EVA AND ELIZA: MIRROR IMAGES

Josep María Pou has staged J.B. Priestley’s classic An Inspector Calls at Teatre Goya here in BCN for the first time in Spain, with the exception of a 1973 version for TVE’s Estudio 1 (um, the good old times when drama had a place on Spanish TV… The new version didn’t apparently get the expected […]

BLAST ME IF YOU WANT (BUT I DON’T UNDERSTAND SARAH KANE…)

Yesterday four students offered us Scene 1 and Scene 2 of Sarah Kane’s Blasted, with a courage and enthusiasm far beyond my expectations. Josep and Helena, Julia and Isabella played Ian and Cate, with Julia doubling as the Soldier. To begin with, in Scene 1 we had a young couple (happy, I assume!) playing the […]

MISSING THE PUNCH LINE: TERRY JOHNSON’S HYSTERIA AND BEN TRAVERS’S FARCE ROOKERY NOOK

Last week we witnessed in class the struggle, brilliantly solved, of four students –Sara, David, Carla and, secondarily, María– with Terry Johnson’s demanding intellectual farce Hysteria (1993). They made the most of a plot which narrates Freud’s morphine-induced circular dream (or nightmare); in it, his subconscious or, rather, his conscience embodied by a naked woman, […]

AESTHETIC EMOTION ON THE STAGE (THANK YOU, KYLIE MINOGUE!!)

Two years ago I had the great pleasure of writing with my friend Gerardo Rodríguez a paper on Kylie Minogue, which we presented at the 2009 AEDEAN at Cádiz. Yesterday, we both had the pleasure of seeing Kylie perform here in Barcelona to a full Palau Sant Jordi (her boyfriend, top model Andrés Velencoso, included!!!). […]

LIKE A CROWDED PARTY: READING INTRODUCTIONS (TO BRITISH THEATRE)

Introductions to particular literary periods, genres or schools make me as nervous as a party where I don’t know anyone: I want to meet everyone but I know that I’ll end up mixing up faces and stories and making serious gaffes (um, same problem with academic conferences, apologies to all concerned…). I’m currently going through […]

TOP GIRL PERFORMERS IN CLASS

This week the experiment of having students perform scenes from a selection of contemporary British plays in class has started… with top results!! The first texts were Act I and Act III of Caryl Churchill’s Top Girls and I can only say that the women students playing the roles turned out to be top performers […]

THE PLAGIARISING MINISTER

Karl Theodor zu Guttenberg, the German Defence minister in Angela Merkel’s Government, has finally resigned. The reason? The newspaper Süddeutsche Zeitung has made it public that Zu Guttenberg had plagiarised part of his doctoral dissertation: a staggering 20% of its 475 pages. Zu Guttenberg, a very popular politician, has taken his time to resign, as […]

THE HEN! THE HEN!: AN HOMAGE TO THE LITLLE STORYTELLER ON THE TRAIN

I’d run out of reading matter a few stops from my station, which is annoying, when a hassled thirty-something mum got on, dragging a feisty six-year-old and holding a crying, twisting, screaming two-year-old. They sat opposite me. For some puzzling reason, the baby was shouting at the top of her lungs for ‘The hen! The […]

MORE ON MONEY: RESEARCHING THEATRE

I invite to my Contemporary British Theatre class Prof. Mireia Aragay and Prof. Enric Monforte of the University of Barcelona, two of the best Spanish specialists in the field and co-authors of the excellent collection of interviews with directors, playwrights, critics and academics, British Theatre of the 1990s (Palgrave, 2007) I interview them with interventions […]