The Queen’s Gambit (https://www.imdb.com/title/tt10048342) and enjoying it very much despite my total lack of interest in chess. Written and directed by Scott Frank, the mini-series adapts a 1983 novel by Walter Tevis, a truly interesting American author. Some of his titles may ring a […]
I’ve been teaching from home for the last three and a half weeks after teaching face-to-face for about four and a half weeks and this seems a good moment to send a second dispatch from the front lines. We have been told to stay home until the end of November, three more weeks then, and […]
Looking for a Victorian Literature topic suitable for an MA dissertation I came across very enthusiastic reviews in GoodReads for the novel John Halifax, Gentleman (1856) by Dinah Maria Craik (née Mulock, 1826-1887). I’m sorry to say that though I have come across occasional references to this once popular author, I had never heard about […]
You may have heard already of Cuties (original title Mignonnes), the debut feature film by French-Senegalese director Maïmouna Doucouré (b. 1985) author also of the screenplay. Her film, partly based on her own childhood experiences, narrates a turning point in the life of eleven-year-old Amy, a young girl with the same migrant ethnic background as […]
My good friend Brian Baker (@SciFiBaker) tweeted yesterday: “Hands up who’s tried, through classroom technology failures and ‘dual mode delivery’, to teach online students down your phone at the same time as trying to organise discussion with other students in the classroom? Next time I’ll take a unicycle with me as well”. And do handstands… […]
Last March I published the post “How Entitlement and Villainy Connect” (https://blogs.uab.cat/saramartinalegre/2020/03/03/how-entitlement-and-villainy-connect-as-i-explain-in-masculinity-and-patriarchal-villainy-from-hitler-to-voldemort/) to publicise my first monograph in English Masculinity and Patriarchal Villainy in British Fiction: From Hitler to Voldemort (Routledge, 2019). Now is the turn to launch my second book in English, Representations of Masculinity in Literature and Film: Focus on Men (http://www.cambridgescholars.com/representations-of-masculinity-in-literature-and-film). Both […]
More on gender today, this time inspired by my reading of two extremely different volumes: Núria Gómez Gabriel and Estela Ortiz’s Love Me, Tinder: Una Mirada Crítica a lo que Ellos Ofrecen (2020) and Antonio Bolinche’s El Síndrome de las Supermujeres (2020). Gómez Gabriel and Ortiz dissect with verve but rather superficially men’s written self-presentations […]
American journalist Peggy Orenstein became a much sought-after expert on girls before becoming herself a mother, at which point she realized that theory hardly ever matches practice. Her book Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture (2012) describes the discomfiture caused by her inability to steer her daughter […]